Despite the considerable amount of scholarship on Mann's work, his tetralogy - composed prior to and during his exile from Nazi Germany - has received less attention and has not been examined from the perspective of the relationship of visuality to narrative. In this study of Mann's reworking of the biblical account of Jacob, father of Joseph, the author examines the ways the novel's protagonists frame their environment through knowledge and meaning gained via specific acts of seeing. While considering Mann's oft-stated intent to refunctionalize myth by means of psychology for humane and progressive purposes, the book explores the lavish narrative attention Mann gives to visual detail, visual stimulation, the protagonists' eyes, ways of seeing, and even to staging and performance in anticipation of another's way of seeing. The results reveal that the plot of the first Joseph novel is carried and propelled by a series of visual encounters during which the narrative draws attention to the protagonists' eyes and acts of looking.

This book considers the profound influence of fairy tales on contemporary fiction, including the work of Margaret Atwood, A.S. Byatt, Angela Carter, Robert Coover, Salman Rushdie, and Jeanette Winterson.Recent decades have witnessed a renaissance of interest in the fairy tale, not least among writers of fiction. In ""Contemporary Fiction and the Fairy Tale"", editor Stephen Benson argues that fairy tales are one of the key influences on fiction of the past thirty years and also continue to shape literary trends in the present. Contributors detail the use of fairy tales both as inspiration and blueprint and explore the results of juxtaposing fairy tales and contemporary fiction.At the heart of this collection, seven leading scholars focus on authors whose work is heavily informed and transformed by fairy tales: Robert Coover, A. S. Byatt, Margaret Atwood, Angela Carter, and Salman Rushdie. In addition to investigating the work of this so-called fairy-tale generation, ""Contemporary Fiction and the Fairy Tale"" provides a survey of the body of theoretical writing surrounding these authors, both from within literary studies and from fairy-tale studies itself. Contributors present an overview of critical positions, considered here in relation to the work of Jeanette Winterson and of Nalo Hopkinson, suggesting further avenues for research.""Contemporary Fiction and the Fairy Tale"" offers the first detailed and comprehensive account of the key authors working in this emerging genre. Students and teachers of fiction, folklore, and fairy-tale studies will appreciate this insightful volume.

This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood on critical, anthropological, and cultural themes only hinted at in his previously available work. At the centre of the book are six chapters of a study of folktale and magic, composed by Collingwood in the mid-1930s and intended for development into a book. Here Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. This is preceded, in Part I, by a range of contextualizing material on such topics as the relations between music and poetry, the nature of language, the value of Jane Austen's novels, the philosophy of art, and the relations between aesthetic theory and artistic practice. Part III of the volume consists of two essays, one on the relationship between art and mechanized civilization, and the second, written in 1931, on the collapse of human values and civilization leading up to the catastrophe of armed conflict. These offer a devastating analysis of the consequences that attend the desertion of liberal principles, indeed of all politics as such, in the ultimate self-annihilation of military conquest. The volume opens with three substantial introductory essays by the editors, authorities in the fields of critical and literary history, social and cultural anthropology, and the philosophy of history and the history of ideas; they provide their explanatory and contextual notes to guide the reader through the texts. The Philosophy of Enchantment brings hitherto unrecognized areas of Collingwood's achievement to light, and demonstrates the broad range of Collingwood's intellectual engagements, their integration, and their relevance to current areas of debate in the fields of philosophy, cultural studies, social and literary history, and anthropology.

This title explores self-consciousness and metafictional awareness in modern fairy tale and its expression across literary fairy tale, popular fairy tale, and fairy-tale film. In ""Marvelous Geometry"", Jessica Tiffin argues that within twentieth- and twenty-first-century Western literature there exists a diverse body of fairy-tale texts that display a common thread of metafictional self-awareness. The narrative pattern of these texts is self-conscious, overtly structured, variously fantastical, and, Tiffin argues, easily recognized and interpreted by modern audiences. In this broadly comparative study she explores contemporary fairy-tale fictions found in modern literature and live-action and animated film and television to explore fairy tale's ability to endlessly reinvent itself and the cultural implications of its continued relevance. Tiffin's skilled analysis draws on the critical fields of postmodernism, narratological analysis, stucturalism, feminism, and performativity, without relying solely on any one perspective. She considers important fairy-tale retellings such as the feminist revisions of Angela Carter, the postmodern narratives of A. S. Byatt, as well as fairy tales written for children by James Thurber. She also investigates both popular and high-art films, contrasting Cocteau and Neil Jordan to Hollywood romances and Disney, and analyzes the differences between animated features and live-action productions. Finally, Tiffin uses a case study of the recent successful Shrek films to situate the fairy tale in the twenty-first century as an endlessly adaptable folk narrative that self-consciously and affectionately reflects generic structures and significant cultural assumptions. ""Marvelous Geometry"" covers a wide range of familiar and unfamiliar primary texts from a novel and fruitful perspective. Tiffin's focus on the metafictional nature of the fairy tale turns readers' attention to the genre's narrative structure and aesthetic qualities without ever losing sight of the fairy tale's sociocultural impact as powerful marvelous narrative. Scholars of literary and fairy-tale studies will enjoy Tiffin's expansive analysis.

