Founder of Liberal Judaism in England, Claude Goldsmid Montefiore (1858 1938) wrote extensively on Jewish and Christian theology and ethics. His final book, published in 1938 and co-edited with Herbert Loewe (1882 1940), remains one of the most comprehensive and authoritative collections available of Rabbinic literature dating from 100 to 500 CE. The edition, which provides extensive historical and lexical context, features two introductions, one from Montefiore espousing a Liberal perspective and the other from Loewe speaking as an Orthodox Jew. Together, they argue for 'a common foundation, a common past, and a common future' linking their outlooks. Their anthology in turn models this co-operation, offering more than 1,600 rabbinical extracts, and covering topics including the nature of God, the Commandments and the Law, prayer and charity. Both a compilation of theological writings and a meditation on theology itself, this work remains a pre-eminent text of Jewish religious scholarship.

This book explores the role of aesthetic experience in our perception and understanding of the holy. Richard Viladesau's goal is to articulate a theology of revelation, examined in relation to three principal dimensions of the aesthetic realm: feeling and imagination; beauty (or taste); and the arts. After briefly considering ways in which theology itself can be imaginative or beautiful, Viladesau concentrates on the theological significance of aesthetic data provided by each of the three major spheres of aesthetic perception and response. Throughout the work, the underlying question is how each of these spheres serves as a source (however ambiguous) of revelation. Although he frames much of his argument in terms of Catholic theology-from the Church Fathers to Karl Rahner, Hans urs von Balthasar, Bernard Lonergan, and David Tracy-Viladesau also makes extensive use of ideas from the Protestant theologian of the arts Gerardus van der Leeuw, and draws insights from such diverse thinkers as Hans Goerg Gadamer, Wolfhart Pannenberg, and Iris Murdoch. His analysis is enlivened by the artistic examples he selects: the music of Mozart as contemplated by Karl Barth, Schoenbergs opera Moses und Aron, the sculptures of Chartres Cathedral, poems by Rilke and Michelangelo, and many others. What emerges from this study is what Viladeseau terms a transcendental theology of aesthetics. In Thomistic terms, he finds that beauty is not only a perfection but a transcendental. That is, any instance of beauty, rightly perceived and rightly understood, can be seen to imply divinely beautiful things as well. In other words, Viladesau argues, God is the absolute and necessary condition for the possibility of beauty.

One of the central arguments of post-metaphysical theology is that language is inherently 'metaphysical' and consequently that it shoehorns objects into predetermined categories. Because God is beyond such categories, it follows that language cannot apply to God. Drawing on recent work in theology and philosophy of language, Kevin Hector develops an alternative account of language and its relation to God, demonstrating that one need not choose between fitting God into a metaphysical framework, on the one hand, and keeping God at a distance from language, on the other. Hector thus elaborates a 'therapeutic' response to metaphysics: given the extent to which metaphysical presuppositions about language have become embedded in common sense, he argues that metaphysics can be fully overcome only by defending an alternative account of language and its application to God, so as to strip such presuppositions of their apparent self-evidence and release us from their grip.

Diana Lobel takes readers on a journey across Eastern and Western philosophical and religious traditions to discover a beauty and purpose at the heart of reality that makes life worth living. Guided by the ideas of ancient thinkers and the insight of the philosophical historian Pierre Hadot, "The Quest for God and the Good" treats philosophy not as an abstract, theoretical discipline, but as a living experience.

For centuries, human beings have struggled to know why we are here, whether a higher being or dimension exists, and whether our existence is fundamentally good. Above all, we want to know whether the search for God and the good will bring happiness. Following in the path of the ancient philosophers, Lobel directly connects conceptions of God or an Absolute with notions of the good, illuminating diverse classical texts and thinkers. She explores the Bible and the work of Plato, Aristotle, Augustine, Maimonides, al-Farabi, and al-Ghazali. She reads the "Tao Te Ching," "I Ching," "Bhagavad Gita," and "Upanishads," as well as the texts of Theravada, Mahayana, and Zen Buddhism, and traces the repercussions of these works in the modern thought of Alfred North Whitehead, Iris Murdoch, Alasdair MacIntyre, and Charles Taylor.

