South Africa has one of the highest rates of youth unemployment and is renowned for being one of the most unequal societies in the world. In this context, training and education play critical roles in helping young people escape poverty and unemployment. Post-school Education offers insights about the way in which young people in South Africa navigate their way through a host of post-school training and education options. The topics range from access to, and labour market transitions from, vocational education, adult education, universities, and workplace-based training. The individual chapters offer up-to-date analyses, identify some of the challenges that young people face when accessing training and education and also point to gaps between education and the labour market. The contributors are all experts in their respective components but write with a holistic view of the post-school education system, using an unashamedly empirical lens. Post-school Education will be of interest to all researchers and policymakers concerned with the transformative role of further education and training in society.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls.

In 10 Extraordinary Leaders, Activists & Protesters, you will read about women who fought against colonialism and oppression. Here are the stories of women heroes through history, whose stories are connected because of a shared passion for equality and justice.

• Emma Sandile
• Nomguqo Paulina Dlamini
• Charlotte Makgomo Mannya-Maxeke
• Mina Tembeka Soga
• Mabel Cetu
• Pumla Ngozwana Kisosonkole
• Lauretta Ngcobo
• Brigalia Ntombemhlophe Bam
• Nomzamo Winifred Zanyiwe Madikizela-Mandela
• Masalanabo Modjadji VII (The Rain Queen)

This ethnography explores the Ngoma healing tradition as practiced in eastern Mpumalanga, South Africa. 'Bungoma' is an active philosophical system and healing practice consisting of multiple strands, based on the notion that humans are intrinsically exposed to each other and that this is the cause of illness, but also the condition for the possibility of healing. This healing seeks to protect the 'exposed being' from harm through augmenting the self. Unlike Western medicine, it does not seek to cure physical ailments but aims to prevent suffering by allowing patients to transform their personal narratives of Self. Like Western medicine, it is empirical and is presented as a 'local knowledge' that amounts to a practical anthropology of human conflict and the environment. The book seeks to bring this anthropology and its therapeutic applications into relation with global academic anthropology by explaining it through political, economic, interpretive, and environmental lenses

Both India and South Africa have shared the infamy of being labelled the world's 'rape capitals', with high levels of everyday gender-based and sexual violence. At the same time, both boast long histories of resisting such violence and its location in wider cultures of patriarchy, settler colonialism and class and caste privilege.

Through the lens of the #MeToo moment, the book tracks histories of feminist organising in both countries, while also revealing how newer strategies extended or limited these struggles.

Intimacy and injury is a timely mapping of a shifting political field around gender-based violence in the global south. In proposing comparative, interdisciplinary, ethnographically rich and analytically astute reflections on #MeToo, it provides new and potentially transformative directions to scholarly debates this book builds transnational feminist knowledge and solidarity in and across the global south.

In the period between the outbreak of World War II in 1939 and the enactment of university apartheid by the Nationalist Government in 1959, the University of the Witwatersrand, Johannesburg (Wits) developed as an ‘open university’, admitting students of all races. This, the second volume of the history of Wits by historian Bruce Murray, has as its central theme the process by which Wits became ‘open’, the compromises this process entailed, and the defence the University mounted to preserve its ‘open’ status in the face of the challenges posed by the Nationalist Government.

The University’s institutional autonomy is highlighted by Yunus Ballim in his preface to the centenary edition of WITS: The ‘Open’ Years. He writes: ‘The emerging posture of a university willing to rise in defence of academic freedom was important because this was to become infused into the institutional culture of Wits.’

The book looks at the University’s role in South Africa’s war effort, its contribution to the education of ex-volunteers after the war, its leading role in training job-seeking professionals required by a rapidly expanding economy, and the rise of research and postgraduate study. Students feature prominently through their political activities, the flourishing of a student intelligentsia, the heyday of the Remember and Give (Rag) parade, rugby intervarsity, and the stunning success of Wits sportsmen and women. Wits: The ‘Open’ Years paints a vivid picture of the range of personalities who enlivened the campus – among them some well-known figures in the new South Africa.

The book includes chapters by Alf Stadler, who was Professor of Political Studies at Wits and the author of The Political Economy of Modern South Africa, and Jonty Winch, former Sports Officer at Wits and the author of Wits Sport.

