Whether the name Limoges brings to mind a region in France, the city of Limoges, or the factories that produce fine Limoges porcelain, a picture of romance, beauty, and fabulous artisans no doubt follows. This stunningly photographed book is dedicated to helping porcelain connoisseurs from the novice to the advanced learn how to identify, affordably collect, and decorate with hand-painted Limoges porcelain. Shown are vases, jardinieres, dinnerware, coffee and chocolate pots, cake plates, punch bowls, and more. This is the first Limoges collectors' book with dedicated sections on tea accoutrements, white and gold wedding band porcelain, and porcelain jewelry with hand-painted Limoges art. Going room by room, the author provides fabulous decorating ideas, from accessorizing with a single piece of Limoges to displaying an entire collection. Included are descriptions, measurements, values, history, collector hints, and a concise alphabetical mark guide. A truly inspirational book for collectors and designers alike.

Since the 1930s, more than 1.5 million glass paperweights have been made in Britain. Here is the first comprehensive reference to identify them. Whether you have been given one paperweight as a gift and know nothing about the subject, or are a serious collector who owns hundreds of items, this book is certain to prove indispensable. For the beginner, the illustrations and listings will help in identifying your paperweight, as well as giving its value. The production of glass paperweights in Britain is due largely to the initial stimulus of one person, Paul Ysart, whose family settled in Scotland. Many Ysart paperweights never illustrated before are shown here, including a rare signed and dated butterfly, a magnum containing a metal badge, and a scrambled weight with butterfly portrait canes. Strathearn items include miniatures and magnums, and rarely seen illustrated brochures. Whitefriars lovers will appreciate the most comprehensive list ever published. Of the book's 360 color illustrations, over 60 are of Whitefriars, including more than fifteen highly important paperweights never illustrated before, such as the Royal Visit and a footed magnum over five inches in diameter. Caithness, John Deacons, William Manson, and Selkirk's ranges are well covered, as are many studio artists. Humorous stories and tales of production problems add to this book's appeal. By listing over 2,000 British paperweights, the author has provided a notable reference work that will be consulted for years to come.

A dazzling cross-section of turtle figures from a diverse group of cultures are gathered here--including Waterford crystal from Ireland, Native American pueblo pottery and fetish carvings, and Japanese netsuke carvings, among many others. Nearly 350 color photos display turtles' intrinsic beauty captured by artists from around the world in materials prized since the beginning of time. Mythology, anthropology, biology, and environmental concerns are interwoven in a way that will both pique your interest and hold your attention. Realistic pricing information is included for each item. Upon reading this fascinating book, you will never again be indifferent toward turtles.

This is the ultimate guide to ceramic wall pockets, presenting the work of more than 60 American pottery firms. Beautiful pieces, designed in every color and shape imaginable to hold, primarily, flowers, are displayed in more than 570 stunning color photographs. Nearly all the wall pockets made by Roseville and Weller are included as well as many from Brush-McCoy, Camark, Frankoma, Hull, Nelson McCoy, Peters & Reed, Rookwood, Fulper, Grueby, Marblehead, Owens, and Teco. Arts and Crafts era wall pockets from California Faience, Jervis, Newcomb Pottery, George E. Ohr, Overbeck, Strobl, Walley, and Wheatley are also presented. Typical manufacturers' marks are displayed, a selected bibliography is provided, and values are presented in the captions.

In over 300 clear, detailed color photos and easy to follow descriptions, master carver Jeff Moore takes readers through all of the steps necessary to created a beautiful, life-like screech owl in wood. Beginning with a pre-shaped blank to simplify the roughing out process, techniques used in both high speed texturing and wood burning are shown. These techniques achieve eye-catching, realistic features and great detail. Instructions are also provided for creating feet with a realistic appearance complementing the habitat base. Following the carving stage, instructions are provided for airbrushing and brush painting techniques necessary to complete the screech owl and bring the carving to life. Additionally, the pattern is provided, along with detailed reference photos of a live screech owl. This book will be a vital reference guide for any wood carver's library.

Beautiful color photographs of hundreds of Majolica ceramics from the Victorian age and more historical research contiue in this new study. The book traces majolica's roots and lists the manufacturers and their marks. Over 300 color photographs, taken in America and Britain, illustrate the high craftsmanship of majolica's nineteenth century potters. Artistic influences on majolica's designs are reviewed along with the evolving majolica markets England, America, Europe, and Canada. Specialty tablewares, decorative pieces, titles, and the controversial greenwares all are included. The price guide is a valuable tool.

