In Douglas Reid Skinner's eighth book of poems, a lifetime of writing becomes the writing of a lifetime. With verse ranging from the philosophical to the surreal, Skinner ponders the most universal of questions and concerns - how to live, and, perhaps more crucially, how to die.

Through landscapes of ploughed fields, dream highways, and building sites alike, our human concepts of memory and literature are observed, retraced, or even deconstructed. Behind the easy intelligence and humour, Skinner remains a flagbearer for the traditions of South African poetry in English.

Poems are written for writers and loved ones who have passed, others for those who have most of their years to come - all held in expert balance by a master of his art.

Why is it that some people work hard, yet remain poor? How is it that others seem to rise out of poverty and become affluent in a short span of time? The answers are in this little book, which everyone should read at some point in their life. If they did, they would know how to become rich relatively quickly. If not, they might spend years working back-breakingly hard, without ever breaking even. That’s how powerful the principles contained in this book are.

The answers to escaping poverty and becoming wealthy are actually well known; they have been tested by time and replicated in different countries, by families and by individuals who have become astonishingly rich. And when you simply follow the principles, they work.

So what are these principles that genuinely lift people out of poverty and ensure their personal wealth? Here are 50. They all work. They will make you richer. They remove the emotion, the politics and the clutter from our thoughts about wealth, and they go straight to the heart of one simple issue: what it genuinely takes to become rich. Prepare to train your brain for wealth. Prepare to become ‘poverty proof ’ for life.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Extraordinary Leaders, Activists & Protesters you will read about women who fought against colonialism and oppression. Here are the stories of women heroes through history, whose stories are connected because of a shared passion for equality and justice.

Lucid and lyrical, Lucienne Bestall’s debut collection extends reflections on the seductions and limitations of language. With words and pictures borrowed from literature, contemporary art, art history, and mass media, Except for Breath asks after those experiences that elude simple description and turn instead to image and metaphor.

The collected essays appear an unlikely gathering – taking as their respective subjects death, disappointment, divine love, an unfamiliar city, the news, and headaches. Yet while each is discrete, together they share subtle aff inities, their narratives shaped by memory’s imprecisions and dreams retold, by magical thinking and wishful thinking, and coincidence mistaken as sign.

Pairing art writing and life writing, Bestall’s limpid prose is delicately revealing of her subjective encounter with a shared repertoire of familiar texts and images.

What does consumption in the global south signify, and how are its complexities communicated in media discourses? Consumption, Media and the Global South presents original research examining key themes in the ways in which consumption in the global south - by elites, the middle classes, and the poor - is discursively constructed in media texts. With the global triumph of capitalist economies and neoliberal values, consumption is increasingly viewed by populations in the global south as both a right to which they are denied access, and once accessed as evidence of an improved life. The ways in which this debate plays out on the stage of the media is an important element of the picture. This book looks at the media representation of consumer culture in Africa, China, Brazil and India through case studies ranging from celebrity selfies, to travel websites, news reports and documentary film.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

Making a Life: Young Men on Johannesburg’s Urban Margins explores the dynamic everyday life-making strategies of young men in Zandspruit, a sprawling informal settlement on the outskirts of Johannesburg. In many ways, Zandspruit typifies the precariousness of life in South Africa, where two-thirds of young people lack waged employment. However, rather than seeing Zandspruit as dumping ground, Hannah J. Dawson calls for an integrated understanding of the complex linkages between people’s lives and livelihoods, and the multifaceted sociopolitical landscape of urban settlements.

Based on 14 months of ethnographic research, Dawson investigates how social belonging, identity and economic realities intertwine in informal settlements like Zandspruit. This approach not only challenges conventional approaches to studying work; it also questions the increasingly prevalent perspective that romanticises the adaptive survival strategies of the urban poor. By exploring the intricate connections between those with and without waged employment, the author shows how young men manage complex social, political and economic conditions.

Making a Life offers insights into issues such as urban work, citizenship, un(der) employment and inequality in South Africa. At the same time, it contributes to a global understanding of how young people – men especially – manage economic uncertainty.

Wits: The Early Years is a history of the University up to 1939.

First established in 1922, the University of the Witwatersrand, Johannesburg developed out of the South African School of Mines in Kimberley circa 1896. Examining the historical foundations, the struggle to establish a university in Johannesburg, and the progress of the University in the two decades prior to World War II, historian Bruce Murray captures the quality and texture of life in the early years of Wits University and the personalities who enlivened it and contributed to its growth.

