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Books > Local Author Showcase > Lifestyle
To date, there has been no published textbook which takes into account changing sociolinguistic dynamics that have influenced South African society. Multilingualism and Intercultural Communication breaks new ground in this arena. The scope of this book ranges from macro-sociolinguistic questions pertaining to language policies and their implementation (or non-implementation) to micro-sociolinguistic observations of actual language-use in verbal interaction, mainly in multilingual contexts of Higher Education (HE). There is a gradual move for the study of language and culture to be taught in the context of (professional) disciplines in which they would be used, for example, Journalism and African languages, Education and African languages, etc. The book caters for this growing market. Because of its multilingual nature, it caters to English and Afrikaans language speakers, as well as the Sotho and Nguni language groups - the largest languages in South Africa [and also increasingly used in the context of South African Higher Education]. It brings together various inter-linked disciplines such as Sociolinguistics and Applied Language Studies, Media Studies and Journalism, History and Education, Social and Natural Sciences, Law, Human Language Technology, Music, Intercultural Communication and Literary Studies. The unique cross-cutting disciplinary features of the book will make it a must-have for twenty-first century South African students and scholars and those interested in applied language issues.
As lesbian, gay, bisexual, transgender and intersex identities increasingly secure legal recognition across the globe, these formal equality gains are contradicted by the continued presence of violence. Such violence emerges as a political pressure point for contestations of identity and power within wider systems of global and local inequality. Discourses of homophobia-related violence constitute subjectivities that enact violence and that are rendered vulnerable to it, as well as shaping political possibilities to act against violence. Blackwashing Homophobia critiques prevailing discourses through which violence and its targets are normatively understood, exploring the knowledge regimes in which multiple forms of othering are both reproduced and/or resisted. This book draws on primary research on lesbian subjectivity and violence in South Africa examining the intersections of sexual, gender, race and class identities, and the contemporary politics of violence in a postcolonial context:
The book explores these questions and their implications for how violence, as an instrument of power, might be countered. Blackwashing Homophobia is a timely intervention for theorising the discourse of homophobia-related violence and what it reveals and conceals, enables and hinders, in relation to queer identities and political imaginaries in times of violence. The book's interdisciplinary approach to the topic will appeal to social and political scientists, philosophers and psychology professionals, as well as to advanced psychology undergraduates and postgraduates alike.
Crochet and Conquer combines stories about healing with creative motifs and projects. Each poignant personal account is accompanied by its own matching motif and project The book contains twenty-one personal accounts of trauma and loss, each accompanied by a pattern or project. These projects and patterns will help you work through loss, work-related stress, depression, illness or trauma
Have you been tinkering with mosaics for a while, but feel that you need to take it to the next level? Or are you a beginner looking for a challenge? Then this is the book you need. It looks at mosaics as an art form, where line, colour and texture all combine to produce beautiful works of art. The stunning photographs gracing every page are both inspiring and informative. Starting out as a textile designer, the author recognises how important the choice of design is when you start a mosaic project. This book will teach you how to choose the right design and translate it into a template, allowing you to 'paint' with the mosaic tiles. The technical information supplied will guide you through the selection process of the right design, teach you about the various tiles available, surfaces to work on and which ones to choose for which conditions, materials and tools needed as well as the different mosaic techniques that can be used to complete your project. You will also find suggestions for alternatives if supplies are hard to find in your area. The step-by-step projects are lovely and can be followed exactly, but the author urges crafters to make the projects their own and bring their own personality into them by playing around with colours and texture. The projects include big and small items for the home or to give as gifts, with alternative ideas and suggestions if you prefer a different look or feel. Mosaics is so much more than just placing tiles next to each other and in this book you will discover just how rewarding this craft can be.