While each of these texts and thinkers sets forth a distinct and unique vision, all maintain that human beings find fulfillment in their contact with beauty and purpose. Rather than arriving at one universal definition of God or the good, Lobel demonstrates the aesthetic value of multiple visions presented by many thinkers across cultures. "The Quest for God and the Good" sets forth a path of investigation and discovery culminating in intellectual and spiritual communion.

A perceptive thinker and author of five scholarly tomes as well as numerous essays, the philosopher and historian of religion Constance E. Plumptre is now unfamiliar to many readers. Yet for a period of just over twenty years between 1878 and 1902 she championed some of the most fascinating philosophical and religious theories of the Victorian age. Although she won greatest acclaim for Studies in Little-Known Subjects (1898), her first work, General Sketch of the History of Pantheism, published anonymously in 1878, remains one of the most significant histories of philosophy ever written. Taking in Brahminism, the Ionian School, Pythagoras and the Neo-Platonists, as well as the work of Bruno and Vanini, the first volume provides an erudite but accessible introduction to Oriental, Greek and modern Pantheism. For more information on this author, see http: //orlando.cambridge.org/public/svPeople?person_id=plumc

A perceptive thinker and author of five scholarly tomes as well as numerous essays, the philosopher and historian of religion, Constance E. Plumptre is now unfamiliar to many readers. Yet for a period of just over twenty years between 1878 and 1902 she championed some of the most fascinating philosophical and religious theories of the Victorian age. Although she won greatest acclaim for Studies in Little-Known Subjects (1898), her first work, General Sketch of the History of Pantheism, published anonymously in 1878, was one of the most significant nineteenth-century studies in theological philosophy. In this second volume Plumptre continues her account of modern Pantheism and introduces the reader to the works of Spinoza, Fichte, Hegel and Schopenhauer, before concluding with a brief but insightful summary of this substantial philosophical question. For more information on this author, see http: //orlando.cambridge.org/public/svPeople?person_id=plumc

Heralded as the exponents of a 'new atheism', critics of religion are highly visible in today's media, and include the household names of Richard Dawkins, Daniel Dennett and Sam Harris. David Fergusson explains their work in its historical perspective, drawing comparisons with earlier forms of atheism. Responding to the critics through conversations on the credibility of religious belief, Darwinism, morality, fundamentalism, and our approach to reading sacred texts, he establishes a compelling case for the practical and theoretical validity of faith in the contemporary world.
An invitation to engage in a rich dialogue, Faith and Its Critics supports an informed and constructive exchange of ideas rather than a contest between two sides of the debate. Fergusson encourages faith communities to undertake patient engagement with their critics, to acknowledge the place for change and development in their self-understanding whilst resisting the reductive explanations of the new atheism.

If God exists, where can we find adequate evidence for God's existence? In this book, Paul Moser offers a perspective on the evidence for God that centers on a morally robust version of theism that is cognitively resilient. The resulting evidence for God is not speculative, abstract, or casual. Rather, it is morally and existentially challenging to humans, as they themselves responsively and willingly become evidence of God's reality in receiving and reflecting God's moral character for others. Moser calls this 'personifying evidence of God,' because it requires the evidence to be personified in an intentional agent - such as a human - and thereby to be inherent evidence of an intentional agent. Contrasting this approach with skepticism, scientific naturalism, fideism, and natural theology, Moser also grapples with the potential problems of divine hiddenness, religious diversity, and vast evil.

"Is God a Delusion?" addresses the philosophical underpinnings of the recent proliferation of popular books attacking religious beliefs. Winner of CHOICE 2009 Outstanding Academic Title AwardFocuses primarily on charges leveled by recent critics that belief in God is irrational and that its nature ferments violence Balances philosophical rigor and scholarly care with an engaging, accessible style Offers a direct response to the crop of recent anti-religion bestsellers currently generating considerable public discussion

This study shows how the trinitarian theology of Hans Urs von Balthasar opens up an aproach to the controverted question of God's immutability and impassibility which succeeds in respecting both the transcendence and the immanence of God. Contrary to both Process thought and the classical Thomist position, von Balthasar's scattered treatment is here presented thematically, in a way which makes it clear that his idea of an analogous event in the trinitarian God (in which we participate) is a radical reinterpretation of the traditional Christian axiom of divine immutability. In the course of outlining the distinctiveness of von Balthasar's approach, O'Hanlon introduces the reader to some of the fundamental themes of one of the major Roman Catholic theologians of this century, who is still relatively unknown in the English-speaking world.

