Hegel makes philosophical proposals concerning religion and Christianity that demand critical reflection from contemporary theology. Possible defences and criticisms are given in Hegelian discourse, which raise important questions in current theological inquiry.This religious enquiry runs through publications and writings produced during the development of Hegel's systematic philosophy. De Nys considers the understanding of religion and Christianity that Hegel develops in the "Phenomenology of Spirit". The discussion of religious involvement gives special attention to questions concerning religious discourse, which Hegel addresses in his treatment of representational thinking, including Hegel's critique of Schleiermacher.This leads to a discussion of the problem of the relation between the world and God and the issue of God's transcendence, which requires further analysis of the relation of representational and speculative thinking. These discussions provide a framework for considering Hegel's understandings of specific Christian mysteries. The Hegelian conception of the Trinity, the mysteries of Creation, Incarnation and reconciled in dwelling are considered in connection with biblical conceptions of the Trinity.The conclusion examines critical problems surrounding Hegel's essential proposals about religion and Christianity, as well as contributions that Hegel makes to, and the challenges his thinking poses to, contemporary theological inquiry. Throughout, the discussions emphasize an understanding of Hegel's views concerning religion and Christianity as a resource for critical reflection in contemporary theology."The Philosophy and Theology" series looks at major philosophers and explores their relevance to theological thought as well as the response of theology.

This volume of new essays provides a comprehensive and structured examination of Kantian accounts of practical justification. This examination serves as a starting point for a focused investigation of the Kantian approach to justification in practical disciplines (ethics, legal and political philosophy or philosophy of religion). The recent growth of literature on this subject is not surprising given that Kant's approach seems so promising: he claims to be able to justify unconditional normative claims without recourse to assumptions, views or doctrines, which are not in their turn justifiable. Within the context of modern pluralism, this is exactly what the field needs: an approach which can demonstrably show why certain normative claims are valid, and why the grounds of these claims are valid in their turn, and why the freedom to question them should not be stifled. Although this has been a growth area in philosophy, no systematic and sustained study of the topic of practical justification in Kantian philosophy has been undertaken so far.
With fourteen original chapters and an introduction from leading researchers in the field, this volume addresses this neglected topic. The starting point is the still-dominant view that a successful account of justification of normative claims has to be non-metaphysical. The essays engage with this dominant view and pursue further implications in ethics, legal and political philosophy, as well as philosophy of religion. Throughout the essays, the contributors bring into contact with contemporary debates key interpretive questions about Kant's views on practical justification.

Noel Carroll, a brilliant and provocative philosopher of film, has gathered in this book eighteen of his most recent essays on cinema and television--what Carroll calls "moving images." The essays discuss topics in philosophy, film theory, and film criticism. Drawing on concepts from cognitive psychology and analytic philosophy, Carroll examines a wide range of fascinating topics. These include film attention, the emotional address of the moving image, film and racism, the nature and epistemology of documentary film, the moral status of television, the concept of film style, the foundations of film evaluation, the film theory of Siegfried Kracauer, the ideology of the professional western, and films by Sergei Eisenstein and Yvonne Rainer. Carroll also assesses the state of contemporary film theory and speculates on its prospects. The book continues many of the themes of Carroll's earlier work Theorizing the Moving Image and develops them in new directions. A general introduction by George Wilson situates Carroll's essays in relation to his view of moving-image studies.

This book is a unique contribution to scholarship of the poetics of Wallace Stevens, offering an analysis of the entire oeuvre of Stevens's poetry using the philosophical framework of Martin Heidegger. Marking the first book-length engagement with a philosophical reading of Stevens, it uses Heidegger's theories as a framework through which Stevens's poetry can be read and shows how philosophy and literature can enter into a productive dialogue. It also makes a case for a Heideggerian reading of poetry, exploring his later philosophy with respect to his writing on art, language, and poetry. Taking Stevens's repeated emphasis on the terms "being", "consciousness", "reality" and "truth" as its starting point, the book provides a new reading of Stevens with a philosopher who aligns poetic insight with a reconceptualization of the metaphysical significance of these concepts. It pursues the link between philosophy, American poetry as reflected through Stevens, and modernist poetics, looking from Stevens's modernist techniques to broader European philosophical movements of the twentieth century.

