The Philosophies of America Reader brings together an unparalleled selection of original and translated readings spanning several eras and American traditions. Addressing perennial questions of philosophy and new questions arising in a variety of cultural contexts, texts from Classical American, Native American, Latin American, African American, Asian American, Mexican, Caribbean, and South American philosophers reveal the interweaving tapestry of ideas characteristic of America. With its distinctively pluralistic approach, this reader promotes intercultural dialogue and understanding, highlighting points of convergence and divergence across American philosophical traditions. It features: * Writings by traditionally underrepresented groups * Primary texts thematically arranged around major areas of philosophical enquiry including selfhood, knowledge, learning, and ethics * Introductory essays outlining the trajectories of each section * Suggestions for further primary and secondary readings, guiding readers in further study As the only available reader in American philosophy of such wide ranging content, this is an essential resource for those interested in intellectual history, thought and culture, and philosophical theories of America.

Spinoza is among the most controversial and asymmetrical thinkers in the tradition and history of modern European philosophy. Since the 17th century, his work has aroused some of the fiercest and most intense polemics in the discipline. From his expulsion from the synagogue and onwards, Spinoza has never ceased to embody the secular, heretical and self-loathing Jew. Ivan Segre, a philosopher and celebrated scholar of the Talmud, discloses the conservative underpinnings that have animated Spinoza's numerable critics and antagonists. Through a close reading of Leo Strauss and several contemporary Jewish thinkers, such as Jean-Claude Milner and Benny Levy (Sartre's last secretary), Spinoza: the Ethics of an Outlaw aptly delineates the common cause of Spinoza's contemporary censors: an explicit hatred of reason and its emancipatory potential. Spinoza's radical heresy lies in his rejection of any and all blind adherence to Biblical Law, and in his plea for the freedom and autonomy of thought. Segre reclaims Spinoza as a faithful interpreter of the revolutionary potential contained within the Old Testament.

'I should have written you after my first reading of The Living Currency; it was already breath-taking and I should have responded. After reading it a few more times, I know it is the best book of our times.' Letter to Pierre Klossowski from Michel Foucault, winter 1970. Living Currency is the first English translation of Klossowski's La monnaie vivante. It offers an analysis of economic production as a mechanism of psychic production of desires and is a key work from this often overlooked but wonderfully creative French thinker.

This is an original and refreshing look at one of the most important and influential philosophers of the 20th Century. This book offers a faithful and meticulous reading of Heidegger's magnum opus, "Being and Time".Martin Heidegger was one of the most influential philosophers of the 20th century. His analysis of human existence proves an inexhaustible ground for thinkers of all backgrounds who seek answers for their specific questions left open or opened up by our times. This book explores the intrinsic connection between two fundamentally human traits, language and death. Heidegger addresses each of these traits in depth, without ever explicitly outlining their relationship in a separate theory. However, in a close examination of Heidegger's magnum opus, "Being and Time", Joachim L. Oberst uncovers a connection in three basic steps. Ultimately the author argues that the human invention of language is motivated by the drive towards immortality - language emerges from the experience of mortality as a response to it. This is a refreshing look at one of the most challenging and influential philosophers of our times.

Charles S. Peirce, the founder of pragmatism, was also the architect of a remarkable theory of signs that continues to puzzle and inspire philosophers today. In this important new book, Mats Bergman articulates a bold new approach to Peirce's semeiotic through a reassessment of the role of rhetoric in his work. This systematic approach, which is offered as an alternative to formalistic accounts of Peirce's project, shows how general sign-theoretical conceptions can plausibly be interpreted as abstractions from everyday communicative experiences and practices. Building on this fallible ground of rhetoric-in-use, Bergman explicates Peirce's semeiotic in a way that is conducive to the development of rhetorical inquiry and philosophical criticism. Following this path, the underpinnings of a uniquely Peircean philosophy of communication is unearthed - a pragmatic conception encased in a normative rhetoric, motivated by the continual need to transform and improve our habits of action.

The present book is the first to undertake a systematic study of Peirce's conception of historical knowledge and of its value for philosophy. It does so by both reconstructing in detail Peirce's arguments and giving a detailed account of the many ways in which history becomes an object of explicit reflection in his writings. The book's leading idea may be stated as follows: Peirce manages to put together an exceptionally compelling argument about history's bearing on philosophy not so much because he derives it from a well-articulated and polished conception of the relation between the two disciplines; but on the contrary, because he holds on to this relation while intuiting that it can easily turn into a conflict. This potential conflict acts therefore as a spur to put forth an unusually profound and multi-faceted analysis of what it means for philosophy to rely on historical arguments. Peirce looks at history as a way to render philosophical investigations more detailed, more concrete and more sensitive to the infinite and unforeseeable nuances that characterize human experience. In this way, he provides us with an exceptionally valuable contribution to a question that has remained gravely under-theorized in contemporary debates.

