The Stone Axe of Burkamukk (1922) is a collection of Aboriginal legends by Mary Grant Bruce. The product of extensive research on the Aboriginal peoples of Gippsland, Victoria, Bruce's collection was intended to educate Australian settlers regarding the traditions of those they had displaced. Despite drawing criticism for her use of racist stereotypes, Bruce's hope was that her work would force her fellow settlers to "see that they were boys and girls, men and women, not so unlike us in many ways, and that they could admire what we admire in each other." Recognizing her prejudices as a product of her time, one can appreciate The Stone Axe of Burkamukk as a record of Aboriginal tales as well as the writer's status in settler-colonial society. "The camp lay calm and peaceful under the spring sunlight. Burkamukk, the chief, had chosen its place well: the wurleys were built in a green glade well shaded with blackwood and boobyalla trees, and with a soft thick carpet of grass, on which the black babies loved to roll. Not a hundred yards away flowed a wide creek; a creek so excellent that it fed a swamp a little farther on." As the chief of a prosperous people, Burkamukk is both respected and feared by the inhabitants of the Australian bush. His stone axe, made with a sapling handle by the best craftsman of the tribe, is a symbol of his power and a useful tool for hunting. A generous leader, he often lends his axe to members of his tribe in return for a modest tribute. One day, when a hunting party comes back from a deadly encounter with a legendary kangaroo, Burkamukk swears an oath to avenge his lost tribesman. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Grant Bruce's The Stone Axe of Burkamukk is a classic of Australian literature reimagined for modern readers.

Hawaiian Legends of Ghosts and Ghost-Gods (1915) is a collection of Hawaiian folktales and myths by W. D. Westervelt. Connecting the origin story of Hawaii to the traditions of other Polynesian cultures, Westervelt provides an invaluable resource for understanding the historical and geographical scope of Hawaiian culture. Drawing on the work of David Malo, Samuel Kamakau, and Abraham Fornander, Westervelt, originally from Ohio, became a leading authority on the Hawaiian Islands, publishing extensively on their legends, religious beliefs, and folk tales. "The legends of the Hawaiian Islands are as diverse as those of any country in the world. They are also entirely distinct in form and thought from the fairy-tales which excite the interest and wonder of the English and German children. The mythology of Hawaii follows the laws upon which all myths are constructed." Part ethnography, part geological description, Westervelt's work is a powerful celebration of the cultural traditions of the Hawaiian Islands. In these legends, ghosts and gods interact with the environment and the daily lives of islanders, shaping human society and the land itself. Highlights include the story of the Wauhaula heiau, or temple, the legend of the enraged Hau-pu and the Rock of Kauai, and the tale of Nanaue, the shark-man of Waipio Valley. With a beautifully designed cover and professionally typeset manuscript, this edition of W. D. Westervelt's Hawaiian Legends of Ghosts and Ghost-Gods is a classic of Hawaiian literature reimagined for modern readers.

Compiled during a three-month stay in Granada, Spain, Tales of the Alhambra assembles descriptions, myths, and narratives of historical events. After completing a literary project in Madrid, author Washington Irving traveled to Granada, Spain. Immediately taken by its beauty and extravagance, Irving requested a travel guide and began filling notebooks and journals with his observations and description of the magnificent setting. Beginning with an expedition through the Andalusian mountains on horseback, cherishing the grandeur of the nature, Irving took his time to enjoy and observe the landscape and culture of the country. After their horseback ride through the mountains, Irving and his guide stopped at an inn for a drink. During their stay, Irving witnessed artistic culture through music and dance, noting how the locals seemed to celebrate every-day occurrences, creating a happy environment. Upon entering the city, Irving requested permission from the governor to stay at the Alhambra palace. Originally built on the ruins of Roman buildings, the Alhambra was a small fortress built in 889 CE, and had been largely ignored and forgotten by the time Irving arrived in Granada. While staying in the Alhambra, Irving explored the abandoned palace and recollected the myths set within its walls, recording every detail of its architecture, story, and mystery. The Alhambra palace had been mostly forgotten, and left unmaintained until Washington Irving's narrative and recollections revived interest. Upon its original publication in 1832, Washington Irving's Tales of the Alhambra piqued the curiosity of readers who were completely engrossed in Irving's description of the previously abandoned fortress. With delicate prose and intricate detail, Tales of the Alhambra appeal to readers' sense of adventure, and allows its audience to explore the wonders of Granada, Spain alongside Washington Irving. This edition of Washington Irving's Tales of the Alhambra features a new, eye-catching cover design and is printed in a font that is both modern and readable, inviting contemporary audiences to divulge in the grandeur and beauty of a medieval fortress.

