Ek blaai vinnig deur hierdie bladsye. Ouma se politieke spore is besaai met duwweltjies. ’n Deel van my wil-wil die swart dagboek toemaak. ’n Ander deel skop vas: Hoe eerlik is jy in jou poging om oupa Hendrik te verstaan?

Ná jare van versoeningswerk tussen eertydse vyande in Ierland keer Wilhelm Verwoerd terug na Suid-Afrika. Hy wil vrede maak met sy eie familie en sy geskiedenis. In die Verwoerd-strandhuis, Blaas ’n Bietjie, waar hy sit en skryf, hang ’n gesinsfoto waarop sy oupa, HF Verwoerd, hom as baba teer vashou. Hoe versoen hy dié menslike oupa met die gehate onderdrukker wat in die stories van sy swart bure en kennisse na vore kom, mense wat as kinders in die strate gedans het toe sy oupa vermoor is?

In sy soektog na begrip kom Wilhelm op ouma Betsie Verwoerd se private dagboeke af en voer hy soms ongemaklike gesprekke met mense wat sy van as vloekwoord onthou. So ontvou ’n geskakeerde blik op wat dit beteken om vandag met integriteit in Suid-Afrika te leef.

“Diepsinnig … Wilhelm Verwoerd ondersoek die veelkantigheid van verantwoording in families in hierdie belangrike en menslike memoir.” – Martie Retief Meiring

Translated into over 30 languages, Ragdoll is a gripping cat-and-mouse thriller with twists and turns you won't see coming and was the breakout debut at the London Book Fair.

A body is discovered with the dismembered parts of six victims stitched together, nicknamed by the press as the 'Ragdoll'. Assigned to the shocking case are Detective William 'Wolf' Fawkes, recently reinstated to the London Met, and his former partner Detective Emily Baxter. The 'Ragdoll Killer' taunts the police by releasing a list of names to the media, and the dates on which he intends to murder them.

With six people to save, can Fawkes and Baxter catch a killer when the world is watching their every move?

Multi-platinum musician Jack Johnson's eighth studio album, 'Meet The Moonlight', is his first album in five years.

The creation process marks a major artistic milestone from past work, taking shape from a one-on-one collaboration with Mills (whose contributions included everything from fretless guitar to Moog synth to steel drums) and unveiled an intimate and highly experimental process that involved embedding Johnson's elegantly stripped-back arrangements with enchanting sonic details.

After state capture, South Africa is f*cked and not in a good place. The system is down so how do we reboot?

We aren’t the first country to find itself in a difficult spot so we can ask ourselves why have some countries been successful and others not so much? How can South Africa pick itself up to become a thriving state? Roy Havemann answers these questions in this engaging, accessible book and argues that right now we need to focus on six basics: Eskom, Education, the Environment, Exports, Equality and Ethics.

It’s time to stop raking over the coals of who is to blame for our problems and focus on the future, looking at how other countries have overcome challenges similar to ours and how we can practically implement a set of policies that will get South Africa back on track.

Kwezi Collector’s Edition 4 Issues 10-12 sees our team of heroes faces challenges they never could have predicted while Mpisi sets about establishing an anti-Super campaign…

Africa's leading producer of electricity, Eskom Holdings SOC Ltd, is also a vertically integrated monopoly, owned by the South African state. This national champion was shaken in 2008, when it was obliged to introduce 'load shedding', or rolling blackouts, and again in late 2014. Trying to understand how and why one of the iconic pillars of South African state capitalism is now in distress, the authors of this book argue that the so-called electricity crisis is in fact a public monopoly crisis.

Moving beyond technical aspects, they explore the relationship between state power and Eskom before, during and after apartheid. From this perspective, they suggest that the current technical and financial troubles of this public utility are illustrative of the weakening of its technopolitical regime, of how national institutions have governed Eskom's technological development, and of the pursuit of political goals in the production of electrical power. Without a clear industrial strategy during the 2000s, Eskom became a powerful tool of Broad-Black Economic Empowerment as well as a neopatrimonial system which generates profits captured by the ruling party. As a result, crisis in Eskom shakes the whole political edifice. Inefficient and its finances increasingly under scrutiny, this state-owned enterprise's existence as a monopolistic public utility is regularly a subject of debate.

The authors discuss the ambivalent role of Eskom in the national energy transition policy and whether solutions point in the direction of de-integrating this public monopoly and allowing its current technopolitical regime to enter a planned or natural decline.