Scientific accounts of existence give chance a central role. At the smallest level, quantum theory involves uncertainty and evolution is driven by chance and necessity. These ideas do not fit easily with theology in which chance has been seen as the enemy of purpose. One option is to argue, as proponents of Intelligent Design do, that chance is not real and can be replaced by the work of a Designer. Others adhere to a deterministic theology in which God is in total control. Neither of these views, it is argued, does justice to the complexity of nature or the greatness of God. The thesis of this book is that chance is neither unreal nor non-existent but an integral part of God's creation. This view is expounded, illustrated and defended by drawing on the resources of probability theory and numerous examples from the natural and social worlds.

This book is an interesting contribution to the philosophy of religion. It offers a comprehensive discussion of one of the most famous arguments for the existence of God: the ontological argument. The author provides and analyses a critical taxonomy of those versions of the argument that have been advanced in recent philosophical literature, as well as of those historically important versions found in the work of St Anselm, Descartes, Leibniz, Hegel and others. A central thesis of the book is that ontological arguments have no value in the debate between theists and atheists. There is a detailed review of the literature on the topic (separated from the main body of the text) and a very substantial bibliography, making this volume an indispensable resource for philosophers of religion and others interested in religious studies.

This book attempts to make a contribution to the New Testament doctrine of the Spirit, with special reference to the paraclete problem. Dr Johnston begins with the use of the word 'spirit' in the Gospel of John and treats it as primarily 'impersonal'. It denotes divine power or energy. God acts by his spirit, both to create and to redeem. The Fourth Evangelist shows Jesus as the incarnate Word, a man uniquely inspired, whose absence after death is compensated for by an outburst of spiritual powers in his Church. The paraclete is representative of God or of Christ, and the Johannine teaching is that no angelmediator, no holy 'spirit' like the Archangel Michael, can take Christ's place. But truly inspired leaders - acting as teachers, exegetes, martyrs - and the inspired Church itself as a communion of love do embody the spirit-paraclete and do continue to represent Jesus. Special attention is paid to recent research on this subject, mainly in the area of the Dead Sea Scrolls. Dr Johnston argues that in insisting that the true spirit-paraclete must always exalt and interpret Jesus of Nazareth as the final revelation of God in man, John was in fact combating heretical views.

After the subject" and beyond Heideggerian ontology, Marion suggests, there is the sheer givenness of phenomena without condition. In theology, this liberation means rethinking God in terms of phenomena such as love, gift, and excess. In addition to an important essay by Marion, "The Reason of the Gift," and a dialogue between Marion and Richard Kearney, this book contains stimulating essays by ten other contributors: Lilian Alweiss, Eoin Cassidy, Mark Dooley, Brian Elliott, Ian Leask, Shane Mackinlay, Derek Morrow, John O'Donohue, Joseph S. O'Leary, and Felix O Murchadha.

An appropriate motto for Augustine's great work On the Trinity is 'faith in search of understanding'. In this treatise Augustine offers a part-theological, part-philosophical account of how God might be understood in analogy to the human mind. On the Trinity can be fairly described as the first modern philosophy of mind: it is the first work in philosophy to recognize the 'problem of other minds', and the first to offer the 'argument from analogy' as a response to that problem. Other subjects that it discusses include the nature of the mind and the nature of the body, the doctrine of 'illumination', and thinking as inner speech. This volume presents the philosophical section of the work, and in a historical and philosophical introduction Gareth Matthews places Augustine's arguments in context and assesses their influence on later thinkers.

Systematic Theology is the capstone of Robert Jenson's long and distinguished career as a theologian, being a full-scale systematic/dogmatic theology in the classic format. This is the second and concluding volume of the work. Here, Jenson considers the works of God, examining such topics as the nature and role of the Church, and God's works of creation.

