ONE OF THE OBSERVER'S 10 MUST-READ DEBUT NOVELISTS OF 2022 SOHO HOUSE BREAKTHROUGH WRITER AWARD 2022 WINNER 'A rare glimpse into the harsh realities of street life and love in luminous prose, rendered with sensitivity and without sentimentalism. An astonishing debut' Cherie Jones, author of HOW THE ONE-ARMED SISTER SWEEPS HER HOUSE Sayon Hughes, a young Black man from Bristol, dreams of a world far removed from the one in which he was raised. Far removed from the torn slips outside the bookie's, the burnt spoons and the crooked solutions his community embraces; most of all, removed from the Christianity of his uncaring parents and the prejudice of law-makers. Growing up, Sayon found respite from the chaos of his environment in the love and loyalty of his brother-in-arms, Cuba; in the example of his cousin Hakim, a man once known as the most infamous drug-dealer in their neighbourhood, now a proselytising Muslim; and in the tenderness of his girl, Shona, whose own sense of purpose galvanises Sayon's. In return, Sayon wants to give the people he loves the world: a house atop a grand hill in the most affluent area of the city, a home in which they can forever find joy and safety. But after an altercation in which a boy is killed, Sayon finds his loyalties torn and his dream of a better life in peril. MORE PRAISE FOR AN OLIVE GROVE IN ENDS: 'Announcing the arrival of a promising 23-year-old author whose work is wise beyond his years' GUARDIAN 'A remarkable debut, bristling with sharp prose and daring originality' Nathan Harris, author of THE SWEETNESS OF WATER 'A phenomenally good novel, tense and thrilling and complex, with breath-stealing moments on every page' Donal Ryan, author of THE SPINNING HEART 'This consummately crafted work can only be a harbinger of a stellar and truly significant career. I urge you to read it' Patrick McCabe, author of THE BUTCHER BOY 'Engrossing . . . A tough yet tender story of faith and friendship' OBSERVER

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

"The Book of Karna" relates the events of the two dramatic days after the defeat of the great warriors and generals Bhishma and Drona, in which Karna - great hero and the eldest Pandava - leads the Kaurava army into combat. This first volume of "Karna" depicts mighty battles in gory detail, sets the scene for Karna's tragic death, and includes a remarkable verbal duel between Karna and his reluctant charioteer Shalya, the king of the Madras, as they hurl abuse at each other before entering the fray.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

The inclusive LGBTQ+ fairytale collection that has grabbed headlines across the world! Powerful princesses that slay giants, and beautiful princes that find true love. Heroes come in all shapes and sizes in these tales of old and new. Celebrating a multitude of ethnicities, genders and sexualities, this sparkling collection of 17 short stories takes new and familiar fairy tales and reimagines them in contemporary and inclusive light. The collection was originally published in Hungary,where the inclusion of LGBTQ+ characters sparked political controversy. It quickly became an important symbol in the fight for equality and against discrimination in Hungary and enjoyed a vast wave of support both within and outside the country. "I wish I could have read this book when I was a child." - Sir Ian McKellen A Fairytale For Everyone is the winner of an English PEN Translates Award.

This enchanting collection of stories gathers together legends from across Ireland in one special volume. Drawn from The History Press' popular Folk Tales series, herein lies a treasure trove of tales from a wealth of talented storytellers. From fairies, giants and vampires to changelings and witches, this book celebrates the distinct character of Ireland's different customs, beliefs and dialects, and is a treat for all who enjoy a well-told story.

Telling the Seasons takes us on a journey through the twelve months of the year with stories, customs and celebrations. Drawing on the changing patterns of nature and the rich tapestry of folklore from the British Isles, it is a colourful guide into how and why we continue to celebrate the seasons. Here are magical myths of the sun and moon, earthy tales of walking stones and talking trees and lively legends of the spirits of each season. Original drawings, sayings, songs, recipes and rhymes, combine into a 'spell-book' of the seasons. Martin Maudsley tells tales around the year to children and adults, specialising in stories of the natural world and local landscapes. He can be found leading seasonal celebrations from firelit winter wassails to bright May Day mornings in rural Dorset where he lives.