Hot Water is an intimate and daring look into the life of a young African woman from the Cape Flats with a chronic illness. The book investigates how endometriosis affects the way young woman function and navigate the world, and how this becomes especially complicated for those who are underprivileged and reliant on the public sector’s healthcare system.

In Hot Water Nadine Dirks reveals the unique issues of racism, sexism, classism, fatphobia and slut-shaming that African women experience within the context of healthcare facilities, and how especially jarring it is when the stigma comes from medical staff who one expects to have the patient’s care as their primary concern. All of this has enraged Dirks and catapulted her into becoming a sexual reproductive health and rights advocate.

Hot Water tells the story of how people with chronic illness are treated daily, at school, university and socially for being differently abled; how people are regarded as lazy, aggressive, disappointing, lacking, among multiple other things for being unwell in comparison to their healthy counterparts.

One cannot look at seeking adequate healthcare as a young, black, underprivileged woman on the Cape Flats without experiencing racism in the most blatant of ways. Even with guidelines in place, the book shows that it is next to impossible to invoke those rights even if you are aware of them for fear of being victimised and excluded from the system.

Every couple has their secrets . . .

It's wedding season, and tensions are brewing.

When one lavish wedding ends in disaster before it can even begin - with the maid of honour discovered dead in Nantucket Harbor just hours before the ceremony - everyone in the wedding party is suddenly a suspect.

As Chief of Police Ed Kapenash digs into the best man, the bride, the groom's famous mystery novelist mother, and even a member of his own family, the chief discovers that every wedding is a minefield - and that no couple is perfect.

The apartheid security juggernaut met its Battle of Stalingrad in the townships of Port Elizabeth and Uitenhage in 1985 and 1986. This is the blazing story of how the people’s resistance – in the church, in the civic structures, underground – fought that war.

Up until these insurrections, the brutal force of the apartheid state successfully crushed all attempts at revolt. Yet in the townships of Port Elizabeth, where they threw everything they had at the uprisings, the people stood and fought, and fought and stood.

Riordan, a human rights activist during the years of high apartheid, draws a line connecting the story of Thozamile Botha, the Zwide and KwaZakhele Residents’ Associations and the Port Elizabeth Black Civic Association (PEBCO) of 1979, the subsequent demise of PEBCO, and the February 1990 unbanning of the ANC and the movement at large.

What had happened in the intervening ten years to effect this once unimaginable change? Apartheid’s Stalingrad tells us what had happened.

Those who live on the surface desire what the darkness offers. In tough times, crime is the only thing that soothes their souls. It is the South Africa you choose not to see.

The constitution forms the backbone of the South African democracy, yet the youth bleed for it. What does South Africa truly have when its children are traded for a good time and tenders? It is an accurate reflection of the social decay under the leadership of President Cyril Ramaphosa. Are your children safe in this trauma-infested country?

Daphne Morgan's death results in two worlds colliding: Gibson Kente demands nothing more than respect for the bloodshed, while Tim Morgan seeks his mother. Treasure is caught in the crossfir eof hell and fury. She desires freedom, but Tim Morgan's business is blissful pleasure, camouflaged by revenge. Will Rita Thomas provide the answers to Treasure's prayers?

If you had a choice to worship two gods, would you sell your soul for money or freedom?

Will this curtain call be Treasure's last?

Aleit Apteit is ’n boek gevul met stories van die geliefde Aleit Swanepoel. Kom reis en kook saam met hom met ongeveer 50 resepte uit sy pen.

Die Sondagaand voor Aleit se afsterwe was hy volstoom aan die gang, besig om onder meer sy alombekende lamsboud gaar te maak. Die bestanddele is gekoop en die span was reg vir ’n week van kosmaak. Kom beleef saam die nostalgie, sy spesiale menswees en die heerlike kos wat hy nie net smullekker kon maak nie, maar ook mooi kon laat lyk: die ‘Aleit-Way’. Deel sy hartskos – veral sy Sondagmiddagetes in sy ouerhuis, net soos sy ma dit gemaak het. Dit was spesiaal vir hom, en hy wou dit graag oordra en met sy mense deel.

Hy het aande gesit en skryf, en dit dan baie opgewonde aan sy span gestuur en gesê: “Julle! Ek het nog ’n storie!!”

Aleit Apteit is ’n hoofstuk van sy nalatenskap en ’n manier waarop hy vir altyd in mense se hart, kombuis en lewe kan voortleef. Dit is ’n pragkookboek, maar ook een wat deel van jou kombuis se bestanddele moet uitmaak – gevul met bekende hartskos en bypassende stories geskryf deur ’n legende.