Particular attention is given to the wider issues and the challenges which faced Wits in its formative years. The book examines the role Wits came to occupy as a major centre of liberal thought and criticism in South Africa, its contribution to the development of the professions of the country, the relationship of its research to the wider society, and its attempts to grapple with a range of peculiarly South African problems, such as the admission of black students to the University and the relations of English- and Afrikaans speaking white students within it.

’n Grieselrige reis na die plekke waar van Suid-Afrika se bekendste moorde gepleeg is asook ’n hele aantal minder bekendes.

Maak kennis met die moordenaars en die doodgewone gemeenskappe waar slagoffers van die vroegste tye tot die onlangse verlede wreed aan hul einde gekom het.

With the adoption of the United Nations Sustainable Development Goals (SDGs) and the Paris Agreement, the purpose of development is being redefined in both social and environmental terms. Despite pushback from conservative forces, change is accelerating in many sectors. To drive this transformation in ways that bring about social, environmental and economic justice at a local, national, regional and global levels, new knowledge and strong cross-regional networks capable of foregrounding different realities, needs and agendas will be essential. In fact, the power of knowledge matters today in ways that humanity has probably never experienced before, placing an emphasis on the roles of research, academics and universities.

In this collection, an international diverse collection of scholars from the southern African and Nordic regions critically review the SDGs in relation to their own areas of expertise, while placing the process of knowledge production in the spotlight. In Part I, the contributors provide a sober assessment of the obstacles that neo-liberal hegemony presents to substantive transformation. In Part Two, lessons learned from North–South research collaborations and academic exchanges are assessed in terms of their potential to offer real alternatives. In Part III, a set of case studies supply clear and nuanced analyses of the scale of the challenges faced in ensuring that no one is left behind. This accessible and absorbing collection will be of interest to anyone interested in North–South research networks and in the contemporary debates on the role of knowledge production.

The Southern African–Nordic Centre (SANORD) is a network of higher education institutions that stretches across Denmark, Finland, Iceland, Norway, Sweden, Botswana, Namibia, Malawi, South Africa, Zambia and Zimbabwe. Universities in the southern African and Nordic regions that are not yet members are encouraged to join.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present.

South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title ‘Imbokodo’ was been chosen as it is a Zulu word that means “rock” and is often used in the saying ‘Wathint’ Abafazi, Wathint’ Imbokodo!’, which means “You Strike a Women, You Strike a Rock!”

In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

• Nokutela Linderly Dube
• Cecilia Lilian Tshabalala
• Sibusisiwe Violet Makhanya
• Dora Nginza
• Louisa Mvemve
• The Makiwane Sisters: Daisy, Florence and Cecilia
• Nontsikelelo Qwelane
• Zanele Mbeki
• Professor Tebello Nyokong
• Dr Phumzile Mlambo-Ngcuka

In die vierde deel van die reeks Imperiale somer word aan Marabastad, die separatistiese kerke, die opkoms van die Afrikaners in die naoorlogsjare, die emigrasie van blankes na Oos-Afrika ná die oorlog, en die veldtog ten behoewe van die Indiërbevolking onder leiding van Gandhi aandag gegee. Anekdotes en kameebeskrywings kleur die vertelling in.

Dié deel lewer 'n belangrike bydrae tot 'n voorheen minder bekende tydperk in die Suid-Afrikaanse geskiedenis en sal 'n wye leespubliek en nie net vakkundiges nie boei.

Toeganklike, klankryke, geslepe, fyn afgeronde verse van ’n woordsmid wat slim speel met klank, taal, beelde en verwagtinge.

Op toeganklike, klankryke wyse ontgin Daniel Hugo verskillende temas – verblyf in die Lae lande, liefdesverhoudings, die seisoene, die natuur, die dood, die skryfproses, die taal waarin hy skryf, die pandemie wat ons tans ervaar, die rol van die digter – op speelse wyse en sonder om te skroom om met homself die draak te steek.

Met enkele verbluffende vertalings van klassieke gedigte.

An average of 1400 people call the South African Depression and Anxiety Suicide Helpline every day. And those are just the people who know it exists and are able to reach out for help, either for themselves or for a loved one.

Journalist Marion Scher has spent years speaking to people suffering from depression or some other form of mental illness and felt compelled to share some of these stories in Surfacing. Each chapter tells a different and very personal story, from a Springbok rugby player faced overnight with mental illness to a successful businessman who attempted suicide three times in one day. A new mother whose horrific real experiences didn’t match the Instagram photos of blissful motherhood she had expected, and a mother’s heartbreaking story of surviving the loss of her teenage daughter to suicide. The common thread that runs through the stories is how each person learnt to deal with their illness, conquer their personal mountains and go on to lead healthy, fulfilled lives – more than they’d ever hoped for.