Mandela, a Nobel Laureate for Peace, has selected these thirty-two tales with the specific hope that Africa's oldest stories, as well as a few new ones, be perpetuated by future generations and be appreciated by children throughout the world. In these "beloved stories, morsels rich with the gritty essence of Africa," we meet, among many others, a Kenyan lion named Simba, a snake with seven heads and a trickster from Zulu folklore; we hear the voices of the scheming hyena and learn from a Khoi fable how animals acquired their tails and horns. Several creation myths tell us how the land, its animals, and its people all came into existence under a punishing sun or against the backdrop of a spectacularly beautiful mountain landscape. Whether warning children about the dangers of disobedience or demonstrating that the underdog can--and often does--win, these stories, through their depiction of wise animals as well as evil monsters, are "universal in their portrayal of humanity, beasts, and the mystical." What is particularly exciting about this book is that many of the stories, in their oral form, are almost as old as Africa itself. Most of them were, in fact, first told in various African tongues around evening fires in centuries past--tales from, for example, the San and the Khoi, the original hunter-gatherers and livestock herders of Southern Africa. Translated into English and other European languages chiefly in the nineteenth and twentieth centuries from their original languages--be they Karanga, Nguni, Xhosa, or one of many others--these folktales are a testament to the craft of storytelling and the power of myth. Accompanied by dozens of enchanting, specially commissioned color paintings, Favorite African Folktales--culled from African countries as far-flung as Morocco, Nigeria, Uganda, and Kenya--presents a fountain of precious knowledge that will be treasured by children, as well as adults, for years to come.

J.R.R. Tolkien's writings on the Second Age of Middle-earth, collected for the first time in one deluxe slipcased edition. J.R.R. Tolkien famously described the Second Age of Middle-earth as a 'dark age, and not very much of its history is (or need be) told'. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dur and the rise of Sauron. It was not until Christopher Tolkien published The Silmarillion after his father's death that a fuller story could be told. Although much of the book's content concerned the First Age of Middle-earth, there were at its close two key works that revealed the tumultuous events concerning the rise and fall of the island of Numenor. Gifted to the Men of Middle-earth as a reward for aiding in the defeat of the Dark Lord Morgoth, the kingdom became a seat of influence and wealth; but as the Numenoreans' power increased, the seed of their downfall would inevitably be sown, culminating in the Last Alliance of Elves and Men. Further insight into the Second Age would be revealed in subsequent publications, first in Unfinished Tales of Numenor and Middle-earth, then expanded upon in Christopher Tolkien's twelve-volume The History of Middle-earth. Now, adhering to the timeline of 'The Tale of Years' in the appendices to The Lord of the Rings, editor Brian Sibley has assembled into one volume a new chronicle of the Second Age of Middle-earth, told substantially in the words of J.R.R. Tolkien from the various published texts, with 10 new paintings and 65 pencil drawings by Alan Lee. This deluxe slipcased edition is quarterbound in terracotta and printed on heavyweight acid-free paper, stamped in gold foil on dove grey boards with a unique motif designed by Alan Lee, includes a ribbon marker and is housed in a custom-built matching slipcase.

RULER. MOTHER. GODDESS. WARRIOR.

They called me The Morrigan. I was magnificent. I was multitudes.
They twisted my story, stripped me away. But I will tell it now in my own voice.
It begins, as all the best stories do, in darkness.

From an ancient, storm-tossed sea, a tribe of gods reach the rocky shores of Ireland.

Among them, a strange, hungry, red-haired girl. A girl who can change shape, from bird to beast to goddess. A girl who dreams of battle, of blood, of death and power.

She does not know yet that a woman who seeks to rule will always be in danger – or that there are far more treacherous figures in this land than the gods who raised her.

She does not know that one day love will burn so deep in her heart that its scars will never heal. That she will know pain so raw and pure it will almost tear her apart.

She does not know that her journey will take a thousand years. That her name will be remembered for a thousand more.

She is The Morrigan, and she is waiting: a girl with rage coiled in her chest. Beautiful, powerful, ravenous rage. A rage that will live forever.

An electric debut retelling of Ireland’s mythic goddess of war, from a bold and powerful new voice.

