Who were the Norse gods - the mighty AEsyr, led by Odinn, and the mysterious Vanir? In The Norse Myths we meet this passionate and squabbling pantheon, and learn of the mythological cosmos they inhabit. Passages translated from the Old Norse bring this legendary world to life, from the myths of creation to ragnaroek, the prophesied end of the world at the hands of Loki's army of monsters and giants, and everything that comes in between: the problematic relationship between the gods and the giants, in which enmity and trickery are punctuated by marriages and seductions; the (mis) adventures of human heroes and heroines, with their family feuds, revenges, marriages and murders; and the interaction between the gods and mortals, as Odinn, the Allfather, betrays his human proteges in order to recruit (dead) heroes for his army. Carolyne Larrington describes the myths' origins in pre-Christian Scandinavia and Iceland, and their survival in artefacts and written sources, from Old Norse sagas and poems to the less approving accounts of medieval Christian writers. She traces their influences into the work of Wagner, William Morris and J.R.R. Tolkien, and even the recent Game of Thrones in the resurrection of the Fimbulvetr, or 'Mighty Winter'.

"I have run the gauntlet of many borders in my time, but the border I grew up with at home was far and away the most trying," writes Seamas OCathain, Professor Emeritus at University College Dublin and former Director of the National Folklore Collection. Born in Drumquin, County Tyrone, to a family of Catholic business people and farmers, he grew up "a stone's throw" from the border that separates Donegal in the Republic from the six counties of Northern Ireland - "a border policed by little corporals that was the bane of our lives." JUMPING THE BORDER is an engaging account of his experience - as a child and as a young man - in three distinctive cultures, now radically changed. He describes the Tyrone of the 1940s and 1950s where Protestant and Catholic neighbours shared their lives at a personal level, but where institutions were divisive. His father's prosperous business was ruined because of a political event he supported. The schools and the curriculum were dividers of the two communities. The border was a nuisance to everyone. As a post-graduate student in the 1960s, he took up residence in the Donegal Gaeltacht of "Na Cruacha", where "real old Irish" was still spoken. He did a study of the area's place names, and recorded the distinctive music and speech of "Na Cruacha". Shortly afterwards his research took him to the far north of Europe, to Sapmi (known as Lapland), a cultural rather than a political territory which spreads over four countries, and where he immersed himself in the culture and language of the Sami people at a time when their native language and customs were under threat and belittled. Seamas's many international distinctions and awards include: Knight (First Class) of the Order of the Lion of Finland; the Dag Stromback Prize of the Gustavus Adolphus Academy, Uppsala, Sweden; and the Ruth Michaela-Jena Ratcliff Prize, Edinburgh. He is an honorary member of the Finnish Kalevala Society; a member of the Folklore Fellows of the Finnish Academy of Sciences, Helsinki; and a sometime member of the Advisory Board of the Research Institute of Irish and Scottish Studies at the University of Aberdeen.

This book contains 175 tales drawn equally from the ancient and modern periods of Korea, plus 16 further tales provided for comparative purposes. Nothing else on this scale or depth is available in any western language. Three broad classes of material are included: foundation myths of ancient states and clans, ancient folktales and legends, modern folktales. Each narrative contains information on its source and provenance, and on its folklore type, similarities to folklore types from China, Japan and elsewhere.

There is more material available on Herakles than any other Greek god or hero.aHis story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents.aIn literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry.? In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media.aHe was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis.aOften referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day.

In Herakles, Emma Stafford has successfully tackled the OCyHerculean taskOCO of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure.aCovering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues.aEasy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient GreeceOCOs most popular hero.

a

This book takes an engaging look at the significance of traditional proverbs and their variation in the modern world. From sales pitch to propagandistic tool, Wolfgang Mieder looks at how we adapt proverbs to rapidly changing social attitudes - the original wording of proverbs changes to fit modern advertising slogans or political rhetoric, misogynist sayings become feminist slogans, and late medieval woodcuts illustrating proverbs find their modern equivalents in political cartoons and comic strips. The book is richly illustrated and contains name, subject, and proverb indexes.

The stories presented in Peninnah Schram's highly anticipated Stories within Stories: From the Jewish Oral Tradition are drawn primarily from talmudic and midrashic sources, medieval texts, and the Israel Folktale Archives. Each enchanting story-within-a-story is part of the Jewish oral tradition and continues to enlighten, educate, and entertain audiences as have all of the author's previous works. The types of stories found in this wonderful collection (described by Peninnah Schram as "frame and chain stories") have been widely popular in both Jewish and non-Jewish literary traditions. Since Jews have lived in so many places, they have been influenced by the stories told by their surrounding neighbors. For example, this genre of tales has been especially popular in the Jewish stories of the Middle East, having been influenced by the structure and contents of Arabic literature. Stories within Stories contains fifty stories, mostly made up of folktales. Various types of stories are interspersed so that a humorous story is followed by a romantic tale, which is followed by a religious tale, which is followed by a tall tale, and so on. The stories come from various ethnic communities represented in the Israel Folktale Archives including Morocco, Iraq, Kurdistan, Persia, Yemen, and Eastern Europe. Gifted and highly acclaimed storyteller Peninnah Schram contributes to the ever-growing library of Jewish folklore collections, thus actively helping to restore the rich treasures of Jewish oral tradition in our contemporary world.

