Media pervade and saturate the world around us. From the proliferation of social media sites such as Facebook and Twitter to television, radio, newspapers, films, games and email, media is inescapable. This book, using some of Deleuze's key concepts as its starting point, offers a new systematic analysis of how media functions in our lives, and how we function through our media. While Harper and Savat take Deleuze as the starting point, they extend and define his concepts, pointing out advances made by theorists such as Marx, Mumfors, McLuhan and Williams in the attempt to answer the most Deleuzean of questions, 'what is it that media do?'

Philosophy, Myth and Epic Cinema looks at the power of cinema in creating ideas that inspire our culture. Sylvie Magerstadt discusses the relationship between art, illusion and reality, a theme that has been part of philosophical debate for centuries. She argues that with the increase in use of digital technologies in modern cinema, this debate has entered a new phase. She discusses the notion of illusions as a system of stories and values that inspire a culture similar to other grand narratives, such as mythology or religion. Cinema thus becomes the postmodern "mythmaking machine" par excellence in a world that finds it increasingly difficult to create unifying concepts and positive illusions that can inspire and give hope. The author draws on the work of Friedrich Nietzsche, Siegfried Kracauer, and Gilles Deleuze to demonstrate the relevance of continental philosophy to a reading of mainstream Hollywood cinema. The book argues that our longing for illusion is particularly strong in times of crisis, illustrated through an exploration of the recent revival of historic and epic myths in Hollywood cinema, including films such as Troy, The Lord of the Rings Trilogy, and Clash of the Titans.

In the last half-century Ludwig Wittgenstein's relevance beyond analytic philosophy, to continental philosophy, to cultural studies, and to the arts has been widely acknowledged. Wittgenstein's Tractatus Logico-Philosophicus was published in 1922 - the annus mirabilis of modernism - alongside Joyce's Ulysses, Eliot's The Waste Land, Mansfield's The Garden Party and Woolf's Jacob's Room. Bertolt Brecht's first play to be produced, Drums in the Night, was first staged in 1922, as was Jean Cocteau's Antigone, with settings by Pablo Picasso and music by Arthur Honegger. In different ways, all these modernist landmarks dealt with the crisis of representation and the demise of eternal metaphysical and ethical truths. Wittgenstein's Tractatus can be read as defining, expressing and reacting to this crisis. In his later philosophy, Wittgenstein adopted a novel philosophical attitude, sensitive to the ordinary uses of language as well as to the unnoticed dogmas they may betray. If the gist of modernism is self-reflection and attention to the way form expresses content, then Wittgenstein's later ideas - in their fragmented form as well as their "ear-opening" contents - deliver it most precisely. Understanding Wittgenstein, Understanding Modernism shows Wittgenstein's work, both early and late, to be closely linked to the modernist Geist that prevailed during his lifetime. Yet it would be wrong to argue that Wittgenstein was a modernist tout court. For Wittgenstein, as well as for modernist art, understanding is not gained by such straightforward statements. It needs time, hesitation, a variety of articulations, the refusal of tempting solutions, and perhaps even a sense of defeat. It is such a vision of the linkage between Wittgenstein and modernism that guides the present volume.

What is to be learned from the chaotic downfall of the Weimar Republic and the erosion of European liberal statehood in the interwar period vis-a-vis the ongoing Europeancrisis? This book analyses and explains the recurrent emergence of crises in European societies. It asks how previous crises can inform our understanding of the present crisis. The particular perspective advanced is that these crises not only are economic and social crises, but must also be understood as crises of public power, order and authority. In other words, it argues that substantial challenges to the functional and normative setup of democracy and the rule of law were central to the emergence and the unfolding of these crises. The book draws on and adds to the rich 'crises literature' developed within the critical theory tradition to outline a conceptual framework for understanding what societal crises are. The central idea is that societal crises represent a discrepancy between the unfolding of social processes and the institutional frameworks that have been established to normatively stabilize such processes. The crises at issue emerged in periods characterized by strong social, economic and technological transformations as well as situations of political upheaval. As such, the crises represented moments where the existing functional and normative grid of society, as embodied in notions of public order and authority, were severely challenged and in many instances undermined. Seen in this perspective, the book reconstructs how crises unfolded, how they were experienced, and what kind of responses the specific crises in question provoked.

