Montenegro has been a much neglected part of former Yugoslavia. The Montenegrin Warrior Tradition aims to scrutinize the identity debates in Montenegrin public opinion over the question of membership to NATO and to explore how narratives created for that purpose have been linked with Montenegrin identity, history, tradition, and the concept of Montenegrin masculinity. The intertwining of the question of identity with that of NATO membership, and the inseparability of these issues from the context of quotidian politics produces an array of controversies among Montenegrin citizens. The book interprets the public and private debates about Montenegro joining NATO through the prism of anthropological studies of identity; in particular those focused on a general theory of culture and the anthropology of multiculturalism.

In Essential Dads, sociologist Jennifer Randles shares the stories of more than 60 marginalized men as they sought to become more engaged parents through a government-supported "responsible" fatherhood program. Dads' experiences serve as a unique window into long-standing controversies about the importance of fathering, its connection to inequality, and the state's role in shaping men's parenting. With a compassionate and hopeful voice, Randles proposes a more equitable political agenda for fatherhood, one that carefully considers the social and economic factors shaping men's abilities to be involved in their children's lives and the ideologies that rationalize the necessity of that involvement.

This book is open access under a CC BY license and explores the under-researched history of male mental illness from the mid-twentieth century. It argues that statistics suggesting women have been more vulnerable to depression and anxiety are misleading since they underplay a host of alternative presentations of 'distress' more common in men.

'Where have all my friends gone?' When Max Dickins decided to propose to his girlfriend, he realised there was no one he could call on to be his best man. He quickly learned that he wasn't the only man struggling with friendships. For decades, countless studies from across the world have confirmed that men have fewer close friends than women - and the problem gets worse the older men get. But what goes wrong? And what can men do about it? Dickins is going to find out. His funny and charmingly candid search takes him to the doors of world-leading experts. It forces him to examine the friendships he's had over the years, and where they have foundered. And, briefly, it sends him to the website 'Rent A Friend', where he pays someone to hang out with him. But let's not dwell on that. Join Max as he takes a defibrillator to his social life. As he ultimately discovers that if he wants a Best Man, then he needs to be a better man.

This book interrogates the repertoire of masculine performance in popular crime fiction and cinema from the 1940s, 50s, and 60s. This critical survey of the back alleys of pulp culture reveals American masculinities to be unsettled, contentious, crisis-ridden, racially fraught, and sexually anxious. Libertarian in their sensibilities, self-aggrandizing in their sentiments, resistant to the lures of upper mobility, scornful of white collar and corporate culture, the protagonists of these popular and populist works viewed themselves as working-class heroes cast adrift. Pulp Virilities explores the enduring traditions of hard-boiled and noir literature, casting a critical eye on its depictions of urban life and representations of gender, crime, labor, and race. Demonstrating how anxieties and possibilities of American masculinity are hammered out in works of popular culture, Pulp Virilities provides a rich cultural genealogy of contemporary American social life.

'How to find the right words to frame this horror? How to understand why men do what they do to women? How to comprehend this malign force that seems to seep from the male psyche and infect us all? . . . That is the central hope, the appeal, embedded in this book: that other men might join me in this investigation and ruthless self-interrogation-and in doing so, become part of the change that is so urgently required.' David Leser In February 2018, the Good Weekend cover story by David Leser, 'Women, men and the whole damn thing', had an extraordinary response. David received hundreds of personal messages from readers around the world - both women and men - urging him to expand his story. Here is that book: a brilliant, impassioned, unflinching account of the firestorm of #MeToo, how we got there and where we must now go. In this essential and incisive investigation, Leser unearths the roots of misogyny, its inextricable links to the patriarchy, and how history brought us to the #MeToo movement and the wave of incandescent female rage that is sweeping the world. Crucially, he also interrogates his own psyche, privilege and culpability as he bears witness to the 'collective wound of the world' and asks how we can move towards healing and profound and permanent change.

