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Books > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present
This book presents a comprehensive and detailed exploration of the relationship between the thought of G.W.F. Hegel and that of John McDowell, the latter of whom is widely considered to be one of the most influential living analytic philosophers. It serves as a point of entry in McDowell's and Hegel's philosophy, and a substantial contribution to ongoing debates on perceptual experience and perceptual justification, naturalism, human freedom and action. The chapters gathered in this volume, as well as McDowell's responses, make it clear that McDowell's work paves the way for an original reading of Hegel's texts. His conceptual framework allows for new interpretive possibilities in Hegel's philosophy which, until now, have remained largely unexplored. Moreover, these interpretations shed light on various aspects of continuity and discontinuity between the philosophies of these two authors, thus defining more clearly their positions on specific issues. In addition, they allow us to see Hegel's thought as containing a number of conceptual tools that might be useful for advancing McDowell's own philosophy and contemporary philosophy in general.
The question of Nietzsche's use of political theory has a long and vexed history. The contributors of this book re-situate debates around the notion of difference, in relation to historical and scholarly concerns, but with a view to the current political context. Given that today we are faced with a host of political challenges of domination and resistance, the question raised in this volume is how Nietzsche helps us to think through and to address some of the problems. The authors also discuss how his writings complicate our desire for swift solutions to seemingly intractable problems: how to resist slavishness in thought and action, how to maintain hard-won civil liberties and rights in the face of encroaching hegemonic discourses, practices and forces, or how to counteract global environmental degradation, in short, how to oppose 'totalitarian' movements of homogenization, universalization, equalization, and instead to affirm, both politically and ontologically, a culture of difference.
Written by an international team of contributors, this book offers a fresh set of interpretations of Fear and Trembling, which remains Kierkegaard's most influential and popular book. The chapters provide incisive accounts of the psychological and epistemological presuppositions of Fear and Trembling; of religious experience and the existential dimension of faith; of Kierkegaard's understanding of the relationship between faith and knowledge; of the purported and real conflicts between ethics and religion; of Kierkegaard's interpretation of the value of hope, trust, love and other virtues; of Kierkegaard's debts to German idealism and Protestant theology; and of his seminal contributions to the fields of psychology, existential phenomenology and literary theory. This volume will be of great interest to scholars and upper-level students of Kierkegaard studies, the history of philosophy, theology and religious studies.
This fully-annotated documentary novel explores the life and thought of Walter Benjamin, imaginatively examining its implications in the political context of a post-War London estate. A startling critical-creative examination of one of the 20th Century's leading thinkers, "The Late Walter Benjamin" is a documentary novel that juxtaposes the life and death of Walter Benjamin with the days, hours and minutes of a working-class council estate on the edge of London in post-war Austerity England. The novel centres on one particular tenant who claims to be Walter Benjamin, and only ever uses words written by Benjamin, apparently oblivious that the real Benjamin committed suicide 20 years earlier whilst fleeing the Nazis. Initially set in the sixties, the text slips back to the early years of the estate and to Benjamin's last days, as he moves across Europe seeking ever-more desperately to escape the Third Reich. Through this fictional narrative, John Schad explores not only the emergence of Benjamin's thinking from a politicised Jewish theology forced to confront the rise of Nazism but also the implications of his utopian Marxism, forged in exile, for the very different context of a displaced working class community in post-war Britain. This series aims to showcase new work at the forefront of religion and literature through short studies written by leading and rising scholars in the field. Books will pursue a variety of theoretical approaches as they engage with writing from different religious and literary traditions. Collectively, the series will offer a timely critical intervention to the interdisciplinary crossover between religion and literature, speaking to wider contemporary interests and mapping out new directions for the field in the early twenty-first century.