Valuable new information on American Brilliant Cut Glass is presented in the Boggesses' most recent work, Diverse sources including 135 originals catalogs, patent records, magazine advertisements and personal interviews with people within the glass industry as well as collectors and dealers were used to complete this thorough study. Patterns, colored patterns and their variations, common and unusual shapes, changing terminology, and signature marks are all discussed in detail. Rare pieces, such as those appearing in Exhibitions, are also addressed. Over 950 photographs illustrate this comprehensive text.

Few decorative crafts can claim to be more ancient than stone carving, with the earliest carved objects being dated well into prehistory. The greatest monuments to human civilization, from the temples of ancient Mesopotamia and Egypt to the great cathedrals of Medieval Europe, are richly ornamented with decorative relief and sculpture carved in stone. Alan Micklethwaite, a stone carver with many years' experience in the conservation of historic monuments and sculpture, introduces the reader to the techniques and methodology of restoration stone carving, from simple relief to complex sculpture in the round, set against a sound conservation philosophy. The book provides a thorough understanding of stone as a material and describes its use in sculpture and the agents of its decay, as well as the method by which disfigured carvings can be forensically reconstructed, resulting in the re-emergence of beautifully carved historic architectural sculpture. The book is intended as a detailed introduction to restoration stone carving, and is aimed at those who are learning to carve stone or have an interest in pursuing a career in the conservation of stone sculpture and ancient monuments. While having a depth of detail which will allow it to serve as a reference manual for the professional, it will also inspire the beginner and fuel the interest of those who harbour a desire to pursue traditional crafts.

During the past one hundred years, thousands of trademarked fragrances have competed in the marketplace. Here are over 1000 examples, most of which have not appeared in previous books on the subject. From cork-stoppered, flora-scented toilette water that Victorian ladies daubed on their wrists on airless summer days to current fragrances that provide yet another avenue for individuality in the ambiance of today's modern woman, here are commercial fragrance bottles for the most avid aficionado. Spanning early examples and every decade of the 20th century, Commercial Fragrance Bottles covers a representative assortment-from the rare to the whimsical. Once it is published, Commercial Fragrance Bottles will become one of the standard books in the large, enthusiastic field of perfume bottle collecting.

This in-depth pictorial survey provides 684 color photographs of Flow Blue ceramic wares produced throughout the Victorian Age. Central to the book is the presentation of the dinner wares, tea sets, and dessert services from four popular Flow Blue patterns: Cashmere, Chapoo, La Belle, and Touraine. Never before have so many pieces from these highly desirable patterns been shown. Also, illustrations display numerous spectacular teapots, syrup pitchers, and children's wares in a wide variety of patterns. Egg cups and butter pats in many popular patterns are also illustrated, identifying the patterns which appear on these tiny forms. Finally, many patterns appearing in none of Mr. Snyder's previous Flow Blue texts are provided. The text defines and briefly traces the ware's history. Further, a very useful Index to Patterns is included. Prices for the items displayed are presented in the captions. Anyone who has ever admired Victorian ceramics, and certainly every Flow Blue collector, will find many pieces to fascinate them in this beautiful new book.

This new study of the Central Glass Company, Wheeling, West Virginia, and its beautiful glass is one of the most comprehensive books in the collecting field. Heavily illustrated with color images, historical documents, and catalog pages, it will satisfy both the collector and the glass historian. Each pattern is illustrated, most with beautiful color photos, and all are carefully described. A guide to current values is included. The pattern designs, collected from a variety of incomplete, partially destroyed, and randomly numbered catalogs, are placed in the correct order of the mold number, offering the first chronological overview of the company's growth. An easy identification guide compiles every known pattern made by the Central Glass Company from 1863 to 1893. The reader will discover many formerly unknown patterns with correct attributions to the Central Glass Company.

This book features seven unique hollow-form projects, presented in order of difficulty. It includes all the practical knowledge needed to get started; comprehensive chapters on tools, equipment and understanding wood. Form templates are included for people to scan, cut out and use on their own projects. For thousands of years mankind has created hollow forms to store either everyday objects or things of value - but functional objects can also be beautiful in their own right. This comprehensive book will guide the beginner through everything they need to know to get started with turning their own hollow forms. You will learn how to work with different types of wood, which tools to use and how to apply basic techniques with confidence. You can learn the basic principles of form, proportion and design and how to apply this knowledge to your own work. Seven striking projects are set out in a clear step-by-step format and progress in difficulty.

