Biblical scholarship today is divided between two mutually exclusive concepts of the emergence of monotheism: an early-monotheistic Yahwism paradigm and a native-pantheon paradigm. This study identifies five main stages on Israel's journey towards monotheism. Rather than deciding whether Yahweh was originally a god of the Baal-type or of the El-type, this work shuns origins and focuses instead on the first period for which there are abundant sources, the Omride era. Non-biblical sources depict a significantly different situation from the Baalism the Elijah cycle ascribes to King Achab. The novelty of the present study is to take this paradox seriously and identify the Omride dynasty as the first stage in the rise of Yahweh as the main god of Israel. Why Jerusalem later painted the Omrides as anti-Yahweh idolaters is then explained as the need to distance itself from the near-by sanctuary of Bethel by assuming the Omride heritage without admitting its northern Israelite origins. The contribution of the Priestly document and of Deutero-Isaiah during the Persian era comprise the next phase, before the strict Yahwism achieved in Daniel 7 completes the emergence of biblical Yahwism as a truly monotheistic religion.

Stephanie Day Powell illuminates the myriad forms of persuasion, inducement, discontent, and heartbreak experienced by readers of Ruth. Writing from a lesbian perspective, Powell draws upon biblical scholarship, contemporary film and literature, narrative studies, feminist and queer theories, trauma studies and psychoanalytic theory to trace the workings of desire that produced the book of Ruth and shaped its history of reception. Wrestling with the arguments for and against reading Ruth as a love story between women, Powell gleans new insights into the ancient world in which Ruth was written. Ruth is known as a tale of two courageous women, the Moabite Ruth and her Israelite mother-in-law Naomi. As widows with scarce means of financial or social support, Ruth and Naomi are forced to creatively subvert the economic and legal systems of their day in order to survive. Through exceptional acts of loyalty, they, along with their kinsman Boaz, re-establish the bonds of family and community, while preserving the line of Israel's great king David. Yet for many, the story of Ruth is deeply dissatisfying. Scholars increasingly recognize how Ruth's textual "gaps" and ambiguities render conventional interpretations of the book's meaning and purpose uncertain. Feminist and queer interpreters question the appropriation of a woman's story to uphold patriarchal institutions and heteronormative values. Such avenues of inquiry lend themselves to questions of narrative desire, that is, the study of how stories frame our desires and how our own complex longings affect the way we read.

Mayer I. Gruber provides a new commentary on and translation of Hosea. Building upon his work that debunked the myth of sacred prostitution, Gruber now goes on to show that the book of Hosea repeatedly advocates a single standard of marital fidelity for men and women and teaches cheated women to fight back. Gruber employs the latest and most precise findings of lexicography and poetics to solve the difficulties of the text and to determine both how Hosea can be read and what this means. The translation differs from classical and recent renderings in eliminating forms and expressions, which are neither modern English nor ancient Hebrew. Referring to places, events, and material reality of the 9th and 8th centuries BCE, Gruber uncovers the abiding messages of the heretofore obscure book of Hosea. As in previous studies, Gruber employs the insights of behavioral sciences to uncover forgotten meanings of numerous allusions, idioms, similes, and metaphors. Judicious use is made also of textual history, reception history, and personal voice criticism. One of the least biblical books now speaks more clearly to present and future audiences than it did to many previous audiences.

The Body As Property indicates that physical disfigurement functioned in biblical law to verify legal property acquisition, when changes in the status of dependents were formalized. It is based on the reality the cuneiform script, in particular, was developed in Sumer and Mesopotamia for the purpose of record keeping: to provide legal proof of ownership where the inscription of a tablet evidenced the sale, or transfer, of property. Legitimate property acquisition was as important in biblical law, where physical disfigurements marked dependents, in a similar way that the veil or the head covering identified a wife or concubine in ancient Assyrian and Judean societies. This is primarily substantiated in the accounts of prescriptive disfigurements: namely circumcision and the piercing of a slave's ear, both of which were required only when a son, or slave, was acquired permanently. It is further argued that legal entitlement was relevant also to the punitive disfigurements recorded in Exodus 21:22-24, and Deuteronomy 25:11-12, where the physical violation of women was of concern solely as an infringement of male property rights.