The current intensification of scholarly interest in the response
of American intellectuals to the rise and fall of American and
Soviet Communism, the Cold War, the student movement, and
Neo-Conservatism has brought the controversial and fascinating work
of Sidney Hook once again to the attention of scholars of American
political thought and culture. Beginning his career as the first
American scholar of Marxism, a leading disciple of John Dewey, and
an early supporter of Soviet Communism, Hook eventually renounced
Marxism and came to be one of the most vehement supporters of the
Cold War. Throughout his long and unquiet life, Hook was revered as
the heir to Dewey's legacy, feared as a fierce polemicist, and
criticized from all points of the political spectrum.
For Kierkegaard the most important thing in life is to become a single individual or a true self. We are all born as human beings, but this makes us only members of a crowd, not true selves. To become a true self, we must transcend what we are at any given time and orient ourselves to the possible and to the actuality of the possible, to which all that is possible owes itself. True selves exist only in becoming, they are fragile, and that is their strength. They are not grounded by their own activities, but in a reality extra se, the flip side of which is a deep passivity that underlies all their activity and allows them to continually leave themselves and move beyond their respective actualities toward the new and the possible. Therefore, without the passion of possibility, there is no truly single individual. This study of Kierkegaard's post-metaphysical theology outlines his existential phenomenology of the self by exploring in three parts what Kierkegaard has to say about the sense of self (finitude, uniqueness, self-interpretation, and alienation), about selfless passion (anxiety, trust, hope, and true love), and about how to become a true self (a Christian in Christendom and a neighbor of God's neighbors).
Two words describe a "modern" world: limits and limitless. Traditionally, humans recognized limits of their power. Modernity meant a break. Its protagonists aspired to bring worlds of their imagination into reality. They taught a new anthropology. Humans could ascend to a God-like status. Schabert analyzes the history of the project and its result: a civilization in a perennial crisis. Symptoms of the crisis have been exposed, today mostly in ecological terms. Schabert takes his material from many fields: philosophy, cosmology, natural sciences, literature, social studies, economics, architecture, and political thought. While modernity is endlessly disrupted, a world beyond modernity can be traced, especially in the modern theory of constitutional government. Constitutional governments are formed by limitations within a civilization that is meant to have no limits. What appears to be paradoxical has its own logic, as Baruch Spinoza, John Locke, Montesquieu, John Adams, the Federalist Papers, John Stuart Mill, Walter Bagehot, and Woodrow Wilson have shown. Schabert carefully explicates their constitutional thought. It realized the limits through which modernity holds a promise.
The concept of schizoanalysis is Deleuze and Guattari's fusion of psychoanalytic-inspired theories of the self, the libido and desire with Marx-inspired theories of the economy, history and society. Schizoanalysis holds that art's function is both political and aesthetic - it changes perception. If one cannot change perception, then, one cannot change anything politically. This is why Deleuze and Guattari always insist that artists operate at the level of the real (not the imaginary or the symbolic). Ultimately, they argue, there is no necessary distinction to be made between aesthetics and politics. They are simply two sides of the same coin, both concerned with the formation and transformation of social and cultural norms. Deleuze and the Schizoanalysis of Visual Art explores how every artist, good or bad, contributes to the structure and nature of society because their work either reinforces social norms, or challenges them. From this point of view we are all artists, we all have the potential to exercise what might be called a 'aesthetico-political function' and change the world around us; or, conversely, we can not only let the status quo endure, but fight to preserve it as though it were freedom itself. Edited by one of the world's leading scholars in Deleuze Studies and an accomplished artist, curator and critic, this impressive collection of writings by both academics and practicing artists is an exciting imaginative tool for a upper level students and academics researching and studying visual arts, critical theory, continental philosophy, and media.