Barry Dainton presents a fascinating new account of the self, the key to which is experiential or phenomenal continuity.
Provided our mental life continues we can easily imagine ourselves surviving the most dramatic physical alterations, or even moving from one body to another. It was this fact that led John Locke to conclude that a credible account of our persistence conditions - an account which reflects how we actually conceive of ourselves - should be framed in terms of mental rather than material continuity. But mental continuity comes in different forms. Most of Locke's contemporary followers agree that our continued existence is secured by psychological continuity, which they take to be made up of memories, beliefs, intentions, personality traits, and the like. Dainton argues that that a better and more believable account can be framed in terms of the sort of continuity we find in our streams of consciousness from moment to moment. Why? Simply because provided this continuity is not lost - provided our streams of consciousness flow on - we can easily imagine ourselves surviving the most dramatic psychological alterations. Phenomenal continuity seems to provide a more reliable guide to our persistence than any form of continuity. The Phenomenal Self is a full-scale defence and elaboration of this premise.
The first task is arriving at an adequate understanding of phenomenal unity and continuity. This achieved, Dainton turns to the most pressing problem facing any experience-based approach: losses of consciousness. How can we survive them? He shows how the problem can be solved in a satisfactory manner by construing ourselves as systems of experiential capacities. He thenmoves on to explore a range of further issues. How simple can a self be? How are we related to our bodies? Is our persistence an all-or-nothing affair? Do our minds consist of parts which could enjoy an independent existence? Is it metaphysically intelligible to construe ourselves as systems of capacities? The book concludes with a novel treatment of fission and fusion.

This fully-annotated documentary novel explores the life and thought of Walter Benjamin, imaginatively examining its implications in the political context of a post-War London estate. A startling critical-creative examination of one of the 20th Century's leading thinkers, "The Late Walter Benjamin" is a documentary novel that juxtaposes the life and death of Walter Benjamin with the days, hours and minutes of a working-class council estate on the edge of London in post-war Austerity England. The novel centres on one particular tenant who claims to be Walter Benjamin, and only ever uses words written by Benjamin, apparently oblivious that the real Benjamin committed suicide 20 years earlier whilst fleeing the Nazis. Initially set in the sixties, the text slips back to the early years of the estate and to Benjamin's last days, as he moves across Europe seeking ever-more desperately to escape the Third Reich. Through this fictional narrative, John Schad explores not only the emergence of Benjamin's thinking from a politicised Jewish theology forced to confront the rise of Nazism but also the implications of his utopian Marxism, forged in exile, for the very different context of a displaced working class community in post-war Britain. This series aims to showcase new work at the forefront of religion and literature through short studies written by leading and rising scholars in the field. Books will pursue a variety of theoretical approaches as they engage with writing from different religious and literary traditions. Collectively, the series will offer a timely critical intervention to the interdisciplinary crossover between religion and literature, speaking to wider contemporary interests and mapping out new directions for the field in the early twenty-first century.

The concept of schizoanalysis is Deleuze and Guattari's fusion of psychoanalytic-inspired theories of the self, the libido and desire with Marx-inspired theories of the economy, history and society. Schizoanalysis holds that art's function is both political and aesthetic - it changes perception. If one cannot change perception, then, one cannot change anything politically. This is why Deleuze and Guattari always insist that artists operate at the level of the real (not the imaginary or the symbolic). Ultimately, they argue, there is no necessary distinction to be made between aesthetics and politics. They are simply two sides of the same coin, both concerned with the formation and transformation of social and cultural norms. Deleuze and the Schizoanalysis of Visual Art explores how every artist, good or bad, contributes to the structure and nature of society because their work either reinforces social norms, or challenges them. From this point of view we are all artists, we all have the potential to exercise what might be called a 'aesthetico-political function' and change the world around us; or, conversely, we can not only let the status quo endure, but fight to preserve it as though it were freedom itself. Edited by one of the world's leading scholars in Deleuze Studies and an accomplished artist, curator and critic, this impressive collection of writings by both academics and practicing artists is an exciting imaginative tool for a upper level students and academics researching and studying visual arts, critical theory, continental philosophy, and media.

The first English translation of his work, The Withholding Power, offers a fascinating introduction to the thought of Italian philosopher Massimo Cacciari. Cacciari is a notoriously complex thinker but this title offers a starting point for entering into the very heart of his thinking. The Withholding Power provides a comprehensive and synthetic insight into his interpretation of Christian political theology and leftist Italian political theory more generally. The theme of katechon - originally a biblical concept which has been developed into a political concept - has been absolutely central to the work of Italian philosophers such as Agamben and Eposito for nearly twenty years. In The Withholding Power, Cacciari sets forth his startlingly original perspective on the influence the theological-political questions have traditionally exerted upon ideas of power, sovereignty and the relationship between political and religious authority. With an introduction by Howard Caygill contextualizing the work within the history of Italian thought, this title will offer those coming to Cacciari for the first time a searing insight into his political, theological and philosophical milieu.

