The divisive and malleable nature of history is at its most palpable in situations of intractable conflict between nations or peoples. In these circumstances, how each party interprets or appropriates historical accounts informs their understanding of the roots of the conflict as well as how they relate to and interact with their adversaries. This book aims to advance our understanding of the significance of history in informing the relationship between parties involved in intractable conflicts through the concept of thick recognition and by exploring its relevance specifically in relation to Israel. It suggests that the recognition of crucial identity elements, such as widely shared understandings of history, might increase the potential for relationship transformation in intractable conflicts. More widely, the book discusses how the Israeli debates over New History can be understood as related to processes of conflict transformation as well as seeking answers to what can be seen as facilitating and inhibiting circumstances for the introduction of new understandings of history in the debates on Israeli New History.

From Cinderella to comic con to colonialism and more, this companion provides readers with a comprehensive and current guide to the fantastic, uncanny, and wonderful worlds of the fairy tale across media and cultures. It offers a clear, detailed, and expansive overview of contemporary themes and issues throughout the intersections of the fields of fairy-tale studies, media studies, and cultural studies, addressing, among others, issues of reception, audience cultures, ideology, remediation, and adaptation. Examples and case studies are drawn from a wide range of pertinent disciplines and settings, providing thorough, accessible treatment of central topics and specific media from around the globe.

The Indian Subcontinent has been at the centre of folklore inquiry since the 19th century, yet, while much attention was paid to India by early scholars, folkloristic interest in the region waned over time until it virtually disappeared from the research agendas of scholars working in the discipline of folklore and folklife. This fortunately changed in the 1980s when a newly energized group of younger scholars, who were interested in a variety of new approaches that went beyond the textual interface, returned to folklore as an untapped resource in South Asian Studies. This comprehensive volume further reinvigorates the field by providing fresh studies and new models both for studying the "lore" and the "life" of everyday people in the region, as well as their engagement with the world at large. By bringing Muslims, material culture, diasporic horizons, global interventions and politics to bear on South Asian folklore studies, the authors hope to stimulate more dialogue across theoretical and geographical borders to infuse the study of the Indian Subcontinent's cultural traditions with a new sense of relevance that will be of interest not only to areal specialists but also to folklorists and anthropologists in general. This book was originally published as a special issue of South Asian History and Culture.

This cutting-edge volume demonstrates both the literary quality and the socio-economic importance of works on "the matter of the greenwood" over a long chronological period. These include drama texts, prose literature and novels (among them, children's literature), and poetry. Whilst some of these are anonymous, others are by acknowledged canonical writers such as William Shakespeare, Ben Jonson, and John Keats. The editors and the contributors argue that it is vitally important to include Robin Hood texts in the canon of English literary works, because of the high quality of many of these texts, and because of their significance in the development of English literature.

Originally published in 1923, the following papers contain the results of investigations concerning religion and custom in Borneo and the Malay Peninsula, which were carried out at intervals during the years 1910 to 1921 by the author. It includes chapters on the customs and beliefs of the 'Orangdusun', beliefs and customs of the Sakai, and Malay folk-tales.

Twenty-five frightening tales about Gettysburg ghosts, the haunted Chesapeake, and much more, in an all-new addition to the bestselling Spooky series.

For more than 150 years, individuals have traveled the countryside with pen, paper, tape recorders, and even video cameras to document versions of songs, music, and stories shared by communities. As technologies and methodologies have advanced, the task of gathering music has been taken up by a much broader group than scholars. The resulting collections created by these various people can be impacted by the individual collectors' political and social concerns, cultural inclinations, and even simple happenstance, demonstrating a crucial yet underexplored relationship between the music and those preserving it.Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre NI Chonghaile argues for a culturally equitable framework that considers negotiation, collaboration, canonization, and marginalization to fully understand the immensely important process of musical curation. In presenting four substantial, historically valuable collections from the nineteenth and twentieth centuries, she illustrates how understanding the motivations and training (or lack thereof) of individual music collectors significantly informs how we should approach their work and contextualize their place in the folk music canon.

Through a mixture of original stories and traditional tales, Adventures in Nature offers an abundance of ways for families to connect with the earth. As our ancestors did before us, the book follows the seasons contained in the 'Wheel Of The Year', with each entry focusing on a story that brings us closer to the natural world, accompanied by simple craft projects, activities and mindful moments. In our busy, modern lives we have become increasingly disconnected from the world around us, and stories are an age-old way of re-establishing that link, nurturing a love for the environment and embedding awareness and respect for the planet within our culture. This book allows you to discover your very own adventures in nature through story.

..". splendid and innovative ethnography ... highly topical, well written, intellectually highly interesting, and often avant-garde ... sophisticated and honest discussions ..." . Joanna Overing, London School of Economics The Arakmbut are an indigenous people who live in the Madre de Dios region of thesoutheastern Peruvian rain forest. Since their first encounters with missionaries in the 1950s, they have shown resilience and a determination to affirm their identity in the face of many difficulties. During the last fifteen years, Arakmbut survival has been under threat from a goldrush that has attracted hundreds of colonists onto their territories. This trilogy of books traces the ways in which the Arakmbut overcome the dangers that surround them: their mythology and cultural strength; their social flexibility; and their capacity to incorporate non-indigenous concepts and activities into their defence strategies. Each area is punctuated by the constant presence of the invisible spirit, which provides a seamless theme connecting the books to each other. Following the Arakmbuts' recommendation, the author uses their three greatest myths to introduce social, cultural and historical aspects of their lives. He ends with a discussion of the relationship between myth and history showing how the Arakmbut recreate their myths at the dramatic moments of their history.