Proverbs offer a concise record of folk wisdom and have appeared in oral tradition, literature, art, and popular culture for centuries. Written by the foremost authority on proverbs, this reference gives high school students, undergraduates, and general readers a concise yet comprehensive overview of proverbs in world culture. The volume begins with definitions and classifications of proverbs, followed by discussions of several notable examples. The book then examines approaches to the study of proverbs and the place of proverbs in literature, politics, popular songs, and everyday life. It closes with a bibliography of print and electronic resources and a glossary. Included are numerous illustrations.

Just about everyone has heard at least one proverb, and most people have heard more. Proverbs offer a concise record of folk wisdom and have appeared in oral tradition, literature, art, and popular culture for centuries. One of the most varied and fascinating types of folklore, proverbs are studied at all levels and are of interest to a wide range of audiences. Written by the foremost authority on proverbs, this reference gives high school students, undergraduates, and general readers a concise yet comprehensive overview of proverbs in world culture.

The volume begins with definitions and classifications of proverbs and a discussion of their origin and dissemination. It then discusses several representative proverbs from around the world. This is followed by a review of scholarship on proverbs. The book next looks at how several proverbs have appeared in political speeches, literature, popular culture, and everyday life. The handbook closes with a bibliography of print and electronic resources and a glossary. Included are numerous photos illustrating the role of proverbs around the world.

Joseph Campbell was the world's greatest authority on myth, his monumental four-volume The Masks of God is a definitive work on the subject, and in Myths to Live By he explores how these enduring myths still influence our daily lives and can provide personal meaning in our lives. Myths are a way of explaining the cosmos, the origin of life and Man's relationship with their environment; they play a cohesive role in society. Joseph Campbell analyses myth in psychoanalytic terms to reveal their essential qualities and to demonstrate how they continue to reflect human needs, providing reassurance even in today's world. Ranging from Zen koans and Indian aesthetics to walking on the moon, Joseph Campbell explores how myth and religion follow the same archetypes, which are not exclusive to any single race, religion or region. Campbell believed that all religion is a search for the same transcendent and fundamental spiritual truths. He shows how we must recognise the common denominators between differing myths and faiths and allow this knowledge to fulfil human potential everywhere.

Homer and the Poetics of Gesture is the first book of its kind to consider the epic formula in terms that are gestural as well as verbal. Drawing on studies from multiple disciplines, including movement theory, dance studies, phenomenology, and early film, it suggests new approaches for interpreting the relationship between repetition and embodiment in Homer. Through a series of dynamic close readings, Purves argues that the deep-seated habits and gestures of epic bodies are instrumental to our understanding of the Iliad and Odyssey, especially insofar as they attune us to the kinetic structures and sensibilities that shape the meaning of the poems. Each of the chapters isolates a scene in which a specific action, posture, or gesture (falling, running, leaping, standing, and reaching) emerges from the background of its other iterations in order to make larger claims about its poetic significance within the epics as a whole. Beginning from the premise that gestures are shared between characters and often identically repeated within the poems' formulaic system, the book reconsiders long-standing arguments about Homeric agency and character by focusing on those moments when a gesture diverges from its expected course, redirecting the plot or drawing the poem in new and surprising directions. Homer and the Poetics of Gesture not only affords new insights into the nature of epic repetition and poetic originality but also reveals unnoticed connections between Homeric structure and technique and the embodied habits and movements of the characters within the poems.

No new edition of Bulfinch's classic work can be considered complete without some notice of the American scholar to whose wide erudition and painstaking care it stands as a perpetual monument. "The Age of Fable" has come to be ranked with older books like "Pilgrim's Progress," "Gulliver's Travels," "The Arabian Nights," "Robinson Crusoe," and five or six other productions of world-wide renown as a work with which every one must claim some acquaintance before his education can be called really complete. Many readers of the present edition will probably recall coming in contact with the work as children, and, it may be added, will no doubt discover from a fresh perusal the source of numerous bits of knowledge that have remained stored in their minds since those early years. Yet to the majority of this great circle of readers and students the name Bulfinch in itself has no significance. Thomas Bulfinch was a native of Boston, Mass., where he was born in 1796. His boyhood was spent in that city, and he prepared for college in the Boston schools. He finished his scholastic training at Harvard College, and after taking his degree was for a period a teacher in his home city. For a long time later in life he was employed as an accountant in the Boston Merchants' Bank. His leisure time he used for further pursuit of the classical studies which he had begun at Harvard, and his chief pleasure in life lay in writing out the results of his reading, in simple, condensed form for young or busy readers. The plan he followed in this work, to give it the greatest possible usefulness, is set forth in the Author's Preface.

