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Arts & Crafts > Fine Art Supplies > Pastels
They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.
They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.
They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.
They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.
They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.
They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.
Excellent colour releaseIntense and pure coloursGood to highest degree of lightfastnessVery high colouring power due to high concentration of pigmentFree of pigments based on the metals lead, cadmium and cobalt.The complete range consists of 203 coloursThe composition of soft pastels is such that the colour on the ground approaches that of pure pigment as much as possible. This is achieved through a combination of pigment, a minimal amount of binder and the purest and softest types of kaolin, also referred to as pipe clay or China clay. the balanced proportion of these ingredients results in an as spontaneous as possible colour transfer and a velvety look.
Excellent colour releaseIntense and pure coloursGood to highest degree of lightfastnessVery high colouring power due to high concentration of pigmentFree of pigments based on the metals lead, cadmium and cobalt.The complete range consists of 203 coloursThe composition of soft pastels is such that the colour on the ground approaches that of pure pigment as much as possible. This is achieved through a combination of pigment, a minimal amount of binder and the purest and softest types of kaolin, also referred to as pipe clay or China clay. the balanced proportion of these ingredients results in an as spontaneous as possible colour transfer and a velvety look.
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Set includes: 90, 393, 350, 352, 61,
50, 120, 140, 142, 83, 434, 522, 344, 340, 330,150, 152, 440, 271,
273, 310, 161, 380, 442, 582.
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.
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