|
Books > Arts & Architecture > Photography & photographs > Photographic collections > Photographic reportage
Selected photographs from Hyphens, Five Senses, a performative
installation project by Holly Crawford. Photographs were taken at
the Photo NY and Photo SF. The photographs are not staged. They are
immediate response after asking if I could take image of one of
their five senses. How do you connect to the world? What is your
strongest or weakest sense?
|
Labels
(Paperback)
Joi Donaldson, Janay Hargrove, Chy Patterson
|
R372
Discovery Miles 3 720
|
Ships in 10 - 15 working days
|
|
SOULS is a photographic essay by Emanuel Dimas de Melo Pimenta,
started in 1973. It is a collection of portraits of hundreds of
people made in the last forty years. More than a simple collection
of pictures, SOULS is a conceptual work about the zeitgeist, the
spirit of the time. They are 350 people from 40 countries, from
famous personages like Ornette Coleman, Merce Cunningham, John
Cage, Rene Berger, Mario Merz, Pierre Restany or Harald Szeemann,
to people less known. SOULS is a work in progress. It has had many
exhibitions in diverse countries in the last twenty-five years.
Now, the 40 edition of the Project - which includes exhibitions and
movie beyond the book - is dedicated to Lucrezia De Domizio,
Baroness Durini - legendary personage of contemporary art. SOULS is
published in four volumes. The book has an introduction by Pilar
Parcerisas, the great Spanish art critic, historian and curator;
and another text by Emanuel Pimenta. The persons in the VOLUME 1
are: Johannes Stuttgen . John Cage . John DS Adams . John Doing .
Jonathon Appels . Jorge Emilio Medauar . Jorge Lima Barreto . Jorge
Medauar . Jorge Pires de Miguel . Jorge Wilheim . Jose Braga
Goncalves . Jose de Melo Pimenta . Joseph Brenner . Juan Hidalgo .
Julio de Paula . Julio Sarmento . Katherine Liberovskaya . Katia de
Radigues . Katsuhiro Yamaguchi . Katsuhito Atake . Katy Martin .
Khris Karastathis . Larry Coriel . Larry Polansky . Laura Kuhn .
Laura Pimenta . Leo Alouise . Leonel Moura . Leonello Tarabella .
Linda Karshan . Lino Federico . Lisa Helfer . Livio Tragtenberg .
Lorenzo Bianda . Lu Rodrigues . Luciana Brass . Luciana Pimenta .
Lucrezia De Domizio . Ludo Engels . Luigi Biagini . Sa . Luis Eloy
. Luis Girao . Luiz de Lucca . Luiz Melo . Luna Stanford . Lygia
Campos . Magali Mussi . Marcia Grostein . Marco Agostinelli . Marco
Bagnoli . Marco Cardini . Marco nereo Rotelli . Marco Rappatoni .
Marco Solari . Marcos Novak . Margarida Ruas . Maria Bonomi . Maria
Graff . Marianela Mirpuri . Mario Merz . Marisa Merz . Martha Mooke
. Mary Opera . Massimo Donna . Mattia Sorbi . Mauricio Kus .
Maurizio Barbetti . Merce Cunningham . Michael Burt . Michel
Chevalier . Michel Kurk . Miguel Ribeiro . Monica Matias Mirpuri .
Monika Weiss . Mario Bottinelli Montandon . Natxo Checa . Nicola
Giuliani . Nina Colosi . Nina Zaretskaya . Nuno Teotonio Pereira .
Oklahoma Simms . Olga Mesa . Omar Galliani . Omar Ronda . Ornella
di Bari . Ornette Coleman . Paloma Aguirre de Carcer.
