The legend of Prester John has received much scholarly attention over the last hundred years, but never before have the sources been collected and coherently presented to readers. This book now brings together a fully-representative set of texts setting out the many and various sources from which we get our knowledge of the legend. These texts, spanning a time period from the Crusades to the Enlightenment, are presented in their original languages and in English translation (for many it is the first time they have been available in English). The story of the mysterious oriental leader Prester John, ruler of a land teeming with marvels who may come to the aid of Christians in the Levant, held an intense grip on the medieval mind from the first references in twelfth-century Crusader literature and into the early-modern period. But Prester John was a man of shifting identity, being at different times and for different reasons associated with Chingis Khan and the Mongols, with the Christian kingdom of Ethiopia, with China, Tibet, South Africa and West Africa. In order to orient the reader, each of these iterations is explained in the comprehensive introduction, and in the introductions to texts and sections. The introduction also raises a thorny question not often considered: whether or not medieval audiences believed in the reality of Prester John and the Prester John Letter. The book is completed with three valuable appendices: a list of all known references to Prester John in medieval and early modern sources, a thorough description of the manuscript traditions of the all-important Prester John Letter, and a brief description of Prester John in the history of cartography.

This book is a dictionary of British (native, naturalised and cultivated) plants and the folklore associated with them. Unlike many plant-lore publications Vickery's Folk Flora tells us what people currently do and believe, rather than what Victorians did and believed. The result is a vivid demonstration that plant folklore in the British Isles is not only surviving but flourishing; adapting and evolving as time goes by, even in urban areas. Each entry includes: - The plant's English and scientific (Latin) name, as well as significant local names. - A brief description of the plant and its distribution, and, in the case of cultivated plants, a history of their introduction to the British Isles - Information on the folklore and traditional uses of the plant, arranged where possible in a sequence starting with general folk beliefs (superstitions), use in traditional customs, use in folk medicine, other uses, and legends concerning individual representatives of the plant. In addition to the major entries there are a number of minor entries for feast days, diseases and other subjects which direct readers to relevant major entries, e.g. St. George's Day, on which red roses are worn; dandelions are gathered; and runner beans are planted.

German scholars were early pioneers in folklore and historical linguistics. As the Nazis rose to power, however, these disciplines were distorted into racist pseudoscience. Under the direction of Heinrich Himmler's SS-Ahnenerbe (Ancestral Inheritance), folklore became a tool for constructing a unified German realm and a manufactured lineage from ancient and ""pure"" Germanic and Nordic blood. Drawing on extensive research in public and private archives and interviews with family members of fieldworkers, James R. Dow uncovers both details of the SS cultural commissions' work and the continuing vestiges of the materials they assembled. Teams of poorly qualified and ideologically motivated collectors were sent to South Tyrol in Italy and Gottschee in Slovenian Yugoslavia, from which ethnically German communities were to be resettled in the German Reich. Although a mass of information on narratives, songs and dances, beliefs, customs, local clothing and architecture, and folk speech was collected, the research was deeply tainted and skewed by racialist and nationalist preconditions. Dow sharply critiques the continued use of these ersatz archives.

"Ablaze with passion for the one essential task of the monk: total inner transformation." --Brother David Stendl-Rast

"Libraries offering titles on mysticism, inner transformation, or dealing with grief will find this a unique and welcome addition."--"Library Journal"

This powerful book, written by an Episcopal priest, tells of her intense relationship with Brother Raphael Robin, a seventy-year-old Trappist monk and hermit. Both believed that a relationship can continue beyond this life, and here Cynthia Bourgeault describes her search for that connection before and after Robin's death. Bourgeault's previous books include "The Wisdom Jesus" and "Centering Prayer and Inner Awakening."

Monstrous Tales is a collection of traditional folktales about bewitching and bloodthirsty creatures.

Translated and transcribed in the late 19th and early 20th centuries, these tales celebrate the diversity of―and surprising resonances among―folklore traditions around the world.

Welcome to a world of magical adventure: a mysterious wolf pursues a bridegroom through a dark forest, a princess is trapped in a monster's body, and a dragon is coming with a storm in its wake.

• The tales come alive alongside spellbinding contemporary art by Chinese illustrator Sija Hong.
• Each story transports readers to a different enthralling world.
• Part of the popular Tales series, featuring Tales of Japan, Celtic Tales, and Tales of India

As readers roam from Japan to Nigeria and Ireland to Guyana, they'll witness deadly pacts, heroic feats, and otherworldly journeys.

Features tales from Australia, China, Estonia, Finland, France, Great Sioux Nation, Guyana, Iceland, India, Inuit Nunangat, Ireland, Italy, Japan, Nigeria, Philippines, Pueblo of Isleta, Scotland, South Africa, Syria, Turkey, and Ukraine.