The Celtic Twilight (1893) is a collection of stories written and edited by W.B. Yeats. Compiled at the height of the Celtic Twilight, a movement to revive the myths and traditions of Ancient Ireland, The Celtic Twilight captures a wide range of stories, songs, poems, and firsthand accounts from artists and storytellers dedicated to the preservation of Irish culture. In "Belief and Unbelief," a story is shared about a village at the foot of Ben Bulben. One day, a young girl disappears while walking through a local field. Fearful that the faeries have gotten her, the townspeople conduct a search of the village, checking every home while burning ragweed and reciting spells to ward off the mischievous spirits. "Mortal Help" discusses the interdependence of humans and faeries, who require the presence of the living in order to play games in the physical world. As evidence, an old ditch digger tells a story from his youth, when he witnessed a group of faeries playing the game of hurling not far from the field where he was working. In "A Knight of the Sheep," an old farmer faces off with the local tax collector, and both struggle to maintain respect for one another while trading shrewdly concealed insults. "The Devil" discusses several demonic sightings among Irish peasants, who claim to have met Lucifer by the side of the road by day and under the bed at night. The Celtic Twilight captures the collision of ancient and modern Ireland, preserving its legends while ensuring their mystery remains. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats's The Celtic Twilight is a classic of Irish literature reimagined for modern readers.

Votes for Women! (1907) is a play by American actress, writer, and suffragette Elizabeth Robins. Having established herself as one of England's leading actresses with her productions of Henrik Ibsen's dramas, Robins retired from the stage to pursue a writing career. Votes for Women!, inspired by Robins' own activism as a suffragette, was the first major play to represent the movement on stage. Despite its lukewarm reception and controversial subject matter, Robins' work would inspire countless other so-called suffragette plays, not only making space in the male-dominated theatrical world for plays written by, for, and about women, but also reclaiming the political influence of the dramatic arts in order to promote a contemporary social struggle. The play opens in the opulent Wynnstay House, a country home in Hertforshire owned by Lady and Lord John Wynnstay. There, Vida Levering, a militant activist for women's suffrage, prepares to leave for a rally in Trafalgar Square. Defending her political beliefs and motivations against the skepticism and conservative values of her hosts, Miss Levering stays true to her values and leaves for London with a renewed sense of purpose. At the crowded demonstration held at one of London's most iconic sites, a symbol of state power and military might, Miss Levering works up the courage to address the gathered people. Initially nervous, she overcomes hecklers and her own fears to deliver a rousing speech in support of women's suffrage, powerfully demonstrating the determination necessary to resist the powers that be in order to achieve what must and will be done. Votes for Women! is a captivating work of political theater from one of the leading actresses and dramatists of the early twentieth century. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Robins' Votes for Women! is a classic of English literature reimagined for modern readers.