The Demon Legion is photo essay. It is assembled more than 170 art
and photo. Legion is found twice to a Bible; including Gospel of
Mark and more extensive set of verse Gospel of Luke. A reading or
interpretation of image based series of mind or room filling idea
are reviewed. Legion is associated of violence, threats and
inability to chain the entity. He states little to do of Jesus
Christ, and to seek to not be tormented of perceived divides of
such. He is noted to dwell across a lake or venture out from town
or city; so to note translation of verse into reflection. He lives
amongst tombs, and asks to be cast into herd of swine; whom race
down steep hill to lake to drown. The essay has 14 Chapter, and
consider verse and symbol into visual art form. It is as if to
present personal statement at encounter to such entity. 'You are
deemed to be dead, and will not to be allowed to speak onto be so
slain ' I am not going to offer any more or less an impression than
Jesus' dislike of demon life; such as determine one decision basis
of life without reflecting of alternative to be dilemma. The essay
portrays Medically Educated Physician; who was kidnapped three
decade, and to be pronounced dead or else A visual art form present
symbol of the entity. No recovered words or interactions were
determined found onto the tomb. The essay offers ideal; such as to
call a Roman Emperor Nero to be called an anti - Christ. The
competition of such has person to be bolted or cement into place;
so to watch in humor. A walk over three decade then monitors a rise
at perception of the grace of Jesus Christ; so reflect of sort of
autism at such manner from threat or violence. Find art of untied
shoe laces, and cuffs to simply fall off by writ of law. Topic of
swine or pigs to be over valued metaphor of police are considered.
The association of 'get out of jail free card is shown'. The rise,
fall and exorcism of Legion is topic to the essay. A dilemma of
threat to an American way of life or to claim violence to have to
speak are reviewed. Police then have clearance to such statement;
since to state to merely comfort the dying or end of humanity. A
Law of Moses is interpreted 'to go' or 'to walk'. It is modern
format of a demon; such as find association of swine or pigs to
drown, and is shown or seen at an intent to murder. Variety of
story at failure to slay have successes; so in fact at claim of
clearance to not be allowed chained. It is then followed to get
extremes onto 'final solutions'. Legion is read sort of dilemma;
such as shoot to kill orders are given to physicians of their
patients. They are detained and to find failure at the taunts of
entity; which are topic. The Archangels to include Michael in
defense of valor and Raphael to inflict ardor to correct such
conduct are included. The difficulty are a forever abyss to impose
statement, and find assorted statement; such as claim to ruin a
lifestyle of from entity. The differences of human crime versus
spirit phenomenon are reviewed. The essay is based to a walk to
God; so discover an isolate basis of decision into such claims. The
apprehension of images will source of heaven; so to follow Legion
to race down incline or hill into worse. No actual existence or
human presence is recommended. Differences to Wise Man basis of
life are reviewed of name/home; so discover demon to swim of memory
in ever more elaborate or difficult claim. The path of greenery
onto desert is compared to finding entity to in fact be chained at
extremes. The claim to inflict murder or death is shown to be a
life amongst the tombs. Defenses include to not form words of idiom
statements, or recommend to assess alternative. You find an ever
faster pace to do worse? The concept of salvation is framed of
better manner of decision; although include the extreme cases of
withered face and claws of demon. You find differences to not
accept symbol or metaphor to be a language form.
Between 1972 and 2013, over forty years, the architect, urban
planner and photographer Emanuel Dimas de Melo Pimenta traveled to
several countries in Europe, Americas, Africa and Asia, elaborating
a dense and sometimes surprising photographic essay on the changes
produced by cities on the surface of planet Earth. URBIS - The Skin
of the Planet covers more than one hundred and fifty cities in
twenty-three countries - Switzerland, Portugal, Italy, France,
Spain, Brazil, Germany, Slovenia, Hungary, Bangladesh, Morocco,
Israel, Austria, the United States, Liechtenstein, England,
Seychelles, Monaco, Canada, San Marino, Bosnia, Japan and Argentina
- and is published in three volumes. It also includes several
engravings and maps from the 15th to the 19th centuries
representing urban life and iconography. In this second volume
there are the cities of Fes, Florence, Fontenay-Tresigny, Funchal,
Gavirate, Geneva, Grindenwald, Guttannen, Haifa, Hallstatt,
Hasbrouck Heights, Horta, Isetwald, Locarno and Ascona, Lagos,
Laveno, Les Sables d'Olonne, Liechtenstein, Lisbon, London,
Lucerne, Lugano, Luso, Mahe, Marles-en-Brie, Marvao, Massa
Lubrense, Mergozzo, Merigen, Miami, Milan, Monte Carlo, Montijo,
Montreal, Montreux, Basel, Musseralo, Nancy, Naples, Natal, Nazare,
New Jersey, New York City, Pacentro and Palm Beach.
