This book constitutes the first attempt to gather into a single body as many Judeo-Spanish tales published in Latin characters as could be assembled. It represents a major contribution to Sephardic and Hispanic studies, as well as to comparative folklore scholarship in a world-wide perspective.

For nearly 70 years, the United Nations Educational, Scientific and Cultural Organization (UNESCO) has played a crucial role in developing policies and recommendations for dealing with intangible cultural heritage. What has been the effect of such sweeping global policies on those actually affected by them? How connected is UNESCO with what is happening every day, on the ground, in local communities? Drawing upon six communities ranging across three continents-from India, South Korea, Malawi, Japan, Macedonia and China-and focusing on festival, ritual, and dance, this volume illuminates the complexities and challenges faced by those who find themselves drawn, in different ways, into UNESCO's orbit. Some struggle to incorporate UNESCO recognition into their own local understanding of tradition; others cope with the fallout of a failed intangible cultural heritage nomination. By exploring locally, by looking outward from the inside, the essays show how a normative policy such as UNESCO's intangible cultural heritage policy can take on specific associations and inflections. A number of the key questions and themes emerge across the case studies and three accompanying commentaries: issues of terminology; power struggles between local, national and international stakeholders; the value of international recognition; and what forces shape selection processes. With examples from around the world, and a balance of local experiences with broader perspectives, this volume provides a unique comparative approach to timely questions of tradition and change in a rapidly globalizing world.

Celebrated folklorist, Dorothy Noyes, offers an unforgettable glimpse of her craft and the many ways it matters. Folklore is the dirty linen of modernity, carrying the traces of working bodies and the worlds they live in. It is necessary but embarrassing, not easily blanched and made respectable for public view, although sometimes this display is deemed useful. The place of folklore studies among modern academic disciplines has accordingly been marginal and precarious, yet folklore studies are foundational and persistent. Long engaged with all that escapes the gaze of grand theory and grand narratives, folklorists have followed the lead of the people whose practices they study. They attend to local economies of meaning; they examine the challenge of making room for maneuver within circumstances one does not control. Incisive and wide ranging, the fifteen essays in this book chronicle the "humble theory" of both folk and folklorist as interacting perspectives on social life in the modern Western world.

Exploring the pedagogical power of the monstrous, this collection of fresh essays provides curriculum and teaching strategies that use our cultural fascination with monsters to enhance learning in high school and college courses. The contributors explore the implications of inviting fearsome creatures into the classroom and describe how they work to create compelling narrative and illustrative models. Topics include gender, sexuality and rhetoric in monster literature; monsters as subversive imagination; teaching monstrosity in American Gothic narratives; and using zombies to teach theater. Some essays provide sample syllabi, assignments and class materials.

Zombies are upon us as never before. So what should we do about it? Recent zombie apocalypses on the screen and page reshape our understanding of the walking dead and ourselves; we find that all bets are off in the case of apocalypse. The undead have begun to mirror our cultural fears of ourselves, always demanding a response, exposing our weaknesses, chewing social rules. Whether we fear the unknown of space, governmental control, lawlessness, or interpersonal relationships, zombies are there. Even now we live with intense nostalgia, longing for a simple time before the beginning of apocalypse even as we imaginatively create ever more complex and horrifying versions of postapocalyptic life. With this thin veneer covering our real fears in mind, the focal points of zombie criticism shift toward cause and cure. This ultimately spotlights a way forward: possible cures for the zombies that ail us. For students, critics, and zombie aficionados, we offer responses to the end of the world as we know it. Along the way, we argue that the traditional evolutionary model of interpreting zombies is not enough; we must also chase zombies from advent through destruction and toward reintegration as we learn to live alongside them.

The hill of Uisneach lies almost exactly at the geographical center of Ireland. Remarkably, a fraction at least of the ancient Irish population was aware of that fact. There is no doubt that the place of Uisneach in Irish mythology, and more broadly speaking the Celtic world, was of utmost importance: Uisneach was - and probably still is - best defined as a sacred hill at the center of Ireland, possibly the sacred hill of the center of Ireland. Uisneach or the Center of Ireland explores the medieval documents connected with the hill and compares them with both archeological data and modern Irish folklore. In the early 21st century, a Fire Festival started being held on Uisneach in connection with the festival of Bealtaine, in early May, arguably in an attempt to echo more ancient traditions: the celebration was attended by Michael D. Higgins, the current president of Ireland, who lit the fire of Uisneach on 6 May 2017. This book argues that the symbolic significance of the hill has echoed the evolution of Irish society through time, be it in political, spiritual and religious terms or, perhaps more accurately, in terms of identity and Irishness. It is relevant for scholars and advanced students in the fields of cultural history, Irish history and cultural studies.