"Derrida and Theology" is an invaluable guide for those ready to ride the leading wave of contemporary theology. It gives theologians the confidence to explore the major elements of Derrida's work, and its influence on theology, without 'dumbing it down' or ignoring its controversial aspects. Jacques Derrida: a name to strike fear into the hearts of theologians. His thought has been hugely influential in shaping postmodern philosophy, and its impact has been felt across the humanities from literary studies to architecture. However, he has also been associated with the spectres of relativism and nihilism. Some have suggested he undermines any notion of objective truth and stable meaning.Fortunately, such premature judgements are gradually changing. Derrida is now increasingly seen as a major contributor to thinking about the complexity of truth, responsibility and witnessing. Theologians and biblical scholars are engaging as never before with Derrida's own deep-rooted reflections on religious themes. From the nature of faith to the name of God, from Messianism to mysticism, from forgiveness to the impossible, he has broken new ground in thinking about religion in our time. His thought and writing style remain highly complex, however, and can be a forbidding prospect for the uninitiated.This book gives theologians the confidence to explore the major elements of Derrida's work, and its influence on theology, without 'dumbing it down' or ignoring its controversial aspects. It examines his philosophical approach, his specific work on religious themes, and the ways in which theologians have interpreted, adopted and disputed them. "Derrida and Theology" is an invaluable guide for those ready to ride the leading wave of contemporary theology. "The Philosophy and Theology" series looks at major philosophers and explores their relevance to theological thought as well as the response of theology.

This work explores the philosophical positions of five postmodern thinkers--Lyotard, Rorty, Schrag, Foucault, and Derrida--to show how their critiques imply that scholars are unduly limited by the belief that inquiry is fundamentally about gaining knowledge of phenomena that are assumed to exist prior to and independent of inquiry, and to persist essentially unchanged by inquiry. The author argues that there are good reasons why this constraint is both unnecessary and undesirable, and he resituates the disciplines within a more flexible foundation that would expand what counts as legitimate inquiry. This foundation would emphasize the inquirer as a cause of reality, not just an observer who aims to accurately describe and explain phenomena. Mourad proposes an intellectual and organizational form which he calls post-disciplinary research programs. These dynamic programs would be composed of scholars from diverse disciplines who collaborate to juxtapose disparate disciplinary concepts in order to create contexts for post-disciplinary inquries.

Shoham presents existentialist and object-relationship personality theory using mythology as a projection of human behavior. Through the myth of Don Juan as well as the personality of Casanova, he highlights the biological parameter of the personality and the thought of Kierkegaard and Rabbi Nachman of Bratslav. He concludes by relating the dynamics of personality to the predisposition of crime and madness.

Including over 500 specially commissioned entries from a team of leading international scholars, this is an essential reference to Kant's thought, writings and continuing influence. Immanuel Kant is widely considered to be the most important and influential thinker of modern Europe and the late Enlightenment. His philosophy is extraordinarily wide-ranging and his influence has been pervasive throughout eighteenth, nineteenth and twentieth-century thought, in particular in the work of the German Idealists, and also in both Analytic and Continental philosophy today. This comprehensive and accessible companion to Kant's life and context, philosophical concerns, major works and enduring influence features over 500 specially commissioned entries, written by a team of leading experts in the field, covering every aspect of his philosophy. "The Companion" presents a comprehensive overview of historical and philosophical context in which Kant wrote and the various features, themes and topics apparent in his thought. It also includes synopses of all his major published works and a survey of the key lines of reception and influence. It concludes with a thoroughly comprehensive bibliography of primary and secondary sources. This is an essential reference tool for anyone working in the field of eighteenth-century German philosophy. "The Continuum Companions" series is a major series of single volume companions to key research fields in the humanities aimed at postgraduate students, scholars and libraries. Each companion offers a comprehensive reference resource giving an overview of key topics, research areas, new directions and a manageable guide to beginning or developing research in the field. A distinctive feature of the series is that each companion provides practical guidance on advanced study and research in the field, including research methods and subject-specific resources.

