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Books > Local Author Showcase > Lifestyle
The Big South African Hair Book is a celebration of #NaturalHair and
an exploration of the South African #NaturalHair community. Part peek
into what’s causing generations of women to ditch chemical relaxers,
and part practical haircare guide, this book is an indispensable
companion for everyone from the curl-curious to #NaturalHair veterans.
Journalist Janine Jellars takes us on a fun, funny, no-judgements journey from creamy crack addiction to 'fro freedom. 'Finally, a book that dismantles decades upon decades of black women’s hair misconceptions! Janine Jellars’ conversational tone and non-prescriptive insights nudge readers in the direction of happy, healthy natural hair!' – Kemong Mopedi 'Similar experiences between Janine and I remind me that black identity/black culture is inextricably wound up in one’s hair. Hair is political, it’s complex, complicated and beautiful. Timely and relevant!' – Masasa Mbangeni"
"Alison, I’ve got bad news." The voice of the pathologist at the other end of the telephone confirmed for Alison Tucker the news no woman ever wants to hear: she had breast cancer. Once the shock had settled, Alison decided that she would take charge. Not only would she take ownership of the dreaded disease, but she would do so with a positive mindset and prepare herself as best she could for what was to come. She did detailed research and paid close heed to what she was told by others who had walked the path before her. As she navigated her way through surgery and the chemotherapy and radiotherapy that followed, Alison’s determination paid off. Not only did she make new friends, but she learnt valuable life lessons too: acceptance of the illness for what it was, the amazing impact of ongoing advances in medical science, and the importance of being able to ask for – and receive – help. In My Best Worst Year – A Breast Cancer Story, Alison gives us an authentic account of her experience, offering insights and advice for others who might one day face the same diagnosis. You will accompany her on her highs, empathise with her lows, and be amused by humorous anecdotes along the way. Through the generous support of family and friends, she has amassed a collection of practical tips for both patients and supporters which she shares with open-hearted honesty:
Contrary to Alison’s expectations, her year of treatment turned out to be her best worst year. By telling her story, she underlines the importance of a positive attitude and hopes to show that a person can still lead a productive and enjoyable life even after being diagnosed with cancer.
Many of the photographs are as familiar as they are iconic: Nelson Mandela gazing through the bars of his prison cell on Robben Island; a young Miriam Makeba smiling and dancing; Hugh Masekela as a schoolboy receiving the gift of a trumpet from Louis Armstrong; Henry ‘Mr Drum’ Nxumalo; the Women’s March of 1955; the Sophiatown removals; the funeral of the Sharpeville massacre victims … Photographer Jürgen Schadeberg was the man behind the camera, recording history as it unfolded in apartheid South Africa, but his personal story is no less extraordinary. His affiliation for the displaced, the persecuted and the marginalised was already deeply rooted by the time he came to South Africa from Germany in 1950 and began taking pictures for the fledgling Drum magazine. In this powerfully evocative memoir of an international, award-winning career spanning over 50 years – in Europe, Africa and the US – this behind-the-scenes journey with a legendary photojournalist and visual storyteller is a rare and special privilege. Schadeberg’s first-hand experiences as a child in Berlin during the Second World War, where he witnessed the devastating effect of the repressive Nazi regime, and felt the full wrath of the Allied Forces’ relentless bombing of the city, are vividly told. The only child of an actress, who left her son largely to his own devices, Jürgen became skilled at living by his wits, and developed a resourcefulness that held him in good stead throughout his life. At the end of the war, his mother married a British officer and emigrated to South Africa, leaving Jürgen behind in a devastated Germany to fend for himself. With some luck and a great deal of perseverance, he was able to pursue his interest in photography in Hamburg, undergoing training as an unpaid ‘photographic volunteer’ at the German Press Agency, then graduating to taking photos at football matches. After two years there, Jürgen made the decision to travel to South Africa. He arrived at Johannesburg station on a cold winter’s morning. He had a piece of paper with his mother’s address on it, his worldly possessions in a small, cheap suitcase on the platform beside him, and his Leica camera, as always, around his neck.
Son of a Preacher Man is a story about a loving but fraught relationship between a father and son in apartheid South Africa. The father was Bruce Evans, a Jewish-born, evangelical Anglican clergyman who became Bishop of Port Elizabeth. His children grew up in the 1960s and ’70s in a world awash with chapter-and-verse ‘born-again’ Christianity that included ‘talking-in-tongues’, ‘divine healings’ and exorcism. Gavin, his middle son, who narrates the tale, eventually broke with the religious beliefs he’d inherited and threw himself into the ‘struggle’ for democracy while keeping his father at arms’ length. But they reconciled shortly before Bruce’s death from motor neuron disease in 1993. The book delves into the psyches of both men and examines how it played out in the 33 years they had together.
