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Books > Local Author Showcase > Lifestyle
In this compelling anthology of essays, professor Aslam Fataar reflflects on the ethical foundations essential for faithful and just living in today’s complex world. Anchored in the principle of adab al-ihsān – ethics of beauty and excellence – Fataar guides readers towards God-conscious, dignifified living that champions social justice. Drawing from personal experiences, including his hajj pilgrimage with his wife, Najwa (co-author of four of the essays), and the legacies of anti-apartheid icons such as Imām Abdullah Haron and Imām Gassan Solomon, this work offffers both intellectual depth and practical wisdom. Addressing critical issues such as social inequality, genocide, war, environmental crises, and digital disruption, Fataar inspires readers to confront moral challenges with compassion, truth, and justice. This essential volume serves as a beacon for those invested in public theology, ethical leadership, and social transformation in South Africa and globally.
Met haar nuutste bundel, Disteltyd, neem die digter Marlise Joubert bestek op haar lewe; die verouderingsproses met gepaardgaande fisieke aftakeling en verlies, maar ook besinning oor familie, eie kinderjare en die onlangse inperking, beurtkrag en geweld. Dit is gedigte met ’n sterk poëtiese en visuele inslag en word gekenmerk deur ’n introspektiewe, selfs nostalgiese, toonaard. Soos die distel as onkruid ’n saadpluim lewer wat lig, dartelend en lieflik is, is hierdie gedigte ook. Disteltyd is ’n bundel wat weens die geskakeerdheid daarvan ’n belangrike bydrae lewer tot die steeds groeiende korpus van laatwerke; gedigte wat meestal ontroer weens die menslikheid en humor daarin verwoord, maar terselfdertyd ook die leser konfronteer met die maatskaplike onregte kenmerkend van ons tyd.
Waarom glo mense dat die sterre en planete se posisies jou toekoms kan bepaal, of dat gesprekke met dooies moontlik is? Dis die soort vrae wat George Claassen in hierdie boek stel. George Claassen is dosent in wetenskapjoernalistiek aan die Universiteit Stellenbosch en die skrywer van die By-rubriek "Kwakoskoop" waarin hy vreesloos alle vorme van kwaksalwery onder die soeklig plaas. Hierdie teks bestaan uit vyftig hoofstukke waarin ’n verskeidenheid onderwerpe aangeroer word, van evolusie en die kartering van die menslike genoom tot supersnaarteorie en sieninge oor die ontstaan van die heelal.
When do you use hanged and hung, or you and me and me, myself and I? And what about the use of the numerals thousand, million, billion and trillion? Find answers to these and many other language questions in the fourth, updated edition of The Write Stuff, which focuses on typical problems that non-English speakers encounter when writing English. This handy reference and useful teaching guide contains valuable tips on English language issues and guidance on recent writing trends.
Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.
What can ancient wisdom teach us about thriving in today’s world? Why do some people achieve far more than others? Is it luck, or something deeper? What if you could combine the insight of Joseph and the foresight of Noah with a deep understanding of financial markets? Joseph and Noah: What Ancient Wisdom can Teach us About Thriving in Today’s World explores the lives of ordinary individuals who achieved extraordinary success, fame, or wealth by thinking and acting differently. From ancient biblical figures like Joseph and Noah to modern-day icons—including a basketball legend, an award-winning actor, and a renowned constitutional judge—the pursuit of success transcends generations. This book also highlights lesser-known individuals who quietly built legacies of wealth, global brands, and landmark tourist destinations. Each story reveals a common thread—a guiding model—similar to the principles drawn from Joseph and Noah, which helped these individuals navigate challenges. Ultimately, Joseph and Noah uncovers the truth behind success, debunking its often-romanticized portrayal and instead revealing a reality shaped by perseverance, resilience, and strategic decision-making.