The Mesopotamian influence on Greek mythology in literary works of the epic period is considerable - yet it is a largely unexplored field. In this book Charles Penglase investigates major Mesopotamian and Greek myths. His examination concentrates on journey myths. A major breakthrough is achieved in the recognition of the extent of Mesopotamian influence and in the understanding of the colourful myths involved. The results are of significant interest, especially to scholars and students of ancient Greek and Near Eastern religion and mythology.

Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth's migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie's cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie's invocation as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-disaporic cultures preservation through a strategy of mythic combat.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2005. The true folk riddle of oral traditions that have been rapidly disappearing from the face of the earth in the last hundred years is one of the most ancient threads of culture. One of the smallest genres of verbal culture-usually under a dozen of words, it is an intensely articulated utterance. It is eccentric and as such breaks every logical mould. This volume presents results of a study driven by the sheer intellectual curiosity of the author.

The triumphant conclusion to both the Fall of Shannara series and the entire Shannara saga - a truly epic final adventure from the master of modern fantasy. As the Four Lands reels under the Skaar invasion, its defenders must decide what they will risk to save their home. As one group remains to protect the Four Lands, another undertakes a perilous journey across the sea to the Skaar homeland, carrying with them a new piece of technology that could change the face of the world forever. And yet a third is trapped in a deadly realm from which there may be no escape. Packed with all of the hallmarks of Terry Brooks's magnificent storytelling, The Last Druid is a fitting end to a saga that has enthralled millions of readers around the world. Praise for Terry Brooks: 'I can't even begin to count how many of Terry Brooks's books I've read (and re-read) over the years' Patrick Rothfuss 'Terry's place is at the head of the fantasy world' Philip Pullman 'I would not be writing epic fantasy today if not for Shannara' Peter V. Brett 'A master of the craft . . . required reading' Brent Weeks

This examination of the heroic journey in world mythology casts the protagonist as a personification of nature-a ""botanical hero"" one might say-who begins the quest in a metaphorical seed-like state, then sprouting into a period of verdant strength. But the hero must face a mythic underworld where he or she contends with mortality and sacrifice-embracing death as a part of life. For centuries, humans have sought superiority over nature. Yet the botanical hero finds nothing is lost by recognizing that one is merely a part of nature. Instead, a cyclical promise of continuous life is realized, in which no element fully disappears, and the hero's message is not to dwell on death.

The Mythology of Modern Law is a radical reappraisal of the role of myth in modern society. Peter Fitzpatrick uses the example of law, as an integral category of modern social thought, to challenge the claims of modernity which deny the relevance of myth to modern society.

The accomplishments and enduring influence of renowned anthropologist Dell Hymes are showcased in these essays by leading practitioners in the field. Hymes (1927-2009) is arguably best known for his pioneering work in ethnopoetics, a studied approach to Native verbal art that elucidates cultural significance and aesthetic form. As these essays amply demonstrate, nearly six decades later ethnopoetics and Hymes's focus on narrative inequality and voice provide a still valuable critical lens for current research in anthropology and folklore. Through ethnopoetics, so much can be understood in diverse cultural settings and situations: gleaning the voices of individual Koryak storytellers and aesthetic sensibilities from century-old wax cylinder recordings; understanding the similarities and differences between Apache life stories told 58 years apart; how Navajo punning and an expressive device illuminate the work of a Navajo poet; decolonizing Western Mono and Yokuts stories by bringing to the surface the performances behind the texts written down by scholars long ago; and keenly appreciating the potency of language revitalization projects among First Nations communities in the Yukon and northwestern California. Fascinating and topical, these essays not only honor a legacy but also point the way forward.

