Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Hahnemuhle Velour is an artist-quality 260gsm pastel paper which is both acid-free and archival. It is composed of an acid-free backing sheet which has been coated with inert synthetic fibres. This gives the surface a velvety feel which has sufficient tooth to hold soft pastel, as well as oil pastel, charcoal or soft pencils.Because Velour can hold a lot of pastel, it is perfect for painterly pastel artists who create works with soft edges.This is a single sheet of Hahnemuhle Velour, measuring 50x70cm in the colour Yellow.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on. This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache. Please note: the minimum order quantity for the paper in this range is 5 sheets.

Available in 50 colours, Mi-Teintes® has all the characteristics of a genuine art paper. Buffered, manufactured acid-free in a neutral environment, it offers excellent protection against ageing. Pulp-dyed, colours are light-resistant and its high cotton content makes it both robust and flexible.
With its two surfaces, Mi-Teintes® has nothing but good sides! One side has a honeycomb grain, contributing to its personality, that easily retains the pigments. The other side has a fine grain, ideal for pencil and charcoal.
Mi-Teintes® meets all your requirements and is also suitable for art and craft.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibers, has the ability to grab and hold multiple layers of even the softest pastels. Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast. Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques. This Pastelmat Pad No.4 contains twelve sheets; three each of Burgundy, Light Blue, Dark Blue and Sand.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 10 Medium Grit Sheets in Slate, each sheet measures 20x26in. 320 Grit, 145lb (310gsm)

Ampersand Museum Series Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper, except more durable and more versatile. It can be used with wet or dry traditional pastel techniques or with acrylics, and more. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

Clairefontaine Ingres is a laid paper, which means that the surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper.This sheet is made of cotton and is naturally acid-free. It measures 50x65cm and is of the following colour: Blue.

Ampersand Museum Series Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper, except more durable and more versatile. It can be used with wet or dry traditional pastel techniques or with acrylics, and more. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.