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Arts & Crafts > Fine Art Supplies > Pastels
Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.
The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
Today Michelle lives by the coast in North Somerset, England, and spends many hours photographing the changeable & powerful nature of the sea & sky in order to create unique compositions for her paintings. Through the use of Unison Colour soft pastels she ultimately strives to paint not only an image, but also to capture the sense of emotion & wonder evoked by the ocean. Included in this set are the following colours: Single Blue Green 2, 3, 5, 6, 16, 9, 15, 7 Single Blue Violet 3, 8, 10, 17, 16 Single Grey 36, 14, 9, 10, 12, 28, 27, 24 Single Dark 16 Single Additional 50, 51 Ocean Blue 2, 8 Single Yellow 18 Single Orange 1, 3, 5 Single Red 6 Single Blue Green Earth 6 Single Natural Earth 18 Single Brown Earth 26, 35 Single Dark 5
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours. Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Pastels measure approximately 2-1/8in long
This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.
Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.
The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
Canson Mi-Teintes Touch: the Ultimate sanded pastel paper has a micro-abrasive surface texture that allows pastels, charcoal, crayons and acrylic to perform beautifully. It retains pastel pigments which allows for multiple layers. Lightfast & age-resistant, this sensational paper performs beautifully when layering pastel pigments, using wet in wet techniques and mixed media work. Pads contain three each of 425 Black, 122 Flannel Grey, 133 Sepia and 407 Cream. Pads contain 12 sheets in assorted colours. Weight: 350gsm
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours. Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Pastels measure approximately 2-1/8in long × 5/8in diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process. Set contains the following colours: A54 Additional, BV13 Blue Violet, BV8 Blue Violet, BV14 Blue Violet, BV9 Blue Violet, BV10 Blue Violet, G18 Grey, G6 Grey, G17 Grey, G5 Grey, A19 Additional, A25 Additional, BG18 Blue Green, BG12 Blue Green, BG6 Blue Green, G28 Grey, G29 Grey, G25 Grey, Y18 Yellow, Y17 Yellow, YGE13 Yellow Green Earth, BE13 Brown Earth, BE14 Brown Earth, BE33 Brown Earth, BE28 Brown Earth, BE29 Brown Earth, BE5 Brown Earth, BE6 Brown Earth, A37 Additional, A38 Additional, A26 Additional, A33 Additional, A34 Additional, A35 Additional, A29 Additional, A30 Additional, BE15 Brown Earth, BE16 Brown Earth, BE17 Brown Earth, RE17 Red Earth, RE12 Red Earth, RE11 Red Earth, L43 Light, Y13 Yellow, Y14 Yellow, Y16 Yellow, Y1 Yellow, YGE12 Yellow Green Earth, BE34 Brown Earth, BE35 Brown Earth, BE36 Brown Earth, GN15 Green, YGE18 Yellow Green Earth, GN14 Green, GN32 Green, GN26 Green, GN10 Green, GN11 Green, GN17 Green, GN18 Green, A43 Additional, A44 Additional, A45 Additional, BGE5 Blue Green Earth, BGE10 Blue Green Earth, BGE11 Blue Green Earth, A51 Additional, BV17 Blue Violet, BV18 Blue Violet, A50 Additional, A49 Additional, G13 Grey.
Please note, we cannot send by air mail anything which is hazardous and above 250ml; anything flammable or toxic; any aerosols, unless by special order. However, we may be able to arrange another means of shipping your order. Please contact our customer services department if you would like to discuss this.
Despite manufacturing over half a million individual sticks a year the pastels are still completely hand made and retain all the qualities of the originals. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.
Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
Clairefontaine Ingres is a laid paper, which means that the surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper.This sheet is made of cotton and is naturally acid-free. It measures 50x65cm and is of the following colour: Grey.
The Conté Sanguine Medici Pencil is the darkest of the Conté "Sanguine" pencils. The Medici Pencil and has a the least red oxide of the pencils in the range. It has similar properties to the other "Sanguine" pencils in that with a sharpened lead the drawing is accurate and the colour is transparent but will deepen as pressure is applied with a worn lead. |
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