Analysing the reception of contemporary French philosophy in architecture over the last four decades, Adventures with the Theory of the Baroque and French Philosophy discusses the problematic nature of importing philosophical categories into architecture. Focusing particularly on the philosophical notion of the Baroque in Gilles Deleuze, this study examines traditional interpretations of the concept in contemporary architecture theory, throwing up specific problems such as the aestheticization of building theory and practice. Identifying these and other issues, Nadir Lahiji constructs a concept of the baroque in contrast to the contemporary understanding in architecture discourse. Challenging the contemporary dominance of the Neo-Baroque as a phenomenon related to postmodernism and late capitalism, he establishes the Baroque as a name for the paradoxical unity of 'kitsch' and 'high' art and argues that the digital turn has enhanced the return of the Baroque in contemporary culture and architectural practice that he brands a pseudo-event in the term 'neobaroque'. Lahiji's original critique expands on the misadventure of architecture with French Philosophy and explains why the category of the Baroque, if it is still useful to keep in architecture criticism, must be tied to the notion of Post-Rationalism. Within this latter notion, he draws on the work of Alain Badiou to theorize a new concept of the Baroque as Event. Alongside close readings of Walter Benjamin, Theodor Adorno and Michel Foucault related to the criticism of the Baroque and Modernity and discussions of the work of Frank Gehry, in particular, this study draws on Jacque Lacan's concept of the baroque and presents the first comprehensive treatment of the psychoanalytical theory of the Baroque in the work of Lacan.
The first English translation of his work, The Withholding Power, offers a fascinating introduction to the thought of Italian philosopher Massimo Cacciari. Cacciari is a notoriously complex thinker but this title offers a starting point for entering into the very heart of his thinking. The Withholding Power provides a comprehensive and synthetic insight into his interpretation of Christian political theology and leftist Italian political theory more generally. The theme of katechon - originally a biblical concept which has been developed into a political concept - has been absolutely central to the work of Italian philosophers such as Agamben and Eposito for nearly twenty years. In The Withholding Power, Cacciari sets forth his startlingly original perspective on the influence the theological-political questions have traditionally exerted upon ideas of power, sovereignty and the relationship between political and religious authority. With an introduction by Howard Caygill contextualizing the work within the history of Italian thought, this title will offer those coming to Cacciari for the first time a searing insight into his political, theological and philosophical milieu.
Salomon Maimon was one of the most important and influential Jewish intellectuals of the Enlightenment. This is the first English translation of his principal work, first published in Berlin in 1790. "Essay on Transcendental Philosophy" presents the first English translation of Salomon Maimon's principal work, originally published in Berlin in 1790. This book expresses his response to the revolution in philosophy wrought by Kant's "Critique of Pure Reason". Kant himself was full of praise for the book and it went on to exercise a decisive influence on the course of post-Kantian German idealism. Yet, despite his importance for the work of such key thinkers as Fichte, Schelling and Hegel, Maimon never achieved the prominence he deserved. Today interest in Maimon's work is increasing rapidly, thanks in large part to prominent acclaim by Gilles Deleuze. This long-overdue translation brings Maimon's seminal text to an English-speaking audience for the first time. The text includes a comprehensive introduction, a glossary, translator's notes and a full bibliography. It also includes translations of correspondence between Maimon and Kant and a letter Maimon wrote to a Berlin journal clarifying the philosophical position of the Essay, all of which bring alive the context of the book's publication for the modern reader.
"An eloquent work. Somer Brodribb not only gives us a feminist
critique of postmodernism with its masculinist predeterminants in
existentialism, its Freudian footholdings and its Sadean values,
but in the very form and texture of the critique, she literally
creates new discourse in feminist theory. Brodribb has transcended
not only postmodernism but its requirement that we speak in its
voice even when criticizing it. She creates a language that is at
once poetic and powerfully analytical. Her insistent and compelling
radical critique refuses essentialism--from both masculinist
thinkers and their women followers. She demystifies postmodernism
to reveal that it and its antecedents represent yet another mundane
version of patriarchal politics. Ultimately Brodribb returns us to
feminist theory with the message that we must refuse to be
derivative and continue to originate theory and politics from the
condition of women under male domination." An iconoclastic work brilliantly undertaken . . . "Nothing
Mat(T)ers" magnificently shows that postmodernism is the cultural
capital of late patriarchy. It is the art of self- display, the
conceit of masculine self and the science of reproductive and
genetic engineering in an ecstatic Nietzschean cycle of
statis." "Nothing Mat(T)ers" encapsulates in its title the valuelessness
of the current academic fad of postmodernism. Somer Brodribb has
written a brave and witty book demolishing the gods and goddesses
of postmodernism by deconstructing their method and de-centering
their subjects and, in the process, has deconstructed
deconstructionism and decentered decentering! Thisis a long-awaited
and much-needed book from a tough- minded, embodied, and
unflinching scholar."
