Children of many generations have been greatly impressed by the story of Yona in the belly of the whale and imagined the deep darkness of the "big fish" and the miraculous landing on safe shore. But the Book of Yona also contains a different story. The Christian, the Judaic and the Islamic narrative all show: this prophet must have been a rather stubborn man: He knew how to tell right from wrong and he was ready to bet not only his own life but the life and welfare of others on this truth. This chamber opera explores what such a strong sense of justice could have meant to his own family and the neighbors in his village. How did it affect his traveling companions on the boat when he run away from God's command and headed for Tarshish, the farthest place he could imagine? What did the people of Jerusalem, whom he warned first as a messenger of God, make of Yona? How did the people of Nineveh, who were rescued from destruction by his prophesies, see this man? While all the above people are mentioned in the traditional legends, they appear in Yona as individual characters. The story is narrated from the perspective of Yona's fictitious daughter Shachar (morning, dawn). The scenes of the opera are all set in Yona's house. The time is right after the funeral of the prophet, while his daughter is sitting the seven days of Shiva for her father.

John Deathridge presents a different and critical view of Richard Wagner based on recent research that does not shy away from some unpalatable truths about this most controversial of composers in the canon of Western music. Deathridge writes authoritatively on what Wagner did, said, and wrote, drawing from abundant material already well known but also from less familiar sources, including hitherto seldom discussed letters and diaries and previously unpublished musical sketches.At the same time, Deathridge suggests that a true estimation of Wagner does not lie in an all too easy condemnation of his many provocative actions and ideas. Rather, it is to be found in the questions about the modern world and our place in it posed by the best of his stage works, among them Tristan und Isolde and Der Ring des Nibelungen. Controversy about Wagner is unlikely to go away, but rather than taking the line of least resistance by regarding him blandly as a "classic" in the Western art tradition, Deathridge suggests that we need to confront the debates that have raged about him and reach beyond them, toward a fresh and engaging assessment of what he ultimately achieved.

Title: Alessandro, HWV 21 Composer: George Frideric Handel Original Publisher: Deutsche Handelgesellschaft The complete orchestral score to Handel's Alessandro (HWV 21) as edited by Friedrich Chrysander and originally published as part of the Deutsche Handelgesellschaft (Band 72) in 1877. Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth."

Title: Poro, re dell'Indie, HWV 28 Composer: George Frideric Handel Original Publisher: Deutsche Handelgesellschaft The complete score to Handel's Poro, re dell'Indie, HWV 28, as edited by Friedrich Chrysander and originally published as part of the Deutsche Handelgesellschaft, Band 79, in 1880. Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth."

The inspirational story of Kathleen Ferrier, whose reputation as the greatest lyric contralto of the 20th century is something rarely disputed, is told here with compelling insight and perception. Drawing on a variety of sources--from photographs, diaries, and private letters, to the memoirs and recollections of those who knew her best--this study charts her life from her humble beginnings as a telephone operator in Blackburn to the height of international fame as one of the world's leading concert artists. Despite having no formal musical training, Kathleen worked with all the celebrated conductors of the time, and is remembered for her performances of Brahms, Schubert, and Mahler, as well as a handful of operatic roles before her untimely death at the age of 41. Enlarging considerably on many alternative biographies, this excellent account captures the warmth, humor, and charm of a figure whose astonishing life and career proved to be all too brief.

This Is A New Release Of The Original 1911 Edition.

This Is A New Release Of The Original 1906 Edition.