• A special illustrated edition, complete with an embossed, textured case and a ribbon marker
• Perfect gift for fairy tale and folklore lovers, fans of monsters and creatures, collectors of illustrated classics, adults and teens alike, and bibliophiles
• A visually gorgeous book that will be at home on the shelf or on the coffee table
• Great for those who enjoyed books like Through the Woods by Emily Carroll; The World of Lore: Monstrous Creatures by Aaron Mahnke; and Giants, Monsters, and Dragons: An Encyclopedia of Folklore, Legend, and Myth by Carol Rose

The Celtic Twilight (1893) is a collection of stories written and edited by W.B. Yeats. Compiled at the height of the Celtic Twilight, a movement to revive the myths and traditions of Ancient Ireland, The Celtic Twilight captures a wide range of stories, songs, poems, and firsthand accounts from artists and storytellers dedicated to the preservation of Irish culture. In "Belief and Unbelief," a story is shared about a village at the foot of Ben Bulben. One day, a young girl disappears while walking through a local field. Fearful that the faeries have gotten her, the townspeople conduct a search of the village, checking every home while burning ragweed and reciting spells to ward off the mischievous spirits. "Mortal Help" discusses the interdependence of humans and faeries, who require the presence of the living in order to play games in the physical world. As evidence, an old ditch digger tells a story from his youth, when he witnessed a group of faeries playing the game of hurling not far from the field where he was working. In "A Knight of the Sheep," an old farmer faces off with the local tax collector, and both struggle to maintain respect for one another while trading shrewdly concealed insults. "The Devil" discusses several demonic sightings among Irish peasants, who claim to have met Lucifer by the side of the road by day and under the bed at night. The Celtic Twilight captures the collision of ancient and modern Ireland, preserving its legends while ensuring their mystery remains. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats's The Celtic Twilight is a classic of Irish literature reimagined for modern readers.

'The Voice of the People' presents a series of essays on literary aspects of the pan-European folk revival from the late 18th century to the beginning of the 20th.

Chile had long forgotten about the existence of the country's Black population when, in 2003, the music and dance called the tumbe carnaval appeared on the streets of the city of Arica. Featuring turbaned dancers accompanied by a lively rhythm played on hide-head drums, the tumbe resonated with cosmopolitan images of what the African Diaspora looks like, and so helped bring attention to a community seeking legal recognition from the Chilean government which denied its existence. Tumbe carnaval, however, was not the only type of music and dance that Afro-Chileans have participated in and identified with over the years. In Styling Blackness in Chile, Juan Eduardo Wolf explores the multiple ways that Black individuals in Arica have performed music and dance to frame their Blackness in relationship to other groups of performers-a process he calls styling. Combining ethnography and semiotic analysis, Wolf illustrates how styling Blackness as Criollo, Moreno, and Indigena through genres like the baile de tierra, morenos de paso, and caporales simultaneously offered individuals alternative ways of identifying and contributed to the invisibility of Afro-descendants in Chilean society. While the styling of the tumbe as Afro-descendant helped make Chile's Black community visible once again, Wolf also notes that its success raises issues of representation as more people begin to perform the genre in ways that resonate less with local cultural memory and Afro-Chilean activists' goals. At a moment when Chile's government continues to discuss whether to recognize the Afro-Chilean population and Chilean society struggles to come to terms with an increase in Latin American Afro-descendant immigrants, Wolf's book raises awareness of Blackness in Chile and the variety of Black music-dance throughout the African Diaspora, while also providing tools that ethnomusicologists and other scholars of expressive culture can use to study the role of music-dance in other cultural contexts.

Wiggling a pencil so that it looks like it is made of rubber, "stealing" your niece's nose, and listening for the sounds of the ocean in a conch shell- these are examples of folk illusions, youthful play forms that trade on perceptual oddities. In this groundbreaking study, K. Brandon Barker and Claiborne Rice argue that these easily overlooked instances of children's folklore offer an important avenue for studying perception and cognition in the contexts of social and embodied development. Folk illusions are traditionalized verbal and/or physical actions that are performed with the intention of creating a phantasm for one or more participants. Using a cross-disciplinary approach that combines the ethnographic methods of folklore with the empirical data of neuroscience, cognitive science, and psychology, Barker and Rice catalogue over eighty discrete folk illusions while exploring the complexities of embodied perception. Taken together as a genre of folklore, folk illusions show that people, starting from a young age, possess an awareness of the illusory tendencies of perceptual processes as well as an awareness that the distinctions between illusion and reality are always communally formed.

