This fourth edition of Beyond the Zone System makes the science of photographic sensitometry both accessible and useful to interested photographers. It will appeal to any serious photographer interested in knowing how the materials and processes of black-and-white photography work. Instead of describing rote procedures to be followed blindly, this book provides the basis for understanding what needs to be done and why. This book relates theory to practice in a way that promotes a true partnership of science and art.

Beyond the Zone System bridges the gap between the more theoretical aspects of the photographic process and the popular empirical procedures used by many photographers in the attempt to predict and control the quality of their photographs in practice.
This book is intended primarily for photographers who use large-format cameras and black-and-white sheet film, but the basic information about how the B&W photographic materials and processes work will be useful to users of any B&W film format.
Beyond the Zone System, 4th ed. will appeal to any serious photographer interested in knowing how the materials and processes of black-and-white photography work. Instead of describing rote procedures to be followed blindly, this book provides the basis for understanding what needs to be done and why. This book relates theory to practice in a way that promotes a true partnership of science and art.
A direct, practical approach to the technical aspects of photography
Thoroughly updated throughout
New chapter on control of image gradation

All studio directors need to know the basics of studio directing, whether they go on to direct news, drama, children's programmes or light entertainment. Learning the ropes on air can be costly: this book gives you all the practical and technical guidance you need to deliver a trouble free programme.

All studio directors need to know the basics of studio directing, whether they go on to direct news, drama, children's programmes or light entertainment. Learning the ropes on air can be costly: this book gives you all the practical and technical guidance you need to deliver a trouble free programme.
Starting with an emphasis on the skills that make a good director, the essential day to day know-how is outlined - from different presentation formats to the roles of the production team, camera technology, composition, lighting, digital video, chroma key, make-up and wardrobe. Whether you are a student or practitioner wishing to sharpen up your technique, this manual is an excellent guide to the technology and skills required.
This book:
- Provides essential day to day information in one handy source
- Offers a combination of theory and practice, technical data and intuitive skill
- Is an excellent introductory text for anyone embarking on a career in directing
Contents:
Networks * Cameras and Pictures * Pre-Production * Cutting and Combining Pictures * The Studio Team * Interviews * Magazines * Script Layouts * Electronic Newsrooms * Practical Directing * Communications * Directors Technology * Dealing with Problems.
Rod Fairweather is a freelance director and has worked for companies such as SKY TV, GMTV, ITN and MTV Europe. He conducts training courseson directing all over the world including Singapore, India and Australia.
A good introductory text in a handy concise format
Gives the reader a complete overview - essential knowledge for directing
A clever combination of theory and practice, technical data and intuitive skill

Charge-coupled Devices (CCDs) have revolutionised astronomy. Even affordable CCD cameras can be ten times a sensitive as photographic film, and they deliver a digitised image that is easy to enhance using a personal computer. David Ratledge has brought together contributions from twelve leading amateurs from around the world, people who are routinely producing astronomical images of a quality that rivals those of professional observatories only of 10 years ago. These experts describe their techniques and solutions, and offer essential tips and advice for anyone who is choosing or using a CCD camera. Now glance through the Colour Gallery at the back of this book to see just what they have done!

This book constitutes the refereed revised post-workshop proceedings of the 5th International Workshop on Network and Operating Systems Support for Digital Audio and Video, NOSSDAV '95, held in Durham, New Hampshire, USA in April 1995.
The 24 full papers included were selected from a total of 101 submissions; together with overviews by the session chairpersons they reflect the state of the art in networking and operating systems support for multimedia. The papers are organized in sections on advance reservation systems, operating systems support, resource management and quality of service, audio and video systems, and scheduling and synchronization.