An action-filled reimagining of the famous Greek myth, Jason and the Golden Fleece, brilliantly told by classicist Mark Knowles. He has come to take what is yours... Iolkos, Thessaly. 1230 BC. King Pelias has grown paranoid, tormented by his murderous past and a prophecy of the man who will one day destroy him. When a stranger arrives to compete in the Games of Poseidon, Pelias is horrified, for this young man should never have grown to manhood. He is Jason, Pelias' nephew, who survived his uncle's assassins as a child. Now Jason wants his revenge - and the kingdom. But Pelias is cunning as well as powerful. He gives his foe an impossible challenge: to claim the throne, Jason must first steal the fabled Golden Fleece of Colchis. Jason assembles a band of Greece's finest warriors. They are the Argonauts, named for their trusty ship. But even with these mighty allies, Jason will have to overcome the brutal challenges hurled his way. His mission and many lives depend on his wits - and his sword. PRAISE FOR ARGO AND MARK KNOWLES: 'Mark Knowles has taken the legend of Jason and the Golden Fleece, and stripped it down to its bare bones... What is left is a deeply researched historical epic, so brilliantly brought to life I could taste the salt air on my tongue... Epic battles, well-rounded characters sailing through a brilliantly described world' Adam Lofthouse, author of The Centurion's Son 'What a spectacular triumph! Knowles has taken a reassuringly familiar legend and elevated it into a new, realistic and engrossing story' Sam Taw '[Knowles] has teamed his love of learning classics and childhood love of sword-and-sandals epics to accomplish something remarkable' Boarding Schools' Association 'Knowles has combined historical realities with sure-footed imagination... brilliant' Dr Paul Millett, Cambridge University (on The Consul's Daughter)

Introduced by Patricia Lockwood: Gothic tales from the mistress of the weird behind frogman-romance Mrs Caliban for fans of Shirley Jackson, Lucia Berlin and Patricia Highsmith. 'Wonderful.' Margaret Atwood 'Genius.' Patricia Lockwood 'Remarkable.' Joseph Heller 'Perfect.' Max Porter ''Immensely skillful'. Ursula K. Le Guin 'Tender, erotic, singular.' Carmen Maria Machado 'Still outpaces, out-weirds, and out-romances anything today.' Marlon James 'One of the greatest short story writers we have.' The Times 'You are in masterly hands as Ingalls lures you into a swamp of violence and magic.' Sunday Times After a one-night-stand with the Angel Gabriel, a monk is transformed into a pregnant woman. Lost in the fog, two visitors are lured into a ruined candlelit mansion. A wife confiscates her husband's homemade sex doll, only to demand her own. Great-aunts warn of the deadly skin of the pearlkillers. Rachel Ingalls' incomparable novellas are masterpieces: surrealist, subversive, tragicomic. Prepare to meet what lurks beneath . 'Macabre, fantastic and haunting . . . One of the most brilliant practitioners of American Gothic since Poe . . . Read her at your peril.' Independent 'Fables whose unadorned sentences belie their irreducible strangeness . . . In her vision of intimacy and interdependence, you're simply not safe until everybody else is dead . . . Brilliant.' New Yorker 'Resists definition . . . Her work combines subtlety and horror, magic and stark realism, Greek tragedy and happily-ever-afters . . . Rare and fine. ' Guardian 'Idiosyncratic, haunting, masterly . . . A modern fabulist making myths which explode into strangeness.' Observer

Walapai (Hualapai), a language of the Yuman group (Hokan stock), is spoken in Northern Arizona. The volume contains texts of various genres - mythical tales, stories from everyday life, oral histories - which were collected by the author in the late '50s and early '60s. As in the case of Winter's earlier publications, the texts are presented in a morphologically analyzed form and are provided with full translations.

'Engaging, modern fables with a feminist tang' Sunday Times DARK, POTENT AND UNCANNY, HAG BURSTS WITH THE UNTOLD STORIES OF OUR ISLES, CAPTURED IN VOICES AS VARIED AS THEY ARE VIVID. Here are sisters fighting for the love of the same woman, a pregnant archaeologist unearthing impossible bones and lost children following you home. A panther runs through the forests of England and pixies prey upon violent men. From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today. 'A thoroughly original package that has a hint of Angela Carter' The Times 'Sharp writing and cleverly done' Spectator

The work provides a unique study of superheroes and gods in literature, popular culture, and ancient myth. The author selects a number of mythological figures (e.g., Babylonia's Gilgamesh and Enkidu), ancient gods (e.g., Greece's Eros and Tartarus), and modern superheroes (e.g., the United States' Superman and Captain Marvel) and identifies the often striking similarities between each unique category of characters. The author contends that the vast majority of mythological superheroes follow the same archetypal character patterns, regardless of each hero's unique time period or culture. Each of the first nine chapters examines the heroes and gods of a particular region or country, while the final chapter examines modern descendants of the hero prototype like Batman and Spiderman and several infamous anti-heroes (for example, Dracula and The Hulk). Instructors considering this book for use in a course may request an examination copy here.