Sight and Insight shows how prominent are terms from the semantic field of sight in the book of Genesis. They are constantly found in openings, at turning points, and as constituents in place-names and personal names. Because of their presence at strategic points in the plot of Genesis, words of sight enhance cohesion among the narratives of the book. From the beginning of time, according to Genesis, there have been numerous instances of seeing on the part of both God and humans. But as Genesis progresses, God gradually becomes more hidden and his seeing gives place to human perception. These observations are built upon a sound theoretical foundation, outlined in the opening chapter, which provides a clear definition of the concept of 'semantic field' and an explanation of related semantic terms such as 'frames' and 'prototypes'. Subsequent chapters identify the words that can be assigned to the 'sight' field, examine the deployment of the sight field in individual narratives in Genesis, and study the sight field over larger sections of the book. This is the sixth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and Hebrew Bible Monographs.

Among the books of the Old Testament, the book of Esther presents significant interpretive problems. The book has been preserved in Greek and Hebrew texts that diverge greatly from each other. As a result, Jews and Protestants usually read a version of the book of Esther that is several chapters shorter than the one in most Catholic and Orthodox Bibles. Jon D. Levenson capably guides the reader through both the longer Greek version and the shorter Hebrew one, demonstrating their coherence and their differences.This commentary listens to the voices of modern scholarship as well as rabbinic interpretation, providing a wealth of interpretive results.

Michael R. Stead introduces the books of Haggai, Zechariah, and Malachi in light of the latest biblical scholarship. Over the past four decades, there has been an explosion of interest in the postexilic prophets and their role within the Book of the Twelve, which has coincided with paradigm shifts in biblical studies generally. This study guide integrates insights from both historio-critical and literary approaches to examine the authorship, form, structure, and composition of these texts. In particular, this guide explores how the intertextual connections with other scriptures help to shape their meaning. It includes a concise section-by-section overview that highlights key interpretive issues and guides readers in their approach to the text.

This volume examines the stories of Genesis in music, showing how musical settings can illuminate many of the Bible's most noted tales. Helen Leneman studies oratorios, operas and songs (as well as their librettos) to shed light on how Genesis has been understood and experienced over time. Examining an extensive range of musical settings of stories from the book of Genesis, Leneman offers an overview of chiefly 19th and 20th century musical engagements with this biblical text. Leneman first discusses how Eve's inner thoughts are explored by noted French composers Jules Massenet and Gabriel Faure. The text then enters the deep waters of Noah's flood in examination of several compositions, including two unusual settings by Igor Stravinsky and Benjamin Britten, as well as more conventional settings by Saint-Saens and Donizetti. Two major 19th century oratorio settings of Abraham's story by lesserknown German composers Martin Blumner and Karl Mangold provide fascinating illuminations of the Abraham narratives, whereas parts of Rebecca's story are found in works by Cesar Franck, Ferdinand Hiller, and most unusually, by a French woman composer, Celanie Carissan. Finally, Leneman shows how Joseph's story was set in numerous oratorios (including by Handel) but that one of the most important works based on his story is an opera by 18th century French composer Etienne Mehul. In addition to discussing these larger 19th century works, Leneman also examines several interesting atonal 20th century works based on the stories of Eve and the Flood, shedding new light on the history of the interpretation of the Book of Genesis.

Antonios Finitsis provides a distinctive view social worldview and message of Zechariah. Zechariah 1-6 is unlike most of the prophets in the Hebrew Bible. He is pro-establishment and he conveys his message mostly with visions. These observations have led to scholarly disagreements as to how one should understand his role. Antonios Finitsis mediates this disagreement by triangulating the relationship of Zechariah's visionary mode of expression, his message and his function. Zechariah has often been seen as a link between prophecy and apocalypticism. However, Finitsis argues again assuming the presence of this link - warning against the potential for reductionist thinking. Furthermore, Proto-Zechariah's viewpoint is particular to the post-exilic social setting. His visions are influenced by the social circumstances in which they are expressed. Proto-Zechariah refers to the near future using elements from the community's present. Therefore, Finitsis defines the message of Proto-Zechariah one of restoration eschatology, suggesting that the text is addressed to a small province plagued by inner-community conflicts. The text succeeds in alleviating social discord by empowering the people to rebuild their community. This presents a unique and challenging understand of Zechariah's prophetic role. "The Library of Second Temple Studies" is a premier book series that offers cutting-edge work for a readership of scholars, teachers, postgraduate students and advanced undergraduates in the field of Second Temple studies. All the many and diverse aspects of Second Temple study are represented and promoted, including innovative work from historical perspectives, studies using social-scientific and literary theory, and developing theological, cultural and contextual approaches.