This book explores learning outcomes for low-income rural and township youth at five South African universities. The book is framed as a contribution to southern and Africa-centred scholarship, adapting Amartya Sen’s capability approach and a framework of key concepts: capabilities, functionings, context, conversion factors, poverty and agency to investigate opportunities and obstacles to achieved student outcomes. This approach allows a reimagining of ‘inclusive learning outcomes’ to encompass the multi-dimensional value of a university education and a plurality of valued cognitive and non-cognitive outcomes for students from low-income backgrounds whose experiences are strongly shaped by hardship. Based on capability theorising and student voices, the book proposes for policy and practice a set of contextual higher education capability domains and corresponding functionings orientated to more justice and more equality for each person to have the opportunities to be and to do what they have reason to value. The book concludes that sufficient material resources are necessary to get into university and flourish while there; the benefits of a university education should be rich and multi-dimensional so that they can result in functionings in all areas of life as well as work and future study; the inequalities and exclusion of the labour market and pathways to further study must be addressed by wider economic and social policies for ‘inclusive learning outcomes’ to be meaningful; and that universities ought to be doing more to enable black working-class students to participate and succeed. Low-Income Students, Human Development and Higher Education in South Africa makes an original contribution to capabilitarian scholarship: conceptually in theorising a South-based multi-dimensional student well-being higher education matrix and a rich reconceptualisation of learning outcomes, as well as empirically by conducting rigorous, longitudinal in-depth mixed-methods research on students’ lives and experiences in higher education in South Africa. The audience for the book includes higher education researchers, international capabilitarian scholars, practitioners and policy-makers.
At the northern entrance to Prince Albert in the Great Karoo lies Northend, a neighbourhood home to a special group of people. They have a very special way of communicating with others through their stories, which indicate an inherent joy of life. However, judging by their environment and circumstances, it is clear that they have experienced many hardship, and for an outsider it is an enriching experience to meet them. Every picture in Slow Down Look Again tells a story and is supported by explanatory text. These enable the reader to gain insight into the past and the present of this unique neighbourhood and its residents. The joy and sorrows of the residents of Northend - as well as their scant earthly possessions - are illustrated through Louis Botha?s excellent choice of photographic backgrounds. And yet the absolute neatness of their homes illustrates a certain pride - poverty without dilapidation. The intimacy of the photographs ultimately leaves the reader enriched. We become witnesses not only to the extraordinary character of a close-knit community, but also of its trusting relationship with the person whom they have allowed to tell their story. Louis Botha was born in Bloemfontein in 1955 and grew up on a small-holding north-east of Pretoria. After school he studied finance and followed a career in the Financial Services Industry. At the age of 40, and encouraged by his wife he pursued his hobby more seriously. He?s held several exhibitions and lives in Prince Albert.
Are you tired of feeling stuck and unsure in your love life? Have you been searching for answers on how to improve your relationship but haven’t found anything that works? Whether you’re struggling with attracting the wrong partners, feeling unsure about investing more in your current relationship, or simply seeking to strengthen your connection with your partner, “Uncomplicated Love” is the definitive resource to help you move forward with confidence. This book is your ultimate guide to navigating the complex landscape of love and building a thriving partnership with your significant other.
To celebrate Mothertongue’s 21st anniversary, Collaborative Conversations weaves together the reflections of a group of artists, scholars and writers who have journeyed with the organisation over the last two decades. Since its inception in 2000 with What the Water Gave Me, The Mothertongue Project has used participatory, integrated arts methods to create theatrical works that strive for personal and collective dialogue and healing in South Africa. In poetry, scholarly writing and transcribed oral conversations, the contributors now think and feel their way through the aspirations and achievements – and the alchemy – of The Mothertongue Project’s work. Accompanied by photographs of performances from across the 21 years, this book provides a sense of what a Mothertongue theatre piece does: it draws audience and performers into transformative, embodied conversations.