"An eloquent work. Somer Brodribb not only gives us a feminist critique of postmodernism with its masculinist predeterminants in existentialism, its Freudian footholdings and its Sadean values, but in the very form and texture of the critique, she literally creates new discourse in feminist theory. Brodribb has transcended not only postmodernism but its requirement that we speak in its voice even when criticizing it. She creates a language that is at once poetic and powerfully analytical. Her insistent and compelling radical critique refuses essentialism--from both masculinist thinkers and their women followers. She demystifies postmodernism to reveal that it and its antecedents represent yet another mundane version of patriarchal politics. Ultimately Brodribb returns us to feminist theory with the message that we must refuse to be derivative and continue to originate theory and politics from the condition of women under male domination."
--Kathleen Barry, author of "Female Sexual Slavery"

An iconoclastic work brilliantly undertaken . . . "Nothing Mat(T)ers" magnificently shows that postmodernism is the cultural capital of late patriarchy. It is the art of self- display, the conceit of masculine self and the science of reproductive and genetic engineering in an ecstatic Nietzschean cycle of statis."
--Andre Michel

"Nothing Mat(T)ers" encapsulates in its title the valuelessness of the current academic fad of postmodernism. Somer Brodribb has written a brave and witty book demolishing the gods and goddesses of postmodernism by deconstructing their method and de-centering their subjects and, in the process, has deconstructed deconstructionism and decentered decentering! Thisis a long-awaited and much-needed book from a tough- minded, embodied, and unflinching scholar."
--Janice Raymond

The volume develops the concepts of the self and its reflexive nature as they are linked to modern thought from Hegel to Luhmann. The moderns are reflexive in a double sense: they create themselves by self-reflexivity and make their world - society - in their own image. That the social world is reflexive means that it is made up of non-subjective (or supra-subjective) communication. The volume's contributors analyze this double reflexivity, of the self and society, from an interdisciplinary perspective, focusing both on individual and social narratives. This broad, interdisciplinary approach is a distinctive mark of the entire project. The volume will be structured around the following axes: Self-making and reflexivity - theoretical topics; Social self and the modern world; Literature - self and narrativity; Creative Self - text and fine art. Among the contributors are some of the most renowned specialists in their respective fields, including J. F. Kervegan, B. Zabel, P. Stekeler-Weithofer, I. James, L. Kvasz, H. Ikaheimo and others.

This is an original study aiming to explain fully Lacanian thought and apply it to the study of literary texts.In contemporary academic literary studies, Lacan is often considered impenetrably obscure, due to the unavailability of his late works, insufficient articulation of his methodologies and sometimes stereotypical use of Lacanian concepts in literary theory.This study aims to integrate Lacan into contemporary literary study by engaging with a broad range of Lacanian theoretical concepts, often for the first time in English, and using them to analyse a range of key texts from different periods.Azari explores Lacan's theory of desire as well as his final theories of lituraterre, littoral, and the sinthome and interrogates a range of poststructuralist interpretive approaches. In the second part of the book, he outlines the variety of ways in which Lacanian theory can be applied to literary texts and offers detailed readings of texts by Shakespeare, Donne, Joyce and Ashbery. This ground-breaking study provides original insights into a number of the most influential intellectual discussions in relation to Lacan and will fill a recognised gap in understanding Lacan and his legacy for literary study and criticism.

"Marx Through Post-Structuralism" presents a thorough critical examination of the readings of Marx given by four post-structuralist thinkers, all key figures in Continental philosophy: Jean-Francois Lyotard, Jacques Derrida, Michel Foucault, and Gilles Deleuze. Arguing that both Marx and the post-structuralists seek to produce a genuinely materialist philosophy, the author aims to develop a better understanding of both Marx and post-structuralism and in so doing to reflect on the possibilities and problems for materialist philosophy more broadly.
Against the common assumption that post-structuralism begins with a rejection of Marx, Choat argues that Marx has been a key influence on post-structuralist thought and that each of the four thinkers examined affirms Marx's contemporary significance. By looking at how these thinkers have read Marx - analysing their direct comments, unspoken uses, and implicit criticisms - the book demonstrates that there is a distinct and original post-structuralist approach to Marx that allows us to read him in a new light.

