Imagined as a sequel to the Old and New Testaments of the Bible by Magnum photographer Jonas Bendiksen, The Last Testament features visual accounts and stories of seven men around the world who claim to be the Second Coming of Jesus Christ. Building on biblical form and structure, chapters dedicated to each Jesus include excerpts of their scriptural testaments, laying out their theology and demands on mankind in their own words. Through Bendiksen's personal testimonies and intimate portraits, The Last Testament investigates the boundaries of religious faith, and a world in need of salvation, yearning for a new prophet. Whether escaping an angry mob in the streets with the Jesus of Kitwe, joining a Messianic birthday pilgrimage in Siberia, or witnessing the End of Days with Moses in South Africa, Bendiksen immerses himself among the disciples of each Jesus. He takes at face value that each is the one true Messiah returned to Earth, to forge an account that's both a work of apocalyptic journalism and of a compelling artistic imagination.

Mysterious, introspective, fiercely private, and self-taught, street photographer William Gedney (1932-1989) produced impressive series of images focused on people whose lives were overlooked, hidden, or reduced to stereotypes. He was convinced that photography was a means of expression as efficient as literature, and his images were accompanied by writings, essays, excerpts from books, and aphorisms. Gedney avoided self-promotion, and his underrepresented work was largely unknown during his short lifetime. He died at the age of fifty-six from AIDS. William Gedney: Only the Lonely, 1955-1984 is the first comprehensive retrospective of his photography. It presents images from all of his major series, including eastern Kentucky, where Gedney lived with and photographed the family of laid-off coal miner Willie Cornett; San Francisco and Haight-Ashbury, where he attached himself to a group of disaffected youth, photographing them as they drifted from one vacant apartment to the next during the "Summer of Love"; early photo-reportage of gay pride parades in the eighties; Benares, India, Gedney's first trip abroad, during which he obsessively chronicled the concurrent difficulty and beauty of daily life; and night scenes that, in the absence of people and movement, evoke a profound universal loneliness. The most complete overview of Gedney's work to date, this volume reveals the undeniable beauty of a major American photographer.

"Skeleton in the Closet"'s intimate portraits of women and men struggling with the secrets of anorexia and bulimia is both fine art monograph and memoir. Combining compelling photographs and personal stories, it gives the reader a compassionate, first-person look inside the minds of those who live with and try to leave behind an eating disorder.
Artist Fritz Liedtke-who relates the story of his own struggle with anorexia in his introduction-has created an award-winning series that includes women and men of all ages and ethnicities. Prefaced with a moving essay by award-winning novelist Gina Ochsner, this beautiful fine art book challenges stereotypes, and offers insight and hope to anyone wanting to better understand life with an eating disorder and the challenge of overcoming addiction.

Franklin Delano Roosevelt visited Georgia forty-one times between 1924 and1945. This rich gathering of photographs and remembrances documents the vital role of Georgia's people and places in FDR's rise from his position as a despairing politician daunted by disease to his role as a revered leader who guided the country through its worst depression and a world war. A native New Yorker, FDR called Georgia his "other state." Seeking relief from the devastating effects of polio, he was first drawn there by the reputed healing powers of the waters at Warm Springs. FDR immediately took to Georgia, and the attraction was mutual. Nearly two hundred photos show him working and convalescing at the Little White House, addressing crowds, sparring with reporters, visiting fellow polio patients, and touring the countryside. Quotes by Georgians from a variety of backgrounds hint at the countless lives he touched during his time in the state. In Georgia, away from the limelight, FDR became skilled at projecting strength while masking polio's symptoms. Georgia was also his social laboratory, where he floated new ideas to the press and populace and tested economic recovery projects that were later rolled out nationally. Most important, FDR learned to love and respect common Americans - beginning with the farmers, teachers, maids, railroad workers, and others he met in Georgia.

Tom R. Chambers' mother passed away in 1983. "Mother's 45s" is a tribute. Chambers matched his mother's 45rpm records with the family photographs to create assemblages by using the hole spaces of the records to frame the images. He eventually arrived at a satisfactory combination, incorporating forty-five 45rpm records with images and a portion of each song onto an audio cassette to be used as a part of the exhibition. He faded-in/faded-out the songs and looped them for continuous play and in order with the wall display of the photo/record assemblages. The photographs of his Mother were sequenced according to the chronology of her life, which spanned almost 60 years. When the piece is viewed along with the songs, the sound stimulus pulls the viewer from record to record (1 - 45) and this process has some interesting points: the maturation process of his Mother is seen; the man who came into her life and eventually became her husband and his Father is seen; the maturation process of her only child (him) is seen; the change in hair and fashion styles is seen; the change in automobile models is seen; and various locales throughout the United States are seen. This project (and its success) is the high point of his visual arts career for the simple reason that it involves and perpetuates his Mother's existence. http: //www.tomrchambers.com/index-13.html