Around the world, more young people than ever before are attending university. Student numbers in South Africa have doubled since democracy and for many families, higher education is a route to a better future for their children. But alongside the overwhelming demand for higher education, questions about its purposes have intensified. Deliberations about the curriculum, culture and costing of public higher education abound from student activists, academics, parents, civil society and policy-makers. We know, from macro research, that South African graduates generally have good employment prospects. But little is known at a detailed level about how young people actually make use of their university experiences to craft their life courses. And even less is known about what happens to those who drop out. This accessible book brings together the rich life stories of 73 young people, six years after they began their university studies. It traces how going to university influences not only their employment options, but also nurtures the agency needed to chart their own way and to engage critically with the world around them. The book offers deep insights into the ways in which public higher education is both a private and public good, and it provides significant conclusions pertinent to anyone who works in - and cares about - universities.
This Is South Africa, now updated in a new edition, takes the reader on a journey of discovery through this spectacular land. It showcases the country’s breathtaking natural splendours and incomporable array of flora and fauna, its pulsating cities, the warmth of its people and the intriguing mix of its many cultures. This superb book features more than 300 vivid new photographs, supported by a detailed introduction and informative captions.
The classic, mini-epic poem of one of the greats of 20th-century South African writing. An elegiac tale told through the lens of Zulu mythology.
Reflections of South African Student Leaders: 1994-2017 brings together the reflections of twelve former SRC leaders from across the landscape of South African universities. Each student leader’s reflections are presented in a dedicated chapter. Key topics covered in the chapters are:
For more than a century, skin lighteners have been a ubiquitous feature of global popular culture-embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin colour from precolonial times to the postcolonial present. From indigenous skinbrightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billiondollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation, as well as consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lighteners' layered history, Thomas theorises skin as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.
The stories, blogs and poetry in this anthology explores the stark divides that exist in our communities and our country, South Africa. Written by a range of writers – from published authors to talented school students – these powerful narratives give voice to those who are poor and discriminated against, and are threaded through with hope and resistance.
While alien plants have been well publicised, this is the first book to be published on alien animals of Africa. It describes the history of each invasion, and the ecological and economic impacts in South Africa; and it discusses the effect of introduced biocontrol agents (usually insects), which are also alien species released deliberately to control problem plants. Key features are: Each group of animals is covered in a separate chapter written by a specialist in the field; colour photographs of each species; Maps for each species’ native mand introduced range, and a detailed map of its spread in South Africa; text covers identification and biology, distribution, impacts and control for the particular species; alien animals are considered in all habitats, including freshwater, terrestrial and marine. The book will be an essential reference for conservationists, farmers, reserve managers, gardeners, anglers, biology students and researchers, and of interest to the lay public.
Colouring-in is a favourite children’s pastime, and here’s a new addition to Struik Nature’s ‘Read, colour and keep’ series that will give hours of fun, while also expanding children’s knowledge of the natural world. Why is Bulbine such a useful plant? Which flowers can we eat, and which are poisonous? What is South Africa’s national flower? Why do some flowers give off a rotten smell? Who pollinates our beautiful flowers? Children will learn interesting facts while enjoying hours of fun colouring in this selection of our most striking flowers. They can consult the colour guide in the middle of the book when choosing which shade of crayon or paint to use for the more than 40 outlined images – or make up their own fantastically-hued flowers!
In one of the most anticipated debut collections of recent years, Maneo Mohale reckons boldly with the experience of – and the reconstruction of a life after – a sexual assault. Mohale’s unapologetic and disarming voice carries through a budding and blooming garden of poetics, rooted in a contemporary southern African tradition, but springing forth in queer and radical new directions. Indeed, this is a work encompassing the full, often contradictory, and seldom complete process of healing: where relations must be chosen as well as made; where time becomes non-linear and language insufficient; where nothing is what it seems, yet everything is what it is.
