Celebrate twenty years of cinematic magic imagining your first year at Hogwarts School of Witchcraft and Wizardry! What would it be like to ride on the Hogwarts Express from King's Cross station, shop in Diagon Alley, be sorted into one of the four Hogwarts houses, attend a Potions class and try out for Quidditch? Packed with fun activities and pictures from the eight Harry Potter films Includes an 8-page fold-out Hogwarts Diary Plus full-page character posters. Anything can happen at Hogwarts!

Written specifically for GCSE students by academics in the field, the Methuen Drama GCSE Guides conveniently gather indispensable resources and tips for successful understanding and writing all in one place, preparing students to approach their exams with confidence. Key features include a critical commentary of the play with extensive, clearly labelled analyses on themes, characters and context. They take studying drama even further with sections on dramatic technique, critical reception, related works, fascinating behind-the-scenes interviews with playwrights, directors or actors, and a helpful glossary of dramatic terms. In Simon Stephens's multi-award-winning stage adaptation of The Curious Incident of the Dog in the Night-Time, based on Mark Haddon's novel, Christopher's investigation into the death of the neighbour's dog tears his world apart and confronts him with the struggle to survive when everything feels foreign. Carefully following the requirements of GCSE English Literature assessment objectives, these studies include expert advice on how to write about modern drama. With featured activities for group study and independent work, they are versatile and valuable to students and teachers alike.

Following on from the 50th anniversary of the birth of Theatre in Education in Britain in 2015, this is an essential and timely companion to the story of TIE. It contextualizes it within the political and educational landscape of the last fifty years and examines its legacy today. Through this, Roger Wooster offers insights into future possibilities and applications in the field of Applied Theatre, drama in schools and pedagogical theory. With examples and analysis of international developments in TIE, and a foreword by Philip Taylor (NYU, USA), the volume provides a wide-ranging account of past and current practice. Across its three sections the volume examines the origins, work and legacy of TIE, considering for the first time its practical details. Each section features an Afterword by a leading practitioner reflecting on the work (including Warwick Dobson, Chris Vine and Anthony Jackson), and chapters draw on case studies and interviews with key practitioners. Chapter summaries and a companion website further enhance the text as a valuable teaching resource for theatre educators.

The Divergent series is delighting the world with its epic of Tris and Four struggling through revolutions to create a better world. But there are deeper meanings and symbols beneath the surface. Why is it fitting that teens numbered three and four should remake the world? How many Biblical references appear? Why are ravens and crows such popular symbols? And what themes and images does this series share with The Hunger Games and all the other dystopias, past and present? Today's groundbreaking studies in brain chemistry and psychology tests merge with a frightening future in the recognizable ruins of Chicago. As Tris becomes a warrior woman on the classic heroine's journey, she discovers the deeper truths of the five Factions, and in so doing, the deeper truths of herself. What these truths are, clever fans can discover through close analysis of the trilogy.

An excitingly different approach to sharing Bible stories with children What is a Whoosh? It's a drama strategy developed by the Royal Shakespeare Company's education unit and popularised in schools, involving every child in physical interaction with the story. Why Whoosh? It enables children to retain details of the narrative more effectively and to discuss the meaning of a story with greater understanding and insight. And it's lots of fun! What's in this book? 50 Bible stories for use with 7-11 year olds, follow-up activities, discussion starters and prayers, and tips for leaders on how to use the whooshing technique. How do I use this book? It can be used with minimal preparation to provide a full Bible story teaching programme or to supplement an existing one, and is suitable for a range of contexts: Sunday school, midweek group, family service, holiday club, Messy Church celebration, or primary school.

a children's tale about a, six year old that dosen't seem to know how to stay out of trouble or causing confusion with her smart mouth and snappy attitude

Something strange was afoot. In fact, feet is where this story begins. Bogey is determined to be crowned Carpet Slipper Champion but someone or something has other ideas. Who is stealing slippers in the dead of night? Where are people disappearing too? And can Smell's new found powers save Fluff from certain doom? Bogey's questions will only be answered if he dares to follow those slippers.

Despite his vast wealth Scrooge is a miserable and mean spirited man. He is infamous for his devious dealings, uncharitable nature and his hatred for anything related to Christmas. However, during a visit from his deceased business partner, Jacob Marley, Scrooge is informed he must accompany three ghosts on a life-changing journey to face his past misdemeanors. Over the space of one night Scrooge is forced to face up to his past and present, as well as glimpse what his future may look like should he continue in his cruel and heartless ways. Performed in one act, this interpretation of A Christmas Carol is set in the modern day and features much of the original narrative and characters from the Charles Dickens novel as well as several new names, places and scenes.

Instruction manual for young filmmakers. It covers the basics from writing to filming and from filming to editing.

This is a tale about a dream come true. The story of a boy's longing to belong to a home, a family, a country. Rejected as a baby by his father as well as by his mother's family, Memo, at the age of five, is abandoned by his mother Maria at a boarding Catholic school in Mexico, while she pursues her acting career. After three years of beseeching, Maria takes pity and takes him to El Salvador, where he struggles to belong to a family that treats him as an inferior and a country that treats him as a foreigner. At age fourteen he goes to Nicaragua, hoping his father would provide what his Salvadorian family has not. His father wants nothing to do with him By a quirk of destiny, Memo becomes a Radio and T.V. teen star in El Salvador. But he soon realizes that, by pursuing acting he has given up his education thus surrendering his future for an uncertain present. A lover of American movies, he spends all his free time in movie theaters dreaming about living in America, a country that seems to have it all. He decides that only in America would he be able to realize his dreams. He implores his cousin Violeta, who lives in the United States, to sponsor him. After several years of pleading, Violeta acquiesces; but he will have to finance his trip. Memo starts the long legal process. Meanwhile, he saves all his money to pay for the trip. He returns to Nicaragua to ask his father for help. His father rejects him and wishes him failure. Memo will have to do it alone. At last he overcomes all obstacles and boards an airplane bound for America. What will he learn there? Memo cannot wait to find out.

'Your smile, your lovely smile / Stirs my senses, as if / Waking to the first rays of an alpine sun / On the ridge of my tent, / I enjoy a spreading warmth........ Richard Smythe's imagery goes straight to the heart of what it is like to be human, simply joyful or sad, expectant or fearful, but above all to feel the natural world, in all its wonder, to be a part of oneself in life and, at the end, in one's frailty and death. His poems span a lifetime's experience of music, mountains, teaching and acting from the dark years of the 1940's listening in bed to his mother playing Chopin to the present time when he wonders himself how he himself should be recalled: 'Carve no stone to remember me by / Lest it bruise you...........I would rather you / See me, feel me, like a child spreading his hands / On a couch of summer grass. Inside this slim volume the reader will find an immense variety of subjects and moods, from quiet, philosophical reflection in the Shropshire countryside to a light hearted playing with words, as in the melodramatic portrayal of the cyclical existence of the common earthworm, written to be performed from within a sleeping bag Truly this is a book to be slipped into the pocket to provide pleasure at odd moments during a busy day.