The emergence of "male-centered serials" such as The Shield, Rescue Me, and Sons Of Anarchy and the challenges these characters face in negotiating modern masculinities. From the meth-dealing but devoted family man Walter White of AMC's Breaking Bad, to the part-time basketball coach, part-time gigolo Ray Drecker of HBO's Hung, depictions of male characters perplexed by societal expectations of men and anxious about changing American masculinity have become standard across the television landscape. Engaging with a wide variety of shows, including The League, Dexter, and Nip/Tuck, among many others, Amanda D. Lotz identifies the gradual incorporation of second-wave feminism into prevailing gender norms as the catalyst for the contested masculinities on display in contemporary cable dramas. Examining the emergence of "male-centered serials" such as The Shield, Rescue Me, and Sons of Anarchy and the challenges these characters face in negotiating modern masculinities, Lotz analyzes how these shows combine feminist approaches to fatherhood and marriage with more traditional constructions of masculine identity that emphasize men's role as providers. She explores the dynamics of close male friendships both in groups, as in Entourage and Men of a Certain Age, wherein characters test the boundaries between the homosocial and homosexual in their relationships with each other, and in the dyadic intimacy depicted in Boston Legal and Scrubs. Cable Guys provides a much needed look into the under-considered subject of how constructions of masculinity continue to evolve on television.

This is the first full-length study of masculinity and film style. Cinema is not just an intellectual or cerebral experience. They also make us feel: especially popular movies. This is a book about one aspect of how cinema makes us feel as well as think. Although all these aspects are interwined, Men's Cinema is about identification as well as analysis, about mise-en-scene alongside representation and narrative. Men's Cinema reflects on how we as spectators are invited to understand, desire or identify with Hollywood's vision of men and masculinity via mise-en-scene, from the classical era to the present day, and how more recently Hollywood has built up and refined the 'language' of 'men's cinema' via a series of recurrent, refined tropes that evoke masculinity, from a posse of men walking - often in slow motion - towards the camera to the ecstatically fast editing of the classic action sequence. It offers a new theorisation of men in Hollywood cinema via close textual analysis. It is structured around case studies which exemplify and illustrate the distinctive aspects and tropes of men's cinema. It is written in an accessible style.

Mark Anthony Neal's Looking for Leroy is an engaging and provocative analysis of the complex ways in which black masculinity has been read and misread through contemporary American popular culture. Neal argues that black men and boys are bound, in profound ways, to and by their legibility. The most "legible" black male bodies are often rendered as criminal, bodies in need of policing and containment. Ironically, Neal argues, this sort of legibility brings welcome relief to white America, providing easily identifiable images of black men in an era defined by shifts in racial, sexual, and gendered identities. Neal highlights the radical potential of rendering legible black male bodies-those bodies that are all too real for us-as illegible, while simultaneously rendering illegible black male bodies-those versions of black masculinity that we can't believe are real-as legible. In examining figures such as hip-hop entrepreneur and artist Jay-Z, R&B Svengali R. Kelly, the late vocalist Luther Vandross, and characters from the hit HBO series The Wire, among others, Neal demonstrates how distinct representations of black masculinity can break the links in the public imagination that create antagonism toward black men. Looking for Leroy features close readings of contemporary black masculinity and popular culture, highlighting both the complexity and accessibility of black men and boys through visual and sonic cues within American culture, media, and public policy. By rendering legible the illegible, Neal maps the range of identifications and anxieties that have marked the performance and reception of post-Civil Rights era African American masculinity.

much has been written on how masculinity shapes international relations, but little feminist scholarship has focused on how international relations shape masculinity. Charlotte Hooper draws from feminist theory to provide an account of the relationship between masculinity and power. Responding to J. Ann Tickner's Gender in International Relations (Columbia 1992), Hooper explores how the theory and practice of international relations produces and sustains masculine identities and masculine rivalries.

This volume asserts that international politics shapes multiple masculinities rather than one static masculinity. Hooper builds on Connell's concepts of "hegemonic masculinity" (associated with elite, Western male power) and "subordinate", feminized masculinities (typically associated with poor men, non-Western men, men of color, and/or gay men) to map the interplay between different varieties of hegemonic masculinity and explore their relationship to international relations. Employing feminist analyses to confront gender-biased stereotyping in various forums of international political theory -- including academic scholarship, journals, and popular literature like The Economist -- Hooper reconstructs the nexus of international relations and gender politics during this age of globalization.

Parliaments around the world are still overwhelmingly populated by men, yet studies of male dominance are much rarer than are studies of female under-representation. In this book, men in politics are the subjects of a gendered analysis. How do men manage to hold on to positions of power despite societal trends in the opposite direction? And why do men seek to cooperate mainly with other men? Elin Bjarnegard studies how male networks are maintained and expanded and seeks to improve our understanding of the rationale underlying male dominance in politics. The findings build on results both from statistical analyses of parliamentary composition worldwide and from extensive field work in Thailand. A new concept, homosocial capital, is coined and developed to help us understand the persistence of male political dominance.