When a blonde who had walked out on her Botswana-based wildlife smuggling kingpin partner arrived at the offices of the Sunday Times in the last 1980’s, the lid would be blown off a criminal network bent on killing off two of the world’s most iconic species – the elephant and the rhino. Using trucks to transport contraband across borders to curio shops fronting as legitimate operate operations, the syndicate operated with free abandon, until their nefarious activities were revealed through investigations by journalist De Wet Potgieter. It was because of the information supplied by Brenda Voue that De Wet was inundated with so much information about the involvement of local and foreign criminal networks, senior military officials propping up the Jonas Savimbi’s war in Angola, and senior National Party officials that he authored not only several more newspaper articles on the plight of rhino and elephant, but also produced the first edition of Contraband in 1995. Since then, a plethora of information continues to come to light about the involvement of government officials, international spies, British undercover operatives, businesspeople, and criminal elements. This is an exposure of the depths to which certain people would go to literally enjoy a piece of the pie. The commercial international rhino horn trade has been banned by the Convention on the International Trade in Endangered Species of Wild Fauna and Flora (CITES) for more than 45 years. In South Africa, the domestic trade in rhino horn has been legal since 2017 opening loopholes from criminal syndicates to “legally” purchase rhino horn, but then still smuggle it out of the country for traditional uses in the Far East. The involvement of criminal operations such as the Triads cannot be ignored, nor can the pressure pre- and post-apartheid on the South African police’s highly successful Endangered Species Protection Unit under Colonel Piet Lategan, which resulted it its eventual demise. It’s an inescapable fact that the onslaught on South Africa’s rhino, and on other wildlife within the Southern African region, will continue despite the commitment and tenacity of several individuals and nongovernment organisations. The onus has now shifted to the custodians of rhino – national parks, game reserves, private game ranchers and private rhino owners – to protect these prehistoric beasts from extinction.
Wanneer gebed iets is wat jy elke dag moet doen, ’n gesprek met die plafon of die vervelige herhaling van dieselfde woorde het die wonder van gebed vir jou verlore geraak. In hierdie heruitgawe van Ferdinand Deist se klassieke topverkoper boek oor gebed gesels hy met mense wat wil bid, maar nie kán nie. Hierdie is geen kitskursus in die kuns van gebed nie, maar 'n toeganklike sagte begeleiding vir elkeen om die geheim van gebed terug te vind.
It took a viral pandemic to reinvigorate the evidence that a low-carb,
high-fat (LCHF) diet may be a ‘vaccine’ against ill health and
premature death. The Eat Right Revolution exposes the real pandemic we
should all worry about: it’s not another coronavirus, but a
diet-related medical condition that threatens people’s life expectancy
and well-being globally.
There are misconceptions about leadership, these include; leadership is only for specific people. I love the quote of Warren Bennis about leadership, it simply nullifies this misconception because I also believe that anybody can be a leader, it only takes someone to be themselves. God has given all of us potential to become, however, we all have a choice to make regarding operating in our purpose. It becomes easier to lead when operating in your purpose. I felt it was important to offer a different perspective about leadership. I totally believe that everyone is born a leader and we all have a role to play to make our country and indeed the world a better place by exemplifying superior leadership traits. This book will help you unpack the topic of leadership even in the midst of dwindling examples of ethical leadership in our society.
Begin ’n nuwe lewe van sukses. Hierin kan jy leer watter stappe jy moet neem om ’n nuwe lewe van sukses te begin, leer hoe om jou mislukkings tot jou voordeel te gebruik en leer hoe om positiewe denke te hê.
For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the ‘Great Trek’ (1835-1852) represents a crucial period of South Africa’s past. Forming the concept of the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument. Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze through all the stages of its design to its shipping to post-war Italy to be copied into marble and final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it depicts this. It also investigates the active role the Monument played in the development of apartheid, and its place in post-apartheid heritage. The second volume, to be published later this year, expands on the first, considering each of the twenty-seven scenes in depth, providing new insights into not only the frieze, but also South Africa’s history.
Have slums become 'cool'? More and more tourists from across the globe seem to think so as they discover favelas, ghettos, townships and barrios on leisurely visits. But while slum tourism often evokes moral outrage, critics rarely ask about what motivates this tourism, or what wider consequences and effects it initiates. In this provocative book, Fabian Frenzel investigates the lure that slums exert on their better-off visitors, looking at the many ways in which this curious form of attraction ignites changes both in the slums themselves and on the world stage. Covering slums ranging from Rio de Janeiro to Bangkok, and multiple cities in South Africa, Kenya and India, Slumming It examines the roots and consequences of a growing phenomenon whose effects have ranged from gentrification and urban policy reform to the organization of international development and poverty alleviation. Controversially, Frenzel argues that the rise of slum tourism has drawn attention to important global justice issues, and is far more complex than we initially acknowledged.
Fisika, die metafisiese, en selfs wetenskapfiksie word verweef in Nou in infrarooi. Soos die titel suggereer, gaan dit hier oor dit wat sigbaar is versus dit wat nié deur blote sig waarneembaar is nie. Bestaande plekke – sommige naby en ander ver – word taktiel en ewokatief in reisgedigte uitgebeeld. Hiermee saam hang die verkenning van die onsigbare: van identiteit, ’n soeke na waar jy hoort, weemoed en liefde. ’n Debuutbundel wat bekroonde skrywer Tom Dreyer onomwonde as digter vestig.