In this thought-provoking study, Jack Russell Weinstein suggests the foundations of liberalism can be found in the writings of Adam Smith (1723-1790), a pioneer of modern economic theory and a major figure in the Scottish Enlightenment. While offering an interpretive methodology for approaching Smith's two major works, The Theory of Moral Sentiments and The Wealth of Nations, Weinstein argues against the libertarian interpretation of Smith, emphasizing his philosophies of education and rationality. Weinstein also demonstrates that Smith should be recognized for a prescient theory of pluralism that prefigures current theories of cultural diversity.

The present book is the first to undertake a systematic study of Peirce's conception of historical knowledge and of its value for philosophy. It does so by both reconstructing in detail Peirce's arguments and giving a detailed account of the many ways in which history becomes an object of explicit reflection in his writings. The book's leading idea may be stated as follows: Peirce manages to put together an exceptionally compelling argument about history's bearing on philosophy not so much because he derives it from a well-articulated and polished conception of the relation between the two disciplines; but on the contrary, because he holds on to this relation while intuiting that it can easily turn into a conflict. This potential conflict acts therefore as a spur to put forth an unusually profound and multi-faceted analysis of what it means for philosophy to rely on historical arguments. Peirce looks at history as a way to render philosophical investigations more detailed, more concrete and more sensitive to the infinite and unforeseeable nuances that characterize human experience. In this way, he provides us with an exceptionally valuable contribution to a question that has remained gravely under-theorized in contemporary debates.

This collection of eleven new essays contains the latest developments in analytic feminist philosophy on the topic of pornography. While honoring early feminist work on the subject, it aims to go beyond speech act analyses of pornography and to reshape the philosophical discourse that surrounds pornography. A rich feminist literature on pornography has emerged since the 1980s, with Rae Langton's speech act theoretic analysis dominating specifically Anglo-American feminist philosophy on pornography. Despite the predominance of this literature, there remain considerable disagreements and precious little agreement on many key issues: What is pornography? Does pornography (as Langton argues) constitute women's subordination and silencing? Does it objectify women in harmful ways? Is pornography authoritative enough to enact women's subordination? Is speech act theory the best way to approach pornography? Given the deep divergences over these questions, the first goal of this collection is to take stock of extant debates in order to clarify key feminist conceptual and political commitments regarding pornography. This volume further aims to go beyond the prevalent speech-acts approach to pornography, and to highlight novel issues in feminist pornography-debates, including the aesthetics of pornography, trans* identities and racialization in pornography, and putatively feminist pornography.

Foucault's intellectual indebtedness to Nietzsche is apparent in his writing, yet the precise nature, extent, and nuances of that debt are seldom explored. Foucault himself seems sometimes to claim that his approach is essentially Nietzschean, and sometimes to insist that he amounts to a radical break with Nietzsche. This volume is the first of its kind, presenting the relationship between these two thinkers on elements of contemporary culture that they shared interests in, including the nature of life in the modern world, philosophy as a way of life, and the ways in which we ought to read and write about other philosophers. The contributing authors are leading figures in Foucault and Nietzsche studies, and their contributions reflect the diversity of approaches possible in coming to terms with the Foucault-Nietzsche relationship. Specific points of comparison include Foucault and Nietzsche's differing understandings of the Death of God; art and aesthetics; power; writing and authorship; politics and society; the history of ideas; genealogy and archaeology; and the evolution of knowledge.

Jacques-Pierre Brissot was among the major architects of the French Revolution, yet history has vilified and then dismissed him. His early intellectual development was strongly influenced by Enlightenment ideas and aspirations. However, his own remarkable construct of a just, democratic society, universal suffrage, and a renewed humanity living in moral and political freedom foreshadowed many present-day ideologies. The prevailing view of Brissot has pigeonholed him as Brissot, the police spy, a label difficult to remove.