*** ONE OF THE OBSERVER'S 10 MUST-READ DEBUT NOVELISTS OF 2022 *** 'A rare glimpse into the harsh realities of street life and love in luminous prose, rendered with sensitivity and without sentimentalism. An astonishing debut' Cherie Jones, author of HOW THE ONE-ARMED SISTER SWEEPS HER HOUSE Sayon Hughes, a young Black man from Bristol, dreams of a world far removed from the one in which he was raised. Far removed from the torn slips outside the bookie's, the burnt spoons and the crooked solutions his community embraces; most of all, removed from the Christianity of his uncaring parents and the prejudice of law-makers. Growing up, Sayon found respite from the chaos of his environment in the love and loyalty of his brother-in-arms, Cuba; in the example of his cousin Hakim, a man once known as the most infamous drug-dealer in their neighbourhood, now a proselytising Muslim; and in the tenderness of his girl, Shona, whose own sense of purpose galvanises Sayon's. In return, Sayon wants to give the people he loves the world: a house atop a grand hill in the most affluent area of the city, a home in which they can forever find joy and safety. But after an altercation in which a boy is killed, Sayon finds his loyalties torn and his dream of a better life in peril. MORE PRAISE FOR AN OLIVE GROVE IN ENDS: 'A remarkable debut, bristling with sharp prose and daring originality' Nathan Harris, author of THE SWEETNESS OF WATER 'A phenomenally good novel, tense and thrilling and complex, with breath-stealing moments on every page' Donal Ryan, author of STRANGE FLOWERS 'This consummately crafted work can only be a harbinger of a stellar and truly significant career. I urge you to read it' Patrick McCabe, author of THE BUTCHER BOY 'Engrossing . . . A tough yet tender story of faith and friendship' OBSERVER

The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the epic story of the Norse hero, Sigurd, the dragon-slayer, the revenge of his wife, Gudrun, and the Fall of the Nibelungs. In the Lay of the Voelsungs is told the ancestry of the great hero Sigurd, the slayer of Fafnir most celebrated of dragons, whose treasure he took for his own; of his awakening of the Valkyrie Brynhild who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In that court there sprang great love but also great hate, brought about by the power of the enchantress, mother of the Niflungs, skilled in the arts of magic, of shape-changing and potions of forgetfulness. In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrun his sister, mounts to its end in the murder of Sigurd at the hands of his blood-brothers, the suicide of Brynhild, and the despair of Gudrun. In the Lay of Gudrun her fate after the death of Sigurd is told, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers the Niflung lords, and her hideous revenge.

Enjoy a rich collection of folktales, myths and legends from all over Africa and the Caribbean, re-told for young readers. From the trickster tales of Anansi the spider, to the story of how the leopard got his spots; from the tale of the king who wanted to touch the moon, to Aunt Misery's magical starfruit tree. This book includes traditional favourites and classic folktales and mythology.

Charged with possibility and power, this memorable collection is an extraordinary immersion into the bodies and voices, mindscapes and landscapes, of the shapeshifting women of our native folklore. Drawing on myth and fairy tales found across Europe from Croatia to Sweden, Ireland to Russia, these stories are about coming to terms with our animal natures, exploring the ways in which we might renegotiate our fractured relationship with the natural world, and uncovering the wildness and wilderness within.

Galilee has been a crossroads of cultures, religions, and languages for centuries, as illustrated in these fascinating Bedouin folktales, which offer excellent examples of the Arabic narrative tradition of the Middle East. Bedouin Folktales from the North of Israel collects nearly 60 traditional folktales, told mostly by women, that have been carefully translated in the same colloquial style in which they were told. These stories are grouped into themes of love and devotion, ghouls and demons, and animal stories. The work also includes phonetic transcription and linguistic annotation. Accompanying each folktale is a comprehensive ethnographic, folkloristic, and linguistic commentary, placing the tales in context with details on Galilee Bedouin dialects and the tribes themselves. A rich, multifaceted collection, Bedouin Folktales from the North of Israel is an invaluable resource for linguists, folklorists, anthropologists, and any reader interested in a tradition of storytelling handed down through the centuries.

When curious nomad Anna hears about Whisperwood, a town that’s not on any maps, that nobody goes to, and nobody comes from, she sees an opportunity to hide from her violent witch-hunting ex. But not everything is peaceful in the isolated community. A vanishing town, a gruesome funeral rite, an emergency field surgery—these surprises and more test Anna's resolve. Prevented from leaving the frontier settlement by folk magic she doesn’t understand, Anna lends helping hands everywhere she can, but quickly finds that investigating the forest too closely could end up being the last thing she does. FLAME TREE PRESS is the imprint of long-standing independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress