This book describes and analyzes the levels of experience that long-distance running produces. It looks at the kinds of experiences caused by long-distance running, the dimensions contained in these experiences, and their effects on the subjective life-world and well-being of an individual. Taking a philosophical approach, the analysis presented in this book is founded on Maurice Merleau-Pontys phenomenology of the body and Martin Heideggers fundamental ontology. Running is a versatile form of physical exercise which does not reveal all of its dimensions at once. These dimensions escape the eye and are not revealed to the runner conceptually, but rather as sensations and emotions. Instead of concentrating on conceptual analysis, this book explores the emotions and experiences and examines the meaning that running has in runners lives. Using the participative method, in which the author is both the research subject and the researcher, the book contributes to the philosophy of physical exercise.

Over the past forty years, from Americana to Point Omega, Don DeLillo has written some of America's most important novels. Although DeLillo scholarship has dealt extensively with critical theory, through themes such as systems, technology, consumerism, and terrorism, none has addressed the relation between his texts and the concept of the outside. This study argues for a new model of reading landscape in the twentieth- and twenty-first-century American novel. The author takes as exemplary the novels of Don DeLillo-and in particular the main focus of this study, The Body Artist-which have constructed landscapes that exceed the limits of geography, time, and perception. In relation to a series of literary and philosophical texts, the author reads the force driving this exceedance as the Outside, and he seeks to reconceptualize "landscape of estrangement" primarily as a relation to the Outside that animates and confuses the difference between inside and outside. Thus, the project takes as a general guide the following question: What does it mean to read the emergence of a landscape that is of the Outside? The answer to this question will help contextualize this study, bringing into relief a set of texts not through the categories of "modern," "postmodern," or "romantic," but rather their relation to the Outside. Thinking of the book as an "assemblage with the outside" also means--within the particular context of this study--that the author's concept "landscape of estrangement" is not necessarily restricted to the site of literature and can emerge via visual or auditory landscapes. To extend this thought even further, a notion this study suggests, but one that would require a whole other project, is that America itself can be read as a landscape of estrangement. If one were inclined to read novels as representations of America, then one could argue that the landscapes found in those novels would be representations of America's landscapes of estrangement. For example, the landscapes found in DeLillo's novel Cosmopolis may refer simultaneously to New York City and America at large. This, however, is not what the author of this book has in mind. This study argues that to think of America as a landscape of estrangement would mean taking the novels produced within America as elements-not representations-of that landscape, and as such they would be available among other aspects, such as film, music, politics, photography, and architecture. Sites through which DeLillo's novels have been consistently read-the city, garbage, technology, film, terrorism-all contribute to the emergence of a landscape of estrangement within America. Perhaps literature and film-or what the author will call "fabulation"-provide the most profitable sites for reading this emergence given their potential for narrative, which as we shall see is particularly suffused with such landscapes. Taking its general philosophical, strategic, and methodological inspiration from the works of Jacques Derrida, Gilles Deleuze, Michel Foucault, and Maurice Blanchot, this study is an intervention into the growing field of DeLillo studies which reads landscapes that problematize the limits of geography, time, and perception. After developing the concept of landscape of estrangement in contrast to more traditional understandings of literary landscapes, the volume examines its production via the outsider, hospitality, mourning, and the uncanny-sites whose force comes from the outside. This book will be a welcome addition to collections in American literature, critical theory, and philosophy.

This edited volume explores the intersections of the human, nonhuman, transhuman, and posthuman from a phenomenological perspective. Representing perspectives from several disciplines, these investigations take a closer look at the relationship between the phenomenology of life, creative ontopoiesis, and otherness; technology and the human; art and the question of humanity; nonhumans, animals, and intentionality; and transhumanism. Ontological positioning of the human is reconsidered with regard to the nonhuman, transhuman, and posthuman within the cosmos. Further examination of the artificial and object in the lifeworld is also explored. This volume also pays tribute to Anna-Teresa Tymieniecka and her methodical contributions to phenomenology. This text appeals to students and researchers of phenomenology worldwide.

This book offers a new way of doing African philosophy by building on an analysis of the way people talk. The author bases his investigation on the belief that traditional African philosophy is hidden in expressions used in ordinary language. As a result, he argues that people are engaging in a philosophical activity when they use expressions such as taboos, proverbs, idioms, riddles, and metaphors. The analysis investigates proverbs using the ordinary language approach and Speech Act theory. Next, the author looks at taboos using counterfactual logic, which studies the meaning of taboo expressions by departing from a consideration of their structure and use. He argues that the study of these figurative expressions using the counterfactual framework offers a particular understanding of African philosophy and belief systems. The study also investigates issues of meaning and rationality departing from a study on riddles, explores conceptual metaphors used in conceptualizing the notion of politics in modern African political thought, and examines language and marginalization of women and people with disabilities. The book differs from other works in African philosophy in the sense that it does not claim that Africans have a philosophy as is commonly done in most studies. Rather, it reflects and unfolds philosophical elements in ordinary language use. The book also builds African Conception of beauty and truth through the study of language.