This book was awarded a Special Mention Citation in the 2010 competition for the 'de la Torre Bueno Prize' by The Society of Dance History Scholars. In the region of Salento in Southern Italy, the music and dance of the pizzica has been used in the ritual of tarantism for many centuries as a means to cure someone bitten by the taranta spider. This book, a historical and ethnographic study of tarantism and pizzica, draws upon seven hundred years of writings about the ritual contributed by medical practitioners, scientists, travel writers and others. It also investigates the contemporary revival of interest in pizzica music and dance as part of the 'neo-tarantism' movement, where pizzica and the history of tarantism form a complex web of place, culture and identity for Salentines today. This is one of the first books in English to explore this fascinating ritual practice and its contemporary resurgence. It uses an interdisciplinary framework based in performance studies to ask wider questions about the experience of the body in performance, and the potential of music and dance to create a sense of personal and collective transformation and efficacy.

The most complete corpus of the proverbs and fables of Aesop ever assembled Ben Edwin Perry's "Aesopica" remains the definitive edition of all fables reputed to be by Aesop. The volume begins traditionally with a life of Aesop, but in two different and previously unedited Greek versions, with collations that record variations in the major recensions. It includes 179 proverbs attributed to Aesop and 725 carefully organized fables, for which Perry also provides their eldest known sources. To better evaluate the place of Aesop in literary history, Perry includes testimonies about Aesop made by Greek and Latin authors, from Herodotus to Maximus Planudes.

Sally Castle's beautifully hand-lettered and illustrated edition of Oscar Wilde's The Happy Prince sets the story among Reading's parks, squares, rooflines and churches - the town that's shaped her and her artwork and where Oscar spent an unhappy period in gaol. This enchanting combination of fairy story with concrete urban reality, a tale of sacrificial love written with a flourish and swirl, turns a simple book into a gem as precious as the large red ruby that glowed on the Prince's sword-hilt. With an introduction by Michael Seeney, author and collector of Wilde's work.

A gripping and groundbreaking history of how ancient cultures developed and used biological, chemical, and other unconventional weapons of war Flamethrowers, poison gases, incendiary bombs, the large-scale spreading of disease: are these terrifying agents of warfare modern inventions? Not by a long shot. In this riveting history of the origins of unconventional war, Adrienne Mayor shows that cultures around the world have used biological and chemical weapons for thousands of years-and debated the morality of doing so. Drawing extraordinary connections between the mythical worlds of Hercules and the Trojan War, the accounts of Herodotus and Thucydides, and modern methods of war and terrorism, this richly illustrated history catapults readers into the dark and fascinating realm of ancient war and mythic treachery.

The Monterey Peninsula, in California, is alive with ghosts and spirits. Spend time with a ghostly lady in a black dress who occupies a rocking chair at the Robert Louis Stevenson House. Read about a phantom woman in Pebble Beach who frightens drivers when she appears in the middle of the road. Examine the peculiar appearances of Monterey's famous sea serpent, "Bobo," and the ghost of Father Junipero Serra that returns annually to Carmel Mission to say Mass. Experience disembodied voices, phantom ships, and ghostly spirits wandering historic adobes, hotels, and roadways of the Peninsula. Unusual paranormal stories are compiled here, including the ghost of a Chinese fisherman, a Devil's Ship, a Haunted Lighthouse, and more.

Around the turn of the nineteenth century, no task seemed more urgent to German Romantics than the creation of a new mythology. It would unite modern poets and grant them common ground, and bring philosophers and the Volk closer together. But what would a new mythology look like? Only one model sufficed, according to Friedrich Schlegel: Dante's Divine Comedy. Through reading and juxtaposing canonical and obscure texts, Dante in Deutschland shows how Dante's work shaped the development of German Romanticism; it argues, all the while, that the weight of Dante's influence induced a Romantic preoccupation with authority: Who was authorized to create a mythology? This question-traced across texts by Schelling, Novalis, and Goethe-begets a Neo-Romantic fixation with Dantean authority in the mythic ventures of Gerhart Hauptmann, Rudolf Borchardt, and Stefan George. Only in Thomas Mann's novels, DiMassa asserts, is the Romantics' Dantean project ultimately demythologized.