All of science springs from the observation of nature. In this classic book, the late Professor Minnaert accompanies the reader on a tour of nature's light and color and reveals the myriad phenomena that may be observed outdoors with no more than a pair of eyes and an enquiring mind. From the intriguing shape of the dapples beneath a tree on a sunny day, via rainbows, mirages, and haloes, the colors of liquid, ice, and the sky, to the appearance of the sun, moon, planets, and stars - Minnaert describes and explains them all in a clear language accessible to laymen. This new English edition is supplemented by 80 plates, over half of them in color, taken by the acclaimed photographer Pekka Parviainen, illustrating many of the phenomena - ordinary and exotic - discussed in the book.

This book constitutes the thoroughly revised proceedings of the Fourth International Workshop on Network and Operating System Support for Digital Audio and Video (NOSSDAV '93), held in Lancaster, UK in November 1993.
The 24 papers presented in the volume were carefully selected from more than 100 submissions. In addition, the book contains an introduction by the editors as well as a summary of the discussions that occurred during the workshop and a record of the panel and work-in-progress session. The book is organized into chapters on end system architecture, operating system support, high speed networking, quality of service, protocol issues, resource reservation in heterogeneous networks, and storage servers and multicast.

"The" classic authority on colour measurement now fully revised and updated with the latest CIE recommendations

The measurement of colour is of major importance in many commercial applications, such as the textile, paint, and foodstuff industries; as well as having a significant role in the lighting, paper, printing, cosmetic, plastics, glass, chemical, photographic, television, transport, and communication industries.

Building upon the success of earlier editions, the 4th edition of "Measuring Colour" has been updated throughout with new chapters on colour rendering by light sources; colorimetry with digital cameras; factors affecting the appearance of coloured objects, and details of new CIE colour appearance models.

Key features: Presents colour measurement, not simply as a matter of instrumentation and engineering, but also involving the physiology and psychology of the human observer.Covers the principles of colour measurement rather than a guide to instruments.Provides the reader with the basic facts needed to measure colour.Describes and explains the interactions between how colour is affected by the type of lighting, by the nature of the objects illuminated, and by the properties of the colour vision of observers.Includes many worked examples, and a series of Appendices provides the numerical data needed in many colorimetric calculations.

The addition of 4th edition co-author, Dr. Pointer, has facilitated the inclusion of extensive practical advice on measurement procedures and the latest CIE recommendations.

The images reproduced in this book are photographed by Chloe Sells in Botswana, using large and medium format cameras that use film. The work is later printed in a traditional darkroom. The darkroom process is spontaneous and consuming, layering light, texture and form to interact with photographic alchemy. Some of the images are drawn on after they have been printed with paint and marker. Because of Sells' method of working, each outcome is unique.

Professional photography advice for D3000 beginners

The Nikon D3000 is Nikon's new entry-level camera. With the D3000, you get all the features of Nikon's older cameras along with an updated battery, larger monitor, and improved focus features. In addition, the D3000 also offers simpler menus to help first-time DSLR users.

Assuming no prior dSLR knowledge, veteran author Julie Adair King offers you a tour of the camera body, a hands-on how-to on all the features of the D3000, and a step-by-step walkthrough of how to get the photos you want.Explains shooting in auto mode, reviews the new video option, and covers working with file size and qualityWalks you through shifting out of automatic mode and using the D3000's lighting, exposure, focus, and color featuresDemonstrates getting photos from your camera to your PC, developing an effective file system, and sharing photos via print, online, or other ways

Packed with useful tips, this helpful guide encourages you to take control of your camera.