The Chesapeake Bay Blue Crab comes to life in this new D-I-Y book. Step-by-step instructions illustrated with 215 color photographs, will help both the beginner and advanced woodcarver learn how to carve this nautical species using power tools. The book features 14 clear, full-size drawings and illustrated, step-by-step directions for carving and painting each part of the crab, including a base and display to hold the completed crab among carved barnacles and grasses. Power-carving tips and techniques are explained as are the proper scientific terms for all of the parts of the crab. A gallery of completed projects will inspire your own creative ideas. A great project for woodcarvers and Chesapeake Bay lovers.

Over 130 Roseville Pottery Company ceramic lines are listed and valued in this very inclusive guide. Arranged in easy-to-use alphabetical order, each line and its most common variations are listed and priced by line number. Values are also provided by glaze color when appropriate. Among the categories featured in this informative price guide are Early Velmoss, Experimental Pieces, Keynote, Lamps, Raymor Modern Artware, Rozane Royal, Trial Glaze Pieces, and additional products not typically found in guides to Roseville. This informative quick reference works well as a companion piece to Mark Bassett's Introducing Roseville Pottery (1997). Listings for shapes illustrated in the 1997 ppublication appear in boldface, with page references. The shape numbers have been authenticated by firsthand study of Rosevilld pottery pieces. Rounding out the presentation is an invaluable index to Roseville Shape Numbers, c. 1916--1946, produced with the assistance of veteran researcher Lou Haggis. The Index explains the factory's original shape numbering system, which will help collectors identify and date little-known Roseville shapes. Everyone interested in art pottery, American artware, or Eastern Ohio pottery will find this a valuable reference work.

Here is a wide range of children's play dishes of worldwide distribution to help you identify and date sets. Over 400 full-color photographs, showing thousands of pieces as well as trademarks and markings, accompany the description of tea sets, dinner sets, and other children's play items. Organized by their country of orgin and in chronological order, the descriptions include the number of pieces in a complete set, size, color, and decoration techniques, and fascinating historical facts about the manufacturers, characters and designs. Items range from 1770 to the present. Now you will be able to identify, date, and price children's play dishes by their ware, shape, size, decoration, trademark, ect. This book is an essential reference for any collector's library.

The Grindley Artware Manufacturing Company made figural pottery in Sebring, Ohio, from 1933 until 1952. With 160 color photographs Mike Schneider guides the reader along the exciting paths of the Grindley menagerie of dogs, cats, horses and many other animals. An Art Deco donkey here, a natural looking dog there. Even a few of the rare Grindley people figurines appear, as do banks, pitchers, and salt and pepper shakers. Marks and measurements are given plus a price guide.

Crackle glass has become popular in the field of twentieth-century glass collecting. Taking its name from the crackle-like appearance of the glass, a finish caused by dipping the hot piece of hand-blown glass into cooling water, the majority of this highly collectible glass was made by West Virginian companies such as Blenko, Pilgrim, and Rainbow, and Depression Era companies Tiffin, Morgantown, and Duncan. This volume showcases more than 400 color photos of crackle glass along with company catalog pages, manufacturers' information, an essay on glass blowing, detailed captions, an up-to-date price guide, bibliography, and index. It is a must for students, collectors, and dealers of glasswares.

The ultimate beginner-friendly project guide to whittling flat-plane carvings with a modern twist! Whittling Workbook is perfect for anyone seeking a range of easy wood carvings they can accomplish with just one knife - including roughing out. All you need is a block of wood and one knife to achieve any of the 15 wood carving projects featured within these pages! From a simple strawberry, whimsical wand, and magical mermaid to a sea captain, Martian, pig, and so much more, each project includes detailed step-by-step instructions to walk you through the entire process from start to finish. Also included are insightful overviews on basic carving cuts, painting and finishing techniques, safety notes, and how to join a carving community. Author James Miller is a recent college graduate and a protege of decorated Scandinavian-style carver, Harley Refsal. James has been a regular contributor to Woodcarving Illustrated since 2010 and published his first book, Whittling Flat-Plane Animals, in 2020.

