National panics about crime, immigrants, police, and societal degradation have been pervasive in the United States of the 21st century. Many of these fears begin as mere phantom fears, but are systematically amplified by social media, news media, bad actors and even well-intentioned activists. There are numerous challenges facing the U.S., but Americans must sort through which fears are legitimate threats and which are amplified exaggerations. This book examines the role of fear in national panics and addresses why many Americans believe the country is in horrible shape and will continue to deteriorate (despite contradictory evidence). Political polarization, racism, sexism, economic inequality, and other social issues are examined. Combining media literacy, folklore, investigative journalism, psychology, neuroscience, and critical thinking approaches, this book reveals the powerful role that fear plays in clouding perceptions about the U.S. It not only records the repercussions of this toxic phenomenon, but also offers evidence-based solutions.

To primitive man the whisper and movement of leaves and the silent unfolding of flowers were proofs of life and power, and their regeneration was a promise of nature's continuity. Cures, magic, divination and portents were all connected with the rich variety of available plant life, especially in verdant Britain. Some of these beliefs were astonishingly long-lasting and, even if an altered or faded form, have survived the sophistications of modern life, as this book sets out to show. This volume is arranged in alphabetical order and is illustrated with engravings from old herbals.'

Laurence Coupe offers students a comprehensive overview of the development of myth, showing how mythic themes, structures and symbols persist in literature and entertainment today. This introductory volume: illustrates the relation between myth, culture and literature with discussions of poetry, fiction, film and popular song explores uses made of the term 'myth' within the fields of literary criticism, anthropology, cultural studies, feminism, Marxism and psychoanalysis discusses the association between modernism, postmodernism, myth and history familiarizes the reader with themes such as the dying god, the quest for the Grail, the relation between 'chaos' and 'cosmos', and the vision of the end of time demonstrates the growing importance of the green dimension of myth. Fully updated and revised in this new edition, Myth is both a concise introduction and a useful tool to students first approaching the topic, while also a valuable contribution to the study of myth.

J.D. Lewis-Williams, a leading South African archaeologist and ethnographer, examines the complex myths of the San-Bushmen to create a larger theory of how myth is used in cultures worldwide. Exploring ethnographic, archival and archaeological lines of research, he extracts the `nuggets', the far-reaching but often unspoken words and concepts of language and understanding that are opaque to outsiders, to establish a more nuanced theory of the role of these myths in the thought-world and social circumstances of the San. The book draws from the author's own work, the unique 19th-century Bleek & Lloyd archive, more recent ethnographic work, and San rock art and includes well-known San stories such as The broken string, Mantis dreams, and Creation of the eland.

Andrew Lang (1844-1912) was a prolific Scots man of letters, a poet, novelist, literary critic and contributor to anthropology. He now is best known as the collector of folk and fairy tales. He was educated at the Edinburgh Academy, St Andrews University and at Balliol College, Oxford. As a journalist, poet, critic and historian, he soon made a reputation as one of the ablest and most versatile writers of the day. Lang was one of the founders of the study of Psychical Research, and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905). He was a Homeric scholar of conservative views. Other works include Homer and the Epic (1893); a prose translation of The Homeric Hymns (1899), with literary and mythological essays in which he draws parallels between Greek myths and other mythologies; and Homer and his Age (1906). He also wrote Ballades in Blue China (1880) and Rhymes la Mode (1884).

What cases are you engaged in at present?' 'Are you stopping many teeth just now?' 'What people have you converted lately?' Do ladies put these questions to the men - lawyers, dentists, clergymen, and so forth - who happen to sit next them at dinner parties? I do not know whether ladies thus indicate their interest in the occupations of their casual neighbours at the hospitable board. But if they do not know me, or do not know me well, they generally ask 'Are you writing anything now?' (as if they should ask a painter 'Are you painting anything now?' or a lawyer 'Have you any cases at present?'). Sometimes they are more definite and inquire 'What are you writing now?' as if I must be writing something - which, indeed, is the case, though I dislike being reminded of it. It is an awkward question, because the fair being does not care a bawbee what I am writing; nor would she be much enlightened if I replied 'Madam, I am engaged on a treatise intended to prove that Normal is prior to Conceptional Totemism' - though that answer would be as true in fact as obscure in significance. The best plan seems to be to answer that I have entirely abandoned mere literature, and am contemplating a book on 'The Causes of Early Blight in the Potato, ' a melancholy circumstance which threatens to deprive us of our chief esculent root.

'Impossible to summarise and delightfully absorbing, Hadley's book is comfortably the most unexpected history book of the year' Sunday Times A luminous journey through a thousand years of folklore and English history. Once upon a time in a Hertfordshire field, an ancient yew tree hid a dragon hunted by a giant named Piers Shonks. Today, the dragon and its slayer are the survivors of an 800-year battle between rural legend and national record, storytellers and sceptics. In this brilliant and lyrical history, Christopher Hadley journeys from churches to tombs to manuscript margins, to explore history, memory and legend, and the magical spaces where all three meet.