Although Foucault departs from Marxism, his own approach constitutes a form of consistent materialism which has theoretical implications for the analysis of social and educational discursive systems. In seeking to demonstrate a correct reading of Foucault, linguistic readings of his work, such as those of Christopher Norris (1993), which represent him as part of the linguistic turn in French philosophy, where language (or representation) henceforth defines the limits of thought, will be dispelled in the process of being corrected. Rather, Foucault will be represented, as Habermas (1987) has suggested, not merely as a historicist but at the same time as a nominalist, materialist, and empiricist.

Because the distinctiveness of Foucault's approach can best be seen in contrast to other major philosophical systems and thinkers, considerable attention is given to examining Foucault's relationship to Marxism, as well as his relations to Kant, Gramsci, Habermas, and the Greeks. In relation to education, there is in Foucault's approach a double emphasis which constitutes an ordering principle for this work. On the one hand, attention is directed to discursive practices which perform an educative role in the constitution of subjects and of human forms of existence. On the other hand, forms of education are constituted and utilized for the purposes of collective ethical self-creation, a theme Foucault emphasized in his later works. The book assesses some of the more interesting recent utilizations of Foucault in educational research.

This is the ideal companion to study of this most influential and challenging of texts. Ludwig Wittgenstein's "Philosophical Investigations" is a hugely important piece of philosophical writing, one frequently encountered by students of philosophy. Yet, there is no escaping the extent of the challenge posed by Wittgenstein's work, in which complex ideas are often enigmatically expressed. In Wittgenstein's "'Philosophical Investigations': A Reader's Guide", Arif Ahmed offers a clear and thorough account of this key philosophical work. Geared towards the specific requirements of students who need to reach a sound understanding of the text as a whole, the book offers guidance on: philosophical and historical context; key themes; reading the text; reception and influence; and, further reading. "Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

This timely volume brings together a diverse group of expert authors in order to investigate the question of phenomenology's relation to the political. These authors take up a variety of themes and movements in contemporary political philosophy. Some of them put phenomenology in dialogue with feminism or philosophies of race, others with Marxism and psychoanalysis, while others look at phenomenology's historical relation to politics. The book shows the ways in which phenomenology is either itself a form of political philosophy, or a useful method for thinking the political. It also explores the ways in which phenomenology falls short in the realm of the political. Ultimately, this collection serves as a starting point for a groundbreaking dialogue in the field about the nature of the relationship between phenomenology and the political. It is a must-read for anyone who is interested in phenomenology or contemporary social and political philosophy.

This collection of eleven new essays contains the latest developments in analytic feminist philosophy on the topic of pornography. While honoring early feminist work on the subject, it aims to go beyond speech act analyses of pornography and to reshape the philosophical discourse that surrounds pornography. A rich feminist literature on pornography has emerged since the 1980s, with Rae Langton's speech act theoretic analysis dominating specifically Anglo-American feminist philosophy on pornography. Despite the predominance of this literature, there remain considerable disagreements and precious little agreement on many key issues: What is pornography? Does pornography (as Langton argues) constitute women's subordination and silencing? Does it objectify women in harmful ways? Is pornography authoritative enough to enact women's subordination? Is speech act theory the best way to approach pornography? Given the deep divergences over these questions, the first goal of this collection is to take stock of extant debates in order to clarify key feminist conceptual and political commitments regarding pornography. This volume further aims to go beyond the prevalent speech-acts approach to pornography, and to highlight novel issues in feminist pornography-debates, including the aesthetics of pornography, trans* identities and racialization in pornography, and putatively feminist pornography.

Luce Irigaray: Teaching explores ways to confront new issues in education. Three essays byIrigaray herself present the outcomes of her own experiments in this area and develop proposals for teaching people how to coexist in difference, reach self-affection, and rethink the relations between teachers and students. In the last few years, Irigaray has brought together young academics from various countries, universities and disciplines, all of whom were carrying out research into her work. These research students have received personal instruction from Irigaray and at the same time have learnt from one another by sharing with the group their own knowledge and experience. Most of the essays in this book are the result of this dynamic way of learning that fosters rigour in thinking as well as mutual respect for differences. The central themes of the volume focus on five cultural fields: methods of recovery from traumatic personal or cultural experience; the resources that arts offer for dwelling in oneself and with the other(s); the maternal order and feminine genealogy; creative interpretation and embodiment of the divine; and new perspectives in philosophy. This innovative collaborative project between Irigaray and researchers involved in the study of her work gives a unique insight into the topics that have occupied this influential international theorist over the last thirty years.

Joseph Priestley (1733-1804) - practising scientist, materialist philosopher and Unitarian theologian - was one of the giants of the Enlightenment. These two volumes present Priestley's unfinished autobiography and his correspondence, edited by J.T. Rutt. Many of these letters are addressed to Priestley's fellow-Unitarians, Theophilus Lindsey and Thomas Belsham, but they are by no means confined to religious topics. Rutt knew Priestley personally, and his many annotations seek to make these volumes particularly useful for students of the period. An index of names and a chronological list of Priestley's works are included.