Sometimes real life is stranger than fiction. That certainly is the case when considering the things that happen to Khaya Dlanga in the course of his everyday life. Khaya often shares these stories in brief via Instagram or his other social media platforms. He is finally succumbing to the pressure from the many people who read his posts and want more details, and is telling all of these stories and more in These Things Really Do Happen To Me. Always entertaining, and often containing astute observations regarding various social practices and situations, Khaya tells wide-ranging stories – his lunch with William Shatner; how he fell asleep next to President Thabo Mbeki; how he got hit on by a deaf girl; how his dreadlocks didn’t get the expected reaction from his mom; the greatest pick-up line ever used on him; awkward encounters with exes; what happens when you parallel park in Parkhurst; and what he has learnt in the course of his eventful life – that are guaranteed to entertain and enlighten readers.
'n Verversingstasie is in 1652 in Tafelbaai aangele om skepe te bedien op die roete tussen Europa en Oos-Indie. Die diens is deur 'n netwerk van bemande buiteposte aan die Kaapse kus en op die nabygelee eilande moontlik gemaak. Die Buiteposte is die resultaat van 30 jaar van navorsing in Suid-Afrika en in Europa, waar die VOC sy ontstaan gehad het. Dr. Sleigh is een van slegs 'n klein aantal geskiedkundiges wat die sewentiende-eeuse skrif van die VOC-dokumente met gemak lees. Hy is lid van verskeie plaaslike en internasionale geskiedenisverenigings en bewaringsorganisasies en word landswyd erken as adviseur rakende sake wat op die VOC betrekking het.
‘My hope is that people can grow to appreciate this sector – its
challenges and
opportunities, but most importantly, the role agriculture can play in
improving
South Africa’s rural economy, creating jobs and bringing about
much-needed
transformation (or inclusive growth).’
Ultimately, Sihlobo is optimistic about the future of South Africa’s agricultural sector and shows us all – from policymakers to the general public – how much common ground we truly have.
Thami Nkadimeng, also known as The Message Architect, works with presidents, executives, corporate leaders and organisations worldwide to make positive change in the world. But before she could follow her calling, Thami had to overcome her own self-doubt. In Finding Purpose, she takes us along in her quest to discover her life’s aim. Join her as she reflects on her journey, and discover the profound beauty in raw, unvarnished experience for yourself as you uncover your own purpose.
Wits University celebrates 100 years of academic and research excellence, innovation, and social justice in 2022. The origins of Wits lie in the South African School of Mines, which was established in Kimberley in 1896 and transferred to Johannesburg as the Transvaal Technical Institute in 1904, becoming the Transvaal University College in 1906 and renamed the South African School of Mines and Technology four years later. Full university status was granted in 1922, incorporating the College as the University of the Witwatersrand. Professor Jan H. Hofmeyr was its first Principal. The University of the Witwatersrand occupies a special place in the hearts and minds of South Africans. Its history is inextricably linked with the development of Johannesburg, with mining and economic development, and with political and social activism across the country. Wits University at 100: From Excavation to Innovation captures important moments of Wits’ story in celebration of the university’s centenary in 2022. It explores Wits’ origins, the space and place that it occupies in society, and its transformation as it prepares the ground for the next century. From its humble beginnings as a mining college in Johannesburg to its current position as a flourishing and inclusive university, Wits University at 100 is a story of innovation driven from the global South. In text and image, Wits is presented as a dynamic institution that thrives because of its people, many of whom, in one way or another, have shifted the world. The experiences, achievements and insights of past and present ‘Witsies’ come alive in this glossy, full-colour book that maps the university’s vision for the future.
Drawing on the South African case, this book looks at shifts in higher education around the world in the last two decades. In South Africa, calls for transformation have been heard in the university since the last days of apartheid. Similar claims for quality higher education to be made available to all have been made across the African continent. In spite of this, inequalities remain and many would argue that these have been exacerbated during the Covid pandemic. Understanding Higher Education responds to these calls by arguing for a social account of teaching and learning by contesting dominant understandings of students as ‘decontextualised learners’ premised on the idea that the university is a meritocracy. This book tackles the issue of teaching and learning by looking both within and beyond the classroom. It looks at how higher education policies emerged from the notion of the knowledge economy in the newly democratic South Africa, and how national qualification frameworks and other processes brought the country more closely into conversation with the global order. The effects of this on staffing and curriculum structures are considered alongside a proposition for alternative ways of understanding the role of higher education in society.
A collection of edited life story interviews conducted with 25 current and past residents of Wentworth, Durban, that illustrates the social history of this historically ‘çoloured’ township. This history from below documents the formation of the townships in the late 1950s and its history through the life experiences of the 25 residents during various periods. The book illustrates the wide diversity of the members of this black South African community in terms of origin, ancestry, class, educational qualifications, political outlook, self-identification, primary concerns, political activism, contribution to society, social impediments suffered, etc. that refute generalisations made about the ‘race’ to which they belong. The life stories also illustrate the impact of major transformations, such as the advent of democracy, on members of this community.
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