Die debat oor emigrasie is so oud soos Suid-Afrika se demokrasie self. Toe die “nuwe Suid-Afrika” in 1994 aangebreek het, het talle mense die land verlaat uit vrees vir wat ‘n meerderheidsbewind sou inhou. Nog meer het in die jare sedertdien getrek opsoek na ‘n beter lewe en Suid-Afrikaanse gemeenskappe is nou in plekke soos Kanada, Engeland en Australië te vinde. Vandag, 25 jaar ná demokrasie en in die lig van kwynende optimisme oor die toekoms van die land, is daar nuwe lewe in die debat oor emigrasie. Hierdie keer word dit nie net in reaksionęre kringe gevoer nie, maar om die eetkamertafels van meerdere Suid-Afrikaners. Met die realiteit van nege vermorste jare wat aan ons beursies en toekomsmoontlikhede knaag, en die aanloklike geleenthede wat die globale ekonomie bied, vra al hoe meer mense, “Moet ek waai?” In Moet ons waai? takel meer as 20 van Suid-Afrika se voorste meningsvormers, insluitend Piet Croucamp, Dana Snyman, Melanie Verwoerd en Jonathan Jansen, hierdie vraag. Dit is poging tot insig oor ‘n kwessie wat swaar weeg op ons kollektiewe psige, en ‘n uitdaging aan elke persoon wat dit oorweeg om te waai, reeds gegaan het of besluit het om te bly om te floreer as Suid-Afrikaners waar ook al hulle hulself mag bevind.
Fly-fishing is a multifaceted sport that will absorb you in its reality, taking you to places of exceptional beauty, to explore and to revel in the solitude. It is so often spoken of as an art form while fly-tying, inextricably linked to fly-fishing, is in its own right a form of artistry. South African Fishing Flies is a celebration of this artistry – the innovation, the talents of the originators and their vision of imagination, masters of the craft – and of all the fly-tyers of South Africa. It is not an exhaustive reference to all South African flies, but is rather an anthology of those that by virtue of their innovation in design, materials used and tying techniques have helped shape and, in some cases, change the thinking on fly-tying in this country. It is also a visual celebration of these flies, the waters we fish, an introduction to some of the individuals in our fly-fishing community, and creators of South African flies.
Why does it matter that nations should care for their archives, and that they should develop a sense of shared identity? And why should these processes take place in the public domain? How can nations possibly speak about a shared sense of identity in pluralistic societies where individuals and groups have multiple identities? And how can such conversations be given relevance in public discussions of reconciliation and development in South Africa? These are the issues that the Public Conversations lecture series - an initiative of the Constitution of Public Intellectual Life Project at Wits University - proceeded from in 2006. Five years later, cross currents in contemporary South Africa have made the resumption of a public debate to clarify the meanings of identity and citizenship even more imperative, and an understanding of 'archive' even more urgent. The 2006 lectures were subsequently collected, resulting in this volume which takes its title from Weber's point, elaborated on in the chapter by Benedict Anderson, that the future asks us to be worthy ancestors to the yet unborn. The book, as did the lecture series, aims to reach a broad and informed reading public because the topic is still of pressing interest in contemporary public discourse. In a changed (and, some might say, degraded) environment of public dialogue, the editor hopes to inspire a re-thinking of the very essence of what it means to be a citizen of South Africa. Becoming Worthy Ancestors aims to make accessible the theoretically informed, sometimes highly academic work of its various contributors. With chapters from high profile international and local contributors, it will be of interest to South African and international audiences. Editing for publication has further enhanced the accessibility of each speaker's thinking without forfeiting any of its complexity, and the addition of an introductory chapter by the editor contributes to the coherence of the volume. While the target audience is the broad public, the book is based on a core of academic thinking and research.