Oo-Ma-Ha-Ta-Wa-Tah and Other Stories (1898) is a work of history and folklore by Fannie Reed Griffen and Susette La Flesche. Written at the end of a century of devastation, marked by the Western advance of American political, industrial, and military forces, Oo-Ma-Ha-Ta-Wa-Tah and Other Stories preserves as much as it can between the bindings of a book the traditions and stories of the Omaha people. "In remembrance of the Omahas, the tribe of Indians after which Omaha city is named, and who, less than fifty years ago, held an uncontested title to the land where Omaha city and the great Trans-Mississippi Exposition is located, this book is dedicated, that the memory of the tribe, its chieftains, its warriors and its maidens might be preserved." Combining biography, historical documents, and folk tales, Oo-Ma-Ha-Ta-Wa-Tah and Other Stories serves as an invaluable record of a proud people. Beginning with the disastrous broken treaty of 1854, Griffen and La Flesche tell the tragic story of the Omahas through the lives of the chiefs who signed it. Concluding with a sampling of entertaining stories inherited from an oral tradition, Oo-Ma-Ha-Ta-Wa-Tah and Other Stories remains a masterpiece of fiction and nonfiction from two groundbreaking and vastly underappreciated figures in American history. With a beautifully designed cover and professionally typeset manuscript, this edition of Susette La Flesche and Fannie Reed Griffen's Oo-Ma-Ha-Ta-Wa-Tah and Other Stories is a classic work of Native American literature reimagined for modern readers.

Jamaica Anansi Stories is a collection of folklore by Martha Warren Beckwith. Having studied under famed ethnographer Franz Boas at Columbia University, Beckwith dedicated her career to recording and contextualizing the traditions of people from around the world. Specializing in Jamaican, Hawaiian, Sioux, and Mandan-Hidatsa cultures, Beckwith published widely acclaimed works of folklore and ethnography through her interviews with native storytellers around the world. "One great hungry time. Anansi couldn't get anyt'ing to eat, so he take up his hand-basket an' a big pot an' went down to the sea-side to catch fish. When he reach there, he make up a large fire and put the pot on the fire, an' say, 'Come, big fish!'" Opening her collection with the lighthearted and instructional "Animal Stories," many of which record the conflicts between Anansi and the Tiger, Beckwith introduces her reader to one of central figures of Jamaican folklore. Associated with resistance, play, and resourcefulness, Anansi was a symbol of hope for a people subjected to centuries of slavery. Situated alongside similar tales from Europe, popular songs, riddles, and jokes, the Anansi stories form an invaluable part of Jamaican culture and of other Caribbean and American cultures who trace their origins to West Africa. With a beautifully designed cover and professionally typeset manuscript, this edition of Martha Warren Beckwith's Jamaica Anansi Stories is a classic of anthropological literature reimagined for modern readers.

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Women's mythic revision is a tradition at the heart of twentieth-century literature. Medea's Chorus explores post-WWII women's poetry that takes Greek mythology as its central topos. The book investigates five of the most influential poets writing in the twentieth century (H.D., Sylvia Plath, Adrienne Rich, Margaret Atwood, Eavan Boland) who challenge both the ancient literary representations of women and the high modernist appropriations of the classics. In their poetry and prose, the women engage with cultural discourses about literary authority, gender, oppression, violence, and age. Yet even while the poets rework certain aspects of the Greek myths that they find troubling, they see the inherent power in the stories and use that power for personal and social revelation. Because myths exist in multiple versions, ancient writers did not create from scratch; their artistic contribution lay in how they changed the stories. Modern female poets are engaging in a several millennia-old tradition of mythic revision, a tradition that has ruthlessly posited that there is no place for women in the creation and transmission of mythological poetry. Medea's Chorus tracks mythic revision from the 1950s through the second-wave feminist movement and into turn-of-the-century feminism to highlight individual achievements and to show the collective effect of the poets' highly varied works on post-WWII literature and feminist thought and practice. This engaging and beautifully written book is a must-read for any student, teacher, or scholar of the Classical Tradition, revisionist mythmaking, and twentieth-century poetry.

Adopting a multi-disciplinary approach, this comparative study of a selection of The Arabian Nights stories in a cross-cultural context, brings together a number of disciplines and subject areas to examine the workings of narrative. It predominantly focuses on the ways in which the Arabian Nights have transformed as its stories have travelled across historical eras, cultures, genres and media. Departing from the familiar approaches of influence and textual studies, this book locates its central inquiry in the theoretical questions surrounding the workings of ideology, genre and genre ideology in shaping and transforming stories. The ten essays included in this volume respond to a general question, what can the transformation of Nights stories in their travels tell us about narrative and storytelling, and their function in a particular culture?