This is an original investigation of the structure of human morality, that aims to identify the place and significance of moral deeds. "Kantian Deeds" revokes and renews the tradition of Kant's moral philosophy. Through a novel reading of contemporary approaches to Kant, Henrik Bjerre draws a new map of the human capacity for morality. Morality consists of two different abilities that are rarely appreciated at the same time. Human beings are brought up and initiated into a moral culture, which gives them the cognitive mapping necessary to act morally and responsibly. They also, however, acquire an ability to reach beyond that which is considered moral and thus develop an ability to reinterpret or break 'normal' morality. By drawing on two very different resources in contemporary philosophy - more conservative trends in analytic philosophy and more radical sources in recent works of psychoanalytically informed philosophy - and claiming that they must be read together, "Kantian Deeds" provides a new understanding of what is termed 'the structure of moral revolutions'. Essentially, deeds are revolutionary changes of moral character that can only be performed by such creatures that have acquired one. "Continuum Studies in Philosophy" presents cutting-edge scholarship in all the major areas of research and study. The wholly original arguments, perspectives and research findings in titles in this series make it an important and stimulating resource for students and academics from a range of disciplines across the humanities and social sciences.

This book draws on existential theory and original research to present the conceptual framework for an understanding of existential authenticity and demonstrates how this approach might be adopted in practice. The authors explore how a non-mediated connection with authentic lived experience might be established and introduced into everyday living. Drs. Jonathan Davidov and Pninit Russo-Netzer begin by introducing readers to the core theoretical concepts before illustrating how this might be applied in a therapeutic practice. It appeals to scholars and practitioners with an interest in existential psychology, phenomenology, and their broad implications.

This book poses the question of what lies at the limit of philosophy. Through close studies of French phenomenologist Maurice Merleau-Ponty's life and work, the authors examine one of the twentieth century's most interdisciplinary philosophers whose thought intersected with and contributed to the practices of art, psychology, literature, faith and philosophy. As these essays show, Merleau-Ponty's oeuvre disrupts traditional disciplinary boundaries and prompts his readers to ask what, exactly, constitutes philosophy and its others. Featuring essays by an international team of leading phenomenologists, art theorists, theologians, historians of philosophy, and philosophers of mind, this volume breaks new ground in Merleau-Ponty scholarship--including the first sustained reflections on the relationship between Merleau-Ponty and religion--and magnifies a voice that is talked-over in too many conversations across the academic disciplines. Anyone interested in phenomenology, art theory and history, cognitive science, the philosophy of mind, and the philosophy of religion will find themselves challenged and engaged by the articles included in this important effort at inter-disciplinary philosophy. >

The volume offers the first large-scale study of the teaching of Descartes's philosophy in the early modern age. Its twenty chapters explore the clash between Descartes's "new" philosophy and the established pedagogical practices and institutional concerns, as well as the various strategies employed by Descartes's supporters in order to communicate his ideas to their students. The volume considers a vast array of topics, sources, and institutions, across the borders of countries and confessions, both within and without the university setting (public conferences, private tutorials, distance learning by letter) and enables us thereby to reconsider from a fresh perspective the history of early modern philosophy and education.

The Hegel Lectures Series Series Editor: Peter C. Hodgson Hegel's lectures have had as great a historical impact as the works he himself published. Important elements of his system are elaborated only in the lectures, especially those given in Berlin during the last decade of his life. The original editors conflated materials from different sources and dates, obscuring the development and logic of Hegel's thought. The Hegel Lectures series is based on a selection of extant and recently discovered transcripts and manuscripts. Lectures from specific years are reconstructed so that the structure of Hegel's argument can be followed. Each volume presents an accurate new translation accompanied by an editorial introduction and annotations on the text, which make possible the identification of Hegel's many allusions and sources. Lectures on the Proofs of the Existence of God Hegel lectured on the proofs of the existence of God as a separate topic in 1829. He also discussed the proofs in the context of his lectures on the philosophy of religion (1821-31), where the different types of proofs were considered mostly in relation to specific religions. The text that he prepared for his lectures in 1829 was a fully formulated manuscript and appears to have been the first draft of a work that he intended to publish and for which he signed a contract shortly before his death in 1831. The 16 lectures include an introduction to the problem of the proofs and a detailed discussion of the cosmological proof. Philipp Marheineke published these lectures in 1832 as an appendix to the lectures on the philosophy of religion, together with an earlier manuscript fragment on the cosmological proof and the treatment of the teleological and ontological proofs as found in the 1831 philosophy of religion lectures. Hegel's 1829 lectures on the proofs are of particular importance because they represent what he actually wrote as distinct from auditors' transcriptions of oral lectures. Moreover, they come late in his career and offer his final and most seasoned thinking on a topic of obvious significance to him, that of the reality status of God and ways of knowing God. These materials show how Hegel conceived the connection between the cosmological, teleological, and ontological proofs. All of this material has been newly translated by Peter C. Hodgson from the German critical editions by Walter Jaeschke. This edition includes an editorial introduction, annotations on the text, and a glossary and bibliography.