Goldblatt began working on Some Afrikaners Photographed, first published in 1975, in 1963. He had sold his father s clothing store where he worked, and become a full-time photographer. The ruling Afrikaner National Party many of its leaders and members had supported the Nazis in the Second World War was firming its grip on the country in the face of black resistance. Yet Goldblatt was drawn not to the events of the time but to the quiet and commonplace where nothing happened and yet all was contained and immanent. Through these photos he explored his ambivalence towards the Afrikaners he knew from his father s store. Most, he guessed, were National Party voters, yet he experienced them as austere, upright, unaffected people of rare generosity of spirit and earthy humor. Their potency and contradictions moved and disturbed him; their influence pervaded his life. The book includes an essay by South African writer Antjie Krog: Three kinds of Afrikaners look out at us from these photographs, she writes, of which the poor Afrikaner is the most haunting the simple one who, by the sweat of his brow, eats his bread in isolation. Art critic Ivor Powell charts the outraged reaction of the Afrikaner media towards photos that showed rural Afrikaners at a time when the Afrikaner elite was trying to establish itself on the international stage, as well as his own reaction to the original book: It was all but incandescent with tension and revelation, with a sense of souls being held up to scrutiny, of skins being peeled away. An old man sits for me. A black child comes and stands next to him, looking at me with curiosity. The man turns and says to the child, Yes, what are you doing here, you black rubbish? the insult meant and yet said with affection. How is this possible? I don t know. But the contradiction was eloquent of much that I found in the relationship between rural and working-class Afrikaners and their black workers: an often comfortable, affectionate, even physical intimacy seldom seen in the liberal circles in which I moved, and yet, simultaneously, a deep contempt and fear of black people. David Goldblatt
How is South Africa going to sustain the cost of securing rhino while the belief continues to persist that the enemy lies elsewhere in Southeast Asia? The Walkers believe that the problem actually lies in South Africa’s own backyard. This book discusses corruption and the criminal justice system, the need for more community engagement and the costs of protection. It also looks at how far we have come since the rhino wars in the 1980s and the rhino trade debate. We have to shift from the negative to an element of the positive. People are tired of seeing dead and dying rhino. There is some optimism due to the excellent work being undertaken by the state and the private sector at many levels in security, tourism, community involvement and environmental education, as well as NGO support. Rhino Revolution testifies to the many people doing just that. The rhino war in South Africa has entered its 10th year, and last year saw 662 rhino killed in Kruger alone – and over 1000 in total for South Africa. Clive and Anton Walker, authors of the bestselling Rhino Keepers (2012), have once again come up with a fresh, new look at the ongoing rhino crisis. With magnificent photographs and afterwords by John Hanks and Yolan Friedman.
South Africa has been called the 'rape capital'. Is this label accurate? What do South Africans think they know about rape? South Africa has a complex relationship with rape. Pumla Dineo Gqola unpacks this relationship by paying attention to patterns and trends of rape, asking what we can learn from famous cases and why South Africa is losing the battle against rape. Gqola looks at the 2006 rape trial of Jacob Zuma and what transpired in the trial itself, as well as trying to make sense of public responses to it. She interrogates feminist responses to the Anene Booysen case, amongst other high profile cases of gender-based violence. Rape: A South African Nightmare is a necessary book for various reasons. While volumes exist on rape in South Africa, much of this writing exists either in academic journals, activist publications or analysis pages of select print media. This is a conclusive book on rape in South Africa, illuminating aspects of South Africa's rape problem in South Africa, illuminating aspects of South Africa's rape problem and contributing to shifting the conversation forward. It is indebted to insights from available research, activism, the author's own immersion in Rape Crisis, the 1 in 9 Campaign and feminist scholarship. Analytically rigorous, it is intended for a general readership.
Do you ever have days when everything goes right with your clothes and your hair and you feel happy with how you look? Have you noticed how confident and self-assured this makes you feel, how all seems right with the world? Have you noticed how this lifts your spirits, puts a spring in your step and makes you feel as if anything is possible? Isn’t it interesting that something as seemingly simple as looking your best can give you such confidence? Isn’t it fascinating that knowing you look beautiful, in your own unique way, gives you the motivation to do all that you want to do and to achieve all that you want to achieve? Isn’t it ironic that the very act of paying attention to how you look means that you’ll be able to let go of worrying about it? And isn’t it exciting that developing your individual personal style has the potential to awaken you to your true self and the purpose for which you were created? If you do it consciously, the process of developing your own ‘look’ has the capacity to give you a much greater awareness of yourself. If you take the time and make the effort to self-reflect while you learn about colour, proportion, texture and style, you will be able to transform yourself inside and out. Reclaiming your inner and your outer Beauty are complementary in that they reinforce each other in subtle and mysterious ways and you benefit by becoming more radiant as a woman and as a soul. It’s never too late or too early to reclaim your own beauty and to start making the most of yourself.