Most stories of mental illness go untold, hidden away, for fear of the stigma that mental illness holds. Marion hopes this book will inspire you to reach out for help for yourself or to offer encouragement to people you know who are battling secret demons.

Jackie Phamotse digs deep into the climate of law and policy in the social media landscape.

After a David and Goliath social media legal battle that saw many take note tweeting about her, the result is a brace, thought-provoking and remarkably detailed social media guide and personal narrative. A first-hand approach on beating public humiliation and cyber victimization, Phamotse combines personal anecdotes, hard data and compelling research to cut through an unjust system governed by the rich and famous. The author directly addresses the question of power and obsession related to social media influencers.

Written with equal doses of humor, compassion and wisdom, I Tweet What I Like is an inspiring call to action, celebrating diversity and human potential. I Tweet What I Like will inspire you!

In die eerste opstel, “Oor huise”, beskryf hy hoe hy self 'n huis van klip in die Kouga gebou het. So 'n huis moet by die bewoners daarvan pas, beweer Versfeld, en dit hang af daarvan of jy met jouself tuis is. Hy skryf verder oor die vreugde van kook en goeie kos, oor die verwantskap tussen die skepping van poesie en die skepping van 'n eenvoudige meubelstuk, oor jag, visvang en ons belewing van die natuur. Die laaste opstel, “Oor patriotisme”, kry opnuut betekenis in 'n tyd waarin ons verhouding met ons geboorteland en ons medemens geproblematiseer word. Versfeld se styl is besonder toeganklik en die leser word dikwels verras deur 'n diepsinnige wending waardeur ons omgang met die alledaagse verryk word. So skryf hy byvoorbeeld oor klip: “Die engel uit die klip is die engel wat alreeds in die klip gesit het, en aan hom is die kliphouer onderdanig. Laat die engele dus jou huisie bou, maar hulle sal net met jou hande bou, en net met jou eie hande sal jy aan hulle raak.”

In Mokgadi Itsweng’s debut cookbook, she shares recipes that will delight the whole family.

Veggielicious encompasses all aspects of a plant-forward lifestyle, and is divided into Summer, Spring, Autumn and Winter, with beautiful recipes to complement each season.

Mokgadi begins our flavour journey with a selection of condiments and spice mixes, our secret weapons to guaranteeing full flavour in every veggie dish. With healthy, sustaining breakfasts, small dishes for grazing or starters, glorious showstopping main meals, creative sides and, of course, happy endings showcasing a selection of delectable desserts, the book is filled with innovative, delectable recipes that will make the kitchen your happy place!

This ethnography explores the Ngoma healing tradition as practiced in eastern Mpumalanga, South Africa. 'Bungoma' is an active philosophical system and healing practice consisting of multiple strands, based on the notion that humans are intrinsically exposed to each other and that this is the cause of illness, but also the condition for the possibility of healing. This healing seeks to protect the 'exposed being' from harm through augmenting the self. Unlike Western medicine, it does not seek to cure physical ailments but aims to prevent suffering by allowing patients to transform their personal narratives of Self. Like Western medicine, it is empirical and is presented as a 'local knowledge' that amounts to a practical anthropology of human conflict and the environment. The book seeks to bring this anthropology and its therapeutic applications into relation with global academic anthropology by explaining it through political, economic, interpretive, and environmental lenses

Die tweede, hersiene uitgawe van Genesing vir Trauma is ’n diepgaande, omvattende handleiding wat steun op dekade lange eerstehandse ervaring in berading. Die tweede uitgawe is nie net volledig opgedateer en bygewerk nie, maar bevat ook nuwe hoofstukke, soos die hoofstuk oor die impak van Covid-19.

Beide beraders en slagoffers sal kan baat vind by die verstaanbare, relevante inhoud propvol algemene wysheid en geestelike begeleiding. Elke hoofstuk bevat waardevolle riglyne oor hoe om mense wat 'n spesifieke vorm van trauma beleef het by te staan, en wel binne die Suid-Afrikaanse konteks.

Hierdie opgedateerde uitgawe spreek tot alle groepe binne die Suid-Afrikaanse samelewing. Hoewel die boek vanuit 'n Christelike perspektief geskryf is, is die beradingstegnieke wetenskaplik-gefundeerd en kan dit deur 'n wyer mark gebruik word. Individuele genesing het ’n genesende uitkringeffek op die gemeenskap wat vir almal van belang is. Yvonne Retief se sentrale boodskap is dat daar genesing en hoop vir slagoffers van trauma is.

