Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.

Our Soft Pastels are made carefully by hand which makes them very soft with a smooth, buttery consistency. They have a low binder to pigment ratio which makes them rich and luminous, allowing for both subtle and bold mark making.

Their excellent lightfast qualities mean that pastel paintings created with them will not deteriorate over time. The four fluorescent colours are the only exception; like all fluorescent colours they are not lightfast.

The pastels are made solely from pigments, a bentonite clay binder, and calcium carbonate (chalk). Each pastel measures approximately 55mm in length and 15mm in diameter.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.

Our Soft Pastels are made carefully by hand which makes them very soft with a smooth, buttery consistency. They have a low binder to pigment ratio which makes them rich and luminous, allowing for both subtle and bold mark making.

Their excellent lightfast qualities mean that pastel paintings created with them will not deteriorate over time. The four fluorescent colours are the only exception; like all fluorescent colours they are not lightfast.

The pastels are made solely from pigments, a bentonite clay binder, and calcium carbonate (chalk). Each pastel measures approximately 55mm in length and 15mm in diameter.

The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression.

The Sennelier oil pastels possess an extraordinarily high pigment content, thus providing them with a high colouring and covering potential, excellent brightness and a high degree of light stability (with the exception of metallic and fluorescent shades).

The remarkable properties of these components, along with their precise dosage, provide Sennelier oil pastels with unique properties, making the brand a world-recognised reference.

Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.

Our Soft Pastels are made carefully by hand which makes them very soft with a smooth, buttery consistency. They have a low binder to pigment ratio which makes them rich and luminous, allowing for both subtle and bold mark making.

Their excellent lightfast qualities mean that pastel paintings created with them will not deteriorate over time. The four fluorescent colours are the only exception; like all fluorescent colours they are not lightfast.

The pastels are made solely from pigments, a bentonite clay binder, and calcium carbonate (chalk). Each pastel measures approximately 55mm in length and 15mm in diameter.

Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.

Our Soft Pastels are made carefully by hand which makes them very soft with a smooth, buttery consistency. They have a low binder to pigment ratio which makes them rich and luminous, allowing for both subtle and bold mark making.

Their excellent lightfast qualities mean that pastel paintings created with them will not deteriorate over time. The four fluorescent colours are the only exception; like all fluorescent colours they are not lightfast.

The pastels are made solely from pigments, a bentonite clay binder, and calcium carbonate (chalk). Each pastel measures approximately 55mm in length and 15mm in diameter.

Dala Oil Pastels offer a soft, buttery consistency; intense colours and do not require fixing. Available in traditional tones, as well as metallic and neon shades! Handmade in South Africa

Dala Oil Pastels offer a soft, buttery consistency; intense colours and do not require fixing. Available in traditional tones, as well as metallic and neon shades! Handmade in South Africa

Dala Oil Pastels offer a soft, buttery consistency; intense colours and do not require fixing. Available in traditional tones, as well as metallic and neon shades! Handmade in South Africa

Dala Oil Pastels offer a soft, buttery consistency; intense colours and do not require fixing. Available in traditional tones, as well as metallic and neon shades! Handmade in South Africa

Dala Soft Chalk Pastels are made from pure, powdered pigments and binder. They offer a rich, smooth texture as well as superb blending qualities. Available in rich vibrant shades, grey tones and flesh tones.

Dala Soft Chalk Pastels are made from pure, powdered pigments and binder. They offer a rich, smooth texture as well as superb blending qualities. Available in rich vibrant shades, grey tones and flesh tones.

Dala Oil Pastels offer a soft, buttery consistency; intense colours and do not require fixing. Available in traditional tones, as well as metallic and neon shades! Handmade in South Africa

Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.

Our Soft Pastels are made carefully by hand which makes them very soft with a smooth, buttery consistency. They have a low binder to pigment ratio which makes them rich and luminous, allowing for both subtle and bold mark making.

Their excellent lightfast qualities mean that pastel paintings created with them will not deteriorate over time. The four fluorescent colours are the only exception; like all fluorescent colours they are not lightfast.

The pastels are made solely from pigments, a bentonite clay binder, and calcium carbonate (chalk). Each pastel measures approximately 55mm in length and 15mm in diameter.