The essential guide to the entire process behind performing a complete characterization and benchmarking of cameras through image quality analysis Camera Image Quality Benchmarking contains the basic information and approaches for the use of subjectively correlated image quality metrics and outlines a framework for camera benchmarking. The authors show how to quantitatively compare image quality of cameras used for consumer photography. This book helps to fill a void in the literature by detailing the types of objective and subjective metrics that are fundamental to benchmarking still and video imaging devices. Specifically, the book provides an explanation of individual image quality attributes and how they manifest themselves to camera components and explores the key photographic still and video image quality metrics. The text also includes illustrative examples of benchmarking methods so that the practitioner can design a methodology appropriate to the photographic usage in consideration. The authors outline the various techniques used to correlate the measurement results from the objective methods with subjective results. The text also contains a detailed description on how to set up an image quality characterization lab, with examples where the methodological benchmarking approach described has been implemented successfully. This vital resource: Explains in detail the entire process behind performing a complete characterization and benchmarking of cameras through image quality analysis Provides best practice measurement protocols and methodologies, so readers can develop and define their own camera benchmarking system to industry standards Includes many photographic images and diagrammatical illustrations to clearly convey image quality concepts Champions benchmarking approaches that value the importance of perceptually correlated image quality metrics Written for image scientists, engineers, or managers involved in image quality and evaluating camera performance, Camera Image Quality Benchmarking combines knowledge from many different engineering fields, correlating objective (perception-independent) image quality with subjective (perception-dependent) image quality metrics.

We have all felt the frustration of wasting time, paper, and effort when our prints or web images don't match the images we see on our monitors. Fortunately, you're holding the resource that will help solve these problems. This book guides you through the hardware settings and software steps you'll need to post professional images and make stunning prints that showcase your artistic vision. In Color Management & Quality Output, Tom P. Ashe, a color expert and gifted teacher, shows you how to color manage your files from input all the way through output, by clearly explaining how color works in our minds, on our monitors and computers, and through our printers. You'll learn to: properly calibrate your monitor understand Adobe Photoshop color settings build and evaluate color profiles for all your devices navigate the print menu in both Photoshop and Lightroom appreciate the differences between inkjet prints and C-prints optimize sharpening for a variety of print media understand how and why to use RIPs communicate with creative professionals, clients, and output service providers to ensure the highest quality results. This book is part of The Digital Imaging Masters Series, which features cutting-edge information from the most sought-after and qualified professionals and instructors in the photography field. Based on the progressive curriculum of the Masters of Professional Studies in Digital Photography created by Katrin Eismann at the School of Visual Arts in New York City, these books are the next best thing to being in the classroom with the Digital Photography Masters themselves.

Digital photography equipment and software now give enthusiasts the ability to create images of exceptional quality. For those who want to develop their skills and improve their results, this book will show you how to get the best from your digital camera. It will help you create a collection or portfolio to be proud of, and show you how to achieve outstanding results without a huge investment in equipment. This book is a 'how to' guide for railway photographers. Intended for those comfortable with their digital camera, it will show you new techniques to try and the true capabilities of your camera. Using clear examples, you'll learn how to get the best image quality from prevailing conditions, and maximise the impact and creativity of your images. Once back at home in the 'digital darkroom', the book will offer tips and advice on how to use common imaging software. It will show you how to enhance an image, so you can bring out the best results in a creative manner without losing the inspiration or atmosphere of the original shot.

If you already know your way around Photoshop and Painter and want to use these amazing programs to take your skills further, this book is for you! Much more than a simple "how-to" guide, Susan Ruddick Bloom takes you on a full-fledged journey of the imagination and shows you how to create incredible works of fine art. Supplemented by the work of 20 plus world renowned artists in addition to Sue's own masterpieces, you'll learn how to create watercolors, black and white pencil sketches, texture collages, stunning realistic and fantastical collages, and so much more, all from your original photographs. If you are eager to dive into the world of digital art but need a refresher on the basics, flip to Sue's essential techniques chapter to brush up on your Photoshop and Painter skills, and you'll be on your way in no time. Whether you're a novice or an established digital artist, you'll find more creative ideas in this book than you could ever imagine. Fully updated for new versions of Painter and Photoshop and including brand new work from contemporary artists, Digital Collage and Painting provides all the inspiration you need to bring your artistic vision to light.