The familiar stories of the book of Genesis affirm that God made the universe, planet earth, and you and me. However, various anomalies in the text clue us that we are not reading the original version of these stories. So what were the original narratives and what did they say about who we are and where we all came from? What was the earlier story of human origins, almost obliterated from the Hebrew Scriptures in the 6th century BC, and suppressed from Christian writing in the 2nd and 3rd centuries AD? And what does any of this have to do with Extra Terrestrials? Escaping from Eden will take you on a journey around the world and into the mythologies of ancient Sumeria, Mesoamerica, India, Africa, and Greece to reveal a profound secret, hidden in plain sight in the text of the Bible. Far reaching and deeply controversial, this book points to truths about ourselves, the universe and everything that you may have long suspected but not dared to speak!

Wide-ranging study of the myth of Medea, concentrating on but not exclusively confined to its medieval incarnation. The legends of Jason and Medea illustrate how disparate and sometimes contradictory stories were combined in the creation of the first secular princely quest, how that quest functioned as a benchmark of western chronology, and howthat in turn assured the stories' position as part of the legends of Troy. The innovations of Euripides and Apollonius were imitated throughout Antiquity, and examples of murderous mothers illustrated the lethal disruptions of which women could be capable. For many medieval authors - Dante, Chaucer, Boccaccio, Gower, Christine de Pizan and others -the problem of a hero who betrays his oath and a heroine who murders and escapes offered insoluble and tragicsubjects. This study discusses how the legends contribute not only to ideas of history, but also to conceptions of the power and ruthlessness of women. RUTH MORSE is Professeur des Universites at UniversiteParis VII.

Nothing like some good ghost stories on a cool Florida evening around a campfire (or at home in your favorite reading chair). And nothing like a swamp as a good, scary setting, especially Florida's famous ones--from the Everglades to Mosquito Lagoon. Mysterious things just happen in swamps. Maybe it's because they are often wet, shadowy places of wild beauty where few people go. Where else but a swamp can you find a ghost who is obsessed with the ghost orchid? Throw in a skunk ape or two and you've got the ingredients for many entertaining hours. In writing tales for this book, Doug Alderson drew upon many years of entertaining young people as a summer camp counselor and storyteller, and also from decades as a swamp explorer. He is a former associate editor of Florida Wildlife magazine. To learn more about his writing and photography, log onto his website at www.dougalderson.net.

Originally published in 1996, this book is a study of two of the central themes of medieval German mythology, the Dietrich and Nibelung legends. It traces its two legendary topics form their historical roots during the last centuries of the Roman Empire to the medieval texts that make them known to us. Many of the medieval texts have never been translated into English or even modern German. A synopsis of each work is therefore included so that the reader can form an idea of the content of the works in question. The book takes a text-oriented approach. The book includes a chronological chart which puts most of the texts and literary works discussed in a European and world context.

An encyclopedic A-to-Z guide, this beautifully illustrated volume offers hundreds of rich, fascinating definitions of 700 major and minor characters, creatures, and places of classical mythology. Classical Mythology A-to-Z is a comprehensive and engrossing guide to Greek and Roman mythology. Written by Annette Giesecke, PhD, Professor of Classics and Chair of Ancient Greek and Roman Studies at the University of Delaware, this brilliant reference offers clear explanations of every character and locale, and captures the essence of these timeless tales. From the gods and goddesses of Mount Olympus and the heroes of the Trojan War to the nymphs, monsters, and other mythical creatures that populate these ancient stories, Giesecke recounts, with clarity and energy, the details of more than 700 characters and places. Each definition includes cross-references to related characters, locations, and myths, as well their equivalent in Roman mythology and cult. In addition to being an important standalone work, Classical Mythology A-to-Z is also written, designed, and illustrated to serve as an essential companion to the bestselling illustrated 75th-anniversary edition of Mythology by Edith Hamilton, including 10 full-color plates and 2-color illustrations throughout by artist Jim Tierney.

The song "John Henry," perhaps America's greatest folk ballad, is about an African-American steel driver who raced and beat a steam drill, dying "with his hammer in his hand" from the effort. Most singers and historians believe John Henry was a real person, not a fictitious one, and that his story took place in West Virginia-though other places have been proposed. John Garst argues convincingly that it took place near Dunnavant, Alabama, in 1887. The author's reconstruction, based on contemporaneous evidence and subsequent research, uncovers a fascinating story that supports the Dunnavant location and provides new insights. Beyond John Henry, readers will discover the lives and work of his people: Black and white singers; his "captain," contractor Frederick Dabney; C. C. Spencer, the most credible eyewitness; John Henry's wife; the blind singer W. T. Blankenship, who printed the first broadside of the ballad; and later scholars who studied John Henry. The book includes analyses of the song's numerous iterations, several previously unpublished illustrations and a foreword by folklorist Art Rosenbaum.