A natural milk casein fixative that is based on an antique recipe used by Degas himself. This is the perfect fixative for pastel, charcoal, gouache and watercolour. Its workable matt finish allows deep layering with minimal colour shift.It is safe for use indoors or in the classroom as there are no odours or toxic fumes. It conforms to ASTM D-4236 regulations and is 100% archival, meaning there is no dulling of colour or yellowing over time. It dries rapidly to a matt finish and is workable, allowing for deep layers to be achieved. It is perfect for holding pastel, charcoal, conte crayon, pencil, casein, watercolour, tempera, gouache, crossover techniques and under oil paints.Read a review of Spectrafix on our blogPlease note: Spectrafix pastel fixative does contain water and has a thinner consistency to regular fixatives - in order to use it properly and to get the best results please follow the instructions below:How to Use SpectraFixUse it to fix charcoal, pastel, conte, pencil, watercolours, gouache, tempera or on mixed media cross-over techniques. It is also good for use in securing an underpainting layer before you varnish or apply oil paint. It dries to a velvety matte finish within 1-2 minutes, so sprayed and unsprayed areas are indistinguishable.First, make sure that you have removed excess charcoal or pastel dust clinging to borders or naked areas which you do not want to be coloured by tapping the sheet gently on an edge. Try not to breathe pastel dust. Blowing is not recommended as it makes the dust airborne and the pigments easily work their way into lungs.For thick applications, tapping gently on the back will generally remove excess without disturbing your work. Remember, if you are working vertically, the dust does fall downward and will come to rest on the lower areas of your art, so be sure to tap from the top down. Tilting the easel forward while you work can also help.Spraying across your artwork at an angle is a great way to maximize the drift of the spray and allow it to fall on the maximum area. Either set your work upright or lay it down. Some artists suggest upright, so that any droplets that form on the nozzle will not fall on your artwork, but on the floor. You may also consider spraying from two opposing angles to hold the pastel firmly.Generally speaking, a light misting on every layer of pastel will help hold the foundational layers better than a final soaking coat. It will also ensure that the painting grips its support from the bottom up, and final layers of colour can be added to 'tune' the overall colour symphonics at the end.Soaking layers are fine, but the crystalline powdery pastel will compact a bit more and be slightly less brilliant due to less light penetration between the crystals.While the casein in SpectraFix does not seem to 'sediment out' over time, if you have let it sit for many weeks, giving it a shaking ensures that the casein is evenly mixed into the solution. If the nozzle plugs up, just scratch it gently with your fingernail or another small object and remove any clots. Then spray again. The alcohol in the formula will dissolve any remaining blockage.Workable FixativesFixatives allow you to fix your work at a certain point and continue working, or to seal the artwork to protect it. This is a ‘Workable fixative’, which will add a toothy texture to your artwork. This is useful when the surface of the paper has become saturated, so that no more pencil will apply. If you apply a spray of workable fixative, this will add tooth back on top.Please note: a few customers have found that the spray bottle could be better - our Continuous Fine Mist Sprayer works very well to eliminate the problem. You can also buy them both as a set here.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

Hahnemuhle Velour is an artist-quality 260gsm pastel paper which is both acid-free and archival. It is composed of an acid-free backing sheet which has been coated with inert synthetic fibres. This gives the surface a velvety feel which has sufficient tooth to hold soft pastel, as well as oil pastel, charcoal or soft pencils.Because Velour can hold a lot of pastel, it is perfect for painterly pastel artists who create works with soft edges.This is a single sheet of Hahnemuhle Velour, measuring 50x70cm in the colour Sand.

Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.

Our Soft Pastels are made carefully by hand which makes them very soft with a smooth, buttery consistency. They have a low binder to pigment ratio which makes them rich and luminous, allowing for both subtle and bold mark making.

Their excellent lightfast qualities mean that pastel paintings created with them will not deteriorate over time. The four fluorescent colours are the only exception; like all fluorescent colours they are not lightfast.

The pastels are made solely from pigments, a bentonite clay binder, and calcium carbonate (chalk). Each pastel measures approximately 55mm in length and 15mm in diameter.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.