This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This high tooth texture pastel card is made from a thin layer of finely ground vegetable fibres (fine cork particles) which gives a velvety grain surface and decreases the need for fixative. Surface sheet, backing board & adhesives are acid free but are not neccesarily lightfast.

Contents Include: 12 x Sennelier Soft Pastel Card Sheets
2 x Antique White 001
2 x Sand 002
2 x Sienna 003
2 x Light Blue 010
2 x Light Grey 012
2 x Charcoal 014

Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 10 Fine Grit Sheets in White, each sheet measures 20"x26" - (50. 8cm x 66cm) 320 Grit, 145lb (310gsm)

Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 10 Medium Grit Sheets in Buff, each sheet measures 20x26in. 320 Grit, 145lb (310gsm)

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.