Baruch Spinoza’s Ethics is a dense masterpiece of sustained argumentative reasoning. It earned its place as one of the most important and influential books in Western philosophy by virtue of its uncompromisingly direct arguments about the nature of God, the universe, free will, and human morals.

Though it remains one of the densest and most challenging texts in the entire canon of Western philosophy, Ethics is also famous for Spinoza’s unique approach to ordering and constructing its arguments. As its full title – Ethics, Demonstrated in Geometrical Order – suggests, Spinoza decided to use the rigorous format of mathematical-style propositions to lay out his arguments, just as the Ancient Greek mathematician Euclid had used geometrical propositions to lay out the basic rules of geometry.

In choosing such a systematic method, Spinoza’s masterwork shows the crucial aspects of good reasoning skills being employed at the highest level. The key use of reasoning is the production of an argument that is well-organised, supports its conclusions and proceeds logically towards its end. Just as a mathematician might demonstrate a geometrical proof, Spinoza sought to lay out a comprehensive philosophy for human existence – an attempt that has influenced generations of philosophers since.

Focusing on the central striking claim that there is something rather than nothing - that all necessity is consequent - Tritten engages with a wide range of ancient as well as contemporary philosophers including Quentin Meillassoux, Richard Kearney, Friedrich Schelling, Emile Boutroux and Markus Gabriel. He examines the ramifications of this truth arguing that even reason and God, while necessary according to essence, are utterly contingent with respect to existence.

Two closely related questions receive distinctively theological answers in this study: What is truth? and How can we tell whether what we have said is true? Bruce Marshall proposes that the Christian community's identification of God as the Trinity serves as the key to a theologically adequate treatment of these questions. Professor Marshall argues on trinitarian grounds that the Christian way of identifying God ought to have unrestricted primacy when it comes to the justification of belief, and he proposes a trinitarian way of reshaping the concept of truth. Direct engagement with the current philosophical debate about truth, meaning and belief (in Quine and others) suggests that a trinitarian account of epistemic justification and truth is also more philosophically compelling than the approaches generally favoured in modern theology, as exemplified by Schleiermacher, Ritschl, Rahner and others. Marshall offers a contemporary way of conceiving of the Christian God as 'the truth'.

This book is about the problem of truth: what truth is, and how we can tell whether what we have said is true. Bruce Marshall approaches this problem from the standpoint of Christian theology, and especially that of the doctrine of the Trinity. The book offers a full-scale theological account of what truth is and whether Christians have adequate grounds for regarding their beliefs as true. Unlike most theological discussions of these issues, the book is also extensively engaged with the modern philosophical debate about truth and belief.

What do the great world religions say about the soul and its ultimate destiny? This book presents the beliefs of six major traditions about human nature, the way to immortality, and the end of the world. It offers a major philosophical analysis of beliefs in reincarnation and the resurrection of the body. Finally it constructs a Christian interpretation, in the light of scientific knowledge and a global religious worldview.

Richard Swinburne offers an answer to one of the most difficult problems of religious belief: why does a loving God allow humans to suffer so much? Swinburne argues that God wants much more for us than pleasure or freedom from suffering: he wants us to learn and to love, to make the choices which make great differences for good or evil to each other, to form our characters in the way we choose; above all, to be of great use to each other. If we are to have all this, there will inevitably be suffering for the short period of our lives on Earth. Because of the good that God gives to humans in this life, and makes possible, through our choice, thereafter, he does not wrong us in allowing suffering. Providence and the Problem of Evil is the final instalment of Swinburne's acclaimed four-volume philosophical examination of Christian doctrine.