Collection of remixes of Billboard number one hits selected by the legendary singer herself.

The album is a career spanning collection, ranging from the 'You Can Dance Remix' of her first single 'Everybody' to the 'Honey Dijon Radio Mix' of 'I Don't Search I Find', the original version of which is taken from her fourteenth album 'Madame X' (2019).

Priscilla Jana is a legendary figure in South African revolutionary politics. As an Indian woman who had experienced racial oppression first-hand, she decided to use her degree in law to fight for the rights of her fellow people and do all she could to bring down the Apartheid state - who saw her as a very real threat. At one time she represented every single political prisoner on Robben Island, including both the late Nelson Mandela and his wife Winnie. Priscilla spent her days in court, fighting human rights case after human rights case, but it was at night when her real work was done. As part of an underground cell, she fought tirelessly to bring down the hated government. This activism, however, came at a price. One of South Africa's infamous 'banned persons', for five years Priscilla was unable to take part in any political activities, enter any place where a large number of people were gathered, and had her movements severely restricted. Worse, her own home was attacked with petrol bombs on multiple occasions. Undeterred, Priscilla Jana continued her work, even adopting the baby daughter of a client imprisoned on Robben Island, bringing here up, educating her, and providing a loving home. Finally, upon Mandela's release and the political revolution of her beloved country, Priscilla's work was rewarded, as she was elected as a member of South Africa's first democratic parliament. Later, she was to become an ambassador to both The Netherlands and Ireland. Now retired and living in Cape Town, Priscilla still works and waits for her most fervent desire: the true healing and unification of South Africa.

“There were three other people present, or five, depending on whom one chooses to include. Five, let’s say, the men divided from the women according to the timeworn tradition… The ceremony lasted precisely thirty minutes, as had been agreed on well in advance, not a second longer. One of the people present announced the end in a voice as blunt as it was relieved.”

What kind of bar mitzvah lasts no more than thirty minutes? Which five people could have been in attendance, and where could such a ceremony –– if there really was a ceremony –– have taken place under these circumstances? This book has echoes of a detective trail and as Denis Hirson gradually reveals the answers, he explores the wider ancestral and political strands of his story.

We are reminded of what the world might have looked like to a thirteen-year-old boy in the Johannesburg of the 1960s. This perspective is, thanks to his daughter, set against that same boy’s adult understanding of what had happened. This is a breathtaking account of the author being confronted by his own past.

Thirty-nine-year-old Thando is living in total denial about her drinking. On the surface her life looks aspirational – great job, apartment, snazzy car. But behind the façade she harbours a shameful secret – she can’t control her drinking.

To the outside world she's just having fun, but alone at home, she’s knocking back a bottle or two a night to ‘unwind’. It’s not until she takes a sabbatical from booze, that she's forced to confront her crippling anxiety.

Intimate, brave and inspiring.

She is the very thing he’s spent his whole life hunting. He is the very thing she’s spent her whole life pretending to be.

Only the extraordinary belong in the kingdom of Ilya—the exceptional, the empowered, the Elites.

The powers these Elites have possessed for decades were graciously gifted to them by the Plague, though not all were fortunate enough to both survive the sickness and reap the reward. Those born Ordinary are just that—ordinary. And when the king decreed that all Ordinaries be banished in order to preserve his Elite society, lacking an ability suddenly became a crime—making Paedyn Gray a felon by fate and a thief by necessity.

Surviving in the slums as an Ordinary is no simple task, and Paedyn knows this better than most. Having been trained by her father to be overly observant since she was a child, Paedyn poses as a Psychic in the crowded city, blending in with the Elites as best she can in order to stay alive and out of trouble. Easier said than done.

When Paeydn unsuspectingly saves one of Ilyas princes, she finds herself thrown into the Purging Trials. The brutal competition exists to showcase the Elites’ powers—the very thing Paedyn lacks. If the Trials and the opponents within them don’t kill her, the prince she’s fighting feelings for certainly will if he discovers what she is—completely Ordinary.

Business Cases from South African Companies is an engaging collection of case studies dealing with real-life businesses.

Written by business owners, the stories are unique and inspiring to students, practitioners and would-be entrepreneurs.

Owners, entrepreneurs and corporates (from SMMEs to larger companies) share their frustrations, successes, and challenges on starting and running successful businesses.

Helena Kriel finds herself in deep personal crisis, where she's forced to ask herself: Where do I belong? 

After the writers' strike in LA renders her useless and her marriage falls apart, she travels back in Johannesburg. Little does she know that she'll find clarity in the African bush as she volunteers to work with baby rhinos, orphaned by poaching.

