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Arts & Crafts > Fine Art Supplies > Pastels
Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.
This compact set is a collaboration between Unison Pastels and the Belfast-based artist wildlife artist Emma Colbert. It includes 16 half sticks which cover every tone you will need to create many different types of animal portrait.Row 1 includes the all important light range vital for painting white animals, but also useful for highlights on every colour of animal. Avoiding white as your main highlight will add more depth and realism to your paintings. Row 2 gives you a full range of cool shadow tones also useful for the highlights on dark or black animals. Row 3 provides a range of vibrant warm tones useful for highlights on brown animals, right through to a selection of fleshy pinks vital for inner ears, noses, and wet tongues! Rows 4 and 5 include an extensive selection of warm and cool browns from light to dark which will cover the vast array of brown shades we see in every animal from dogs, to horses and even wildlife. This set is neatly comprised of Emma Colbert's favourite shades for animal painting and whether you use the colours directly as they are, or layer them up together, you will not struggle to find any animal's palette in this selection.
Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.
Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.
High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.
Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.
Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.
Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.
Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.
Each pastel in the Terry Ludwig range is crafted by hand with a broad range of pigments and minimal, natural binders. This results in a pastel which has a high-concentrated pigment and is velvety soft. Terry Ludwig began experimenting with formulas for making his own pastels in 1995 as he was frustrated with the lack of color options available and few choices for very soft pastels. He wanted to create a broad range of colors that were uniformly soft regardless of the density of the hue. There are now over 500 intense colors. The square shape of the pastel allows you to equally create thick, broad strokes or thin, precise lines. The size and shape of each pastel may differ slightly as each one is handcrafted. Each pastel measures 1 1/2 inches x 1/2 x 1/2. This set includes each of the following colours: B158, B194, T010, T350, B010, B080, B160, B196, B310, B300, B020, B090, B162, B200, B180, B280, B030, B120, B164, B202, T080, B250, B050, B130, B190, B204, B240, B550, B060, B150.
Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.
High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.
High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.
Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.
The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression.
Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.
Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.
The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression.
Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours. Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Sticks vary slightly due to the hand-making process. Tricia Taylor is a Master Pastellist from Australia with many years of experience working with pastels. Recognised for capturing the beauty of light, Tricia’s award-winning seascapes are her speciality. This set provides a palette suitable for capturing water and crashing waves. The addition of light violets and pinks help create the white water of a crashing wave. For softer green oceans and foregrounds of the seascape, this set includes a lot of low-intensity colours with soft grey-greens and purple tones added. A variety of seascapes can be achieved, from the soft green northern water to the tropics. To balance the set, Tricia has added lemons for sunrise and sunsets that can also be used to warm and grey your colours by blending. They are presented in a professional blue box. The 63 half stick set is great for working en plein air. Just the right size to carry easily. With similar colours to the 72 full stick set, it has all you need to capture your seascapes beautifully from deep blues and greens to soft purple and pinks’. Colours in this set: White, Yellow 6, Yellow 5, Green 36, Green 12, Green 5, Blue Green 17, Earth 2, Light 12, Additional 31, Additional 32, Additional 33, Grey 4, Grey 5, Yellow Green Earth 2, Grey 21, Grey 9, Additional 5, Additional 6, Blue, Violet 2, Blue Violet 16, Blue Violet 5, Ocean Blue 5, Ocean Blue 10, Ocean Blue 11, Ocean Blue 12, Grey 17, Grey 16, Blue Violet 7, Blue Violet 8, Blue Violet 14, Additional 2, Blue Green 6, Additional 54, Light 17, Blue Green 11, Blue Green 5, Blue Violet 9, Grey 32, Grey 33, Grey 11, Ocean Blue 5, Blue Violet 15, Additional 52, Blue Green Earth 5, Blue Green Earth 10, Ocean Blue 9, Ocean Blue 4, Ocean Blue 7, Blue Green 15, Green 9, Green 19, Dark 17, Blue Green 9, Blue Green 3, Blue Violet 10, Blue Green 7, Blue Green 1, Blue Green 2, Blue Violet 12, Blue Violet 18, Dark 18 |
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