How does sport shape society? This book seeks to answer this question by examining the meaning of sport in French society and the construction of local, national and, increasingly, global identities through sport. It begins by reassessing modern sport's emergence and consolidation in France in the late nineteenth and early twentieth centuries and then traces developments from the Second World War to the present, reflecting on the current status and future role of French sport. Horse racing, cycling, tennis, adventure sports, rugby and football, as well as the role of the Olympic Games, are discussed. The author investigates the interaction of these mass and elite physical practices with a wide variety of sporting locations - spatial and temporal, concrete and imagined - and in a rich field of representations, including literature and the fine arts, the press, cinema, radio, television and digital media. Related concepts of sporting celebrity, stardom and heroism also inform the discussion, offering new contributions to this developing critical area.

The Masks of God is the summation of Joseph Campbell's lifelong study of the origins and function of myth. In this volume, Occidental Mythology, Campbell examines the themes that underlie the art, worship and literature of the Western world. Occidental Mythology traces European consciousness from the Levantine earth-goddesses of the Bronze Age and the subsequent tribal invasions that shaped Judaic and Greek myth before examining the influence of Persia, Rome, Islam and Christian Europe on ancient beliefs. The Masks of God traces mankind's history as a search for meaning through ideas, themes and quests of culture and religion.

There is more material available on Herakles than any other Greek god or hero. His story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents. In literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry. In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media. He was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis. Often referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day.

In Herakles, Emma Stafford has successfully tackled the Herculean task of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure. Covering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues. Easy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient Greece s most popular hero.

First published in 1960. Over a century ago the Chinese discovered in a sealed-up cave in the west of China a collection of manuscripts dating from the fifth century to the end of the tenth. These included many specimens of popular literature of a kind that was not previously known to exist. Although the find was made long ago, only two or three of these pieces had been translated before. Arthur Waley here translates, whole or as extracts, twenty-six pieces, making an invaluable addition to world literature.

Anteros: A Forgotten Myth explores how the myth of Anteros disappears and reappears throughout the centuries, from classical Athens to the present day, and looks at how the myth challenges the work of Freud, Lacan, and Jung, among others. It examines the successive cultural experiences that formed and inform the myth and also how the myth sheds light on individual human experience and the psychoanalytic process.

Topics of discussion include:

• Anteros in the Italian Renaissance, the French Enlightenment and English Modernism
• psychologizing Anteros: Freud, Lacan, Girard, and Jung
• three anterotic moments in a consulting room.

This book presents an important argument at the boundaries of the disciplines of analytical psychology, psychoanalysis, art history, and mythology. It will therefore be essential reading for all analytical psychologists and psychoanalysts as well as art historians and those with an interest in the meeting of psychoanalytic thought and mythology.

'His cornucopia of tellers and tales is a delight, a riveting celebration of a genre that revels in its own hybridity and the imaginative riches produced by the crossing of cultural and literary borders' Financial Times 'Like a child after the Pied Piper I pursued Jubber into a world both human and full of magic. A carnival of a book, rigorously researched and jostling with life' Amy Jeffs, author of Storyland: A New Mythology of Britain 'Magical tales about magical tales and tellers. Jubber, congenially and fascinatingly, explores the land from which the great fairy stories seeped, making the stories more resonant, powerful and important than ever' Charles Foster, author of Being a Human and Being a Beast The surprising origins and people behind the world's most influential magical tales: the people who told and re-shaped them, the landscapes that forged them, and the cultures that formed them and were in turn formed by them. Who were the Fairy Tellers? In this far-ranging quest, award-winning author Nicholas Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as 'Cinderella', 'Hansel and Gretel', 'Beauty and the Beast' and 'Baba Yaga'. From the Middle Ages to the birth of modern children's literature, they include a German apothecary's daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar. Following these and other unlikely protagonists, we travel from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland. In the process, we discover a fresh perspective on some of our most frequently told stories. Filled with adventure, tragedy and real-world magic, this bewitching book uncovers the stranger lives behind the strangest of tales.

On the surface, the zombie seems the polar opposite of the human--they are the living dead; we, in essence, are the dying alive. But the zombie is also "us." Although decaying, it looks like us, dresses like us, and sometimes (if rarely) acts like us. In this volume, essays by scholars from a range of disciplines examine the zombie as a thematic presence in literature, film, video games, legal language, and philosophy, exploring topics including zombies and the environment, litigation, the afterlife, capitalism, and the erotic. Through this wide-ranging examination of the zombie phenomenon, the authors seek to discover what the zombie can teach us about being human.

