This is one of Terry Ludwigs original sets of artists pastels and still one of our most popular. Chosen exclusively by Terry and used in all of his portrait work. An absolute necessity for portrait artists!

Each pastel is crafted with a broad range of pigments by hand with minimal natural binders. This renders highly concentrated, velvety pastels. The square shape delivers thick, broad strokes or thin, precise lines where necessary. The size of these pastels are approximately 1 1/2″ x 1/2″ x 1/2″. Because each pastel is handcrafted, the size and shape may vary slightly.

This set includes each of the following colours: A290, R420, R300, V380, A210, R280, A280, A130, R290, V370, R460, R270, A270, A120, N090, V070, R370, Y080, A170, R160, V480, N210, A150, N300, A230, R190, V470, N180, N240, N230.

Each pastel is crafted with a broad range of pigments by hand with minimal natural binders. This renders highly concentrated, velvety pastels. The square shape delivers thick, broad strokes or thin, precise lines where necessary. The size of these pastels are approximately 1 1/2″ x 1/2″ x 1/2″. Because each pastel is handcrafted, the size and shape may vary slightly.

This box contains one of each of the following colours: G480, B370, G610, B270, G510, B250, G490, B380, G730, B430, B420, B480, G500, B390, G740, G450, B440, B260, G410, B400, G750, G690, B450, G470, G420, B410, N410, G770, B470, G120

Each pastel is crafted with a broad range of pigments by hand with minimal natural binders. This renders highly concentrated, velvety pastels. The square shape delivers thick, broad strokes or thin, precise lines where necessary. The size of these pastels are approximately 1 1/2″ x 1/2″ x 1/2″. Because each pastel is handcrafted, the size and shape may vary slightly.30 distinct shades of warm greens, organized by value. A must have for any landscape palette.

This set includes each of the following colours: N510, N440, N310, G670, G620, G200, N520, N450, N320, G680, G630, G210, N530, N460, N330, G700, G640, G220, N540, N470, N340, G710, G650, G230, N550, N480, N420, G720, G190, G460.

The 30 colors within the Best of the Best Blues set have been personally selected by Terry Ludwig as these are the colors which are in highest demand for use when painting skies and water.

Each pastel in the Terry Ludwig range is crafted by hand with a broad range of pigments and minimal, natural binders. This results in a pastel which has a high-concentrated pigment and is velvety soft. Terry Ludwig began experimenting with formulas for making his own pastels in 1995 as he was frustrated with the lack of color options available and few choices for very soft pastels. He wanted to create a broad range of colors that were uniformly soft regardless of the density of the hue. There are now over 500 intense colors.

The square shape of the pastel allows you to equally create thick, broad strokes or thin, precise lines. The size and shape of each pastel may differ slightly as each one is handcrafted. Each pastel measures 1 1/2 inches x 1/2 x 1/2.

This set includes each of the following colours: B158, B194, T010, T350, B010, B080, B160, B196, B310, B300, B020, B090, B162, B200, B180, B280, B030, B120, B164, B202, T080, B250, B050, B130, B190, B204, B240, B550, B060, B150.

The Vibrants set is so juicy and bold, it will be the next "must have"� in your Terry Ludwig Pastels collection. This deep magenta pigment, our most recent addition, has allowed us to create 60 colours that will liven up your pastel box! Stand out in the crowd with Terry's much anticipated Vibrant Set.

Each pastel is crafted with a broad range of pigments by hand with minimal natural binders. This renders highly concentrated, velvety pastels. The square shape delivers thick, broad strokes or thin, precise lines where necessary. The size of these pastels are approximately 1 1/2" x 1/2" x 1/2". Because each pastel is hand-crafted, the size and shape may vary slightly.

This set contains one of each of the following colours: A051, R351, R281, R245, R286, R271, R251, R241, V331, R243, R261, V415, A052, R352, R282, R246, R287, R272, R252, R242, V332, R244, R262, V416, A053, R353, R283, R247, R288, R273, R253, V341, V333, V344, R263, V417, A054, R354, R284, R248, R289, R274, R254, V342, V334, V345, R264, V418, A055, R355, R285, R249, R382, R275, R255, V343, V335, V346, R265, V419.