Men Speak Out: Views on Gender, Sex, and Power, Second Edition highlights new essays on pornography, pop culture, queer identity, Muslim masculinity, and the war on women. With personal candor and political insight, this collection of diverse authors explores sex work, digital activism, incarceration, domestic violence, surviving incest, and standing firmly as male allies facing the backlash against women s reproductive rights.

Featuring eleven new essays and six revised thematic sections, this second edition of a favorite anthology continues to encourage robust discussion and vibrant debate about masculinity and the possibilities for progressive change. The contemporary, compelling essays in "Men Speak Out" appeal to students, scholars, activists, and everyday readers.

Under the guidance of John MacArthur, the biblical counseling program at The Master's College has received international acclaim, with instructors who are recognized for their exceptional ability to apply God's truth to real-life problems.

Men Counseling Men is an exciting new resource on how to counsel men about the difficulties they face. Written by the school's faculty members, it is an accessible, practical volume that will equip both trained professionals and lay people to provide solidly biblical help for men who are struggling with a variety of major life issues.

Readers will learn how they can offer hope and encouragement in relation to...depressionparentingangerconflict resolutionphysical afflictionsexual puritymarital relationshipsrebuilding a marriage after adultery

God's Word possesses incredible power. This book will help men experience that power as they turn to the Lord for help.

Masculinity is an expanding area of gender history. Man's Estate is the first book to focus on a particular social group, the English landed gentry, and to cover a time span of several hundred years. The authors move beyond the study of printed conduct literature, which dominated earlier accounts, by examining the values expressed in family correspondence in order to get closer to social practices. Letters between parents, children, siblings, and other relatives reveal the ways in which masculine norms were produced through everyday interactions and judgements, and help to reconstruct the subjective experiences of elite masculinity in this period. Man's Estate concentrates on four important periods in the life-course for the reproduction of these masculine values: schooling, university, foreign travel, and marriage and family life. These illustrate that there is only limited evidence of sharp-edged differences in values between generations in these families, and that these changes appear not to correspond to the deep 'hegemonic shifts' so often emphasized in existing accounts. French and Rothery suggest that the fundamental distributions of power and authority within Gentry families remained fairly constant. Conventional ideas of male honour, virtue, reputation, and autonomy were remarkably tenacious, and the continued stress on family heritage, dynastic traditions, and the future security of the family patrimony acted as a brake on changes in the training of young English gentlemen. The research is based on over 4,000 letters drawn from 19 landed families across England between c. 1680 and c. 1900, and is the result of a three-year research project funded by the Arts and Humanities Research Council.

Raising African American Males is comprised of strategies and interventions that can assist and improve African American males' achievement in all areas of academics as well as in their everyday lives. Theresa Harris and George Taylor provide pedagogical strategies that employ various instructional tools for teachers, parents, African American youth, and administrators. In addition, this book can be a guide to improve the educational outlook for African American males and to provide the necessary resources used for training of parents, teachers, and students. The "No Child Left Behind Act" of 2001 and the Maryland Redesign of Teacher Education provides for the belief in the efficacy of all students. Many social inadequacies and injustices have resulted in social problems including the lack of resources for African American males to succeed.

Middle Eastern Muslim men have been widely vilified as terrorists, religious zealots, and brutal oppressors of women. "The New Arab Man" challenges these stereotypes with the stories of ordinary Middle Eastern men as they struggle to overcome infertility and childlessness through assisted reproduction.

Drawing on two decades of ethnographic research across the Middle East with hundreds of men from a variety of social and religious backgrounds, Marcia Inhorn shows how the new Arab man is self-consciously rethinking the patriarchal masculinity of his forefathers and unseating received wisdoms. This is especially true in childless Middle Eastern marriages where, contrary to popular belief, infertility is more common among men than women. Inhorn captures the marital, moral, and material commitments of couples undergoing assisted reproduction, revealing how new technologies are transforming their lives and religious sensibilities. And she looks at the changing manhood of husbands who undertake transnational "egg quests"--set against the backdrop of war and economic uncertainty--out of devotion to the infertile wives they love.

Trenchant and emotionally gripping, "The New Arab Man" traces the emergence of new masculinities in the Middle East in the era of biotechnology.