Following a Nights story in its travels from past to present, from Middle East to Europe and from literature to film, the book engages in close comparative analyses of ideological variations found in a variety of texts. These analyses allow new modes of reading texts and make it possible to breach new horizons for thinking about narrative.

This Book was previously published as a special issue of Middle Eastern Literatures entitled Ideological Variations and Narrative Horizons: New Perspectives on Arabian Nights.

Over the millennia, many great writers, from Pliny and Plutarch to C.S. Lewis and John Steinbeck, have addressed diverse canine themes in their work, usually in a broader, human context. Late in the 20th century it was conclusively established by modern science that all dogs, without exception, are descended from wolves. Viewed within the dynamic lens of this new model, the constantly evolving relationship between humankind and canines, both wild and domesticated, appears more complex and intertwined than ever before. This survey reviews what 20 selected authors from the Western tradition have had to say on the same subject matter leading up to our present times.

The story of Jason and the Argonauts is one of the most famous in Greek myth, and its development from the oldest layers of Greek mythology down to the modern age encapsulates the dramatic changes in faith, power and culture that Western civilisation has seen over the past three millennia. From the Bronze Age to the Classical Age, from the medieval world to today, the Jason story has been told and retold with new stories, details and meanings. This book explores the epic history of a colourful myth and probes the most ancient origins of the quest for the Golden Fleece - a quest that takes us to the very dawn of Greek religion and its close relationship with Near Eastern peoples and cultures.

This book provides an insider view of Haida language, history, and culture, and offers a perspective on Haida culture that comes not only from external research but also from intimate knowledge and experiences the author has had as a Haida Nation citizen. The book's focus on language - past, present, and future - allows insight into the Haida language documentation and revitalization process that will benefit other cultures currently addressing similar issues with their language. Being able to write and discuss Haida culture as an insider affords the opportunity to instantiate the role of a First Nations scholar including the intricacies involved in having a voice about one's own culture and history. A First Nations person publishing a book about his or her own culture is a rare opportunity. However, such publications will become more common as other indigenous scholars and writers emerge from other margins around the world.

America's oldest city, St. Augustine, has its fair share of things that go bump in the night. With such a long and varied history, it's no surprise that a few restless souls have stayed on long after their lives ended.

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Authentic vampire tales exist in Transylvanian folklore. Yet the Transylvanian vampire is nothing like the bloodthirsty Count of Bram Stoker's imagination or the romantic hero of popular fiction. The Romanian tradition comes from the villages, reflecting the norms of peasant life and wisdom embedded in age-old communities. This book consists of 21 narratives created by the author, developed from the brief accounts recorded by local amateur anthropologists and cultural historians from the late 19th and early 20th centuries. The goal is to capture the major themes found in the existing sources, retrieving the narrative thread and bringing the stories back to life. The book also includes translations of 17 brief folk stories about Vlad Tepes, known as Dracula. Contrary to the prevailing fictive image, these stories portray Vlad as a wise although strict ruler and a proud defender of his country's autonomy. An introduction discusses the Transylvanian village and its rich folk traditions, making explicit the comparison to the historic and to the fictional Dracula. An interlude analyses the characteristics of the Transylvanian vampire, including village superstitions regarding how to recognise and destroy one. Transylvania deserves commemoration of its own vampire stories, rather than those artificially created for it.

There are many stories featuring the villainous hero Reynard the Fox in many languages told over many centuries, goingback as far as the early 12th century. All these stories are comic and much of the humour depends on parody and satire resulting in mockery, sometimes the subversion of certain kinds of serious literature, of political and religious institutions and practices, of scholarly argument and moralizing, and of popular beliefs and customs. The contributors to this volume, all of them experts in one or more of the Reynard stories and their backgrounds, focus on the transformation of these tales through various media and to what extent they reflect differences in the cultural, class, and generational background of their tellers.