This volume examines the complex dialogue between German Idealism and phenomenology, two of the most important movements in Western philosophy. Twenty-four newly authored chapters by an international group of well-known scholars examine the shared concerns of these two movements; explore how phenomenologists engage with, challenge, and critique central concepts in German Idealism; and argue for the continuing significance of these ideas in contemporary philosophy and other disciplines. Chapters cover not only the work of major figures such as Husserl, Heidegger, and Merleau-Ponty, but a wide range of philosophers who build on the phenomenological tradition, including Fanon, Gadamer, and Levinas. These essays highlight key themes of the nature of subjectivity, the role of intersubjectivity, the implications for ethics and aesthetics, the impact of time and history, and our capacities for knowledge and understanding. Key features: * Critically engages two of the major philosophical movements of the last 250 years * Draws on the insights of those movements to address contemporary issues in ethics, theory of knowledge, and political philosophy * Expands the range of idealist and phenomenological themes by considering them in the context of gender, postcolonial theory, and environmental concerns, as well as their global reach * Includes new contributions from prominent, international scholars in these fields This Handbook is essential reading for all scholars and advanced students of phenomenology and German Idealism. With chapters on Beauvoir, Sartre, Scheler, Schutz, Stein, and Ricoeur, The Palgrave Handbook of German Idealism and Phenomenology is also ideal for scholars researching these important figures in the history of philosophy.
Jacqueline Broad explores the writings of such women philosophers as Margaret Cavendish, Anne Conway, Mary Astell and Catherine Trotter Cockburn. Broad demonstrates their relevance to current feminist scholarship. Her book is an accessible study of thinkers whose importance to the history of philosophy is increasingly recognized.
This is an original study aiming to explain fully Lacanian thought and apply it to the study of literary texts.In contemporary academic literary studies, Lacan is often considered impenetrably obscure, due to the unavailability of his late works, insufficient articulation of his methodologies and sometimes stereotypical use of Lacanian concepts in literary theory.This study aims to integrate Lacan into contemporary literary study by engaging with a broad range of Lacanian theoretical concepts, often for the first time in English, and using them to analyse a range of key texts from different periods.Azari explores Lacan's theory of desire as well as his final theories of lituraterre, littoral, and the sinthome and interrogates a range of poststructuralist interpretive approaches. In the second part of the book, he outlines the variety of ways in which Lacanian theory can be applied to literary texts and offers detailed readings of texts by Shakespeare, Donne, Joyce and Ashbery. This ground-breaking study provides original insights into a number of the most influential intellectual discussions in relation to Lacan and will fill a recognised gap in understanding Lacan and his legacy for literary study and criticism.
This work illustrates China's values and how they are practiced. After introducing readers to the theories, systematical structure, historical status, and influence of traditional Chinese values, it points out major developmental trends in connection with modernization. Further, it explores the significance of the contemporary reconstruction of Chinese values and argues that these values can be divided into three layers: values-based goals of national development, Chinese values concepts, and norms of values in a civil society. On this basis, it subsequently interprets the core socialist values "Prosperity, Democracy, Civility and Harmony," the value concepts "Freedom, Equality, Justice and Rule of Law" and values-based norms "Patriotism, Dedication, Integrity and Friendship."
David and Mary Norton present the definitive scholarly edition of one of the greatest philosophical works ever written. This second volume begins with their 'Historical Account' of the Treatise, an account that runs from the beginnings of the work to the period immediately following Hume's death in 1776, followed by an account of the Nortons' editorial procedures and policies and a record of the differences between the first-edition text of the Treatise and the critical text that follows. The volume continues with an extensive set of 'Editors' Annotations', intended to illuminate (though not intepret) Hume's texts; a four-part bibliography of materials cited in both volumes; and a comprehensive index.