"A patient is standing in the middle of the river. He gazes across the water to the city and the mountain above where the sun is setting. His back is turned to the hospital. The nurses are waiting for him patiently on the river bank. He seems uncertain whether to cross the river or to return. There is no danger. He is on the edge, in an in-between space, as is the hospital where I have worked as a specialist psychiatrist for over twenty-five years."

For many of us, what lies beyond conventional portrayals of mental illness is often shrouded in mystery, misconception and fear. Dr Sean Baumann spent decades as a psychiatrist at Valkenberg Hospital and, through his personal engagement with patients’ various forms of psychosis, he describes the lived experiences of those who suffer from schizophrenia, depression, bipolar and other disorders.

The stories told are authentic, mysterious and compelling, representing both vivid expressions of minds in turmoil and the struggle to give form and meaning to distress. The author seeks to describe these encounters in a respectful way, believing that careless portrayals of madness cause further suffering and perpetuate the burden of stigma.

Baumann argues cogently for a more inclusive way of making sense of mental health. With sensitivity and empathy, his enquiries into the territories of art, psychology, consciousness, otherness, free will and theories of the self reveal how mental illness raises questions that affect us all.

Madness is illustrated by award-winning artist Fiona Moodie.

From early department stores in Cape Town to gendered histories of sartorial success in urban Togo, contestations over expense accounts at an apartheid state enterprise, elite wealth and political corruption in Angola and Zambia, the role of popular religion in the political intransigence of Jacob Zuma, funerals of big men in Cameroon, youth cultures of consumption in Niger and South Africa, queer consumption in Cape Town, middle-class food consumption in Durban and the consumption of luxury handcrafted beads, this collection of essays explores the ways in which conspicuous consumption is foregrounded in various African contexts and historical moments.

In 1899, Thorstein Veblen coined the phrase `conspicuous consumption' to describe status-seeking in the obscenely unequal world of late-nineteenth century America. Many of the aspects he described in The Theory of the Leisure Class are still evident in our world today. While Veblen's crude denunciation of material extravagance finds echoes in media exposes about the lifestyles of the rich worldwide, it is particularly recognisable in reporting on Africa. Here, images of conspicuous consumption have long circulated in local and global media as indictments of political corruption and signs of moral depravity.

The essays in Conspicuous Consumption in Africa put Veblen's concept under robust critical scrutiny, drawing on theorists like Mbembe, Guyer and Bayart by way of critique or addition. They delve into the pleasures, stresses and challenges of consuming in its religious, generational, gendered and racialised aspects, revealing conspicuous consumption as a layered set of practices, textures and relations. The authors resist the trap of easy moralisation, pointing to more complex ethical and political registers of analysis and judgement. This volume shows how central and revealing conspicuous consumption can be to fathoming the history of Africa's projects of modernity, and their global lineages and legacies.

In its grounded, up-close case studies, it is likely to feed into current public debates on the nature and future of African societies - South African society in particular.

In Moerstaāl word oorsprong in oënskyn geneem: perspektiewe word gebied op geskiedenis en erfenis en hoe dit met taal saamhang. ’n Skryfwyse wat deur Khoekhoegowab geïnspireer is, veral wat die gebruik van die makron op klinkers betref, word ingespan tesame met Sols se kenmerkende Ghoema-Afrikaans. ’n Respek vir byna uitgestorwe kennis word oorgedra en in dié opsig is die gedigte ’n kreet van verlies en ’n bewuste poging tot ’n daad van bestendiging.

Die lewe-gewende moederfiguur tree hier na vore – die vrou wat verguising en ontkenning moes deurleef en wie se bydrae en plek, soos ook dié van die taal, in en deur die bundel herstel, of ten minste openbaar gemaak, wil word.

Die musikaliteit van Sōls se vorige twee bundels is weer hier teenwoordig. Só ook sy vlymskerp kommentaar en ironie, en sy digterlike gebruik van spreektaal. Sols se terugkeer na geskrewe poësie – die eerste bundel in sestien jaar – is beslis ’n groot aanwins vir die Afrikaanse letterkunde.

In Transcontinental Delay, Simon Van Schalkwyk tracks experiences of imminent arrival and departure, periods of waiting and suspension between destinations, points where the demands of place dissolve into the more anticipatory potentialities of space.

Drawing on geographical lexicons familiar to South African localities such as Cape Town and Johannesburg, the collection also captures fleeting encounters with global spaces as far afield as the United Kingdom, Argentina and Sweden.