Over twenty West Virginia glass companies of the early twentieth century, including AlleyTM, BeaumontTM, BlenkoTM, FentonTM, FostoriaTM, MonongahTM, MorgantownTM, Paden CityTM, Seneca GlassTM, Weston GlassTM, and West Virginia Glass SpecialtyTM, are featured. More than 500 color photographs display diverse forms of beautiful glassware produced from the 1920s through the 1940s. Trade journal advertisements and catalog pages along with individual essays about each company, bibliographic references for further research, and current values in the captions make this a valuable resource.

Learn to carve beautiful wildlife themed walking sticks with this informative and easy-to-follow book. Hand Carving Your Own Walking Stick includes useful information on harvesting and curing wood, plus advice on getting the best finishing results with paints, stains, varnishes, acrylics, and woodburning. Award-winning woodcarver David Stehly walks the reader through the entire process of making artisan-quality sticks, staffs, and canes that are as functional as they are beautiful. Step-by-step projects and ready-to-use patterns make it easy to get started in this relaxing and rewarding hobby. An inspirational color photo gallery illustrates many of the author s spectacular projects, including sticks adorned with lifelike lizards, magnificent bighorn sheep, leaping trout, and many more. A special focus is on carving realistic snakes that wrap around the sticks, all carved from a single piece of wood. "

This authoritative reference work identifies thousands of marks from American, English and European potters. In the main body of the text, the marks are presented by potter in alphabetical order. Included in each potter's listing is the location of the firm, a brief history of the company, the span of years from the firm's establishment until its dissolution, and any former and subsequent company affiliations associated with that firm. The marks associated with that potter are presented in chronological order. Also provided are listings of further readings for those wishing either to delve deeper into the history of the firm or to view images of wares upon which these marks appear. American and Canadian importers, and the potters for whom they imported wares, are also identified. In addition, numerous appendices provide future information pertaining to ware types and printed patterns produced by the various potters, registry dates, and much more. A glossary of pottery terms and an extensive bibliography round out the presentation. This encyclopedia, years in the making, provides the most current research on potters spanning two hundred years and is the essential reference for everyone interested in ceramics.

This comprehensive guide displays many of the impressive artwares produced by Gonder Ceramic Arts of Zanesville, Ohio, in over 540 beautiful color photographs and 37 black and white catalog pages. The featured artwares range from baskets and bells to pitchers and vases. Over 30 experimental pieces are shown. The wide spectrum of glazes that won professional praise for the company's founder, Lawton Gonder, are prominently featured. A history of the company, from its founding in 1941 to its sale in 1957, is told and detailed descriptions of the wares manufactured and displayed are provided. A bibliography and index round out the presentation. Values are provided in the captions.

The popular collectible dinnerware lines of our time are highlighted in this new book, principally Fiesta and Lu-Ray, plus other lines that are often confused with one another. Accompanied by a price guide and over 500 color illustrations, author Mark Gonzalez highlights the companies and the lines they produced. Look back at a previous time (1930s to 1960s) when bold dinnerware in Fiesta-type colors (red, cobalt, yellow, green, maroon, turquoise) and pastel glazes were "in" with consumers. American-made, solid-colored dinnerware features a wide array of shapes, in dozens of colors, made over approximately four decades.

This vibrantly colored and radiantly textured glass is captured in over 400 color photographs which show the history of yesteryear's spectacular crackle glass in detail. Collecting Crackle Glass is a book filled with valued information for collectors, dealers, and glassware lovers alike. The "manufacturer's identification" and "most collectible" guidelines make it easy to collect the most desirable pieces, and a there is value range for each piece of crackle glass photographed. Now you can have detailed information about the styles, shapes, colors, and crackling procedures needed to be able to pick up an unidentified piece of crackle glass and name its maker, know the approximate date of creation, and the fair market value. If you are a dealer, collector, or glassware lover, Collecting Crackle Glass is a book you will value and refer to time and time again.

This book presents glass candle holders within a broad range of styles, prices, and eras--from the simplest votive to the most elegant candelabra, there is something for everyone! The candle holders are arranged alphabetically by manufacturer, and include representatives from Cambridge, Fostoria, Fry, Imperial, Lancaster, McKee, Tiffin, and more. Various examples from the Roaring '20s and Depression Era are included, with special etchings, cuttings, and treatments. In addition, candle holders from newer, smaller U.S. companies and numerous imports are identified. From Avon to Yugoslavia, over 520 color photographs showcase an array of tempting colors, styles, treatments, and sizes of candle holders. This is a must for beginners and experienced collectors alike. Price guide and extensive bibliography included.