Using the ancient technique of meditation, Helena finds she can access these broken beings, to connect through nature and find new homes. 

In Rule Of Law, Glynnis Breytenbach reflects back on her career as a prosecutor, including specific cases she has tried, and on her life to provide a fascinating commentary on the importance of the independence of judicial institutions and the precariousness of this independence.

Her current challenges are directly linked to how outspoken she is and how she continues to campaign fiercely for the rule of law in this country.

Capture, massive deception and devastating human consequences still felt today… Legal journalist Dianne Hawker delves deep to retell the full Aurora story.

In October 2009, Aurora Empowerment Systems – a black-owned, politically connected business – made a bid to rescue the liquidated Pamodzi Gold mines.

Former President Jacob Zuma's nephew, Khulubuse Zuma, his lawyer Michael Hulley and former president Nelson Mandela’s grandson Zondwa Mandela, were listed as directors of Aurora. On paper the company looked almost too good to be true – promising to turn the mines into a new business that would offer stellar benefits to workers, while also expanding into Africa. Soon after the acquisition, the first cracks appeared. More than 5 000 workers and suppliers, who depended on their employment to keep themselves and their families alive, went unpaid. Over the next few years, Aurora-managed mines were stripped of assets, as illicit payments went to the families of the “connected”, while workers starved.

Despite a litany of evidence of Aurora’s dishonesty, to this day little has been done to bring the perpetrators to book.

Principles of Evidence fifth edition provides invaluable assistance to students, academics and practitioners alike and introduces a decolonial approach to South Africa’s law of evidence.

The book continues to assess the impact of the Constitution on the rules of evidence and analyses the bourgeoning body of case law dealing with the admissibility of evidence. It also considers recent amendments impacting the child witness as well as the presentation of oral evidence more generally and offers a separate discussion on statutory provisions regulating matters as diverse as, for example, sexual history evidence and the admissibility of electronic evidence.

Provides critical commentary and suggestions for law reform.

Facing internal rebellion and the threat posed by German troops on South Africa’s borders, Prime Minister Louis Botha and his deputy, Jan Smuts, led the Union Defence Force during the First World War. This first-of-a-kind volume investigates the wartime roles of these two legendary yet divisive historical figures.

Both men commanded in the field. The army they commanded gained resilience, experience and battle-hardiness, adapting to the conditions of the campaigns and the demands of the tasks. South Africa’s campaigns were complex and divergent, starting with the invasion of neighbouring German South West Africa, moving to East Africa, Egypt, Palestine and the devasting fighting at Delville Wood in France.

Behind Botha’s charming façade and Smuts’s stoic machine, were two very human, imperfect men. Together they provide a wonderful lens through which to examine the potent forces of the early 20th -century world and the country they hoped to forge. Myopic compatriots had constrained their plans, but it was the outbreak of war in 1914 that offered the most significant opportunities and brought the most adverse challenges.

They fought insurmountable odds and achieved great victories, at home and abroad, but also made startling errors and, ultimately, in classical fashion risked being crushed by the weight of the world they tried to create.

BAKING is a collection of over 80 inspiring recipes for experienced or beginner bakers.

With advice on equipment, costings, packaging, branding and top tips for successful home baking, you’ll soon be rustling up a host of delicious treats, from sensational cakes and savoury platters, to traybakes and traditional fare.

And being healthy doesn't mean that you should give up baking: there are recipes for gluten-free, vegan and low-sugar bakes.

In Brood & Botter neem Nic van Wyk jou op ’n kosreis van 21 jaar, sy kulinêre mondigwording.

Die boek herinner aan Kook en geniet, met die klassieke manier van kosmaak en basiese kookmetodes, maar Nic neem sy resepte ’n stappie verder: onthoukos soos groenbone met witpepersous, Ouma se boontjiesop en mieliepap met botter, suiker en melk.

Sy onopgesmukte restaurantkos gaan jou verras met dieplekker geurkombinasies en sy hartskos weerspieël sy voorkeur vir eerlike kos sonder fieterjasies.

Business Management by Portfolio is a business philosophy practiced by organisations which successfully create environments that attract only the best, brightest and most creative professionals. This is an environment which fosters trust, collaboration and unified commitment. It provides ample opportunity for individual and collective self-actualization and the unleashing of talent where it matters most.

Business Management by Portfolio addresses issues such as effective strategy implementation, optimal resource utilisation, business quality by design and, perhaps most importantly, customer satisfaction.