Through easy-to-follow lessons, this handy book offers a complete class on digital photography, tailored specifically for people who use the Canon EOS Digital Rebel T1i/500D. This is not your typical camera guide: rather than just show you what all the buttons do, it teaches you how to use the Digital Rebel's features to make great photographs - including professional-looking images of people, landscapes, action shots, close-ups, night shots, HD video, and more. With Ben Long's creative tips and technical advice, you have the perfect, camera-bag-friendly reference that will help you capture stunning pictures anywhere, anytime. "The Canon EOS Digital Rebel T1i/500D Companion" will show you how to: take creative control and go beyond automatic settings; learn the basic rules of composition; capture decisive moments, including fast-moving objects; discover ways to use a flash indoors and outdoors; learn about different lenses, and the best time to use them; understand the options for shooting RAW, and whether it's right for you; and, use the Digital Rebel's ability to shoot high definition video.

Robert Hirsch's Exploring Color Photography is the thinking photographer's guide to color imagemaking. Now in its sixth edition, this pioneering text clearly and concisely instructs students and intermediate photographers in the fundamental aesthetic and technical building blocks needed to create thought-provoking digital and analog color photographs. Taking both a conceptual and pragmatic approach, the book avoids getting bogged down in complex, ever-changing technological matters, allowing it to stay fresh and engaging. Known as the Bible of Color Photography, its stimulating assignments encourage students to be adventurous and to take responsibility for learning and working independently. The emphasis on design and postmodern theoretical concepts stresses the thought process behind the creation of intriguing images. It's extensive and inspiring collection of images and accompanying captions allow makers to provide insight into how photographic methodology was utilized to visualize and communicate their objectives. The text continues to deliver inspiring leadership in the field of color photography with the latest accurate information, ideas, commentary, history, a diverse collection of contemporary images, and expanded cellphone photography coverage. A "Problem Solving and Writing" chapter offers methods and exercises that help one learn to be a visual problem solver and to discuss and write succinctly about the concepts at the foundation of one's work. Exploringcolorphotography.com, the companion website, has been revamped and updated to feature more student and teacher resources, including a new web-based timeline: As It Happened: A Chronological History of Color Photography.

In the mid-1950s, Swiss-born New Yorker Robert Frank embarked on a ten-thousand-mile road trip across America, capturing thousands of photographs of all levels of a rapidly changing society. The resultant photo book, "The Americans," represents a seminal moment in both photography and in America's understanding of itself. To mark the book's fiftieth anniversary, Jonathan Day revisits this pivotal work and contributes a thoughtful and revealing critical commentary. Though the importance of "The Americans" has been widely acknowledged, it still retains much of its mystery. This comprehensive analysis places it thoroughly in the context of contemporary photography, literature, music, and advertising from its own period through the present.

Photo Techniques Magazine stated: "All our readers need to know about this very useful book." Indeed, there is no other compendium that is as in-depth as this for the beauty and magic of fine-art black-and-white photography. With 560 pages and over 1,000 illustrations, Way Beyond Monochrome starts with conceptual lessons of composition and takes you through image capture, exposure, controlling tonality, variable-contrast paper, archival printing, mounting, framing and presentation with simple concepts to an advanced level. This new edition has been completely revised and heavily expanded, adding over 250 pages to the original edition with new chapters on print mounting, spotting, framing, digital negatives, utilizing digital technologies for alternative processes, and fabulous do-it-yourself projects. Overall, the authors have created a thoroughly researched, technologically sound yet aesthetically pleasing, inspirational bible for monochrome photography. New to this edition: * almost double the content * a new section discussing the path from visualization to print, illustrating the interaction between eye and brain, explaining the rules of composition and when to break them to produce photographs with impact * a new section on presentation including hands-on mounting, matting, spotting, and framing * image capture has a more in-depth focus, now covering pinhole photography and digital capture * now includes making and printing with digital negatives * a new section discussing the pros and cons of typical image-taking and image-making equipment * plus new do-it-yourself projects, including many darkroom tools and an electronic shutter tester * a useful collection of templates, to copy, cut-out and take with you in your camera bag or use in the darkroom * an appendix with all the recipes to make your own darkroom chemicals from scratch * all illustrations improved and updated * improved index with 1,400 references

