This high tooth texture pastel card is made from a thin layer of finely ground vegetable fibres (fine cork particles) which gives a velvety grain surface and decreases the need for fixative. Acid-free and lightfast. With glassine interleaving to protect the sheets. Not for use with water-based mediums.

Contents Include: 12 x Sennelier Soft Pastel Card Sheets
2 x Antique White 001
2 x Sand 002
2 x Sienna 003
2 x Light Blue Grey 010
2 x Dark Blue Grey 011
2 x Light Grey 012

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Clairefontaine Ingres is a laid paper, which means that the surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper.This sheet is made of cotton and is naturally acid-free. It measures 50x65cm and is of the following colour: Blue.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

Mount Vision soft pastels are hand made by Karl Kelly using the finest traditional and synthetic pigments combined with a base of chalk, talc and clay to produce a pastel with a wonderful buttery feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"

Mount Vision soft pastels are hand made by Karl Kelly using the finest traditional and synthetic pigments combined with a base of chalk, talc and clay to produce a pastel with a wonderful buttery feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

Despite manufacturing over half a million individual sticks a year the pastels are still completely hand made and retain all the qualities of the originals. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.

All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.