Hahnemuhle Velour is an artist-quality 260gsm pastel paper which is both acid-free and archival. It is composed of an acid-free backing sheet which has been coated with inert synthetic fibres. This gives the surface a velvety feel which has sufficient tooth to hold soft pastel, as well as oil pastel, charcoal or soft pencils.Because Velour can hold a lot of pastel, it is perfect for painterly pastel artists who create works with soft edges.This is a single sheet of Hahnemuhle Velour, measuring 50x70cm in the colour Middle Grey.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on. This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache. Please note: the minimum order quantity for the paper in this range is 5 sheets.

Mi-Teintes is a paper with a ‘vellum’ texture on the top side and a flat surface on the reverse. Both sides of the paper (textured and flat) are suitable for pastel, oil pastel, chalk, pencil, watercolour, and acrylic. Mi-Teintes paper is best suited to pastel paintings and tonal dry media drawings. The paper is a heavy 98 lb (160 gsm).

These 16-sheet spiral bound paper pads have ultra-smooth glassine slip-sheets between each page to protect drawings from smudging. These paper pads are available in two popular standard sizes.

Strathmore 400 Pastel Paper Pads have a textured finish and subtle colours, making them ideal for soft or hard pastel, as well as oil pastels. The surface is artist grade and acid-free for archival purposes.Strathmore 400 Series Pastel Paper Pad comes with sheets in assorted tints including white, cream, blue, green, light pink and brown.Suitable media applications include: Graphite pencil, coloured pencil, charcoal, sketching stick, soft pastel, mixed media and oil pastel.Size: 11in x 14inWeight: 80lb / 118gsm Sheets: 24 (Assorted colours; 4 sheets of each colour including white, cream, blue, green, light pink and brown)Surface: TexturedPad: Glue bound

Strathmore 400 Pastel Paper Pads have a textured finish and subtle colours, making them ideal for soft or hard pastel, as well as oil pastels. The surface is artist grade and acid-free for archival purposes.Strathmore 400 Series Pastel Paper Pad comes with sheets in assorted tints including white, cream, blue, green, light pink and brown.Suitable media applications include: Graphite pencil, coloured pencil, charcoal, sketching stick, soft pastel, mixed media and oil pastel.Size: 11in x 14inWeight: 80lb / 118gsm Sheets: 24 (Assorted colours; 4 sheets of each colour including white, cream, blue, green, light pink and brown)Surface: TexturedPad: Glue bound

Strathmore 400 Series Toned Mixed Media pad is a gummed pad with fifteen sheets of 300gsm heavyweight 'hybrid' paper. This versatile paper combinches the strength of watercolour paper with the finish of a drawing paper. It is suitable for all wet and dry media. Because the paper is available in two mid-tone colours “Tan and Grey“ it is especially suitable for use with hard pastels, chalk and watercolour, where both highlights and lowlights can be applied. The paper is 100% recycled, acid-free and artist-quality.This is a Toned Tan 400 Series Mixed Media Pad measuring 6x8in.

This high tooth texture pastel card is made from a thin layer of finely ground vegetable fibres (fine cork particles) which gives a velvety grain surface and decreases the need for fixative. Acid-free and lightfast. With glassine interleaving to protect the sheets. Not for use with water-based mediums.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on. This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache. Please note: the minimum order quantity for the paper in this range is 5 sheets.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Sanded pastel paper accepts a wide variety of media for underpainting without compromising the tooth. You can layer, correct and create without impairing the paper or your piece. In addition, the manufacturing process guarantees a consistent surface so your work looks flawless from corner to corner. Difference between grades:400 – a favorite of many professional pastel artists and ideal for those trying UART for the first time500 – a moderate tooth for any medium600 – perfect for those with a focus on detailed work800 – finest tooth, popular for super fine pastel or colored pencil application

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.

High quality drawing paper from Fabriano. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This is a Pastelmat top bound pad of 12 sheets of coloured card in four different colours: dark green, light blue, dark blue and white. Each sheet is protected by an interleaf.Pastelmat is a premium 360 gsm card surface with a unique velvety texture made from a fine coating of cellulose fibres, which has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative so that colours remain vibrant. It has the added bonus of being gentle on both fingers and blending tools. Though it was designed for pastellists, Pastelmat is suitable for all dry media, from pastel sticks and pencils to charcoal. It is also water resistant which means that it can be used with wet media such as acrylics or watercolour. It comes in a range of colours, all of which are acid free and lightfast.This pad measures 18 x 24cm.Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State.

This is a Pastelmat top bound pad of 12 sheets of coloured card in anthracite black, the dark ground is guaranteed to emphasise the intensity and brightness of pastel paintings. Each sheet is protected by an interleaf.Pastelmat is a premium 360 gsm card surface with a unique velvety texture made from a fine coating of cellulose fibres, which has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative so that colours remain vibrant. It has the added bonus of being gentle on both fingers and blending tools. Though it was designed for pastellists, Pastelmat is suitable for all dry media, from pastel sticks and pencils to charcoal. It is also water resistant which means that it can be used with wet media such as acrylics or watercolour. It comes in a range of colours, all of which are acid free and lightfast.This pad measures 24 x 30cm.Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State.

Sennelier Pastel Card Mixed Media Pad contains 12 sheets of heavyweight paper with a slightly granulated, sand-like texture. This 410gsm paper is perfect for all dry drawing techniques as well as mixed media and it is water and solvent-resistant. The textured surface allows for painting without fixative.

This high tooth texture pastel card is made from a thin layer of finely ground vegetable fibres (fine cork particles) which gives a velvety grain surface and decreases the need for fixative. Acid-free and lightfast. With glassine interleaving to protect the sheets. Not for use with water-based mediums.

Contents Include: 12 x Sennelier Soft Pastel Card Sheets
2 x Antique White 001
2 x Sand 002
2 x Sienna 003
2 x Light Blue Grey 010
2 x Dark Blue Grey 011
2 x Light Grey 012

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Clairefontaine Ingres is a laid paper, which means that the surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper.This sheet is made of cotton and is naturally acid-free. It measures 50x65cm and is of the following colour: Blue.

Strathmore 400 Series Toned Mixed Media Pads provide a premium surface for artists who enjoy combining drawing and painting techniques. Each pad contains 15 sheets of 300 gsm vellum-surfaced paper in warm tan or cool grey tones, perfectly balanced to enhance both dark values and light highlights. The heavyweight paper unites the strength and absorbency of watercolour paper with the fine finish of a drawing sheet, making it ideal for mixed-media artwork.

This versatile surface supports a wide range of mediums including watercolour, gouache, acrylic, graphite, pen, ink, coloured pencil, marker, pastel and collage. The mid-toned base reduces the need for heavy background work and provides a natural starting point for tone and contrast. Gum-bound on one short edge for easy sheet removal, these acid-free pads are designed for both experimental studies and finished pieces.

This is an 9 x 12in Strathmore 400 Series Toned Tan Mixed Media Pad

Strathmore 500 Series Mixed Media Paper provides a professional-quality surface designed to handle both wet and dry media with ease. Made from 100% cotton fibre, these 190gsm sheets feature a durable vellum finish that combines the texture needed for traditional drawing techniques with the strength and absorbency required for water-based applications. Archival, acid-free and lignin-free, they ensure the longevity and integrity of your finished artwork.

Internally sized for superior performance with watercolour, gouache and acrylic, this versatile paper also excels with graphite, pen and ink, coloured pencil, marker, pastel, and collage. Its balanced surface allows for smooth blending, layering and reworking, making it the ultimate choice for artists seeking flexibility without compromising quality.