Unison Pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 3" long × 6/8" diameter (75 mm × 20mm). Sticks vary slightly due to the hand-making process.

Unison Pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 3" long × 6/8" diameter (75 mm × 20mm). Sticks vary slightly due to the hand-making process.

Unison Pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 3" long × 6/8" diameter (75 mm × 20mm). Sticks vary slightly due to the hand-making process.

Unison Pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 3" long × 6/8" diameter (75 mm × 20mm). Sticks vary slightly due to the hand-making process.

Unison Pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 3" long × 6/8" diameter (75 mm × 20mm). Sticks vary slightly due to the hand-making process.

Unison Pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 3" long × 6/8" diameter (75 mm × 20mm). Sticks vary slightly due to the hand-making process.

Unison Pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 3" long × 6/8" diameter (75 mm × 20mm). Sticks vary slightly due to the hand-making process.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.

They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.

They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.