The story of Jason and the Argonauts is one of the most famous in Greek myth, and its development from the oldest layers of Greek mythology down to the modern age encapsulates the dramatic changes in faith, power and culture that Western civilisation has seen over the past three millennia. From the Bronze Age to the Classical Age, from the medieval world to today, the Jason story has been told and retold with new stories, details and meanings. This book explores the epic history of a colourful myth and probes the most ancient origins of the quest for the Golden Fleece - a quest that takes us to the very dawn of Greek religion and its close relationship with Near Eastern peoples and cultures.

This book is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The essays in this collection expand that scope to include a multicultural and multigeneric discussion of a pantheon of supernatural creatures who interact and cross species-specific boundaries with ease. Angels and demons are discussed from the perspective of supernatural allegory, angelic ethics and supernatural heredity and genetics. Fairies, sorcerers, witches and werewolves are viewed from the perspectives of popular nightmare tales, depictions of race and ethnicity, popular public discourse and cinematic imagery. Discussions of the "undead and still dead" include images of death messengers and draugar, zombies and vampires in literature, popular media and Japanese anime.

Rich in cultural significance, social commentary, and popular beliefs, the tales found in this series represent the best, the most intriguing, and the most curious of oral literature from cultures whose legends, myths, and folklore have been largely unavailable in English until now.Each volume includes 20 to 30 tales, accompanied by an introduction and a historical overview which give the reader compelling insights into the culture, the folk literature, and the lives of the people in the region.

The Gods and Symbols of Ancient Mexico and the Maya is the first-ever English-language dictionary of Mesoamerican mythology and religion. Nearly 300 entries, from accession to yoke, describe the main gods and symbols of the Olmecs, Zapotecs, Maya, Teotihuacanos, Mixtecs, Toltecs, and Aztecs. Topics range from jaguar and jester gods to reptile eye and rubber, from creation accounts and sacred places to ritual practices such as bloodletting, confession, dance, and pilgrimage. In addition, two introductory essays provide succinct accounts of Mesoamerican history and religion, while a substantial bibliographical survey directs the reader to original sources and recent discussions. Dictionary entries are illustrated with photographs and specially commissioned line drawings. Mary Miller and Karl Taube draw on their research in the fast-changing field of Maya studies, and on the latest Mexican discoveries, to produce an authoritative work that will serve as a standard reference for students, scholars, and travelers.

Ancient monuments, legends and folklore interpreted to illuminate the realities of prehistoric Irish belief. The myths and legends of prehistoric Ireland have inspired writers through the ages, down to W.B. Yeats and Seamus Heaney in our own century, but what do we know of the realities of ancient Irish belief? Daithi O hOgain's book approaches the question by studying archaeological remains such as tumuli, stone henges and circular enclosures and analysing the rich materials that have been handed down both in the great cycles of Irish heroic tales and the humblebut significant survivals of modern folklore, for instance the traditions associated with wells and springs. Drawing evidence from these varied sources, he arrives at a balanced picture of a society and its beliefs which have alltoo often been the subject of conjecture and fancy. CONTENTS Pre-Celtic Cultures . Basic Tenets in the Iron Age . The Druids and their Practices . The Teachings of the Druids . The Society of the Gods . The Rites of Sovereignty . The Triumph of Christianity. DAITHI O HOGAIN was Professor of Folklore at University College Dublin.

Beginning with a critical reappraisal of the notion of "fairy tale" and extending it to include categories and genres which are in common usage in folklore and in literary studies, this book throws light on the general processes involved in storytelling. It illuminates the fundamental ways in which a culture is formed, while highlighting important features of the Irish narrative tradition, in all its wealth and variety and in its connections with the mythical and historical events of Ireland. The Irish Fairy Tale argues that the fairy tale is a kind of "neutral zone," a place of transition as well as a meeting place for popular beliefs and individual creativity, oral tradition and literary works, historical sources and imaginary reconstructions, and for contrasting and converging views of the world, which altogether allow for a deeper and more sophisticated understanding of reality. The book focuses on stories by Yeats and Stephens, whose approach to the subject marks the culmination of a long tradition of attempts at linking past and present and of bridging the gap between what appear to be contradictory facets of a single culture. This leads to a comparative study of Joyce's Dubliners, which illustrates the universal and exemplary nature of the notion of fairy tale put forward in the work.

The focus of "Fusion Fashion" is on Orientalism as a sartorial practice, which has to be differentiated from the common knowledge of Orientalism by means of its organization, constitution and reception. The book offers historic as well as systematic perspectives. On the one hand, it compares orientalizing practices in fashion since the Tang Period in China and European Renaissance. On the other hand, it highlights current tendencies of so called "orientalism", "self-orientalism", "occidentalism" in a globalized world. The book covers two time periods: Orientalized fashion practices from the 16th to the beginning of the 20th century, with an emphasis on European "Oriental" practices, and the period beginning in the 1990s up to the present day, with an emphasis on non-Western sartorial practices.

Murder, mutilation, cannibalism, infanticide, and incest: the darker side of classic fairy tales figures as the subject matter for this intriguing study of Jacob and Wilhelm Grimm's Nursery and Household Tales. This updated and expanded second edition includes a new preface and an appendix containing new translations of six tales, along with commentary by Maria Tatar. Throughout the book, Tatar skillfully employs the tools not only of a psychoanalyst but also of a folklorist, literary critic, and historian to examine the harsher aspects of these stories. She presents new interpretations of the powerful stories in this worldwide best-selling book. Few studies have been written in English on these tales, and none has probed their allegedly happy endings so thoroughly.