In blood-soaked lore handed down the centuries, the vampire is a monster of endless fascination: from Bram Stoker's "Dracula "to "Buffy the Vampire Slayer," this seductive lover of blood haunts popular culture and inhabits our darkest imaginings. The cultural history of the vampire is a rich and varied tale that is now ably documented in "From Demons to Dracula," a compelling study of the vampire myth that reveals why this creature of the undead fascinates us so.
Beresford's chronicle roams from the mountains of Eastern Europe to the foggy streets of Victorian England to Hollywood, as he investigates the portrayal of the vampire in history, literature, and art. Opening with the original Dracula, Vlad the Impaler, and his status as a national hero in Romania, he endeavors to winnow out truths from the complex legend and folklore. "From Demons to Dracula" tracks the evolution of the vampire as an icon and supernatural creature, drawing on classical Greek and Roman myths, witch trials and medieval plagues, Gothic literature, and even contemporary works such as Anne Rice's "Interview with a Vampire" and Elizabeth Kostova's "The Historian." Beresford also looks at the widespread impact of screen vampires from television shows, classic movies starring Bela Lugosi and Christopher Lee, and more recent films such as "Underworld "and "Blade." Whether as a demon of the underworld or a light-fearing hunter of humans, the vampire has endured through the centuries, the book reveals, as powerfully symbolic figure for human concerns with life, death, and the afterlife.
A wide-ranging and engrossing chronicle, "From Demons to Dracula" casts this blood-thirsty nightstalker as a remarkably complex and telling totem of our nightmares, real and imagined.

The West Virginia University Mountaineer is not just a mascot: it is a symbol of West Virginia history and identity embraced throughout the state. In this deeply informed but accessible study, folklorist Rosemary Hathaway explores the figure's early history as a backwoods trickster, its deployment in emerging mass media, and finally its long and sometimes conflicted career - beginning officially in 1937 - as the symbol of West Virginia University. Alternately a rabble-rouser and a romantic embodiment of the state's history, the Mountaineer has been subject to ongoing reinterpretation while consistently conveying the value of independence. Hathaway's account draws on multiple sources, including archival research, personal history, and interviews with former students who have portrayed the mascot, to explore the complex forces and tensions animating the Mountaineer figure. Often serving as a focus for white, masculinist, and Appalachian identities in particular, the Mountaineer that emerges from this study is something distinct from the hillbilly. Frontiersman and rebel both, the Mountaineer figure traditionally and energetically resists attempts (even those by the University) to tame or contain it.

Few classical stories are as exciting as that of Jason and the Golden Fleece. The legend of the boy, who discovers a new identity as son of a usurped king and leads a crew of demi-gods and famous heroes, has resonated through the ages, rumbling like the clashing rocks, which almost pulverised the Argo. The myth and its reception inspires endless engagements: while it tells of a quest to the ends of the earth, of the tyrants Pelias and Aetes, of dragons' teeth, of the loss of Hylas (beloved of Hercules) stolen away by nymphs, and of Jason's seduction of the powerful witch Medea (later betrayed for a more useful princess), it speaks to us of more: of gender and sexuality; of heroism and lost integrity; of powerful gods and terrifying monsters; of identity and otherness; of exploration and exploitation. The Argonauts are emblems of collective heroism, yet also of the emptiness of glory. From Pindar to J. W. Waterhouse, Apollonius of Rhodes to Ray Harryhausen, and Robert Graves to Mary Zimmerman, the Argonaut myth has produced later interpretations as rich, salty and complex as the ancient versions. Helen Lovatt here unravels, like untangled sea-kelp, the diverse strands of the narrative and its numerous and fascinating afterlives. Her book will prove both informative and endlessly entertaining to those who love classical literature and myth.

Galilee has been a crossroads of cultures, religions, and languages for centuries, as illustrated in these fascinating Bedouin folktales, which offer excellent examples of the Arabic narrative tradition of the Middle East. Bedouin Folktales from the North of Israel collects nearly 60 traditional folktales, told mostly by women, that have been carefully translated in the same colloquial style in which they were told. These stories are grouped into themes of love and devotion, ghouls and demons, and animal stories. The work also includes phonetic transcription and linguistic annotation. Accompanying each folktale is a comprehensive ethnographic, folkloristic, and linguistic commentary, placing the tales in context with details on Galilee Bedouin dialects and the tribes themselves. A rich, multifaceted collection, Bedouin Folktales from the North of Israel is an invaluable resource for linguists, folklorists, anthropologists, and any reader interested in a tradition of storytelling handed down through the centuries.

