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Books > Social sciences > Politics & government > Political ideologies > Marxism & Communism
In Cuba Was Different, Even Sandvik Underlid explores the views of
Cuban authorities, official press, and Party members as they
reflect back on the collapse of Soviet and Eastern European
socialism. In so doing, he contributes to a better understanding as
to why the Cuban system - often associated with Fidel Castro's
leadership - did not itself collapse. Despite the loss of its most
important allies, key ideological referents, and even most of its
foreign trade, Cuba did not embrace capitalism. The author
critically examines and analyzes the collapse of the USSR and
Eastern Europe as reported in the Cuban Communist Party newspaper
Granma, both as they unfolded and subsequently through the lens of
additional interviews with individual Party members. This focus on
Cuba's Communist Party provides new perspectives on how these
events were seen from Cuba and on the notable resilience of many
party members.
Marx Matters is an examination of how Marx remains more relevant
than ever in dealing with contemporary crises. This volume explores
how technical dimensions of a Marxian analytic frame remains
relevant to our understanding of inequality, of exploitation and
oppression, and of financialization in the age of global
capitalism. Contributors track Marx in promoting emancipatory
practices in Latin America, tackle how Marx informs issues of race
and gender, explore current social movements and the populist turn,
and demonstrate how Marx can guide strategies to deal with the
existential environmental crises of the day. Marx matters because
Marx still provides the best analysis of capitalism as a system,
and his ideas still point to how society can organize for a better
world. Contributors are: Jose Bell Lara, Ashley J. Bohrer, Tom
Brass, Rose M. Brewer, William K. Carroll, Penelope Ciancanelli,
Raju J. Das, Ricardo A. Dello Buono, David Fasenfest, Ben Fine,
Lauren Langman, Alfredo Saad-Filho, Vishwas Satgar, and William K.
Tabb.
'A REMARKABLE BOOK... AN AMAZINGLY AUDACIOUS AND COMPLETELY
INNOVATIVE WAY OF WRITING HISTORY... IMMEDIATE AND GRIPPING' -
WILLIAM BOYD In Petrograd a fire is lit. The Tsar is packed off to
the Urals. A rancorous Russian exile crosses war-torn Europe to
make his triumphal entry into the capital. 'Peace now!' the crowds
cry... German soldiers return from the war to quash a Communist
rising in Berlin. A former field-runner trained by the army to give
rousing speeches against the Bolshevik peril begins to rail against
the Jews... A solar eclipse turns a former patent clerk from
Switzerland into a celebrity, shaking the foundations of human
understanding with his revolutionary theories of time and space...
In Paris an American reporter in search of himself writes ever
shorter sentences and discovers a new literary style... Lenin and
Hitler, Einstein and Hemingway, Sigmund Freud and Andre Breton,
Emmaline Pankhurst and Mustafa Kemal - these are some of the
protagonists in this dramatic panorama of a world in turmoil.
Emperors, kings and generals depart furtively on midnight trains
and submarines. Women are given the vote. Artistic experiments
flourish. The real becomes surreal. Marching tunes are syncopated
into jazz. Civilisation is loosed from its pre-war moorings. People
search for meaning in the wreckage. Even as the ink is drying on
the armistice that ends the war in the west in 1918, fresh
conflicts and upheavals erupt elsewhere. It takes six years for
Europe to find uneasy peace. Crucible is the collective diary of an
era: filled with all-too-human tales of exuberant dreams, dark
fears, grubby ambitions and the absurdities of chance. Encompassing
both tragedy and humour, it brings immediacy and intimacy to a
moment of deep historical transformation - with consequences which
echo down to today.
Influenced by anarchism and especially by the anarcho-syndicalist
Georges Sorel, the political praxis of Peruvian activist and
scholar Jose Carlos Mariategui (1894-1930) deviated from the
policies mandated by the Comintern. Mariategui saw that new
subjectivities would be required to bring about a revolution that
would not recreate bourgeois or fascist structures. A new society,
he argued, required a new culture. Thus, Mariategui not only
founded the Peruvian Socialist Party, but also created Amauta, a
magazine that brought together the writings of the political and
cultural avant-gardes. In the spirit of this approach, Bread and
Beauty not only studies the political signifi cance of cultural
habits and products; it also looks at the cultural underpinnings of
the political proposals found in Mariategui's writings and actions.
In Workers' Self-Management in Argentina, Marcelo Vieta homes in on
the history, consolidation, and socio-political dimensions of
Argentina's empresas recuperadas por sus trabajadores
(worker-recuperated enterprises), a worker-led company occupation
movement that has surged since the turn-of-the-millennium and the
country's neo-liberal crisis.
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