Educated people have become bereft of sophisticated ways to develop their religious inclinations. A major reason for this is that theology has become vague and dull. In The Character of God, author Thomas E. Jenkins maintains that Protestant theology became boring by the late nineteenth century because the depictions of God as a character in theology became boring. He shows how in the early nineteenth century, American Protestant theologians downplayed biblical depictions of God's emotional complexity and refashioned his character according to their own notions, stressing emotional singularity. These notions came from many sources, but the major influences were the neoclassical and sentimental literary styles of characterization dominant at the time. The serene benevolence of neoclassicism and the tender sympathy of sentimentalism may have made God appealing in the mid-1800s, but by the end of the century, these styles had lost much of their cultural power and increasingly came to seem flat and vague. Despite this, both liberal and conservative theologians clung to these characterizations of God throughout the twentieth century.
Jenkins argues that a way out of this impasse can be found in romanticism, the literary style of characterization that supplanted neoclassicism and sentimentalism and dominated American literary culture throughout the twentieth century. Romanticism emphasized emotional complexity and resonated with biblical depictions of God. A few maverick religious writers-- such as Harriet Beecher Stowe, W. G. T. Shedd, and Horace Bushnell--did devise emotionally complex characterizations of God and in some cases drew directly from romanticism. But their strange andsometimes shocking depictions of God were largely forgotten in the twentieth century. s use "theological" as a pejorative term, implying that an argument is needlessly Jenkins urges a reassessment of their work and a greaterin understanding of the relationship between theology and literature. Recovering the lost literary power of American Protestantism, he claims, will make the character of God more compelling and help modern readers appreciate the peculiar power of the biblical characterization of God.

The belief that the earliest humans worshipped a sovereign, nurturing, maternal earth goddess is a popular one. It has been taken up as fact by the media, who routinely depict modern goddess-worshippers as "reviving" the ancient religions of our ancestors. Feminist scholars contend that, in the primordial religions, the Great Mother was honored as the primary, creative force, giving birth to the world, granting fertility to both crops and humans, and ruling supreme over her family pantheon. The peaceful, matriarchal farming societies that worshipped her were eventually wiped out or subjugated by nomadic, patriarchal warrior tribes such as the early Hebrews, who brought their male God to overthrow the Great Mother: the first step in the creation and perpetuation of a brutal, male-dominated society and its attendant oppression and degradation of women.
In The Faces of the Goddess, Lotte Motz sets out to test this hypothesis by examining the real female deities of early human cultures. She finds no trace of the Great Mother in their myths or in their worship. From the Eskimos of the arctic wasteland, whose harsh life even today most closely mirrors the earliest hunter gatherers, to the rich cultures of the sunny Fertile Crescent and the islands of Japan, Motz looks at a wide range of goddesses who are called Mother, or who give birth in their myths. She finds that these goddesses have varying origins as ancestor deities, animal protectors, and other divinities, rather than stemming from a common Mother Goddess archetype. For instance, Sedna, the powerful goddess whose chopped-off fingers became the seals and fish that were the Eskimos' chief source of food, had nothing to do with humanfertility. Indeed, human motherhood was held in such low esteem that Eskimo women were forced to give birth completely alone, with no human companionship and no helpful deities of childbirth. Likewise, while various Mexican goddesses ruled over healing, women's crafts, motherhood and childbirth, and functioned as tribal protectors or divine ancestors, none of them either embodied the earth itself or granted fertility to the crops: for that the Mexicans looked to the male gods of maize and of rain. Nor were the rituals of these goddesses nurturing or peaceful. The goddess Cihuacoatl, who nurtured the creator god Quetzalcoatl and helped him create humanity, was worshipped with human sacrifices who were pushed into a fire, removed while still alive, and their hearts were cut out. And Motz closely examines the Anatolian goddess Cybele, the "Magna Mater" most often cited as an example of a powerful mother goddess. Hers were the last of the great pagan mysteries of the Mediterranean civilizations to fall before Christianity. But Cybele herself never gives birth, nor does she concern herself with aiding women in childbirth or childrearing. She is not herself a mother, and the male character figuring most prominently in her myths is Attis, her chaste companion. Tellingly, Cybele's priests dedicate themselves to her by castrating themselves, thus mimicking Attis's death--a very odd way to venerate a goddess of fertility.
To depict these earlier goddesses as peaceful and nurturing mothers, as is often done, is to deny them their own complex and sophisticated nature as beings who were often violent and vengeful, delighting in sacrifice, or who reveled in their eroticism and were worshipped asharlots. The idea of a nurturing Mother Goddess is very powerful. In this challenging book, however, Motz shows that She is a product of our own age, not of earlier ones. By discarding this simplistic and worn-out paradigm, we can open the door to a new way of thinking about feminine spirituality and religious experience.