The stories and legends of the Lushootseed-speaking people of Puget Sound represent an important part of the oral tradition by which one generation hands down beliefs, values, and customs to another. Vi Hilbert grew up when many of the old social patterns survived and everyone spoke the ancestral language. Haboo, Hilbert's collection of thirty-three stories, features tales mostly set in the Myth Age, before the world transformed. Animals, plants, trees, and even rocks had human attributes. Prominent characters like Wolf, Salmon, and Changer and tricksters like Mink, Raven, and Coyote populate humorous, earthy stories that reflect foibles of human nature, convey serious moral instruction, and comically detail the unfortunate, even disastrous consequences of breaking taboos. Beautifully redesigned and with a new foreword by Jill La Pointe, Haboo offers a vivid and invaluable resource for linguists, anthropologists, folklorists, future generations of Lushootseed-speaking people, and others interested in Native languages and cultures.

As President Barack Obama outlined his promise for change during the presidential campaign, he made effective use of proverbs and proverbial phrases, and invented many quotable epithets that have all the makings of future proverbs. This book examines how Obama's natural and authentic reliance on traditional metaphors enhances his impressive rhetoric, rather than reducing it to mere sound bites. Proverbs, with their often colorful metaphors, add expressiveness and emotion to his communications, giving people the opportunity to follow his pragmatic or philosophical arguments through common language. No matter the subject, Obama's prose contains metaphorical language that makes his rhetoric and oratory universally accessible. This book contains detailed analyses of the proverbial rhetoric in Obama's books Dreams from My Father (1995) and The Audacity of Hope (2006). A section looks at his proverbial language in 229 speeches, news conferences, interviews, and radio addresses, and the final section presents in-depth studies of his seven most significant addresses. It includes a comprehensive contextualized index of 1714 proverbial texts found within the writings and speeches from Obama's political beginnings to his memorable inaugural address.

Fritz Graf here presents a survey of a god once thought of as the most powerful of gods, and capable of great wrath should he be crossed: Apollo the sun god.

From his first attestations in Homer, through the complex question of pre-Homeric Apollo, to the opposition between Apollo and Dionysos in nineteenth and twentieth-century thinking, Graf examines Greek religion and myth to provide a full account of Apollo in the ancient world.

For students of Greek religion and culture, of myth and legend, and in the fields of art and literature, Apollo will provide an informative and enlightening introduction to this powerful figure from the past.

The Trickster Revisited: Deception as a Motif in the Pentateuch explores the use of deception in the Pentateuch and uncovers a new understanding of the trickster's function in the Hebrew Bible. While traditional readings often «whitewash the biblical characters, exonerating them of any wrongdoing, modern scholars often explain these tales as significant at some earlier point in Israelite tradition. But this study asks the question: what role does the trickster have in the later pentateuchal setting? Considering the work of Victor Turner and the mythic function of the trickster, The Trickster Revisited explores the connections between tricksters, the rite de passage pattern, marginalization, and liminality. Marginalized individuals and communities often find trickster tales significant, therefore trickster stories often follow a similar literary pattern. After tracing this pattern throughout the Pentateuch, specifically the patriarchal narratives and Moses' interaction with Pharaoh in the Exodus, the book discusses the meaning these stories had for the canonizers of the Pentateuch. The author argues that in the Exile and post-exilic period, as the canon was forming, the trickster was the perfect manifestation of Israel's self-perception. The cognitive dissonance of prophetic words of hope and grandeur, in light of a meager socio-economic and political reality, caused the nation to identify itself as the trickster. In this way, Israel could explain its lowly state as a temporary (but still significant) «betwixt and between, on the threshold of a rise in status, i.e. the great imminent kingdom predicted by the prophets.

Delightful, oft-reprinted guide to the foliate heads so common in medieval sculpture. This was the first-ever monograph dedicated to the Green Man. The Green Man, the image of the foliate head or the head of a man sprouting leaves, is probably the most common of all motifs in medieval sculpture. Nevertheless, the significance of the image lay largely unregarded until KathleenBasford published this book - the first monograph of the Green Man in any language -and thereby earned the lasting gratitude of scholars in many fields, from art history and folklore to current environmental studies. This book has opened up new avenues of research, not only into medieval man's understanding of nature, and into conceptions of death, rebirth and resurrection in the middle ages, but also into our concern today with ecology and our relationship with the green world. It is therefore a work of living scholarship and its publication in paperback will be greatly and justly welcomed.