For the first time, the real story of ""The Yellow Rose of Texas"" is told in full, revealing a host of new insights and perspectives on one of America's most popular stories. For generations, the Yellow Rose of Texas has been one of America's most popular western myths, growing larger over time to eventually little resemble the truth of what really happened on decisive April 21, 1836, at the battle of San Jacinto, where a new Texas Republic won its independence. The real Yellow Rose was an ordinary but also quite remarkable free black woman from the North, Emily D. West. This is the first full-length biography of her-which explores the evolution of one of the most popular myths in American, Texas and western history.

The macroeconomic development of south-eastern Europe has been profoundly affected not only by the region's major historical events - for example, liberation from the Ottoman Empire, the outbreak of civil wars, and the birth of new nations - but also by global events, such as the world-wide conflicts of the twentieth century, and the recent transnational processes of globalisation and European integration. The rationale of this book is to employ a comprehensive micro-history - that is, the history of one particular community: in this case, the village of Tsamantas, in north-western Greece - as a means of providing a detailed picture that will permit extrapolation to a wider context. Situated in one of the most isolated parts of the region of Epirus, Tsamantas has a complex history and a rich folk culture. At times, it has been a textbook example of how decision-making within a community can impact upon the success of the local economy. Its inhabitants have been rational problem-solvers, with a sense of what is in their family's best interests, rather than passive victims of circumstance, and their choices at critical points in the village's history have resulted either in growth or decline. The author focuses his groundbreaking analysis on these choices, drawing upon publications, archived materials, and illuminating oral accounts of local events.

Sherwood Anderson, an important American novelist and short-story writer of the early twentieth century, is probably best known for his novel Winesburg, Ohio. His realistic and nonformulaic writing style would influence the next generation of authors, most notably Ernest Hemingway and William Faulkner. Walter Rideout s Sherwood Anderson: A Writer in America is a seminal work that reintroduces us to this important, yet recently neglected, American writer, giving him long overdue attention. This second volume of the monumental two-volume work covers Anderson s life after his move in the mid-1920s to Ripshin, his house near Marion, Virginia (where Volume 1 ended.) The second volume covers his return to business pursuits; his extensive travels in the South touring factories, which resulted in his political involvement in labor struggles and several books on the topic; and finally his unexpected death in 1941. No other existing Anderson biography, the most recent of which was published nearly twenty years ago, is as thoroughly researched, so extensively based on primary sources and interviews with a range of Anderson s friends and family members, or as complete in its vision of the man and the writer. Rideout uncovers much new information about events and people in Anderson s life and provides a new perspective on many of his works. This two-volume biography presents Anderson s many remarkable attributes more clearly than ever before, while astutely placing his life and writings in the broader social, political, and artistic movements of his times. Outstanding Book, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association Outstanding Academic Title, Choice Magazine Winner, Biography Award, Society of Midland Authors"

From the sands of Alexandria via the Renaissance palaces of the Medicis, to our own times, this spiritual adventure story traces the profound influence of Hermes Trismegistus -- the 'thrice-great one', as he was often called -- on the western mind. For centuries his name ranked among the most illustrious of the ancient world. Considered by some a contemporary of Moses and a forerunner of Christ, this almost mythical figure arose in fourth century BC Alexandria, from a fusion of the Egyptian god Thoth and the Greek god Hermes. Master of magic, writing, science, and philosophy, Hermes was thought to have walked with gods and be the source of the divine wisdom granted to man at the dawn of time. Gary Lachman has written many books exploring ancient traditions for the modern mind. In The Quest for Hermes Trismegistus, he brings to life the mysterious character of this great spiritual guide, exposing the many theories and stories surrounding him, and revitalizing his teachings for the modern world. Through centuries of wars, conquests and religious persecutions, the fragile pages of the teachings of Hermes Trismegistus have still survived. This is a book for all thinkers and enquirers who want to recover that lost knowledge and awaken a shift in human consciousness.