The Tale of Tales, made up of forty-nine fairy tales within a fiftieth frame story, contains the earliest versions of celebrated stories like Rapunzel, All-Fur, Hansel and Gretel, The Goose That Laid the Golden Egg, Sleeping Beauty, and Cinderella. The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian-and was last translated fully into English in 1932-this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars. Giambattista Basile's The Tale of Tales, or Entertainment for Little Ones is a modern translation that preserves the distinctive character of Basile's original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work's unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile's words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile's The Tale of Tales, or Entertainment for Little Ones is also lushly illustrated and includes a foreword, an introduction, an illustrator's note, and a complete bibliography. The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated ""authored"" fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile's The Tale of Tales, or Entertainment for Little Ones offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

Celebrated folklorist, Dorothy Noyes, offers an unforgettable glimpse of her craft and the many ways it matters. Folklore is the dirty linen of modernity, carrying the traces of working bodies and the worlds they live in. It is necessary but embarrassing, not easily blanched and made respectable for public view, although sometimes this display is deemed useful. The place of folklore studies among modern academic disciplines has accordingly been marginal and precarious, yet folklore studies are foundational and persistent. Long engaged with all that escapes the gaze of grand theory and grand narratives, folklorists have followed the lead of the people whose practices they study. They attend to local economies of meaning; they examine the challenge of making room for maneuver within circumstances one does not control. Incisive and wide ranging, the fifteen essays in this book chronicle the "humble theory" of both folk and folklorist as interacting perspectives on social life in the modern Western world.

This innovative book provides an original approach to the analysis of the representation of myth, ritual, and magic in African literature. Emphasizing the ambivalent nature of the sacred, it advances work on the religious dimension of canonical African texts and attends to the persistence of pre-colonial cultures in postcolonial spaces.

Esteemed scholar David Leeming, who has authored more than twelve books on mythology, here offers the first comprehensive narrative study of the mythology of the Middle East, that tumultuous region that was the cradle of civilization.
Leeming begins with a brief, engaging history of the Middle East, spanning Neolithic cultures, the Bronze Age and the Iron Age, the invention of writing and the rise of Egypt and Babylonia, Israel and Roman rule, and the early history of the Jews, Christians, and Muslims. This is followed by an in-depth discussion of the mythology of the region, covering individual pantheons, cosmic myths, mythic heroes, and much more. Leeming ranges from prehistoric figures such as the Mother Goddess of Catal Huyuk to Mesopotamian gods such as Marduk and mythic heroes such as Gilgamesh, to the pantheon of Egyptian mythology, including the falcon-headed sky-sun god Horus and jackal-headed Anubis. The author also offers an illuminating exploration of the mythology of the three great monotheistic religions of the region: Judaism, Christianity, and Islam. In a provocative Epilogue, Leeming depicts today's crisis in the Middle East as "violent, clearly immoral, and illegal actions" justified by "what can only be called myths." He notes that fundamentalists in the area's three religions all see their way as the only way, forgetting that myths represent truths that are spiritual and philosophical--not historical events that can be used to justify acts of violence.
With key maps, illustrations, bibliography, and index, Jealous Gods and Chosen People provides an inclusive, authoritative, and captivating account of a mythology that remains a potent--and often destructive--force in the world today."

When heritage becomes a commodity, when culture is instrumental in driving tourism, and when individuals assert ownership over either, social, ideological, political, and economic motivations intertwine. Bestowing value on "culture" is itself a culturally rooted act, and the essays gathered in Culture and Value focus on the motivations and value regimes people in particular times and contexts have generated to enhance the visibility and prestige of cultural practices, narratives, and artifacts. This collection of essays by noted folklorist Regina F. Bendix, offers a personal record of the unfolding scholarly debate regarding value in the studies of tourism, heritage, and cultural property. Written over the course of several decades, Bendix's case studies and theoretical contributions chronicle the growing and transforming ways in which ethnographic scholarship has observed social actors generating value when carrying culture to market, enhancing value in inventing protective and restorative regimes for culture, and securing the potential for both in devising property rights. Bendix's work makes a case for a reflexive awareness of the changing scholarly paradigms that inform scholars' research contributions.

Bronze Winner - Independent Publisher Book Awards Winner - 2013 USA Best Book Award If Death takes a man it is called fate, when Death leaves a man it is called destiny. Wounded in battle (900 A. D.), a near dead Celtic warrior is taken by Viken raiders and sold into a Baghdad slave market. He is dragged further East, through the desert, into the 'Middle Kingdom' where he is bought by a Taoist Priest and his beautiful daughter. Hazy images of silk, herbs, needles, potions and steel, can only lead to one thing, he has been purchased by a wizard and his witch. Arkthar fears for his soul. Death finds Arkthar's predicament interesting. I have heard the delirious ramblings of countless dying minds. I am amused by yours." Don't be afraid, I won't take you now. Your life sentence has just begun." Arkthar's 'owners' become his teachers and then his companions. The priest wizard and his witch daughter heal and teach Arkthar their Eastern ways of medicine, science, war and philosophy. Under the watchful eye of death, this journey unfolds, as a slave becomes a king, and new root of Arthurian legend takes hold.