"The Amish - Photographs of an American Treasure" is a beautiful,
serene glimpse of Old Order Amish families living and thriving in
mid-Michigan. The photographs were taken over 25 years ago but they
haven't changed; we have. They love God first. They love this
country - it gave them a place to go when they were persecuted.
They love their group, their family and finally themselves. Their
first duty is to God. Secondly, they must be a village to survive.
The entire society depends on these premises. This photographic
essay gives the reader an insight into a society which is simple,
yet complicated. This book will give you a glimpse of a simpler
time. Take time to appreciate the fog rolling over a field, a
child's smile, the story of the mothers and their babies. It will
also show you how hard it is to be Amish.
A full color version of Return to Glory. This is a Photo Essay
about the Restoration of the Western Mfg. Special.
"Hungry" is a photographic essay highlighting the power of
simplicity, awareness, and love. It was inspired by a series of
photographs taken over a period of awakening and growth for the
author. The majority of this book was "channeled" while walking
through the pristine nature of New Zealand, tapped out on an iPhone
to inspire, and to be inspired.
A photographic journal of one man's travels as he is driven on by
his unnatural obsession with the public restroom, this compilation
showcases the often overlooked individuality and diversity among
these seemingly mundane portals to personal comfort that dot the
landscapes of our daily lives. Everyone will relate to this
artfully assembled collection of over 400 full-color, unauthorized,
unstaged, and entirely unique and original photos revealing the
good, the bad, and the ugly of these indispensable away-from-home
refuges. From the meager to the posh, the aged to the contemporary,
the rural to the urban, they are all represented here with stark
realism.
This one-of-a-kind book allows for examination and contemplation,
the likes of which would be quite inappropriate in person, with
page after page of mesmerizing pictures that reveal ever more
secrets the longer they are studied. Garnished with a dash of
off-beat humor, REST is the ideal idle-time companion -- a must
have for every home and office, the perfect addition to both the
coffee table and the "reading room."
For more than twenty years, Maria Paula Acuna has claimed to see
the Virgin Mary, once a month, at a place called Our Lady of the
Rock in the Mojave Desert of California. Hundreds of men, women,
and children follow her into the desert to watch her see what they
cannot. While she sees and speaks with the Virgin, onlookers search
the skies for signs from heaven, snapping photographs of the sun
and sky. Not all of them are convinced that Maria Paula can see the
Virgin, yet at each vision event they watch for subtle clues to
Mary's presence, such as the unexpected scent of roses or a cloud
in the shape of an angel. The visionary depends on her audience to
witness and authenticate her visions, while observers rely on Maria
Paula and the Virgin to create a sacred space and moment where
they, too, can experience firsthand one of the oldest and most
fundamental promises of Christianity: direct contact with the
divine. Together, visionary and witnesses negotiate and enact their
monthly liturgy of revelations. Our Lady of the Rock, which
features text by Lisa M. Bitel and more than sixty photographs by
Matt Gainer, shows readers what happens in the Mojave Desert each
month and tells us how two thousand years of Christian revelatory
tradition prepared Maria Paula and her followers to meet in the
desert. Based on six years of observation and interviews, chapters
analyze the rituals, iconographies, and physical environment of Our
Lady of the Rock. Bitel and Gainer also provide vivid portraits of
the pilgrims-who they are, where they come from, and how they
practice the traditional Christian discernment of spirits and
visions. Our Lady of the Rock follows three pilgrims as they return
home with relics and proofs of visions where, out of Maria Paula's
sight, they too have learned to see the Virgin. The book also
documents the public response from the Catholic Church and popular
news media to Maria Paula and other contemporary visionaries.