With more than one hundred-fifty books and three hundred published articles on proverb studies that have attracted wide attention of folklorists around the world, it is little wonder that international scholars look upon Wolfgang Mieder as the modern-day Pied Piper of paremiology. For this festschrift, some of the world's leading proverb and folklore scholars have come together to commemorate Mieder's sixty-fifth birthday. Authors from Russia, Eastern and Western Europe, Israel, and the United States have contributed essays representative of the scope and breadth of Mieder's own impressive scholarship. The Proverbial «Pied Piper honors Wolfgang Mieder's legendary contributions to the study of proverbs and contains new scholarship by some of the best paremiologists in the world.

In all cultures and at all times, humans have been telling stories about who they were, what the world and human life is about. To the insider, myths may contain Truth (with a capital 'T'), revelation and the 'history of ourselves'; whereas to the outsider it may be considered anything from folly and pre-logical mentality, to neurotic, infantile and 'wishful thinking'. Such judgements aside, myths tell us about human creativity, the impact of narrativity on human ways of understanding, on cultural epistemologies and the many ways of 'world making'. These issues also spark considerations concerning the linguistic and philosophical notions of meaning and truth and the peculiarities of religious language. The controversial issue of myth has been studied from many different angles. In this volume the contributions are edited according to their theoretical perspectives: 1. philosophical, 2. psychological, 3. sociological, 4. semiological and 5. cognitivist, all with introduction by the editor. This volume will be an indispensable tool for anyone with a serious interest in this field of study.

In all cultures and at all times, humans have been telling stories about who they were, what the world and human life is about. To the insider, myths may contain Truth (with a capital 'T'), revelation and the 'history of ourselves'; whereas to the outsider it may be considered anything from folly and pre-logical mentality, to neurotic, infantile and 'wishful thinking'. Such judgements aside, myths tell us about human creativity, the impact of narrativity on human ways of understanding, on cultural epistemologies and the many ways of 'world making'. These issues also spark considerations concerning the linguistic and philosophical notions of meaning and truth and the peculiarities of religious language. The controversial issue of myth has been studied from many different angles. In this volume the contributions are edited according to their theoretical perspectives: 1. philosophical, 2. psychological, 3. sociological, 4. semiological and 5. cognitivist, all with introduction by the editor. This volume will be an indispensable tool for anyone with a serious interest in this field of study.

This two-volume set collects 300 of the most entertaining and important folk and fairy tales of Giuseppe Pitre, a nineteenth century Sicilian folklorist whose significance ranks alongside the Brothers Grimm. In stark contrast to the more literary ambitions of the Grimms' tales, Pitre's possess a charming, earthy quality that reflect the customs, beliefs, and superstitions of the common people more clearly than any other European folklore collection of the 19th century. Edited, translated, and with a critical introduction by world-renowned folk and fairy tale experts Jack Zipes and Joseph Russo, this is the first collection of Pitre's tales available in English. Carmelo Letterer's illustrations throughout the volume are as lively and vivid as the stories themselves, illuminating the remarkable imagination captured in the tales.

A good ghost story can make your hair stand on end, your palms sweat, and your heart race. The bone-chilling collection Tales of Kentucky Ghosts presents more than 250 stories that do just that. In his new book, William Lynwood Montell has assembled an entertaining and diverse array of tales from across the commonwealth that will keep you checking under the bed every night. The first-person accounts in this collection showcase folklore that Montell has drawn from archives, family stories, and oral traditions throughout Kentucky. The stories include that of the ghost bride of Laurel County, who appears each year on the anniversary of her wedding day; the tale of the murdered worker who haunts the Simpson County home of his killer and former employer; and the account of the lost mandolin that plays itself in a house in Graves County. These and many other chilling stories haunt the pages of Tales of Kentucky Ghosts. In the tradition of Montell's previous Kentucky ghost books ( Ghosts across Kentucky and Haunted Houses and Family Ghosts of Kentucky), Tales of Kentucky Ghosts brings together a variety of terrifying narratives that not only entertain and frighten but also serve as a unique record of Kentucky's rich heritage of storytelling.

This timeless collection brings together three hundred of the most enduringly popular of Aesop's fables in a volume that will delight young and old readers alike. Here are all the age-old favourites - the wily fox, the vain peacock, the predatory cat and the steady tortoise - just as endearingly vivid and relevant now as they were for their very first audience. This elegant Macmillan Collector's Library edition of Aesop's Fables features illustrations by Arthur Rackham, the leading decorative illustrator of the Edwardian period, which have been beautifully and sensitively coloured by Barbara Frith. With an afterword by publisher and editor Anna South. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.