Although this contention has been disputed at some length, Loft presents an alternative view of the forces that shaped Brissot's social and political activism. Tracing the gradual evolution of his ideology from its earliest stages reveals that he did not suddenly become a radical in the mid-1780s. An open, objective, and thorough evaluation of Brissot's work uncovers the roots of his lifelong commitment to reformist, egalitarian, and democratic ideals. To understand Brissot, the man and his work, one must assess the cultural, intellectual, and political influences that surrounded him. Loft offers the necessary fusion of text and context, providing a serious reconsideration of Brissot and his contributions to the history of human rights. Scholars and other researchers of the French Revolution and European political thought will find this study of particular value.

It was not so long ago that the dominant picture of Kant's practical philosophy was forma listic, focusing almost exclusively on his Groundwork of the Metaphysics of Morals and Critique of Practical Reason. However, the overall picture of Kant's wide-ranging philosophy has since been broadened and deepened. We now have a much more complete understanding of the range of Kant's practical interests and of his contributions to areas as diverse as anthropology, peda gogy, and legal theory. What remains somewhat obscure, however, is how these different contributions hang together in the way that Kant suggests that they must. This book explores these different conceptions of humanity, morality, and legality in Kant as main 'manifestations' or 'dimensions' of practical normativity. These interrelated terms play a cru cial role in highlighting different rational obligations, their source(s), and their appli cability in the face of changing circumstances.

How come we ought to do things? Current metanormative debates often suffer from the fact that authors implicitly use adequacy conditions not shared by their opponents. This leads to an unsatisfying dialectical gridlock (Chang): One author accuses her opponents of not being able to account for stuff she judges essential, but the opponents do not think this to be a major flaw. In an attempt to meet the problem of gridlock head-on, the current investigation approaches oughtness differently. I start with the introduction of a grounding framework for thinking about oughtness that allows a lucid presentation of the views on the market. It soon becomes clear that one necessary part of any plausible assessment of accounts of oughtness is a discussion of their adequacy conditions. I continue with a detailed evaluation of four different accounts, as presented by Halbig (2007), Schroeder (2007), Stemmer (2006), and Scanlon (2014). My main result is that desire-based or Humean theories of oughtness are more plausible because desire-independent accounts fail to explain something crucial: the for-me character of oughtness. Based on the insights gathered thus far, I then develop a new Humean theory - metaethical conativism - and defend it against some historically influential objections.

This book offers a crucial new reading of Nietzsche through an examination of his English and American influences, including Darwin, Shakespeare, Mill, Hume, Emerson, Swift, Sterne and Byron.This book offers the first detailed examination of the influence of the English-speaking world on the development of Nietzsche's philosophy. In recent years, Nietzsche's reputation has undergone a transformation and he is today seen as one of the greatest defenders of human freedom. His is more than just a model for political liberty. It is a grand vision of what humanity could be if it really unleashed its creative power. And Nietzsche owes more than just a passing debt to the Anglo-Saxon world in the construction of this vision.Yet much of what Nietzsche has to say about the British philosophy reaches the pitch of denunciation and personal insult. He refers to Darwin as 'mediocre'; and to John Stuart Mill as 'that flathead'. While he gladly acknowledges the French roots of his thought, very little has been said about the English giants whose influence abounds in his work.Louise Mabille fills a gap in the scholarship on Nietzsche by offering an important and fascinating account of his engagement with the Anglo-Saxon philosophical tradition.

This, the first in-depth and comprehensive book-length study of the Russian neo-Kantian movement in English language, challenges the assumption of the isolation of neo-Kantianism to Germany. The present investigation demonstrates that neo-Kantianism had an international dimension by showing the emergence of a parallel movement in Imperial Russia spanning its emergence in the late 19th century to its gradual dissolution in the aftermath of the Bolshevik Revolution. The author presents a systematic portrait of the development of Russian neo-Kantianism starting with its rise as a philosophy of science. However, it was with the stream of young students returning to Imperial Russia after a period of study at German universities that the movement accelerated. More often than not, these enthusiastic, young philosophers returned home imbued with the neo-Kantianism of their respective but divergent host institutions. As a result, clashes were inevitable concerning the proper approach to philosophical issues as well as the very understanding of Kant's philosophy and his legacy for contemporary thought. In the end, the broad promise of a Western-oriented neo-Kantianism could not withstand the pressures it confronted on all sides.