Wisdom's Way is a collection of true stories from ancient China. Filled with palace intrigue, ambitious warlords, greedy swindlers, and justice-seeking wise men, each story evokes the legendary wisdom of the Far East. These delightful tales offer both historical lessons and insight into human relationships, from the grand maneuvering of emperors to a pair of tradesmen arguing over an old coat.

Do You Know...

• where the legend of a cat's nine lives comes from?

• why "mama" is a word understood in nearly all languages?

• how the custom of kissing began?

• whether there really was a female pope?

• why Cinderella's glass slipper was so important to the Prince?

The answers to these and countless other intriguing questions are given in this compulsively readable, feminist encyclopedia. Twenty-five years in preparation, this unique, comprehensive sourcebook focuses on mythology anthropology, religion, and sexuality to uncover precisely what other encyclopedias leave out or misrepresent. The Woman's Encyclopedia presents the fascinating stories behind word origins, legends, superstitions, and customs. A browser's delight and an indispensable resource, it offers 1,350 entries on magic, witchcraft, fairies, elves, giants, goddesses, gods, and psychological anomalies such as demonic possession; the mystical meanings of sun, moon, earth, sea, time, and space; ideas of the soul, reincarnation, creation and doomsday; ancient and modern attitudes toward sex, prostitution, romance, rape, warfare, death and sin, and more.

Tracing these concepts to their prepatriarchal origins, Barbara G. Walker explores a "thousand hidden pockets of history and custom in addition to the valuable material recovered by archaeologists, orientalists, and other scholars."

Not only a compendium of fascinating lore and scholarship, The Woman's Encyclopedia is a revolutionary book that offers a rare opportunity for both women and men to see our cultural heritage in a fresh light, and draw upon the past for a more humane future.

Vikings, those ancient Norse seafarers, have inspired plenty of pop culture phenomena, from the A&E hit show Vikings to Thor Ragnarok to the ever-expanding world of Viking larp. Known for being skilled craftspeople, accomplished merchants, hardworking farmers, and masters of the sea, the Vikings were a complex and captivating people.The Viking Hondb?k is an engaging, compelling guide -- with a sense of humor -- exploring who the Vikings were and how they lived, from ancient Norse daily life to battles and adventuring. Readers will learn how Vikings ate, dressed, and fought, and even how they weaved the perfect beard braid and built warships and weapons. Interspersed throughout the book are revealing historical anecdotes about Viking conquests, daily life, and relationships, with sections covering personal style, family structure and household, tools and metalwork, sailing and raiding, fishing and hunting, family and neighbors, swordmaking and boatbuilding, famous warriors, myths and afterlife, and more. A two-color design and fifty black-and-white line drawings will bring the style and details of the Vikings world to life.

A unique description and analysis of the domains and genres of UAE folklore, including folk customs and beliefs, traditional arts and crafts, folk dances, folk narratives and proverbs. Challenging the established meaning of folklife, this volume also deals with folklore in public life, in the mass media, in education and in politics.

This collection explores folklore and folkloristics within the diverse and contested national discourses of Britain and Ireland, examining their role in shaping the islands' constituent nations from the eighteenth century to our contemporary moment of uncertainty and change. This book is concerned with understanding folklore, particularly through its intersections with the narratives of nation entwined within art, literature, disciplinary practice and lived experience. By following these ideas throughout history into the twenty-first century, the authors show how notions of the folk have inspired and informed varied points from the Brothers Grimm to Brexit. They also examine how folklore has been adapting to the real and imagined changes of recent political events, acquiring newfound global and local rhetorical power. This collection asks why, when and how folklore has been deployed, enacted and considered in the context of national ideologies and ideas of nationhood in Britain and Ireland. Editors Cheeseman and Hart have crafted a thoughtful and timely collection, ideal for students and scholars of folklore, history, literature, anthropology, sociology and media studies.

Designed to provoke controversy, the papers in this volume concentrate on two main themes: the study of myth and totemism. Starting with an English translation of La Geste d'Asdiwal, which is widely considered to be the most brilliant of all of Levi-Strauss's shorter expositions of his technique of myth analysis, the volume also contains criticism of this essay. The second part of the volume discusses how far Levi-Strauss's treatment of totemism as a system of category formation can be correlated with the facts that an ethnographer encounters in the field. First published in 1967.

Gorgeous Collector's Edition. India, one of the great, ancient civilizations, spawned a fascinating canon of myths and legends. With multiple gods, and a riot of colour and character, this fantastic new book, Indian Myths & Legends, explores the themes and landscapes that created the tales, and reveals the boundless energy that brought us the Ramayana and the Mahabharata, retelling the stories of Krishna, Buddha and Shiva, and some of the many different versions of creation. Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.