Considering the world from a position of "transcendental homelessness" rather than more conventional expressions of estrangement, alienation, or exile, the poems collected in Transcontinental Delay are attentive to a fundamental sense of unbelonging, registering the moods, tones and attitudes of the visitor and stranger: figures of restlessness and, at times, obscurity, at odds with both the settlements of "home" and the transitory compulsions of travel.

This book examines the root causes of unauthorised, fraudulent and allegedly unlawful deductions from the South African Social Security Agency (Sassa)-branded bank accounts into which monthly welfare grants were paid for South Africa's poorest citizens.

South Africa has one of the largest social assistance systems in the world. Today, the livelihoods of millions of poor people, particularly those living in rural and peri urban areas, are dependent on it and it has been lauded as one of the important achievements of the post-apartheid government. However for seven years, from 2012 when Sassa awarded the tender to Cash Paymaster Services (CPS) for country-wide distribution of social grants, this welfare system came under attack. This was during the Zuma presidency and was carried out with the alleged complicity of government officials and the Minister of Social Development at the time, Bathabile Dlamini, who now faces perjury charges for her role in the social grant crisis. This is however not another grim state capture tale. In this case the targeted social grant beneficiaries stood their ground. Supported by civil society organisations, they mobilised behind the Black Sash's Hands Off Our Grants (Hoog) campaign to reclaim their constitutional right to social security.

This is a valuable book because it enables us to understand how vulnerable people - poor, inadequately informed, even illiterate people - were able to defend themselves against exploitation and malpractice. This book is a story of dedication, determination and ultimately victory. However, it also reminds the reader of the need for ongoing monitoring of the use and distribution of state resources, accountability from political leadership, and advocacy around improved public service delivery for those who need it.

In her highly innovative and polished new collection of prose-poetic echoes, Karen Lazar explores the world of disability through the low-angle lens of those who apprehend the world from a seated position and with altered perceptions and capacities. This view is offered in three elegant parts: “cranial echoes”, “joburg echoes” and “cyber echoes”, which reflect the author’s own twenty year journey through a stroke, and her adaptation to the longterm after-echoes of radical human metamorphosis. The poetic echoes are an intriguing stylistic creation, which draw the reader into a subtle written and aural landscape.

The reader is firmly interpolated as a co-narrator in the narrative journey through the ingenious device of second-person narration, wherein the reader becomes the “you” who sees via a low-angle lens.

Lazar uses her own privilege as a writing stroke survivor who has not lost language, to weave a reverberating story which we should listen to, as many in South Africa cannot tell this tale.

This book explores learning outcomes for low-income rural and township youth at five South African universities. The book is framed as a contribution to southern and Africa-centred scholarship, adapting Amartya Sen’s capability approach and a framework of key concepts: capabilities, functionings, context, conversion factors, poverty and agency to investigate opportunities and obstacles to achieved student outcomes. This approach allows a reimagining of ‘inclusive learning outcomes’ to encompass the multi-dimensional value of a university education and a plurality of valued cognitive and non-cognitive outcomes for students from low-income backgrounds whose experiences are strongly shaped by hardship.

Based on capability theorising and student voices, the book proposes for policy and practice a set of contextual higher education capability domains and corresponding functionings orientated to more justice and more equality for each person to have the opportunities to be and to do what they have reason to value. The book concludes that sufficient material resources are necessary to get into university and flourish while there; the benefits of a university education should be rich and multi-dimensional so that they can result in functionings in all areas of life as well as work and future study; the inequalities and exclusion of the labour market and pathways to further study must be addressed by wider economic and social policies for ‘inclusive learning outcomes’ to be meaningful; and that universities ought to be doing more to enable black working-class students to participate and succeed.

Low-Income Students, Human Development and Higher Education in South Africa makes an original contribution to capabilitarian scholarship: conceptually in theorising a South-based multi-dimensional student well-being higher education matrix and a rich reconceptualisation of learning outcomes, as well as empirically by conducting rigorous, longitudinal in-depth mixed-methods research on students’ lives and experiences in higher education in South Africa. The audience for the book includes higher education researchers, international capabilitarian scholars, practitioners and policy-makers.

Alle Sondaars Welkom is ’n mengelmoes gedagtes oor God en sy mense wat oor die laaste paar jaar geskryf is.

Jaco Strydom motiveer lesers om te leer by groot geeste in die verlede en die vreemde wesens wat ronddwaal in die hede; community met ander soekers te ontdek; in verwondering te staan voor die misterie en nuut te kyk na Jesus.