The Hegel Lectures Series Series Editor: Peter C. Hodgson Hegel's lectures have had as great a historical impact as the works he himself published. Important elements of his system are elaborated only in the lectures, especially those given in Berlin during the last decade of his life. The original editors conflated materials from different sources and dates, obscuring the development and logic of Hegel's thought. The Hegel Lectures series is based on a selection of extant and recently discovered transcripts and manuscripts. Lectures from specific years are reconstructed so that the structure of Hegel's argument can be followed. Each volume presents an accurate new translation accompanied by an editorial introduction and annotations on the text, which make possible the identification of Hegel's many allusions and sources. Lectures on the Proofs of the Existence of God Hegel lectured on the proofs of the existence of God as a separate topic in 1829. He also discussed the proofs in the context of his lectures on the philosophy of religion (1821-31), where the different types of proofs were considered mostly in relation to specific religions. The text that he prepared for his lectures in 1829 was a fully formulated manuscript and appears to have been the first draft of a work that he intended to publish and for which he signed a contract shortly before his death in 1831. The 16 lectures include an introduction to the problem of the proofs and a detailed discussion of the cosmological proof. Philipp Marheineke published these lectures in 1832 as an appendix to the lectures on the philosophy of religion, together with an earlier manuscript fragment on the cosmological proof and the treatment of the teleological and ontological proofs as found in the 1831 philosophy of religion lectures. Hegel's 1829 lectures on the proofs are of particular importance because they represent what he actually wrote as distinct from auditors' transcriptions of oral lectures. Moreover, they come late in his career and offer his final and most seasoned thinking on a topic of obvious significance to him, that of the reality status of God and ways of knowing God. These materials show how Hegel conceived the connection between the cosmological, teleological, and ontological proofs. All of this material has been newly translated by Peter C. Hodgson from the German critical editions by Walter Jaeschke. This edition includes an editorial introduction, annotations on the text, and a glossary and bibliography.
This is an original investigation of the structure of human morality, that aims to identify the place and significance of moral deeds. "Kantian Deeds" revokes and renews the tradition of Kant's moral philosophy. Through a novel reading of contemporary approaches to Kant, Henrik Bjerre draws a new map of the human capacity for morality. Morality consists of two different abilities that are rarely appreciated at the same time. Human beings are brought up and initiated into a moral culture, which gives them the cognitive mapping necessary to act morally and responsibly. They also, however, acquire an ability to reach beyond that which is considered moral and thus develop an ability to reinterpret or break 'normal' morality. By drawing on two very different resources in contemporary philosophy - more conservative trends in analytic philosophy and more radical sources in recent works of psychoanalytically informed philosophy - and claiming that they must be read together, "Kantian Deeds" provides a new understanding of what is termed 'the structure of moral revolutions'. Essentially, deeds are revolutionary changes of moral character that can only be performed by such creatures that have acquired one. "Continuum Studies in Philosophy" presents cutting-edge scholarship in all the major areas of research and study. The wholly original arguments, perspectives and research findings in titles in this series make it an important and stimulating resource for students and academics from a range of disciplines across the humanities and social sciences.
This book brings together for the first time two philosophers from different traditions and different centuries. While Wittgenstein was a focal point of 20th century analytic philosophy, it was Hegel's philosophy that brought the essential discourses of the 19th century together and developed into the continental tradition in 20th century. This now-outdated conflict took for granted Hegel's and Wittgenstein's opposing positions and is being replaced by a continuous progression and differentiation of several authors, schools, and philosophical traditions. The development is already evident in the tendency to identify a progression from a 'Kantian' to a 'Hegelian phase' of analytical philosophy as well as in the extension of right and left Hegelian approaches by modern and postmodern concepts. Assessing the difference between Wittgenstein and Hegel can outline intersections of contemporary thinking. |
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