Recording Oral History, now available in its third edition, provides a comprehensive guide to oral history for researchers and students in diverse fields including history, sociology, anthropology, education, psychology, social work, and ethnographic methods. Writing in a clear, accessible style, Valerie Yow builds on the foundations laid in prior editions of her widely used and highly regarded text to tackle not just the practicalities of interviewing but also the varied ethical, legal, and philosophical questions that can arise. The text-now twelve chapters-allows for dedicated discussion of both legalities and ethics. Other new material include recent research on how brain functions affect memory, more comprehensive demonstration of how to analyze an interview, and details on making the most of technology, both old and new. Each chapter concludes with updated and annotated Recommended Readings and tailored appendixes address new developments, such as institutional review boards and the Oral History Association's new Principles and Best Practices.

Horses are not indigenous to India. They had to be imported, making them expensive and elite animals. How then did Indian villagers who could not afford horses and often had never even seen a horse create such wonderful horse stories and brilliant visual images of horses? In Winged Stallions and Wicked Mares, Wendy Doniger, called ""the greatest living mythologist,"" examines the horse's significance throughout Indian history from the arrival of the Indo-Europeans, followed by the people who became the Mughals (who imported Arabian horses) and the British (who imported thoroughbreds and Walers).A Along the way, we encounter the tensions between Hindu stallion and Arab mare traditions, the imposition of European standards on Indian breeds, the reasons why men ride mares to weddings, the motivations for murdering Dalits who ride horses, and the enduring myth of foreign horses who emerge from the ocean to fertilize native mares.

Huffington Post Weird News columnist and author Varla Ventura takes readers on a wild ride through the shadowy hills of rural Ireland, the dark German forests and along abandoned farms and country roads across the world to discover some of the most frightening and freak-tacular tales, titbits and encounters with all those beasties that go bump in the night.

The first collection of major scholarly studies of aspects of the Robin Hood tradition. The legends of Robin Hood are very familiar, but scholarship and criticism dealing with the long and varied tradition of the famous outlaw is as elusive as the identity of Robin himself, and is scattered in a wide range of sources, many difficult of access. This book is the first to bring together major studies of aspects of the tradition. The thirty-one studies take a variety of approaches, from archival exploration in quest of a real Robin Hood, to a political angle seeking the social meaning of the texts across time, to literary scholars concerned with origin, structures and generic variation, or moral and social significance; also included are considerations of theatre and filmstudies, and folklore and children's literature. Overall, the collection provides a valuable basis for further study. STEPHEN KNIGHT is Professor of English Literature at the University of Wales, Cardiff; he is well-known as an authority on the Robin Hood tradition, and has edited the recently-discovered Robin Hood Forresters Manuscript.

Of all the different sub-genres of oral prose fiction developed by the Yoruba of Nigeria, the trickster tale is the most popular, especially among the nonruling stratum of society. Sekoni describes and explains literally what makes the trickster tale a trickster tale. The focus is to establish the phenomenology of the trickster tale discourse from a sociosemiotic perspective. More specifically, Sekoni attempts to investigate the sociological and narratological conditions that govern the formation, transformation, and persistence of the trickster tale primarily among the Yoruba common people.

At the same time Sekoni shows the uses made of the trickster among such contemporary writers as Soyinka, Achebe, Osofisan, and others. This study will be of particular interest to students and scholars of African folklore and literature, cultural semiotics, anthropology, and African-American literature.

Originally published in 1996, this book is a study of two of the central themes of medieval German mythology, the Dietrich and Nibelung legends. It traces its two legendary topics form their historical roots during the last centuries of the Roman Empire to the medieval texts that make them known to us. Many of the medieval texts have never been translated into English or even modern German. A synopsis of each work is therefore included so that the reader can form an idea of the content of the works in question. The book takes a text-oriented approach. The book includes a chronological chart which puts most of the texts and literary works discussed in a European and world context.

Wiggling a pencil so that it looks like it is made of rubber, "stealing" your niece's nose, and listening for the sounds of the ocean in a conch shell- these are examples of folk illusions, youthful play forms that trade on perceptual oddities. In this groundbreaking study, K. Brandon Barker and Claiborne Rice argue that these easily overlooked instances of children's folklore offer an important avenue for studying perception and cognition in the contexts of social and embodied development. Folk illusions are traditionalized verbal and/or physical actions that are performed with the intention of creating a phantasm for one or more participants. Using a cross-disciplinary approach that combines the ethnographic methods of folklore with the empirical data of neuroscience, cognitive science, and psychology, Barker and Rice catalogue over eighty discrete folk illusions while exploring the complexities of embodied perception. Taken together as a genre of folklore, folk illusions show that people, starting from a young age, possess an awareness of the illusory tendencies of perceptual processes as well as an awareness that the distinctions between illusion and reality are always communally formed.

Theories of Myth, a companion to the author's World Mythology: An Annotated Guide to Collections and Anthologies (Scarecrow Press and Salem Press, 1996), has been written to serve the needs of college undergraduates, high school students, and general readers approaching the study of myth for the first time. Whereas the earlier volume describes the plethora of anthologies, collections, and general introductions to myth from around the world, Theories of Myth lists the most important English-language studies of myth theory, which attempt to answer the questions: What is "myth?" How does it function in human society, and how is it to be interpreted? Here the reader will find the most significant theoretical studies of traditional stories, legends, tales and sagas from around the world, which attempt to address such questions from a variety of perspectives. Includes an author/editor index and a subject index.