Born To Kwaito considers the meaning of kwaito music now. ‘Now’ not only as in ‘after 1994’ or the Truth Commission but as a place in the psyche of black people in post-apartheid South Africa.

This collection of essays tackles the changing meaning of the genre after its decline and its ever-contested relevance. Through rigorous historical analysis as well as threads of narrative journalism Born To Kwaito interrogates issues of artistic autonomy, the politics of language in the music, and whether the music is part of a strand within the larger feminist movement in South Africa. Candid and insightful interviews from the genre’s foremost innovators and torchbearers, such as Mandla Spikiri, Arthur Mafokate, Robbie Malinga and Lance Stehr, provide unique historical context to kwaito music’s greatest highs, most captivating hits and most devastating lows. Born To Kwaito offers up a history of the genre from below by having conversations not only with musicians but with fans, engineers, photographers and filmmakers who bore witness to a revolution.

Living in a place between criticism and biography, Born To Kwaito merges academic theories and rigorous journalism to offer a new understanding into how the genre influenced other art forms such as fashion, TV and film. The book also reflects on how some of the music’s best hits have found new life through the mouths of local hip-hop’s current kingmakers and opened kwaito up to a new generation.

The book does not pretend to be an exhaustive history of the genre but rather a present-active analysis of that history as it settles and finds its meaning.

This anthology of stories and its companion anthology of poems A flower for the dashboard collect writing from a weekly creative writing course held in Grahamstown/Makhanda since 1998. The two anthologies bring together more than eighty writers from 21 years of the annual course publication Aerial.

The stories in The last time I lived anywhere real speak of childhood experiences, transitions of all kinds, and how our cracks and flaws make us more (or less) human. Each has its measure of love, joy, heartbreak and humour, whether dark and twisted, wry and light-hearted, or bittersweet.

In 2001 verander Erika Murray-Theron se lewe onherroeplik toe haar man, Tom, met parkinsonsiekte gediagnoseer word.

Erika begin haar vertelling eers in 2011, toe Tom in ’n meer gevorderde stadium van die siekte verkeer. Dit is die rou optekening van saamleef met ’n geliefde met parkinsons: die ervaring om die fisieke en intellektuele aftakeling van jou lewensmaat te aanskou, die fisieke eise wat met die versorging van so iemand gepaard gaan, en die emosionele inspanning wat dit kos om jouself te staal teen dramatiese en stadige verlies.

My Word! tells the stories of Thérèse Hulme and the young people that she’s worked with during the last seventeen years.

Thérèse has taught many learners in some of the most marginalized communities in the Western Cape how to write and how to find their voices. Her narrative approach will, in turn, inspire teachers to shape a writing culture in their classroom. To assist teachers, the book contains many questions meant to help teachers critically examine existing practices and beliefs.

The book also has practical exercises for learners, questions for teachers to ponder and discussions meant to bring new insights to the CAPS goals. It is especially the stories, poems, drama texts and spoken word pieces by the young writers that will capture readers’ imagination.

This book is about the slow violence of poverty. Lou-Marie Kruger’s clinical and research encounters in the Dwarsrivier Valley attempt to give an account of the complex realities and lived experiences of low-income mothers in post-apartheid South Africa.

Focusing specifically on maternal life in a semi-rural community, the work can be regarded as a South African case study, showing how particular happenings, specific events, unique interactions, and larger societal processes become intertwined to result in complex narratives. Such intricate narratives do not only show how the past always impacts the present, but can also implicitly suggest how and why such stories are prone to be repeated. While the book can be seen as a study of a place and a community, the lives of individual people and how they are embedded in the larger matrix of culture, history, and the political economy are also present.

The pertinent question here is one asked by medical anthropologist Paul Farmer: by which mechanisms precisely do social forces ranging from poverty to racism to gender become embodied as individual experience?

Stress impacts all facets of our lives and has devastating effects on the global economy, including reduced productivity and the burden it places on healthcare systems. Decades of research show that chronic stress severely compromises our physical and mental health. More recently, it has been revealed that stress can destabilise our DNA and affect our genetic integrity. This promotes many of the diseases that societies are currently grappling with and could potentially impact future generations.

Yet stress has two faces: ongoing stress is one of the biggest challenges faced globally, but short intervals of stress can actually offer tremendous potential to grow, break personal barriers and excel.

Turning the traditional stress paradigm on its head, The Stress Code does not advocate stress avoidance, but rather aims to create an adaptable strategy to better manage stress. Supported by extensive scientific research, the book offers readers tools and skills to help buffer the adverse effects of chronic stress, enhance functionality and health, and help us to thrive in situations of adversity.