Over 100,000 copies sold! So you've got an Instagram account, you're posting pictures, but your follower count has flatlined. Read This If You Want to Be Instagram Famous holds the answers to fixing up your feed and finding thousands of new followers. Packed with the essential secrets of the hottest Instagrammers around, the book features tips covering photographic techniques, captioning, codes of conduct, kit and managing your account. Put the advice into practice and soon you too will be hailed as an Instagram icon. Read This If You Want to Be Instagram Famous is part of the internationally-bestselling 'Read This' series, which has sold over half-a-million books worldwide and has been translated into over 20 languages. Coming soon: Read This if You Want to Be Great at Drawing People by Selwyn Leamy (September 2019) More titles in the 'Read This' series: Read This if You Want to Take Great Photographs by Henry Carroll (9781780673356) Read This if You Want to Take Great Photographs of People by Henry Carroll (9781780676241) Read This if You Want to Take Great Photographs of Places by Henry Carroll (9781780679051) Use This if You Want to Take Great Photographs: A Photo Journal by Henry Carroll (9781780678887) Read This if You Want to Be Great at Drawing by Selwyn Leamy (9781786270542) Use This if You Want to Be Great at Drawing by Selwyn Leamy (9781786274052) Read This if You Want to Be a Great Writer by Ross Raisin (9781786271976) Read This if You Want to Be Instagram Famous edited by Henry Carroll (9781780679679)

Like any high-end digital camera, you need to appreciate the MIO's nuances to truly explore its capabilities. With The Expanded Guide: Leica M10, the intricacies of Leica's state-of-the-art camera are fully explored, giving the reader a clear insight into precisely what the camera is capable of. From setting up the camera to delving into the deepest menu options, this book walks you step-by-step through all aspects of the M10. Regardless of whether you're a seasoned Leica shooter or an M-series newcomer, you are guaranteed to extract the best from the latest in the legendary range.

Jill Enfield's Guide to Photographic Alternative Processes, 2nd edition, is packed with stunning imagery, how-to recipes, techniques and historical information for emulating the ethereal, dream-like feel of alternative processing. This fully updated edition covers alternative processing from its historical roots through to digital manipulation and contemporary techniques and how to combine them. It features several new techniques alongside new approaches to older techniques, including hand painting on silver gelatin prints, ceramics and photography, cyanotypes, wet plate collodion, digital prints and many more. Enfield showcases the different styles and methods of contemporary artists together with suggestions for vegan and vegetarian friendly alternative processing, transforming 2D images to 3D installations, and how to apply darkroom techniques to digital captures. Professionals, students and hobbyists will discover how to bring new life and imagination to their imagery. Whether in a darkroom using traditional chemicals, at the kitchen sink with pantry staples, or in front of the computer re-creating techniques digitally, you will learn how to add a richness and depth to your photography like never before.