Gardening is every bit as creative as painting flowers in watercolour. And it is in bringing together various elements that a lot of the creativity lies. This book gives you expert guidance to achieve this, with loads of examples from gardens all over the country. It shows you that a garden is in essence a combination of shapes, textures, colours and growth forms – the ultimate combination of combinations. Learn how to combine plants that are mutually supportive and create their own harmony or combine plants and elements for sameness, or for contrast. By bringing together selected plants and garden elements you create a more beautiful, more arresting and more powerful visual presentation than what could be done by using any of the combined elements individually. The creative scope and different permutations made possible by combinations cannot be quantified – what you can imagine, you can combine. This book looks at combinations in four categories: colour, shape and form, texture, and the specific environment of the garden and its plants. More than 230 magnificent photographs will charm and inspire you and the information will show you how to use combinations skilfully and wisely. Maximise the appeal of your garden by making the most of its combinations.
Louis, a self trained photorapher , grew up on a smallholding north east of Pretoria in South Africa. Louis qualified in the field of commerce and followed a corporate career in a large financial services organisation . At the age of 40, Louis started to take photography, his hobby for many years, more seriously. He enrolled for varies courses and did a lot of self studying on the subject. Louis discovered the value of photography as a medium to communicate without words and how to paint stories with light. He became passionate about photographing remote landscapes, places and ordinary people. Over the last 20 years, Louis has participated in several solo and group exhibitions. He exhibits permanently in Price Albert, his hometown, and shares his passion for photography with others during workshops .
Engaging with the work of contemporary African and Chinese artists while analysing broader material production, the essays in this volume are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture. With China’s rise as the new superpower, its presence in Africa has expanded, leading to significant economic, geopolitical and cultural shifts. Chinese and African encounters through the lens of the visual arts and material culture, however, is a neglected field. Visualising China in Southern Africa is a ground-breaking volume that addresses this deficit through engaging with the work of contemporary African and Chinese artists while analysing broader material production that prefigures the current relationship. The essays are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture. Richly illustrated, the collection includes scholarly chapters, photo essays, interviews, and artists’ personal accounts, organised around four themes: material flows, orientations and transgressions, spatial imaginaries, and biographies. Some of the artists, photographers, filmmakers, curators and collectors in this volume include: Stary Mwaba, Hua Jiming, Anawana Haloba, Gerald Machona, Nobukho Nqaba, Marcus Neustetter, Brett Murray, Diane Victor, William Kentridge, Kristin NG-Yang, Kok Nam, Mark Lewis, the Chinese Camera Club of South Africa, Wu Jing, Henion Han and Shengkai Wu.
Are you happy?
A collection of edited life story interviews conducted with 25 current and past residents of Wentworth, Durban, that illustrates the social history of this historically ‘çoloured’ township. This history from below documents the formation of the townships in the late 1950s and its history through the life experiences of the 25 residents during various periods. The book illustrates the wide diversity of the members of this black South African community in terms of origin, ancestry, class, educational qualifications, political outlook, self-identification, primary concerns, political activism, contribution to society, social impediments suffered, etc. that refute generalisations made about the ‘race’ to which they belong. The life stories also illustrate the impact of major transformations, such as the advent of democracy, on members of this community.
In Rock | Water | Life, Lesley Green examines the interwoven realities of inequality, racism, colonialism, and environmental destruction in South Africa, calling for environmental research and governance to transition to an ecopolitical approach that could address South Africa's history of racial oppression and environmental exploitation. Green analyses conflicting accounts of nature in environmental sciences that claim neutrality amid ongoing struggles for land restitution and environmental justice. Offering in-depth studies of environmental conflict in contemporary South Africa, Green addresses the history of contested water access in Cape Town; struggles over natural gas fracking in the Karoo; debates about decolonising science; the potential for a politics of soil in the call for land restitution; urban baboon management, and the consequences of sending sewage to urban oceans.