In hierdie bundel durf die skrywer Danté Alighieri se briljante werk aan. Hy bewys homself as uitmuntende vertaler. Danté se lang reis kan tematies verbind word met Israel se uittog verhaal. Met sy La Divina Commedia beoog Danté om die boosheid van die mens aan die kaak te stel en roep hy die mens op om saam te werk aan die skepping van ’n beter samelewing van vrede en orde onder leiding van ’n goeie keiser en pous.
Hy is aantreklik, sjarmant en intelligent. Hy dra jou op die hande en
julle hang aan mekaar se lippe. Maar dan begin dinge verander. Hy
vereis voltyds aandag, goedkeuring en bewondering. Vir jou gevoelens en
behoeftes voel hy vere. Trouens, hy beheer jou ten volle. Hy het selfs
jou drome by die venster uitgegooi. Niks is ooit sy skuld nie en hy sę
ook nie hy is jammer nie. Waag jy dit om hom teen te gaan, of te
kritiseer, gooi hy ’n woedebui wat ’n tweejarige sal laat skaamkry.
South African identities, as they are represented in the contemporary South African novel, are not homogeneous but fractured and often conflicted: African, Afrikaner, `coloured’, English, and Indian – none can be regarded as rooted or pure, whatever essentialist claims members of these various ethnic and cultural communities might want to make for them. All of them, this book argues, are deeply divided and have arisen, directly or indirectly, out of the experience of diasporic displacement, migration and relocation, from the colonial, African and Indian diasporas to present-day migrations into and out of South Africa and diasporic dislocations within Africa. This study of twenty works by twelve contemporary South African novelists – Breyten Breytenbach, J.M. Coetzee, Nadine Gordimer, Aziz Hassim, Michiel Heyns, Elsa Joubert, Zakes Mda, Njabulo S. Ndebele, Karel Schoeman, Patricia Schonstein Pinnock, Ivan Vladislaviç and Zoë Wicomb – shows how diaspora is a dominant theme in contemporary South African fiction, and the diasporic subject its most recognisable figure.
Southern Africa is the natural home of the richest and most diverse succulent flora in the world. These plants come in all shapes and sizes, from trees such as the baobab at more than 20 m tall, to miniature soil huggers, just a few millimetres high, which mimic their pebble-desert surroundings. This user-friendly, richly illustrated field guide features more than 700 southern African succulents, focusing on the most interesting and commonly encountered species. An introduction to families and their key features will help readers identify the relevant plant group, while concise accounts describing the plants’ diagnostic features, along with distribution maps, will enable quick ID of species. More than just an ID guide for plant lovers, this book will inspire gardeners who are turning to indigenous, low-maintenance and waterwise plants for cultivation.
Emotional Intelligence is a complete guidebook to help you leverage your EQ for greater professional and personal success. Research now shows that people with higher levels of emotional intelligence generally have:
Written especially for the South African workplace, this newly updated edition will show you to improve and develop your emotional intelligence by focusing on these aspects of EQ:
Throughout the book, you will find practical tips, exercises, and case studies to help you develop your emotional intelligence. Now is your chance to open the door to a better life! Annette Prins a senior counselling psychologist, involves herself with developing human capital. As CEO and co-owner of the company Talent and Wellness Management, she developed and presented an array of workshops in the people skills arena, for the corporate and tertiary sectors. She specialises in stress management, anxiety and mood disorders and trauma counselling. Eugene van Niekerk has taught psychology at both under-graduate and post-graduate level. His academic background is also complimented by work as psychotherapist and corporate consultant. Eugene’s interests include, amongst others: emotional intelligence; mind-body medicine; mental health in an information society; how affective neuroscience is able to improve individual and organisational performance. As consultant Annette Weyers has been part of the wellness industry for fifteen years. She was co-founder of the Centre for Talent and Wellness Management an organisation that offered professional services to develop human talent and promote wellness. Services to employees included support and interventions through counseling, coaching, inspirational talks and workshops. " |
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