With just a rudimentary understanding of exposure and composition, one can capture fairly competent images of attractive subjects. But is that image remarkable in any way? Does it really say anything? How does one capture, edit, and share images that stand out from the crowd and express a distinct vision of the world? How do photographers develop and define their own voice? In The Visual Palette: Defining Your Photographic Style, photographer Brian Matiash outlines and illustrates mindsets, approaches, and techniques that photographers can implement in order to apply their own unique stamp on their photos. Matiash concentrates on the ability to train oneself to "see differently"--whether you're behind the camera, editing an image, or sharing your photo with others--and this book explores ways to help photographers do just that. Matiash examines his own path to creativity and personal style and then encourages readers to use that knowleEAe gained to forge their own paths. What sets The Visual Palette apart is that Matiash considers the entire image-making process, including both image capture and post-processing, when discussing how to develop a photographic style and express one's vision. Throughout photography's history, astute photographers always knew there were two crucial opportunities to express oneself: during the capture and in the darkroom. As Ansel Adams said, "The negative is comparable to the composer's score and the print to its performance." In that same spirit, The Visual Palette considers both image capture and post-processing as equal partners in the creation of the image and the expression of one's vision. The book is organized into three sections: composition, post-processing (what Matiash calls "Stylization and Editing"), and sharing. Each chapter tackles a concept, such as compositional rules (and when to break them), then Matiash shares "My Story," with a specific example of that concept in action in his own work. Finally, there is a "Your Story" segment where, with prompts and exercises, Matiash empowers and motivates the reader to examine their own work or practice a new technique in order to further develop their own photographic style. Beautifully illustrated with Matiash's photographs, the book covers topics that range from fundamental to creative. The ideal reader is a beginning to intermediate photographer, including photography enthusiasts, hobbyists, advanced amateurs, and any and all photographers interested in landscape, nature, urban, and architectural genres of photography.

Jill Enfield's Guide to Photographic Alternative Processes, 2nd edition, is packed with stunning imagery, how-to recipes, techniques and historical information for emulating the ethereal, dream-like feel of alternative processing. This fully updated edition covers alternative processing from its historical roots through to digital manipulation and contemporary techniques and how to combine them. It features several new techniques alongside new approaches to older techniques, including hand painting on silver gelatin prints, ceramics and photography, cyanotypes, wet plate collodion, digital prints and many more. Enfield showcases the different styles and methods of contemporary artists together with suggestions for vegan and vegetarian friendly alternative processing, transforming 2D images to 3D installations, and how to apply darkroom techniques to digital captures. Professionals, students and hobbyists will discover how to bring new life and imagination to their imagery. Whether in a darkroom using traditional chemicals, at the kitchen sink with pantry staples, or in front of the computer re-creating techniques digitally, you will learn how to add a richness and depth to your photography like never before.

What happens when a drone enters a gallery or appears on screen? What thresholds are crossed as this weapon of war occupies everyday visual culture? These questions have appeared with increasing regularity since the advent of the War on Terror, when drones began migrating into civilian platforms of film, photography, installation, sculpture, performance art, and theater. In this groundbreaking study, Thomas Stubblefield attempts not only to define the emerging genre of "drone art" but to outline its primary features, identify its historical lineages, and assess its political aspirations. Richly detailed and politically salient, this book is the first comprehensive analysis of the intersections between drones, art, technology, and power.

This unique book is a photographer's guide to the powerful medium of the environmental portrait. It explores in lucid detail the many "moving parts" of this imaging style, including the techniques and creative processes that drive some of this genre's finest contemporary practitioners. In Environmental Portraiture, author Jim Cornfield puts his readers behind the viewfinder to help them successfully master what he calls "the portrait photographer's most high-powered tool." In a series of detailed tutorial chapters and study models, Cornfield unpacks every practical aspect of the environmental portrait scenario, including research, location scouting, lighting interior and exterior environments, props and wardrobe, lens selection, composition, color, and after-capture. Along with this wealth of comprehensive nuts-and-bolts information, the book probes the deep structure of environmental portraiture-the blend of a sitter's backstory with the meaningful visual clues in their surroundings. He introduces such concepts as "portraitcraft," "cognitive weight," and "the ideas and emotions quotient," among the many dimensions of an environmental portrait that create eye-opening revelations about the person in front of your lens. A separate section of the book is devoted to a prestigious roster of contemporary environmental portraitists, specifically recruited for this book to explore in-depth selected samples from their diverse portfolios. They bring with them a score of insights, tips and fascinating anecdotes that demonstrate their individualized approaches to this versatile branch of the photographer's craft. Written for professionals, amateurs and serious students of photography, this book is both a guide and inspiration to creating powerful, communicative environmental portraiture.