A key text in the study of the minor prophets, this volume by distinguished academic William Rainey Harper offers a comprehensive look at the pre-prophetic movement, and in-depth analysis of meaning and literary form in these prophetic works.

The book of Chronicles, the last book of the Hebrew Bible and a central historical book of the Christian Old Testament, has in recent decades gone from being "the Cinderella of biblical studies" to being one of the most researched books of the Bible. The anonymous author, often simply called "the Chronicler" by modern scholars, looks back at the old Israelite monarchy, before the Babylonian exile, from his vantage point in the post-exilic early Second Temple Period, and attempts to "update" the older historiographies of Samuel and Kings in order to elucidate their meaning to the people of his own time. In The Chronicles of the Kings of Judah, Yigal Levin does the same for the modern reader. He offers a brand-new translation and commentary on 2 Chronicles chapters 10-36, tracing the "sacred history" of the monarchy from the division of Solomon's kingdom to the final exile and return. Each chapter is translated from the original Hebrew into an English that is both faithful to the original and easy for the modern reader to follow. Extensive footnotes provide full explanations of the translator's choices and of linguistic and literary issues, taking note of alternative versions offered by a wide array of ancient and modern versions and translations. The comprehensive commentary on each section provides historical background and explains the text both on a literary and a historical level, making full use of the most up-to-date research on the text, literature, history, geography and on the archaeological background of the biblical world. The Chronicles of the Kings of Judah is to be followed by The Chronicles of David and Solomon on 1 Chronicles 10 - 2 Chronicles 9, and then by The Chronicles of All Israel on the genealogies of 1 Chronicles 1-9 and including comprehensive essays on the book of Chronicles, its time, purposes, methods and meanings.

Since the seventies, no study has examined the methodologies of Josephus' rewriting of an entire biblical book as part of his Judean Antiquities. This book attempts to fill this vacuum by exploring Josephus' adaptation of the books of Samuel, penetrating the exegetical strategies he employs to modify the biblical stories for his intended audience. Through meticulous comparison of the biblical narrative and Josephus' Antiquities, broader issues - such as Josephus' attitude towards monarchy and women - gradually come to light, challenging long-held assumptions. This definitive exploration of Josephus' rewriting of Samuel illuminates the encounter between the ancient texts and its relevance to scholarly discourse today.

In this book, Trevaskis argues that holiness in Leviticus always has an ethical dimension, and is not simply a cultic category. In so doing he departs from the usual view that in Leviticus 1-16 (P) holiness is largely a cultic concept. Biblical scholars have commonly read ritual texts as practical instruction or prescription, inferring the theological significance of the rituals from elsewhere. For example, theological interpretations of the 'burnt offering' have been derived from its use in narrative settings (e.g. Gen. 8.20; 22.13) rather than from its legal prescription in Leviticus 1. Trevaskis, however, argues that an implicit command to be holy exists within some ritual texts in Leviticus, which are more than mere ritual prescriptions. It is in the symbolic dimensions of the rituals that the theological significance lies. In support of this argument, he undertakes exegetical studies of the 'burnt offering' (Leviticus 1), of the 'purity regulations' (Leviticus 11_15) and of the physical appearance of priests and sacrificial animals (Leviticus 21-22). These studies take place within a methodological framework that avoids capricious symbolic interpretations. Trevaskis draws on cognitive linguistic insights to discern when a text may allude to other texts within the Pentateuch (especially Genesis 1-3), and attends to the legislator's use of various rhetorical devices (e.g. 'rhetorical progression'). Since the command to 'be holy' in Leviticus 17-26 (H) only makes explicit what P leaves implicit in Leviticus 1-16, this study has important implications for the compositional history of Leviticus. It becomes much less clear that H's ethical view of holiness developed from a prophetic critique of P (as Milgrom and Knohl, for example, argue).

This collection of eighteen essays addresses critical theological and ethical issues in the book of Job: (1) Prologue: From Eden to Uz; (2) Job and His Friends: "What Provokes You that You Keep on Talking?"; (3) Job and the Priests: "Look At Me and Be Appalled;" (4) Traumatizing Job: "God Has Worn Me Out;" (5) Out of the Whirlwind: "Can You Thunder with A Voice Like God's?"; (6) Preaching Job and Job's God: "Listen Carefully to My Words;" (7) Epilogue: "All's Well That Ends Well" ... or Is it? The lead essay raises the question that lingers over the entire book: What are we to think of a God who is complicit in the death of seven sons and three daughters "for no reason"?