This book proposes a new interpretative key for reading and overcoming the binary of idealism and realism. It takes as its central issue for exploration the way in which human consciousness unfolds, i.e., through the relationship between the I and the world-a field of phenomenological investigation that cannot and must not remain closed within the limits of its own disciplinary borders. The book focuses on the question of realism in contemporary debates, ultimately dismantling prejudices and automatisms that one finds therein. It shows that at the root of the controversy between realism and idealism there often lie equivocations of a semantic nature and by going back to the origins of modern phenomenology it puts into play a discussion of the Husserlian concept of transcendental idealism. Following this path and neutralizing the extreme positions of a critical idealism and a naive realism, the book proposes a "transcendental realism": the horizon of a dynamic unity that embraces the process of cognition and that grounds the relation, and not the subordination, of subject and object. The investigation of this reciprocity allows the surpassing of the limits of the domain of knowing, leading to fundamental questions surrounding the ultimate sense of things and their origin.

This volume addresses key aspects of the philosophical psychology elaborated by Alexius Meinong and some of his students. It covers a wide range of topics, from the place of psychological investigations in Meinong's unique philosophical program to his thought-provoking views on perception, colors, "Vorstellungsproduktion," assumptions, values, truth, and emotions.

This book offers an original reading of Wittgenstein's views on such topics as radical scepticism, the first- and third-person asymmetry of mental talk, Cartesianism, and rule-following.The celebrated 20th century philosopher, Ludwig Wittgenstein, developed an interest in his later career in natural forms of behaviour and the role they play in our linguistic and other intellectual practices. To many, Wittgenstein appears to be advancing a theory about these practices as originating in natural forms of behaviour. However, theories of this sort seem out of place in philosophy, especially in light of Wittgenstein's own expressed views on the purpose of philosophy.Keith Dromm offers a way of understanding these apparently incongruous aspects of Wittgenstein's writings that is more consistent with his views on the proper purpose of philosophy. The book shows that Wittgenstein does not in fact offer theories about natural human behaviour. Rather, these references belong to a type of philosophical reasoning that is not meant to contribute to our knowledge, as explanations in science do, but instead to help clarify our thinking on certain philosophical topics. In particular, they serve to relieve apparent tensions between the things we do know.

The pathology of wars, violence, anger, and frustration is traced from the first hominids to our time. This book traces the history of our gradual alienation from nature, from our community, and from our own and other species. The author uses a conversational tone to explain a theory of how having relinquished control of our lives to others, be it rulers, priests, or bosses, we have created a general malaise which has led to anger, frustration and violence. The book ends optimistically with possible solutions.

We humans are deeply convinced that there is something distinct about us as a species, but we have never been able to agree on what it is. In the West, the religion of Israel argued that the will is the fundamental vehicle of our relation to God and therefore the determining characteristic of our humanity. Greek philosophy countered with the view that reason is the definitively human characteristic, since humans are the only self-aware animal. Today that unresolved argument is further complicated by the pluralism of contemporary culture and the surprisingly different ways in which different groups understand themselves. These essays approach the question in two different ways. The first is a philosophical attempt at definition. Bhikhu Parekh agrees that there is a universal human nature but that there is also a nature which is culture-specific and a third which is self-reflective. Daniel O. Dahlstrom argues that we know our nature only when it is recognized by our culture and that the liberal democratic idea of the state both celebrates and threatens the notion of fundamental human equality. Stanley H. Rosen gives a contemporary interpretation of the classical Greek view in proposing that philosophy is an expression of our humanity, an openness to the human love of wisdom. Knud Haakonssen is not ready to endorse any given orthodoxy regarding human nature but argues rather for openness to experimental views and promising hypothesis. Lisa Sowle Cahill defends a feminist interpretation of Catholic moral theology; we must be able to say that the battering of women is everywhere and always wrong. And Robert Cummings Neville notes that being human means having the obligation to take responsibility for our history. The second group of essays recognizes that we are what we do as well as what we say we are and asks what it means to be genuinely humane. Glenn C. Loury criticizes Murray and Herrnstein's The Bell Curve

This volume examines the interface between the teachings of art and the art of teaching, and asserts the centrality of aesthetics for rethinking education. Many of the essays in this collection claim a direct connection between critical thinking, democratic dissensus, and anti-racist pedagogy with aesthetic experiences. They argue that aesthetics should be reconceptualized less as mere art appreciation or the cultivation of aesthetic judgment of taste, and more with the affective disruptions, phenomenological experiences, and the democratic politics of learning, thinking, and teaching. The first set of essays in the volume examines the unique pedagogies of the various arts including literature, poetry, film, and music. The second set addresses questions concerning the art of pedagogy and the relationship between aesthetic experience and teaching and learning. Demonstrating the flexibility and diversity of aesthetic expressions and experiences in education, the book deals with issues such as the connections between racism and affect, curatorship and teaching, aesthetic experience and the common, and studying and poetics. The book explores these topics through a variety of theoretical and philosophical lenses including contemporary post-structuralism, psychoanalysis, phenomenology, critical theory, and pragmatism.