This book presents a unique collection of fairy tales from contemporary China, translated into English for the first time. Demonstrating the continuity of oral tradition throughout Chinese history, the thirty tales are selected according to the theme of "magic love." Many readers are familiar with European tales of love and family, but these Chinese tales have a very different emphasis. The structural differences are also striking: there are more tales with tragic endings, instead of the familiar "happily ever after," and often more tale types in one tale. They are fascinating to read and challenging in terms of both morphology and cultural symbolism. Unlike many collections of fairy tales, this book provides contextual information on the tellers, collectors, and time and location of collection, along with an introduction to the Chinese social and cultural background, and folkloristic approaches to fairy tale studies.

This book provides a timely political insight to show how mythology plays an affective role in our lives. Brexit, bankers, institutional scandals, the far right, and Russell Brand's "revolution" are just some of the issues tackled through this innovative and interdisciplinary discourse analysis. Through multimedia case studies, Kelsey explores the psychological dimensions of archetypes and mythologies and how they function ideologically in contemporary politics. By synergising approaches to critical discourse studies with the work of Carl Jung, Joseph Campbell and other mythologists, Kelsey's psychodiscursive approach explores the depths of the human psyche to analyse the affective qualities of storytelling. Kelsey makes a compelling case for our need to understand more about the power of mythology in modern society. Whilst mythology might be part of who we are, societies are responsible for its ideological substance and implications. Media and Affective Mythologies shows how we can begin to engage with this principle.

The perfect bed-time story for all those who hate the dark. Zhazha the porcupine and Duoduo the bear cub live in the DARK MUSHROOM FOREST. They are scared of the night. Awu the elephant arrives in the forest. Awu loves to eat darkness.He sucks it right up his trunk. 'It's yummier than bananas, crunchier than bamboo,' says Awu.'And it's got my name on it.' But when there's no darkness left lurking anywhere, everyone starts to yawn. Even the tigers lose their roars and the Dark Mushroom Forest becomes an annoying, yawning place. -A gorgeous picture book. The story and illustrations perfectly match and are quirky and charming. Feels like a classic! This book has SOUL! Sophie Anderson, The House with Chicken Legs -"This is a lovely bedtime story, full of beautiful images and reassuring thoughts, to send children happily off to sleep." - Parents in Touch

Integrating original texts with explanations, interpretations, and theory, Introduction to Mythology: Contemporary Approaches to Classical and World Myths, Fourth Edition, introduces students to a wide range of myths drawn from sources all around the world and approached from various critical perspectives. FEATURES An innovative pedagogical structure helps students discern the complex web of literary allusions that characterize mythological texts A global locator map at the beginning of each chapter situates the myths in their geographical context Running margin notes provide cross-references and explanations of terms A glossary of deities, an illustrated timeline, and suggested readings offer additional resources A vibrant art program features more than 200 illustrations, photographs, and maps

Fearless heroes, feisty princesses, sly magicians, terrifying dragons, talking foxes and miniature dogs. They all feature in this enthralling compendium of Chinese fairy tales and legends, along with an array of equally colourful characters and captivating plots. Although largely unknown in the West, the 73 stories in this volume are just as beguiling as the more familiar Grimms' Fairy Tales or Arabian Nights. They were collected in the early 20th century by Richard Wilhelm and first translated into English by Frederick H Martens. This beautifully produced revised and edited new edition includes updated notes which not only provide background on the tales, but also offer a fascinating insight into ancient Chinese folk lore and culture. These are stories to return to time and time again. From awesome adventures to quirky allegories, from the exploits of the gods to fables about beggars who outwit their betters, Chinese Fairy Tales and Legends is extraordinarily diverse and endlessly engaging. These wonderful stories have enduring and universal appeal, and will intrigue both children and adults.

Feminist theory on motherhood has successfully transformed mothers into subjects of their own discourse, recognized the historical, heterogeneous and socially constructed origins of their life experience while, at the same time, widening our understanding of the notion of mothering. This collection combines a literary and a wider cultural perspective from which to look at the topic of the representation of other or forgotten motherhoods. Mothers who have been forced to live exiled and away from their children, women who after trying to conceive, get pregnant but discover they cannot bear to become mothers, or even literary characters based on an autobiographical experience of a sexually abusive mother. The essays critically point out how writing becomes a tool to think and write about the many aspects of motherhood such as an idealized maternal experience versus the real one or the accepted stereotypes of the good mother and the bad mother.