Throughout, Our Lady of the Rock locates Maria Paula and her
followers in the context of recent demographic and cultural shifts
in the American Southwest, the astonishing increase in reported
apparitions and miracles from around the world, the latest
developments in communications and visual technologies, and the
never-ending debate among academics, faith leaders, scientists, and
citizen observers about sight, perception, reason, and belief.
The Apostle John photo album is photo essay. It consists 19
Chapters and more than 144 photo and art works. You will find
classical and gothic art of John the Baptist, Apostle John and
figures of Jesus and Apostles. A primary theme is to compare or
contrast John the Baptist and Evangelist John to be one and the
same angelic entity. John the Baptist was rejected of the
literature to be an orthodox religious figure. You find commentary
to refuse a date to the Lord, and threats of death at persons; so
to claim of them to be then perished. Herod was demanded to have
been in an immoral marriage. Comments of rebellion led by him
received less Bible verse. The cover of the text is Apostle John to
stand over a fuming Chalice of wine. The book has series of art and
photo work asembled in an angelic language. John survived boiling
in oil by Rome in 96 AD and was banished to the Island of Patmos
for a practice of witchcraft; where he authored the Book of
Revelations. Each Chapter is led by one page introductions;
including to find Biblical quotes about an entirely peaceful
future. The unending death march gets zombie like art form to be
comprehended of the paradox. Revelations is then read a sort of bad
trip to heroin addicts; who attempt to dig by pick and shovel
without a blink to be found. The interpretation is given to be one
of extreme vanities. You will see advanced digital art of Saint
Peter to hold out the keys to heaven. The Gospel of John is called
non-canonical, and differs to the accepted or canonical Gospel of
Matthew, Mark and Luke. The verse of John are translated to be of
lessons to Jesus; including to have Jesus to ask lady of a drink of
water from an ancient well to belong to their ancestor Jacob. Read
the only extended story of resurrection of Lazarus, and the attempt
to slay him or Jesus at finding such story. Pharisee gawk at
demanding silence or to end up creating their entire problem. Find
four Chapters to follow Last Supper, and to have Lessons from John
about the spirit. Adultery is unbelievably derived at breaking into
the language at a festival to be living in cheap or broken down
dwellings. Jesus was instructing at the paradox; such as to not
actually discover literal event. The interpretation of discovering
only parable is referenced to provide trembling. John will differ
to Luke in his advanced image instructions; while to find use to
provide awareness at the poverty of humanity to be so found.
Revelations is then a brilliance at understanding a series of
symbol and metaphor; so to translate a color of verse without
actual person able to speak. You find more cursing and to not
derive an actual intelligence. John offers fuming wine; yet to
obviously get the person to person selection about their basic
resource to be found.
"A voice is missing from the international debate on the Syrian
War. Throughout the conflict, world leaders have focused
discussions on chemical weapons and radical fundamentalists while
the Syrian people, civilians and refugees remain effectively absent
from the conversation. Yet, as the war continues without
foreseeable end, the simple truth is Syrians are dying and whether
through bombs or sarin gas, the largest portion of the casualties
are civilian." SEVEN SYRIANS by Diego Cupolo takes us into the
lives of those fortunate enough to have survived the conflict
ravaging their homeland. Forced to flee their homes and loved ones,
these men and women, no different than ourselves, seek the same
security and opportunities for their children that we all do the
world over. In a series of humanizing portraits, Diego Cupolo
paints the devastation of war for the reader. About the Author
Diego Cupolo began his journalism and photography careers in New
York City and has continued his work while residing in Montreal,
Quebec and Buenos Aires, Argentina. He is the Latin America
regional editor for Global South Development Magazine and works on
the road as an independent journalist, having reported on Syria,
Turkey, Bulgaria, Nicaragua, Peru and Chile. His written and visual
work has appeared in The New Yorker, The Atlantic, The Associated
Press, The Village Voice, The Australian Times, Discover Magazine,
The Argentina Independent and Diagonal Periodico.
Experience a photographic journey back to the 1960's in the San
Francisco Bay Area with images taken by Kelly Hart as he explores
the streets, theaters, dances, protests, light shows, and the
culture of those dramatic and influential times.
|
|