The Celtic Twilight (1893) is a collection of stories written and edited by W.B. Yeats. Compiled at the height of the Celtic Twilight, a movement to revive the myths and traditions of Ancient Ireland, The Celtic Twilight captures a wide range of stories, songs, poems, and firsthand accounts from artists and storytellers dedicated to the preservation of Irish culture. In "Belief and Unbelief," a story is shared about a village at the foot of Ben Bulben. One day, a young girl disappears while walking through a local field. Fearful that the faeries have gotten her, the townspeople conduct a search of the village, checking every home while burning ragweed and reciting spells to ward off the mischievous spirits. "Mortal Help" discusses the interdependence of humans and faeries, who require the presence of the living in order to play games in the physical world. As evidence, an old ditch digger tells a story from his youth, when he witnessed a group of faeries playing the game of hurling not far from the field where he was working. In "A Knight of the Sheep," an old farmer faces off with the local tax collector, and both struggle to maintain respect for one another while trading shrewdly concealed insults. "The Devil" discusses several demonic sightings among Irish peasants, who claim to have met Lucifer by the side of the road by day and under the bed at night. The Celtic Twilight captures the collision of ancient and modern Ireland, preserving its legends while ensuring their mystery remains. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats's The Celtic Twilight is a classic of Irish literature reimagined for modern readers.

"Allow me to introduce myself." But he needed no introduction. "Anansi the spider!" said Anansi the boy. "The tales were true!" "Traditional tales are always true," the spider answered, laughing. "Nothing lasts so long as truth, nor travels quite so far." Now in paperback! Award-winning author of Ghana Must Go, Taiye Selasi, reimagines the story of Anansi, the much-loved trickster, for a new generation. Kweku has grown up hearing stories about the mischievous spider Anansi. He is given the nickname Anansi by his father because of his similarly cheeky ways. On a holiday to visit his beloved Grandma in Ghana, Anansi the spider and Anansi the boy meet, and discover a magical pot that can be filled with whatever they want. Anansi fills it again and again with his favourite red-red stew, and eats so much that he feels sick. Will he learn to share this wonderful gift? This charming retelling of a West African story teaches readers about the dangers of greed, and the importance of being kind. Tinuke Fagborun's colourful illustrations bring the magic and wonder of the tale to life. When you've finished sharing the story, you can also find out more about the origins of Anansi folktales. This beautiful storybook is one that children will treasure forever.

The mountains of the Appalachia abound with tales of ghosts and mysterious places. Covering 16 counties, 40 spine-tingling stories will have you traveling the roads and paths of those who have walked before you and listening to their sorrowful tales. Along the way, visit The Hanging Tree in Cabarrus County, Battle Mansion in Buncombe County, Green River Plantation in Rutherford County, and the House on the Hill in Jackson County. Sit around the campfire and hear stories of lore about the legend of the Bald, the warning of the Hunter's Moon, and the disappearance of an entire hunting party. Superstition, folklore, and the paranormal keep the spirits alive in the Appalachian region. Will you be the next one to visit with the ghosts of Cherohala?

This collection explores folklore and folkloristics within the diverse and contested national discourses of Britain and Ireland, examining their role in shaping the islands' constituent nations from the eighteenth century to our contemporary moment of uncertainty and change. This book is concerned with understanding folklore, particularly through its intersections with the narratives of nation entwined within art, literature, disciplinary practice and lived experience. By following these ideas throughout history into the twenty-first century, the authors show how notions of the folk have inspired and informed varied points from the Brothers Grimm to Brexit. They also examine how folklore has been adapting to the real and imagined changes of recent political events, acquiring newfound global and local rhetorical power. This collection asks why, when and how folklore has been deployed, enacted and considered in the context of national ideologies and ideas of nationhood in Britain and Ireland. Editors Cheeseman and Hart have crafted a thoughtful and timely collection, ideal for students and scholars of folklore, history, literature, anthropology, sociology and media studies.