Die boek sal jou uitdaag om saam te soek na die wilde waarheid, na geloof te midde van ongeloof, bygeloof, misterie en verwondering.

When the National Government assumed power in 1948, one of the earliest moves was to introduce segregated education. Its threats to restrict the admission of black students into the four ‘open universities’ galvanised the staff and students of those institutions to oppose any attempt to interfere with their autonomy and freedom to decide who should be admitted.

In subsequent years, as the regime adopted increasingly oppressive measures to prop up the apartheid state, opposition on the campuses, and in the country, increased and burgeoned into a Mass Democratic Movement intent on making the country ungovernable.

Protest escalated through successive states of emergency and clashes with police on campus became regular events. Residences were raided, student leaders were harassed by security police and many students and some staff were detained for lengthy periods without recourse to the courts.

First published in 1996, Wits: A University in the Apartheid Era by Mervyn Shear tells the story of how the University of the Witwatersrand (Wits) adapted to the political and social developments in South Africa under apartheid. This new edition is published in the University’s centenary year with a preface by Firoz Cachalia, one of Wits’ student leaders in the 1980s. It serves as an invaluable historical resource on questions about the relationship between the University and the state, and on understanding the University’s place and identity in a constitutional democracy.

At the northern entrance to Prince Albert in the Great Karoo lies Northend, a neighbourhood home to a special group of people. They have a very special way of communicating with others through their stories, which indicate an inherent joy of life. However, judging by their environment and circumstances, it is clear that they have experienced many hardship, and for an outsider it is an enriching experience to meet them.

Every picture in Slow Down Look Again tells a story and is supported by explanatory text. These enable the reader to gain insight into the past and the present of this unique neighbourhood and its residents.

The joy and sorrows of the residents of Northend - as well as their scant earthly possessions - are illustrated through Louis Botha?s excellent choice of photographic backgrounds. And yet the absolute neatness of their homes illustrates a certain pride - poverty without dilapidation. The intimacy of the photographs ultimately leaves the reader enriched. We become witnesses not only to the extraordinary character of a close-knit community, but also of its trusting relationship with the person whom they have allowed to tell their story. Louis Botha was born in Bloemfontein in 1955 and grew up on a small-holding north-east of Pretoria. After school he studied finance and followed a career in the Financial Services Industry. At the age of 40, and encouraged by his wife he pursued his hobby more seriously. He?s held several exhibitions and lives in Prince Albert.

"Alison, I’ve got bad news."

The voice of the pathologist at the other end of the telephone confirmed for Alison Tucker the news no woman ever wants to hear: she had breast cancer. Once the shock had settled, Alison decided that she would take charge. Not only would she take ownership of the dreaded disease, but she would do so with a positive mindset and prepare herself as best she could for what was to come. She did detailed research and paid close heed to what she was told by others who had walked the path before her. As she navigated her way through surgery and the chemotherapy and radiotherapy that followed, Alison’s determination paid off. Not only did she make new friends, but she learnt valuable life lessons too: acceptance of the illness for what it was, the amazing impact of ongoing advances in medical science, and the importance of being able to ask for – and receive – help.

In My Best Worst Year – A Breast Cancer Story, Alison gives us an authentic account of her experience, offering insights and advice for others who might one day face the same diagnosis. You will accompany her on her highs, empathise with her lows, and be amused by humorous anecdotes along the way. Through the generous support of family and friends, she has amassed a collection of practical tips for both patients and supporters which she shares with open-hearted honesty:

• What to take to chemotherapy sessions
• What to look for when choosing a wig
• What side effects a person can expect when having the various types of cancer treatment
• What to say, and what not to say, to a cancer patient
• How to remove stress from a cancer patient’s life
• What kind of gifts and gestures are most appreciated

Contrary to Alison’s expectations, her year of treatment turned out to be her best worst year. By telling her story, she underlines the importance of a positive attitude and hopes to show that a person can still lead a productive and enjoyable life even after being diagnosed with cancer.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

Most gardens have shady spots, but some gardens have a real shade ‘problem’. Whether it is caused by large or overhanging trees, tall buildings, or just being on the ‘wrong side of the street’, fi nding the best plants for a shady area can be challenging, particularly if the rest of your garden basks in sunshine all year round. Shade plants are not necessarily tropical, although many tropical plants thrive in shade. Some delicate leafy plants will scorch and burn in hot sun, some plants like shady conditions but not damp soil, while others grow happily in damp, boggy ground that receives minimum sunlight. Gardening in the Shade examines the different types of shade and the effect it has on plant growth.