Across history, the ideas and practices of male identity have varied much between time and place: masculinity proves to be a slippery concept, not available to all men, sometimes even applied to women. This book analyses the dynamics of 'masculinity' as both an ideology and lived experience - how men have tried, and failed, to be 'Real Men'.

High school and the difficult terrain of sexuality and gender identity are brilliantly explored in this smart, incisive ethnography. Based on eighteen months of fieldwork in a racially diverse working-class high school, "Dude, You're a Fag "sheds new light on masculinity both as a field of meaning and as a set of social practices. C. J. Pascoe's unorthodox approach analyzes masculinity as not only a gendered process but also a sexual one. She demonstrates how the "specter of the fag" becomes a disciplinary mechanism for regulating heterosexual as well as homosexual boys and how the "fag discourse" is as much tied to gender as it is to sexuality.

Feminist Perspectives on Teaching Masculinities looks at teaching non-hegemonic forms of masculinities and highlights their diversity. The collection foregrounds and discusses concepts which are described and gathered as positive, caring, and inclusive masculinities, thus offering a timely and much-needed counterpoint to discussions of so-called toxic masculinity. The volume presents a wide range of theoretical reflections, case studies, and teaching resources for lecturers in higher education and practitioners in the fields of gender studies, pedagogy, and education. Its heterogeneity is based on an interdisciplinary approach, methodological variety, cross-cultural spectrum, and empirical richness, reflected in various contributions from Europe, Africa, US, and Asia. The international scope of the book and its transnational perspective is valuable in broadening perspectives on teaching masculinities. The presentation and discussion of national and local programs and campaigns promoting teaching practices on masculinities and gender provide further valuable insights into learning beyond stereotypes and realizing new concepts of masculinities. By presenting alternative performances of masculinities and fostering masculinities studies which are oriented towards gender equality and/or going beyond gender norms, Feminist Perspectives on Teaching Masculinities offers a strong response to the backlashes against feminism and gender studies from rising nationalism coupled with hegemonic masculinities.

The story of David's "mighty men" (primarily found in 2 Samuel 23) drives this challenging and encouraging book for Christian men. The mighty men weren't drafted into David's army because of their impressive resumes. They were broken men who, given an opportunity to achieve greatness, responded like champions. In "Six Battles Every Man Must Win," popular author and speaker Bill Perkins uses the story to illustrate the six battles David's men fought, and men today must win, to become powerful and effective warriors in God's kingdom.

Part of the American Literatures Initiative Series 2011 Winner of the Alan Bray Memorial Book Award presented by the Modern Language Association Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies in the present, Darieck Scott contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation. Theorizing the relation between blackness and abjection by foregrounding often neglected depictions of the sexual exploitation and humiliation of men in works by James Weldon Johnson, Toni Morrison, Amiri Baraka, and Samuel R. Delany, Extravagant Abjection asks: If we're racialized through domination and abjection, what is the political, personal, and psychological potential in racialization-through-abjection? Using the figure of male rape as a lens through which to examine this question, Scott argues that blackness in relation to abjection endows its inheritors with a form of counter-intuitive power-indeed, what can be thought of as a revised notion of black power. This power is found at the point at which ego, identity, body, race, and nation seem to reveal themselves as utterly penetrated and compromised, without defensible boundary. Yet in Extravagant Abjection, "power" assumes an unexpected and paradoxical form. In arguing that blackness endows its inheritors with a surprising form of counter-intuitive power-as a resource for the political present-found at the very point of violation, Extravagant Abjection enriches our understanding of the construction of black male identity.

Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Stonewall homosexuality invite ambiguity that the men ignore.
Hard Hats, Rednecks, and Macho Men argues that the persistent appearance of working-class characters in these and other films of the 1970s reveals the powerful role class played in the key social and political developments of the decade, such as the decline of the New Left and counterculture, the re-emergence of the South as the Sunbelt, and the rise of the women's and gay liberation movements. Examining the "youth cult" film, the neo-Western "southern," and the "new nightlife" film, Nystrom shows how these cinematic renderings of white working-class masculinity actually tell us more about the crises facing the middle class during the 1970s than about working-class experience itself. Hard Hats thus demonstrates how these representations of the working class serve as fantasies about a class Other-fantasies that offer imaginary resolutions to middle-class anxieties provoked by the decade's upheavals.
Drawing on examples of iconic films from the era-Saturday Night Fever, Cruising, Five Easy Pieces, and Walking Tall, among others-Nystrom presents an incisive, evocative study of class and American cinema during one of the nation's most tumultuous decades.