This edited volume features 20 essays written by leading scholars that provide a detailed examination of L'Homme by Rene Descartes. It explores the way in which this work developed themes not just on questions such as the circulation of the blood, but also on central questions of perception and our knowledge of the world. Coverage first offers a critical discussion on the different versions of L'Homme, including the Latin, French, and English translations and the 1664 editions. Next, the authors examine the early reception of the work, from the connection of L'Homme to early-modern Dutch Cartesianism to Nicolas Steno's criticism of the work and how Descartes' clock analogy is used to defend two different conceptions of the articulation between anatomical observations and functional hypotheses. The book then goes on to explore L'Homme and early-modern anthropology as well as the how the work has been understood and incorporated into the works of scientists, physicians, and philosophers over the last 150 years. Overall, readers will discover how the trend over the last few decades to understand human cognition in neuro-physiological terms can be seen to be not something unprecedented, but rather a revival of a way of dealing with these fundamental questions that was pioneered by Descartes.

This book charts the shape of future philosophical investigation by posing the question: "What is the Matrix?" Guided by the example of the Matrix film trilogy, the author examines issues ranging from simulation, proof and action to value, culture and mythology, offering a progressively deeper diagnosis of modern philosophical conditions. In contrast to the contemporary focus upon cognitive science and a commitment to the distinction between appearance and reality, this book helps readers to explore the argument that such abstractions are inevitably displaced by a more concrete distinction between dreaming and waking, with the Matrix as the real and only world we inhabit. Researchers and scholars will find this work an engaging and enlightening examination of reality, via the medium of popular culture and film.

This book presents an interpretation of pharmaceutical, surgical and psychotherapeutic interventions based on a univalent metalanguage: biosemiotics. It proposes that a metalanguage for the physical, mental, social, and cultural aspects of health and medicine could bring all parts and aspects of human life together and thus shape a picture of the human being as a whole, made up from the heterogeneous images of the vast variety of sciences and technologies in medicine discourse. The book adopts a biosemiotics clinical model of thinking because, similar to the ancient principle of alchemy, tam ethice quam physice, everything in this model is physical as much as it is mental. Signs in the forms of vibrations, molecules, cells, words, images, reflections and rites conform cultural, mental, physical, and social phenomena. The book decodes healing, dealing with health, illness and therapy by emphasizing the first-person experience as well as objective events. It allows readers to follow the energy-information flows through and between embodied minds and to see how they form physiological functions such as our emotions and narratives.

Nietzsche is known as a severe critic of German Idealism, but what exactly is the relation between his thought and theirs? And how does Nietzsche's stance differ from the critique of idealism in Kierkegaard and Schopenhauer? The papers from leading international specialists in German Idealism, Schopenhauer, Kierkegaard and Nietzsche address these questions. The aim of the volume is to introduce novel ways of addressing the complex relations between Nietzsche and his immediate philosophical predecessors: Schopenhauer, Kierkegaard, Hegel, Schelling, Fichte and Kant. The focus is on the profound interconnections and affinities between their ways of thinking. Each paper considers one particular aspect of Nietzsche's philosophy (such as his notion of "spirit", "law", "power", "will", his "physiology" or his critique of morality) in relation to the above-mentioned philosophers. This largely systematic approach reveals surprising affinities between Nietzsche and the German idealists, despite their patent differences and generates new perspectives from which to understand and reinterpret Nietzsche's thought. Contributors: Maria J. Branco; Danielle Cohen Levinas; Joao Constancio; Carlos J. Correia; Katia Hay; Lore Huhn; Jose Justo; Elisabetta Marques J.de Sousa; Frederick Neuhouser; Leonel R. dos Santos; Philipp Schwab; Herman Siemens.