Terry condensed his extensive line of turquoise pastels into this set of 30 essentials for water and sky. Each pastel is crafted with a broad range of pigments by hand with minimal natural binders. This renders highly concentrated, velvety pastels. The square shape delivers thick, broad strokes or thin, precise lines where necessary. The size of these pastels are approximately 1 1/2″ x 1/2″ x 1/2″. Because each pastel is handcrafted, the size and shape may vary slightly.

This set includes 1 of each of the following colors:T060, T140, T200, T260, T320, T370, T050, T130, T190, T250, T310, T360, T040, T120, T180, T240, T300, T350, T020, T110, T170, T230, T290, T340, T070, T100, T160, T220, T280, T330.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

Mount Vision soft pastels are hand made by Karl Kelly using the finest traditional and synthetic pigments combined with a base of chalk, talc and clay to produce a pastel with a wonderful buttery feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"

Mount Vision soft pastels are hand made by Karl Kelly using the finest traditional and synthetic pigments combined with a base of chalk, talc and clay to produce a pastel with a wonderful buttery feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"

Clairefontaine Ingres is a laid paper, which means that the surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper.This sheet is made of cotton and is naturally acid-free. It measures 50x65cm and is of the following colour: Red.

Clairefontaine Ingres is a laid paper, which means that the surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper.This sheet is made of cotton and is naturally acid-free. It measures 50x65cm and is of the following colour: Brown.

Clairefontaine Ingres is a laid paper, which means that the surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper.This sheet is made of cotton and is naturally acid-free. It measures 50x65cm and is of the following colour: Deep Green.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Unison Colour Pastels are made in Northumberland and contain only pure pigments. Unison groups the colours together in sets of related hues, instead of adding white or black pigment to the colours. The result is intense and vibrant shades, not muddied by the blending of colours.Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.Unison Pastels measure approximately 50 x 20mm. Large Unison Pastels are approx. 70 x 20mm. Sticks may vary due to the handmade process.youtube=3mhAOmhdXhc

Diane Townsend Artists' Pastels are hand made soft pastels for artists. Diane began making them in 1971 with a 15th century Italian formula, translated by a conservationist she shared a studio with. The formula has been refined over the last 45 years to create a smooth, flowing pastel that is as rich in pigment as possible.

Soft Form pastels are designed to fit comfortably in the hand and with easel painting in mind. They are easy to apply and use as you work. The soft form palette contains both classical artists' colours and a vivid range of modern pigments such as naphthol red and the fluorescent pigments.

Soft Form pastels are approx. 1 3/4in long and 3/4in thick.

This Set contains the following colours:

Diane Townsend Artists' Pastels are hand made soft pastels for artists. Diane began making them in 1971 with a 15th century Italian formula, translated by a conservationist she shared a studio with. The formula has been refined over the last 45 years to create a smooth, flowing pastel that is as rich in pigment as possible. Soft Form pastels are designed to fit comfortably in the hand and with easel painting in mind. They are easy to apply and use as you work.

The soft form palette contains both classical artists' colours and a vivid range of modern pigments such as naphthol red and the fluorescent pigments.

Soft Form pastels are approx. 1 3/4in long and 3/4in thick.

This set contains the following colours:

These wood cased Pastel Pencils have a soft, powdery texture which produces a velvety smooth finish, ideal for mixing and blending. And because they’re pencils, they’re clean and easy to control. There are 72 colours to choose from.

These wood cased Pastel Pencils have a soft, powdery texture which produces a velvety smooth finish, ideal for mixing and blending. And because they’re pencils, they’re clean and easy to control. There are 72 colours to choose from.

These wood cased Pastel Pencils have a soft, powdery texture which produces a velvety smooth finish, ideal for mixing and blending. And because they’re pencils, they’re clean and easy to control. There are 72 colours to choose from.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.