It presents solutions to common problems such as feeding, watering and mulching shade plants, and how to deal with exacerbating factors such as wind, frost and soil type. Popular shade plants, like clivias, bromeliads, fuchsias and ferns are given special features, and a directory of species lists plants under headings like ground covers, tropical-looking perennials, and succulents.

"101 Poems about Things We Should Be Loud About," is a powerful and thought-provoking work that explores a range of pressing issues that affect all people today.

In this collection, the author employs a unique and captivating poetic style to delve deeply into topics such as gender equality, racial justice, self-improvement, and environmentalism. What sets this collection apart is not only the words but also the detailed illustrations that accompany each poem. These illustrations, also created by the author herself, bring each poem to life and add an extra layer of meaning to the already powerful words.

Through her evocative and lyrical verse, she challenges readers to confront the injustices of the world and to raise their voices in protest. Her poems are a call to action, urging readers to take a stand against inequality and to fight for a more just and equitable world. What's particularly striking about the collection is the way in which she weaves together personal experiences and broader social issues. Her poems are rooted in her own unique perspective, but they also speak to the experiences of others who have faced similar struggles. This makes her work all the more powerful, as it connects readers to the broader social issues at play and encourages them to take action.

Two generations after democracy, South Africa’s public schooling system continues to underperform. Despite some gains, many South African children still don’t achieve basic academic milestones, and teachers are often blamed.

Where Light Shines Through allows glimmers of light to shine through the darkness of the public education story and reveals can-do teachers who are excelling despite the odds. It explores what we can learn from these teachers to build the quality of the schooling sector and the public sector more broadly – and turns our gaze momentarily away from public officials who are in power, towards those who are in service.

The remarkable stories of sixteen South African teachers from all over the country, illustrated with portraits from the Artist Proof Studio, show that while our attitude to life is often informed by our experiences, our attitude nevertheless remains our choice.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

KwaZulu-Natal is culturally rich, offering a wide range of writers - writing mainly in English and Zulu - who are linked through their lives and their writing to this province of South Africa. The writers include, to name just a few, Alan Paton, Roy Campbell, Lewis Nkosi, Ronnie Govender, Wilbur Smith, Daphne Rooke, Credo Mutwa and Gcina Mhlophe. And how better to understand a writer than to know about the places they are linked to? For example, who, after reading the lyrical opening sentences of Paton's famous book Cry, the Beloved Country (1948) has not wanted to see this scene in reality? There is a lovely road that runs from Ixopo into the hills. These hills are grass-covered and rolling, and they are lovely beyond any singing of it. A Literary Guide to KwaZulu-Natal introduces you to the regions and writers through word and image, leading you imaginatively through this beautiful province. This could include following the route a fictional character charts in a novel, visiting particular settings from a story or tracking down the places linked to a writer, whether a birthplace, home, burial site or significant setting. Literary tourists are interested in how places have influenced writing and at the same time how writing has created place. This is also a way of reflecting upon and understanding historic and contemporary identities in a changing cultural and political South African landscape.

Die geliefde skrywer Dana Snyman deel sy waarnemings en belewenisse van die vreemdste tye wat ons nog beleef het: Die boek begin triomfantelik met die Springbokke wat die Rugbywêreldbeker wen, en toegejuig word tydens optogte deur die hoofstede van ons land. Maar baie vinnig verander alles. Die koronavirus slaan toe, en die hele wêreld word onderstebo gekeer. “Dinge is anders nou, meneer, in die tyd van die gif,” soos ’n ou oom by die plaaslike kafee vir Dana vertel.

Dana beskryf die eerste veertig dae van die eerste inperking; dan ry hy trein om sy sterwende vriend in Gauteng te gaan groet. Hy skryf oor die treinrit, en ook oor die treine wat nie meer ry nie. Laastens praat hy met die mense wat die grootste gevaar loop ter wille van ander – die dokters en verpleegsters wat die siekes versorg. Dan kry hy self ook Covid19.

Dana se kenmerkende fyn waarneming maak In Die Tyd Van Die Gif ’n leesmoet. Daar is pyn en verlies, maar ook geloof en hoop. Dit alles met ’n goeie skeut humor.