Literature reveals that the hidden strings of the human "passional soul" are the creative source of the specifically human existence. Continuing the inquiry into the "elemental passions of the soul" and the "human creative soul" pursued in several previous volumes of this series, the present volume focuses on the "passions of the earth", bringing to light some of the primogenital existential threads of the innermost bonds of the "Human Condition" and mother earth. In the author's words, the book's purpose is to unravel the essential bond between the living human being and the earth - a bond that lies at the heart of our existence. A heightened awareness of this bond should enlighten our situation and help us find our existential bearings.

Alain Badiou's Being and Event continues to impact philosophical investigations into the question of Being. By exploring the central role set theory plays in this influential work, Burhanuddin Baki presents the first extended study of Badiou's use of mathematics in Being and Event. Adopting a clear, straightforward approach, Baki gathers together and explains the technical details of the relevant high-level mathematics in Being and Event. He examines Badiou's philosophical framework in close detail, showing exactly how it is 'conditioned' by the technical mathematics. Clarifying the relevant details of Badiou's mathematics, Baki looks at the four core topics Badiou employs from set theory: the formal axiomatic system of ZFC; cardinal and ordinal numbers; Kurt Goedel's concept of constructability; and Cohen's technique of forcing. Baki then rebuilds Badiou's philosophical meditations in relation to their conditioning by the mathematics, paying particular attention to Cohen's forcing, which informs Badiou's analysis of the event. Providing valuable insights into Badiou's philosophy of mathematics, Badiou's Being and Event and the Mathematics of Set Theory offers an excellent commentary and a new reading of Badiou's most complex and important work.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Water is the element that, more than any other, ties human beings in to the world around them - from the oceans that surround us to the water that makes up most of our bodies. Exploring the cultural and philosophical implications of this fact, Bodies of Water develops an innovative new mode of posthuman feminist phenomenology that understands our bodies as being fundamentally part of the natural world and not separate from or privileged to it. Building on the works by Luce Irigaray, Maurice Merleau-Ponty and Gilles Deleuze, Astrida Neimanis's book is a landmark study that brings a new feminist perspective to bear on ideas of embodiment and ecological ethics in the posthuman critical moment.

Maurice O'Connor Drury was among Wittgenstein's first students after his return to Cambridge in 1929. The subsequent course of Drury's life and thought was to be enormously influenced by his teacher, from his decision to become a doctor to his later work in psychiatry. The Selected Writings of Maurice O'Connor Drury brings together the best of his lectures, conversations, and letters on philosophy, religion and medicine. Central to the collection is the Danger of Words, the 1973 text described by Ray Monk as 'the most truly Wittgensteinian book published by any of Wittgenstein's students'. Through notes on conversations with Wittgenstein, letters to a student of philosophy and correspondence of almost 30 years with Rush Rhees, Drury gives shape to what he had learned from Wittgenstein. Whether discussing methods of philosophy, Simone Weil or the power of hypnosis, he makes fascinating excursions into the bearing of Wittgenstein's thought on philosophy and the practice of medicine and psychiatry. With an introduction presenting a new biography of Drury, analysing the relationship between him and Wittgenstein, The Selected Writings of Maurice O'Connor Drury features previously unpublished archival sources. Beautifully written and carefully selected, each piece reveals the impact of Wittgenstein's teachings, shedding light on the friendship and thinking of one of the most important philosophers of the 20th century.

While economic and other social science expertise is indispensable for successful public policy-making regarding global climate change, social scientists face trade-offs between the scientific credibility, policy-relevance, and legitimacy of their policy advice. From a philosophical perspective, this book systematically addresses these trade-offs and other crucial challenges facing the integrated economic assessments of the Intergovernmental Panel on Climate Change (IPCC). Based on John Dewey's pragmatist philosophy and an analysis of the value-laden nature and reliability of climate change economics, the book develops a refined science-policy model and specific guidelines for these assessments of climate policy options. The core idea is to scientifically explore the various practical implications of alternative climate policy pathways in an interdisciplinary manner, together with diverse stakeholders. This could facilitate an iterative, deliberative public learning process concerning disputed policy issues. This volume makes novel contributions to three strands of the literature: (1) the philosophy of (social) science in policy; (2) the philosophy of economics; and (3) debates about the design of scientific assessments, including the continuous IPCC reform debate. This work is thus interesting for philosophers and other scholars reflecting on the science-policy interface, but also for assessment practitioners, climate policy-makers, and economists. The science-policy approach developed in this volume has already influenced the recent socio-economic IPCC assessment.