The central concern of this book, first published in 1966 and now reprinted, is to show the hard core of philosophic argument which runs through all Sartre's works and which marks him, more than any other single feature of his writings, as one of the great figures of our time. Mr Manser's critical exposition of Sartre's thought seeks to avoid terms which bring with them pre-conceived attitudes and to help the reader to judge for himself the strengths and weaknesses of the ideas presented.

Alienation After Derrida rearticulates the Hegelian-Marxist theory of alienation in the light of Derrida's deconstruction of the metaphysics of presence. Simon Skempton aims to demonstrate in what way Derridian deconstruction can itself be said to be a critique of alienation. In so doing, he argues that the acceptance of Derrida's deconstructive concepts does not necessarily entail the acceptance of his interpretations of Hegel and Marx. In this way the book proposes radical reinterpretations, not only of Hegel and Marx, but of Derridian deconstruction itself. The critique of the notions of alienation and de-alienation is a key component of Derridian deconstruction that has been largely neglected by scholars to date. This important new study puts forward a unique and original argument that Derridian deconstruction can itself provide the basis for a rethinking of the concept of alienation, a concept that has received little serious philosophically engaged attention for several decades. >

This book looks at Kierkegaard with a fresh perspective shaped by the history of ideas, framed by the terms romanticism and modernism. 'Modernism' here refers to the kind of intellectual and literary modernism associated with Georg Brandes, and such later nineteenth and early twentieth century figures as J. P. Jacobsen, Nietzsche, Dostoevsky, Ibsen (all often associated with Kierkegaard in early secondary literature), and the young Georg Lukacs. This movement, currently attracting increasing scholarly attention, fed into such varied currents of twentieth century thought as Bolshevism (as in Lukacs himself), fascism, and the early existentialism of, e.g., Shestov and the radical culture journal The Brenner (in which Kierkegaard featured regularly, and whose readers included Martin Heidegger). Each of these movements has, arguably, its own 'Romantic' aspect and Kierkegaard thus emerges as a figure who holds together or in whom are reflected both the aspirations and contradictions of early romanticism and its later nineteenth and twentieth century inheritors. Kierkegaard's specific 'staging' of his authorship in the contemporary life of Copenhagen, then undergoing a rapid transformation from being the backward capital of an absolutist monarchy to a modern, cosmopolitan city, provides a further focus for the volume. In this situation the early Romantic experience of nature as providing a source of healing and an experience of unambiguous life is transposed into a more complex and, ultimately, catastrophic register. In articulating these tensions, Kierkegaard's authorship provided a mirror to his age but also anticipated and influenced later generations who wrestled with their own versions of this situation.

This book offers a comprehensive survey of Heidegger's ideas on technology and modernity.The scale of some environmental problems, such as climate change and human overpopulation, exceed any one nation state and require either co-ordinated governance or a shift in the culture of modernity. "Heidegger, Politics and Climate Change" examines this crisis alongside Heidegger's ideas about technology and modernity. Heidegger suggests that refocusing on the primary questions that make it meaningful to be human - the question of Being - could create the means for alternative discourses that both challenge and sidestep the attempt for total surveillance and total control. He advocates recognising the problematic relationship humanity has with the environment and reinventing new trajectories of understanding ourselves and our planet.This book aims to properly integrate environment into philosophy and political theory, offering a constructive critique of modernity with some helpful suggestions for establishing a readiness for blue sky scenarios for the future. The book lays out the practical implications of Heidegger's ideas and engages with philosophy of technology, considering the constraints and the potentials of technology on culture and environment.

Salomon Maimon was one of the most important and influential Jewish intellectuals of the Enlightenment. This is the first English translation of his principal work, first published in Berlin in 1790. "Essay on Transcendental Philosophy" presents the first English translation of Salomon Maimon's principal work, originally published in Berlin in 1790. This book expresses his response to the revolution in philosophy wrought by Kant's "Critique of Pure Reason". Kant himself was full of praise for the book and it went on to exercise a decisive influence on the course of post-Kantian German idealism. Yet, despite his importance for the work of such key thinkers as Fichte, Schelling and Hegel, Maimon never achieved the prominence he deserved. Today interest in Maimon's work is increasing rapidly, thanks in large part to prominent acclaim by Gilles Deleuze. This long-overdue translation brings Maimon's seminal text to an English-speaking audience for the first time. The text includes a comprehensive introduction, a glossary, translator's notes and a full bibliography. It also includes translations of correspondence between Maimon and Kant and a letter Maimon wrote to a Berlin journal clarifying the philosophical position of the Essay, all of which bring alive the context of the book's publication for the modern reader.