Grounded in ethnographic and archival research on the Indonesian island of Bali, More Than Words challenges conventional understandings of textuality and writing as they pertain to the religious traditions of Southeast Asia. Through a nuanced study of Balinese script as employed in rites of healing, sorcery, and self-defense, Richard Fox explores the aims and desires embodied in the production and use of palm-leaf manuscripts, amulets, and other inscribed objects. Balinese often attribute both life and independent volition to manuscripts and copperplate inscriptions, presenting them with elaborate offerings. Commonly addressed with personal honorifics, these script-bearing objects may become partners with humans and other sentient beings in relations of exchange and mutual obligation. The question is how such practices of "the living letter" may be related to more recently emergent conceptions of writing—linked to academic philology, reform Hinduism, and local politics—which take Balinese letters to be a symbol of cultural heritage, and a neutral medium for the transmission of textual meaning. More than Words shows how Balinese practices of apotropaic writing—on palm-leaves, amulets, and bodies—challenge these notions, and yet coexist alongside them. Reflecting on this coexistence, Fox develops a theoretical approach to writing centered on the premise that such contradictory sensibilities hold wider significance than previously recognized for the history and practice of religion in Southeast Asia and beyond.

The Last Language on Earth is an ethnographic history of the disputed Eskayan language, spoken today by an isolated upland community living on the island of Bohol in the southern Philippines. After Eskaya people were first 'discovered' in 1980, visitors described the group as a lost tribe preserving a unique language and writing system. Others argued that the Eskaya were merely members of a utopian rural cult who had invented their own language and script. Rather than adjudicating outsider polemics, this book engages directly with the language itself as well as the direct perspectives of those who use it today. Through written and oral accounts, Eskaya people have represented their language as an ancestral creation derived from a human body. Reinforcing this traditional view, Piers Kelly's linguistic analysis shows how a complex new register was brought into being by fusing new vocabulary onto a modified local grammar. In a synthesis of linguistic, ethnographic, and historical evidence, a picture emerges of a coastal community that fled the ravages of the U.S. invasion of the island in 1901 in order to build a utopian society in the hills. Here they predicted that the world's languages would decline leaving Eskayan as the last language on earth. Marshalling anthropological theories of nationalism, authenticity, and language ideology, along with comparisons to similar events across highland Southeast Asia, Kelly offers a convincing account of this linguistic mystery and also shows its broader relevance to linguistic anthropology. Although the Eskayan situation is unusual, it has the power to illuminate the pivotal role that language plays in the pursuit of identity-building and political resistance.