The twenty-first century has seen an increased awareness of the forms of environmental destruction that cannot immediately be seen, localised or, by some, even acknowledged. Ecocriticism on the Edge explores the possibility of a new mode of critical practice, one fully engaged with the destructive force of the planetary environmental crisis. Timothy Clark argues that, in literary and cultural criticism, the "Anthropocene", which names the epoch in which human impacts on the planet's ecological systems reach a dangerous limit, also represents a threshold at which modes of interpretation that once seemed sufficient or progressive become, in this new counterintuitive context, inadequate or even latently destructive. The book includes analyses of literary works, including texts by Paule Marshall, Gary Snyder, Ben Okri, Henry Lawson, Lorrie Moore and Raymond Carver.

This book is a critical re-evaluation of Jean-Paul Sartre's phenomenological ontology, in which a theory of egological complicity and self-deception informing his later better known theory of bad faith is developed. This novel reinterpretation offers a systematic challenge to orthodox apprehensions of Sartre's conceputualization of transcendental consciousness and the role that the ego plays within his account of pre-reflective consciousness. Heldt persuasively demonstrates how an adequate comprehension of Sartre's theories of negation and reflection can reveal the world as it appears to human consciousness as one in which our reality is capable of becoming littered with illusions. As the foundation upon which the rest of Sartre's philosophical project is built, it is essential that the phenomenological ontology of Sartre's early writings be interpreted with clarity. This book provides such a reinterpretation. In doing so, a philosophical inquiry emerges which is genuinely contemporary in its aim and scope and which seeks to demonstrate the significance of Sartre's thought, not only as significant to the history of philosophy, but to ongoing debates in continental philosophy and philosophy of mind.

W.V. Quine and Donald Davidson are among the leading thinkers of the twentieth century. Their influence on contemporary philosophy is second to none, and their impact in disciplines such as linguistics and psychology is strongly felt. Questioning some of their basic assumptions, this text includes interesting comparisons of Quine and Davidson with other philosophers, particularly Wittgenstein. The text also offers detailed accounts of central issues in contemporary analytic philosophy.

In the last half-century Ludwig Wittgenstein's relevance beyond analytic philosophy, to continental philosophy, to cultural studies, and to the arts has been widely acknowledged. Wittgenstein's Tractatus Logico-Philosophicus was published in 1922 - the annus mirabilis of modernism - alongside Joyce's Ulysses, Eliot's The Waste Land, Mansfield's The Garden Party and Woolf's Jacob's Room. Bertolt Brecht's first play to be produced, Drums in the Night, was first staged in 1922, as was Jean Cocteau's Antigone, with settings by Pablo Picasso and music by Arthur Honegger. In different ways, all these modernist landmarks dealt with the crisis of representation and the demise of eternal metaphysical and ethical truths. Wittgenstein's Tractatus can be read as defining, expressing and reacting to this crisis. In his later philosophy, Wittgenstein adopted a novel philosophical attitude, sensitive to the ordinary uses of language as well as to the unnoticed dogmas they may betray. If the gist of modernism is self-reflection and attention to the way form expresses content, then Wittgenstein's later ideas - in their fragmented form as well as their "ear-opening" contents - deliver it most precisely. Understanding Wittgenstein, Understanding Modernism shows Wittgenstein's work, both early and late, to be closely linked to the modernist Geist that prevailed during his lifetime. Yet it would be wrong to argue that Wittgenstein was a modernist tout court. For Wittgenstein, as well as for modernist art, understanding is not gained by such straightforward statements. It needs time, hesitation, a variety of articulations, the refusal of tempting solutions, and perhaps even a sense of defeat. It is such a vision of the linkage between Wittgenstein and modernism that guides the present volume.

Media pervade and saturate the world around us. From the proliferation of social media sites such as Facebook and Twitter to television, radio, newspapers, films, games and email, media is inescapable. This book, using some of Deleuze's key concepts as its starting point, offers a new systematic analysis of how media functions in our lives, and how we function through our media. While Harper and Savat take Deleuze as the starting point, they extend and define his concepts, pointing out advances made by theorists such as Marx, Mumfors, McLuhan and Williams in the attempt to answer the most Deleuzean of questions, 'what is it that media do?'

Foucault's intellectual indebtedness to Nietzsche is apparent in his writing, yet the precise nature, extent, and nuances of that debt are seldom explored. Foucault himself seems sometimes to claim that his approach is essentially Nietzschean, and sometimes to insist that he amounts to a radical break with Nietzsche. This volume is the first of its kind, presenting the relationship between these two thinkers on elements of contemporary culture that they shared interests in, including the nature of life in the modern world, philosophy as a way of life, and the ways in which we ought to read and write about other philosophers. The contributing authors are leading figures in Foucault and Nietzsche studies, and their contributions reflect the diversity of approaches possible in coming to terms with the Foucault-Nietzsche relationship. Specific points of comparison include Foucault and Nietzsche's differing understandings of the Death of God; art and aesthetics; power; writing and authorship; politics and society; the history of ideas; genealogy and archaeology; and the evolution of knowledge.