Philosophy, Myth and Epic Cinema looks at the power of cinema in creating ideas that inspire our culture. Sylvie Magerstadt discusses the relationship between art, illusion and reality, a theme that has been part of philosophical debate for centuries. She argues that with the increase in use of digital technologies in modern cinema, this debate has entered a new phase. She discusses the notion of illusions as a system of stories and values that inspire a culture similar to other grand narratives, such as mythology or religion. Cinema thus becomes the postmodern "mythmaking machine" par excellence in a world that finds it increasingly difficult to create unifying concepts and positive illusions that can inspire and give hope. The author draws on the work of Friedrich Nietzsche, Siegfried Kracauer, and Gilles Deleuze to demonstrate the relevance of continental philosophy to a reading of mainstream Hollywood cinema. The book argues that our longing for illusion is particularly strong in times of crisis, illustrated through an exploration of the recent revival of historic and epic myths in Hollywood cinema, including films such as Troy, The Lord of the Rings Trilogy, and Clash of the Titans.

This highly original collection of essays contributes to a critique of the common understanding of modernity as an enlightened project that provides rational grounds for orientation in all aspects and dimensions of the world. An international team of contributors contend that the modern principles of foundation show in themselves rather how modernity is disorienting itself. The book brings together discussions on the writings of philosophers who treat more systematically the questions of foundation and orientation, such as Kant, Nietzsche, Husserl, Heidegger, Pascal, and Patocka, and studies of literary works that explicitly thematize this question, such as Novalis, Hoelderlin, Beckett, Platonov, and Benjamin. This multi-disciplinary approach brings to the fore the paradox that modern figures of grounding and orientation unground and disorient and demonstrates a critical path to review current understandings of modernity and post-modernity.

This book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.

In thinking about ontology as the study of being or what fundamentally exists, we can adopt an ontology that either takes substances or processes as primary. There are, however, both commonsense and naturalistic reasons for not fully adopting a substance ontology, which indicate that we ought to suspend judgment with respect to the acceptance of a substance ontology. Doing so allows room to further explore other ontologies. In this book, Andrew M. Winters argues that there are both commonsense and naturalistic reasons for further pursuing a process ontology. Adopting a process ontology allows us to overcome many of the difficulties facing a substance ontology while also accommodating many of the phenomenon that substance ontologies were appealed to for explanation. Given these reasons, we have both commonsense and naturalistic reasons for pursuing and developing a metaphysics without substance.

What could Wittgenstein's work contribute to the rapidly growing literature on life's meaning? This book not only examines Wittgenstein's scattered remarks about value and 'sense of life' but also argues that his philosophy and 'way of seeing' has far reaching implications for the ways theorists approach an ancient question: 'How shall one live?'.

Merleau-Ponty's Phenomenology reconstructs Merleau-Ponty's treatment of the problem of ideal objects. Kirk Besmer describes Merleau-Ponty's early attempt to found ideal objects on pre-linguistic, perceptual experience and shows that Merleau-Ponty ultimately came to see the shortcomings of this initial view. An examination of often ignored writings from the middle-period of Merleau-Ponty's career allows Besmer to piece together Merleau-Ponty's mature view of ideal objects, one that does not overlook the contributions of perception but emphasizes the historical and cultural nature of ideal objects and one's experience of them. Merleau-Ponty's final view of ideal objects takes ideal meanings in language as paradigmatic and understands ideal objects as embedded in cultural practices and institutions. Kirk Besmer's book is the first ever to be devoted to the problem of ideal objects in Merleau-Ponty's thought. Showing for the first time the crucial conceptual developments and revisions internal to Merleau-Ponty's thought, Besmer's book will change the way that Merleau-Ponty is read.

In three comprehensive volumes, Logic of the Future presents a full panorama of Charles S. Peirce's important late writings. Among the most influential American thinkers, Peirce took his existential graphs to be his greatest contribution to human thought. The manuscripts from 1895-1913, most of which are published here for the first time, testify the richness and open-endedness of his theory of logic and its applications. They also invite us to reconsider our ordinary conceptions of reasoning as well as the conventional stories told about the evolution of modern logic. This second volume collects Peirce's writings on existential graphs related to his Lowell Lectures of 1903, the annus mirabilis of his that became decisive in the development of the mature theory of the graphical method of logic.