High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

Ampersand : Pastelbord Panel : White : 12x12in

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

This is a Pastelmat top bound pad of 12 sheets of coloured card in anthracite black, the dark ground is guaranteed to emphasise the intensity and brightness of pastel paintings. Each sheet is protected by an interleaf.Pastelmat is a premium 360 gsm card surface with a unique velvety texture made from a fine coating of cellulose fibres, which has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative so that colours remain vibrant. It has the added bonus of being gentle on both fingers and blending tools. Though it was designed for pastellists, Pastelmat is suitable for all dry media, from pastel sticks and pencils to charcoal. It is also water resistant which means that it can be used with wet media such as acrylics or watercolour. It comes in a range of colours, all of which are acid free and lightfast.This pad measures 24 x 30cm.Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibers, has the ability to grab and hold multiple layers of even the softest pastels. Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast. Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.This Red Label Pastelmat Pad contains twelve white Pastelmat sheets.Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

Ampersand Museum Series Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper, except more durable and more versatile. It can be used with wet or dry traditional pastel techniques or with acrylics, and more. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface.

Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.

Ampersand Museum Series Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper, except more durable and more versatile. It can be used with wet or dry traditional pastel techniques or with acrylics, and more. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Ampersand : Pastelbord Panel : White : 9x12in

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on. This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache. Please note: the minimum order quantity for the paper in this range is 5 sheets.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.