A retired judge of the Supreme Court of Appeal and an ordained, nonstipendiary minister in the Anglican Church of Southern Africa, Nigel Willis is an assistant priest at St George’s Church, Parktown, Johannesburg. This anthology of the sermons of Nigel Willis has been published to mark and celebrate the 120th anniversary of the founding of St George’s Church in October 2024. It is also the tenth anniversary of Nigel preaching from the pulpit. The book is an anthology of Nigel’s sermons, delivered over this period, following the liturgical calendar of the church according to the readings set out in the lectionary.
In Moerstaāl word oorsprong in oënskyn geneem: perspektiewe word gebied op geskiedenis en erfenis en hoe dit met taal saamhang. ’n Skryfwyse wat deur Khoekhoegowab geïnspireer is, veral wat die gebruik van die makron op klinkers betref, word ingespan tesame met Sols se kenmerkende Ghoema-Afrikaans. ’n Respek vir byna uitgestorwe kennis word oorgedra en in dié opsig is die gedigte ’n kreet van verlies en ’n bewuste poging tot ’n daad van bestendiging. Die lewe-gewende moederfiguur tree hier na vore – die vrou wat verguising en ontkenning moes deurleef en wie se bydrae en plek, soos ook dié van die taal, in en deur die bundel herstel, of ten minste openbaar gemaak, wil word. Die musikaliteit van Sōls se vorige twee bundels is weer hier teenwoordig. Só ook sy vlymskerp kommentaar en ironie, en sy digterlike gebruik van spreektaal. Sols se terugkeer na geskrewe poësie – die eerste bundel in sestien jaar – is beslis ’n groot aanwins vir die Afrikaanse letterkunde.
"My struggles with mental illness were in some ways like a child crying out for attention; more than that they were a cry for help from the mind I felt trapped in. There was a darkness in me that many times swallowed me whole." This is how Keamogetswe Bopalamo introduces her account of her troubled early life. It is an intensely personal account, and yet it speaks to a reality much broader than itself. In the exciting whirl of South Africa’s post-apartheid society, there is this darker side: the confusions, the fears, the rebellions, the degradations and emotional pain. How does a young black girl cope when her parents are taken away as political detainees, or when she is repeatedly expelled from schools and hostels, or when she ends up in a mental institution after trying once again to end her own life? What I Wore offers startling answers.
Indexed in Clarivate Analytics Book Citation Index (Web of Science Core Collection)
Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. In 10 Inspiring Singers, Writers & Artists, you will read about the poets, singers, painters and writers who used their creative talents to express themselves. These are women who shape our worlds with art, culture and literature.
Sometimes real life is stranger than fiction. That certainly is the case when considering the things that happen to Khaya Dlanga in the course of his everyday life. Khaya often shares these stories in brief via Instagram or his other social media platforms. He is finally succumbing to the pressure from the many people who read his posts and want more details, and is telling all of these stories and more in These Things Really Do Happen To Me. Always entertaining, and often containing astute observations regarding various social practices and situations, Khaya tells wide-ranging stories – his lunch with William Shatner; how he fell asleep next to President Thabo Mbeki; how he got hit on by a deaf girl; how his dreadlocks didn’t get the expected reaction from his mom; the greatest pick-up line ever used on him; awkward encounters with exes; what happens when you parallel park in Parkhurst; and what he has learnt in the course of his eventful life – that are guaranteed to entertain and enlighten readers.
The radio in Africa has shaped culture by allowing listeners to negotiate modern identities and sometimes fast-changing lifestyles. Through the medium of voice and mediated sound, listeners on the station – known as Radio Bantu, then Radio Zulu, and finally Ukhozi FM – shaped new understandings of the self, family and social roles. Through particular genres such as radio drama, fuelled by the skills of radio actors and listeners, an array of debates, choices and mistakes were unpacked daily for decades. This was the unseen literature of the auditory, the drama of the airwaves, which at its height shaped the lives of millions of listeners in urban and rural places in South Africa. Radio became a conduit for many talents squeezed aside by apartheid repression. Besides Winnie Mahlangu and K.E. Masinga and a host of other talents opened by radio, the exiles Lewis Nkosi and Bloke Modisane made a niche and a network of identities and conversations which stretched from the heart of Harlem to the American South. Nkosi and Modisane were working respectively in BBC Radio drama and a short-lived radio transcription centre based in London which drew together the threads of activism and creativity from both Black America and the African continent at a critical moment of the late empire. Radio Soundings is a fascinating study that shows how, throughout its history, Zulu radio has made a major impact on community, everyday life and South African popular culture, voicing a range of subjectivities which gave its listeners a place in the modern world.
Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Extraordinary Leaders, Activists & Protesters you will read about women who fought against colonialism and oppression. Here are the stories of women heroes through history, whose stories are connected because of a shared passion for equality and justice.
For the child in all of us, a timeless illustrated story about connection and compromise brought to life with imagination, from the #1 New York Times bestselling author of Born a Crime “But sooner or later your mother will find us,” Walter said, looking back at the house. “She always does.” The boy’s eyes lit up again. He had an idea. “Then this time we need to go where we’ve never gone before,” he said. “Into the uncut grass!” In the tradition of The Boy, the Mole, the Fox and the Horse comes a gorgeously illustrated fable about a young child’s journey into the world beyond the shadow of home, a magical landscape where he discovers the secrets of sharing, connection, and finding peace with the people we love. Infused with the author’s signature wit and imagination, in collaboration with visionary artist Sabina Hahn, it’s a tale for readers of all ages—to be read aloud or read alone.
Die lewe laat jou dikwels uitgebrand en afgemat. Leef jou nuwe lied is
’n uitnodiging van die bekende skrywer Elsa Winckler en haar
pastoor-sussie Sonja Goldberg om saam deur die jaar te stap met jou
hand stewig in jou Vader s’n. Ontdek ’n nuwe lied in jou hart deur
hierdie 200 dagstukkies en weet Hy is daar vir jou. Hy sal jou in staat
stel om vreesloos in liefde te leef.
History matters. Some wish to bury it; others to use it selectively for their own purposes. But in the case of any nation it must be confronted honestly. Just as the Freedom Charter proclaims that South Africa belongs to all who live in it, so does its history. And the country was liberated by its people, not one specific group. Myth and Reality in South Africa’s History is a collection of eighty newspaper opinion pieces and feature articles published over a span of thirty years. Their purpose was to examine significant past lives, movements and events, and interpret their contemporary significance for a general readership. Emphasis was placed on individuals and organisations that had tended to be neglected by post-liberation discourse, which was prone to exaggerate the role of certain movements. The intention was to challenge a monochrome version of national history by emphasising pluralism and diversity. Underlying themes are continuity of faith in universal human rights, individual empowerment and psychological liberation in the face of power, both under and after apartheid. The chapters of this book are arranged by broad chronology regardless of date of publication to produce a historical narrative; pulled together by a short introduction to modern South African history.
Fighting an Invisible Enemy narrates the founding and growth of the internationally. renowned National Institute for Communicable Diseases (NICD) in South Africa, from its foundations in the early twentieth century as the South African Institute for Medical Research to, later, the National Institute for Virology. It started humbly, as did many of its sister public health institutions around the world, and faced daunting obstacles: financial restrictions, bureaucratic straitjacketing, international isolation during the apartheid era and, in later years, the calumny of governmental AIDS denial. Following the triumph of the eradication of the once dreaded smallpox, the NICD plays a crucial role in the ongoing global effort to eradicate polio. While South Africa carries the misfortune of the largest HIV/AIDS pandemic in the world, the institute's HIV research unit has become a world leader. More remote from public notice are the laboratories and epidemiologists supporting the constant surveillance of communicable diseases and the alerts they provide for impending outbreaks or pandemics, such as Ebola or the Covid-19 pandemic. The NICD is a flagship organisation in public health in South Africa and this book, by its first executive director and internationally recognised virologist Dr Barry Schoub, paints a vivid portrait of its accomplishments. Enhanced by a collection of images of its projects and facilities, the bookwill be of interest to public health specialists and activists, as well as a more general audience.
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