Who is Osiris? Which god was invoked by common folk to bring good luck? Who is the patron of childbirth? Such questions are answered in this updated and comprehensive dictionary of Egyptian mythology. This fascinating volume has alphabetically arranged entries on all the major gods, goddesses, myths, and themes of Egyptian mythology. In addition, there are entries on such topics as amulets, mummies, and pyramids; a chronology of Egyptian dynasties; a detailed introduction; and a complete annotated bibliography. Fifty pen-and-ink drawings by the author capture the spirit of ancient Egyptian art. In reworking this edition, Bianchi has attempted to retain Anthony Mercatante's sensitive approach to the religion of ancient Egypt, but has modified his treatment to bring it into conformity with more recent academic opinion. In addition, the annotated bibliography has been completely revised to eliminate outdated works and incorporate recent scholarship. The result should be useful to student and amateur alike.

William Shakespeare's The Taming of the Shrew has succeeded in surviving in contemporary culture, and has even managed to penetrate to the most modern media of mass communications. This book, first published in 1991, examines some of the different literary and oral versions of The Taming of the Shrew. This book is ideal for students of literature, drama, and theatre studies.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Myth into Art is a comparative study of mythological narrative in Greek poetry and the visual arts. Thirty of the major myths are surveyed, focusing on Homer, lyric poetry and Attic tragedy. On the artistic side, the emphasis is on Athenian and South Italian vases. The book offers undergraduate students an introduction both to mythology and to the use of visual sources in the study of Greek myth.

This is the fifth supplement in the classic reference series begun by Mary Huse Eastman in 1926. Ireland and Sprug analyze 262 collections published between 1978 and 1986, with some 2,000 subject headings, plus copious cross-references. Many new headings are found in this volume, including additional adult headings of folklore and mythology to accommodate and increase in the number of adult books indexed on these subjects. This supplement will be useful, therefore, to academic libraries, as well as to children's departments in public libraries and to school libraries.

A gripping and groundbreaking history of how ancient cultures developed and used biological, chemical, and other unconventional weapons of war Flamethrowers, poison gases, incendiary bombs, the large-scale spreading of disease: are these terrifying agents of warfare modern inventions? Not by a long shot. In this riveting history of the origins of unconventional war, Adrienne Mayor shows that cultures around the world have used biological and chemical weapons for thousands of years-and debated the morality of doing so. Drawing extraordinary connections between the mythical worlds of Hercules and the Trojan War, the accounts of Herodotus and Thucydides, and modern methods of war and terrorism, this richly illustrated history catapults readers into the dark and fascinating realm of ancient war and mythic treachery.

In an innovative sequence of topics, Ken Dowden explores the uses Greeks made of myth and the uses to which we can put myth in recovering the richness of their culture. Most aspects of Greek life and history - including war, religion and sexuality - which are discernable through myth, as well as most modern approaches, are given a context in a book which is designed to be useful, accessible and stimulating.

Superheroes have been an integral part of popular society for decades. Over time, superheroes have developed their own mythology. Though scholars and fans have recognized and commented on this myth, the structure of the mythology has gone largely unexplored until now. The lexicon at the heart of this book gives a structure that can be used to identify the mythology as it applies to characters, stories, and other forms of narrative. The lexicon is the first effort to codify the mythology and how it works. Included are specific and detailed examinations of the myth in several narratives, including Buffy the Vampire Slayer; Green Arrow, especially in the CW series Arrow; and Beowulf. It also draws on examples from characters as diverse as Batman, Wolverine, Invincible, and John Constantine. This book is a first step toward recognizing the structure of the superhero and helps explain why the myth matters so much in current popular society, not only in America, but worldwide.

This encyclopedia aims to provide a ready reference to various aspects of American culture. The time frame is from the colonial period to the end of the 20th century. The areas covered are fine arts (painting, sculpture, photography); performing arts (music, ballet, theatre, film); architecture; literature; and various non-artistic forms of culture (symbolic, material, culinary).

Originally published in 1996, the articles in this book are revised, expanded papers from a session at the 17th International Congress of the Arthurian Society held in 1993. The chapters cover Arthurian studies' directions at the time, showcasing analysis of varied aspects of visual representation and relation to literary themes. Close attention to the historical context is a key feature of this work, investigating the linkage between texts and images in the Middle Ages and beyond.