First comprehensive study of the representations of St Michael in the liturgy, literature, and iconography of the period. The cult and legends of St Michael the archangel were widespread in medieval England, and this book - the first full-length study of the subject - offers a comprehensive examination of their genesis and diffusion. Part I identifies and analyses the concerns, conflicts, and roles with which St Michael is associated, from scriptural and apocryphal literature through to the homiletic literature of the medieval period. Part II begins with a discussion of thevernacular recensions of the popular account of the archangel's earthly interventions, and goes on to survey the legendary accounts in Old English, Anglo-Norman, and Middle English of the archangel and his roles as guardian, intercessor, psychopomp, and warrior-angel follows. The Appendices contain the first English translation of the archangel's hagiographic foundation-myth; an annotated bibliographical list and motif index of textual materials relating to the archangel; and an essay on the iconographic representations of the archangel in medieval England. RICHARD F. JOHNSON is Assistant Professor of English at William Rainey Harper College.

'A magnificent small book to read urgently' Liberation Once upon a time in an enormous forest there lived a poor woodcutter and his wife. Around them a war wages, and hunger is a constant companion. Yet every night, the woodcutter's wife prays for a child. On a train crossing the forest, a Jewish father holds his twin children. His wife no longer has enough milk to feed them. In hopes of saving both their lives, he wraps his daughter in a shawl and gently throws her from the train. While foraging for food, the woodcutter's wife finds a bundle, a baby girl wrapped in a shawl. She knows that this little girl will be pursued, but she cannot ignore this gift: she will accept the precious cargo, and raise her as her own. . . Set against the horrors of the Holocaust and told with a fairytale-like lyricism, The Most Precious of Cargoes, translated from French by Frank Wynne, is a deeply moving fable about family and redemption, a story that reminds us that humanity can be found in the most inhumane of places.

This volume of folktales from the Far North of European Russia features seventeen works by five narrators of the Russian tale, all recorded in the twentieth century. The tales, distinguished by their extraordinary length and by the manner in which they were commonly told, appear to have flourished only in the twentieth century and only in Russian Karelia. Although the tales are easily recognized as wondertales, or fairy tales, their treatment of the traditional matter is anything but usual. In these tales one encounters such topics as regicide, matricide, patricide, fratricide, premarital relations between the sexes and more, all related in the typical manner of the Russian folktale. The narrators were not educated beyond a rudimentary level. All were middle-aged or older, and all were men. Crew members of a fishing or hunting vessel plying the White Sea or lumberjacks or trappers in the vast northern forests, they frequently began the narration of a tale in an evening, then broke off at an appropriate moment and continued at a subsequent gathering. Such tales were thus told serially. Given their length, their thematic and narrative complexity, and their stylistic proficiency, one might even refer to them as orally delivered Russian short stories or novellas

In Making Intangible Heritage, Valdimar Tr. Hafstein-folklorist and official delegate to UNESCO-tells the story of UNESCO's Intangible Heritage Convention. In the ethnographic tradition, Hafstein peers underneath the official account, revealing the context important for understanding UNESCO as an organization, the concept of intangible heritage, and the global impact of both. Looking beyond official narratives of compromise and solidarity, this book invites readers to witness the diplomatic jostling behind the curtains, the making and breaking of alliances, and the confrontation and resistance, all of which marked the path towards agreement and shaped the convention and the concept. Various stories circulate within UNESCO about the origins of intangible heritage. Bringing the sensibilities of a folklorist to these narratives, Hafstein explores how they help imagine coherence, conjure up contrast, and provide charters for action in the United Nations and on the ground. Examining the international organization of UNESCO through an ethnographic lens, Hafstein demonstrates how concepts that are central to the discipline of folklore gain force and traction outside of the academic field and go to work in the world, ultimately shaping people's understanding of their own practices and the practices themselves. From the cultural space of the Jemaa el-Fna marketplace in Marrakech to the Ise Shrine in Japan, Making Intangible Heritage considers both the positive and the troubling outcomes of safeguarding intangible heritage, the lists it brings into being, the festivals it animates, the communities it summons into existence, and the way it orchestrates difference in modern societies.

Sir James G. Frazer (1854-1941) is famous as the author of The Golden Bough, but his work ranged widely across classics, cultural history, folklore and literary criticism as well as anthropology. A Fellow of Trinity College, Cambridge, for 62 years, Sir James G. Frazer devoted his life to research. This volume was first published in 1930.