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Books > Arts & Architecture > Photography & photographs > Photographic collections > Photographic reportage
Ancient Language is photo essay. It contains more than 160 art and photo, and is assembled to series of conceptual interpretation. The theme assesses to originate and evolve intelligence from otherwise not precise words; including to consider Biblical translation from the perspective. A primary basis of art is for example salt; such as to wear necklace for a concept or to have a cow bell. A cable is symbol to recall memory, and to so work of not exact words at ringing such and such a 'bell' or verse again and again. Topics include word defying images, and to call 'these' to be room filling ideas. You thus see Neanderthal living in caves and to add so much 'salt'. Their reflection to 'ions' then are viewed millennium later in cities; such as to crucifixion Jesus Christ and refer of this over centuries. Other metaphor of reflection include butterfly to be seen of one's TV, and include a Cardinal portrayal to topic of flower arrangements for thought. I reference ancient prohibition of any source to thought, and consider immediacy to halt reflection. The concept of panic to get it to stop include sort good comedy to portray the ancient idiom of 'what'. Series of better creativity are found of salt mines, clown fish and many cute photo of nature's creatures. I consider the primary dilemma of Wise Man versus a salt based intelligence; so to assess a life to be repeatedly told to gain wealth, fame and peace. Evolving intelligence is considered of ever more inflated basis of ideas. The topic of false hopes is contrast to two images of contrary affect; such as require and enhance encounter of angels. I provide photo of corn starch; so defy words and view thickening of intelligence. The essay retains an X-files or UFO insight of unresolved encounter. It is intended to provide insights of deriving and enhancing conditioned idea. A Chapter of interpretation of angels to this theme is found. The angst to find Elk and deer to rest in the shade or lick at salt blocks is seen. I compare concept to add lump of coal at view of their play or to discourage their attempt to speak. The alternative is find photo of say eye lash, or winged fairy to merely dip the toes to a pond. Photo portray theory to evolve from GSP locator technology to burst of a star to life, and have art of octopus to attempt to swallow entirety.
East End is a collection of photographs taken over the six year period from 2005 to 2011. With locations from Whitechapel to Walthamstow, Silvertown, Docklands, London Fields, Upton Park and Leytonstone, David Apps' images document East London's ever-changing skylines, street art and the early stencil work of Banksy, and the London 2012 Olympic site before and during its construction.
Take a look into the unseen realms of Bangkok, Thailand through the lens of master photographer, Scott Shaw.
A photo essay of the occupy movement in Washington, D.C.
Bombs, blood, explosions, violence, battles, helmeted soldiers, armed Taliban. These are the images of the Afghan conflict that we are accustomed to seeing. And yet, there is much more. There is another side to this country, Another Side of the Lens. Along with soldiers and misfortunes, there are human beings and moments of joy. This is what a soldier who was deployed twice to the Kandahar region reveals. Although he had the unique experience of seeing bullets pass by at close proximity, this is not what most marked this Canadian sniper. This is not at all what he shows us. Transcending political disputes and personal opinions, the images of this conflict and especially of this country are transformed. Without glorifying war, they honor those who live through and endure it. For example, we catch a glimpse of Afghan children playing at sunrise and sunset. Laying down their weapons, we see soldiers having fun on swings and slides in a park. We get a close-up view of the daily life of Afghan nomads in their tents, who in the winter keep warm using plastic bottles left behind by the Coalition. We come into contact with Afghan shepherds who, their hands covered in a permanent dust, walk among soldiers dressed in "extraterrestrials' suits." The Other Side of the Lens comprises two volumes that include hundreds of original images about the Afghan conflict. The author, OLOrtiz, has posted twenty-five photos on his website (www.OLOrtiz.com). The gaze of a person who loves Afghanistan and its people. More than just sniper pictures, the account of a soldier who photographed more than he shot. Afghanistan is not just a war.
Six Lesson of Art Appreciation is photo essay. It is composed of more than 188 art, painting and photo. The most common artist is Leonardo da Vinci; while the most common theme is Biblical. Art Appreciation as topic is predominately told of following to themes over time, and the essay includes cave painting, fertility idol and Renaissance styles. I compare and contrast criticism versus reflection of paintings. You will find story told of Bacchus or the Roman God of harvest to grapes; so to walk a path at merely to state a poor quality of brush strokes, and to derive a poorer quality of language by endeavor. I include 11 artists to a Chapter, and to cap work or painting of theirs of original image or word defying format. The product is lesson of appreciation; while to show neither origination or destiny to sequence by creation ideas. I include Biblical painting in complex set of pattern; while to instruct to associate provenance of time. It gives form to angels; while to be viewed literally non-existing. I discuss idea of a source tale to color like Bible many art form; although to not conclude creative color or pattern to merely paint. The entirety is left not resolved, and I present pastel and simple form of art also. I have a Chapter to reject or to hold at art; as if to subdue or lessen evolution of creativity. I offer series of abstract reflection to be a form of expression; so to form in fact advanced sorts of sentience. It does not at such a basis discover origin or potential at such theme; although I present art about theory of a source syndrome. The work closes to consider Victorian versus Cosmopolitan ladies. They state interest or tell story of resource to seek a new or better life. They attend classes of art appreciation, and to wear skirt; while to remove the bra. See a very humorous cartoon series of sleeping beauty, Prince Charming and praying mantis to devour its prey. Many nature art photo are found of playful creatures in themes.
"The Amish - Photographs of an American Treasure" is a beautiful, serene glimpse of Old Order Amish families living and thriving in mid-Michigan. The photographs were taken over 25 years ago but they haven't changed; we have. They love God first. They love this country - it gave them a place to go when they were persecuted. They love their group, their family and finally themselves. Their first duty is to God. Secondly, they must be a village to survive. The entire society depends on these premises. This photographic essay gives the reader an insight into a society which is simple, yet complicated. This book will give you a glimpse of a simpler time. Take time to appreciate the fog rolling over a field, a child's smile, the story of the mothers and their babies. It will also show you how hard it is to be Amish.
The Mystery of Faith is photo essay. It is assembled more than 195 art and photo. The traditional topic of mystery tends considered life time events; such as to evolve from this to that, education and life. Baptism or Faith is then found to be or add in some mystery better comprehension. Jesus Christ as classical topic is mystery of being origin of eternal life and redemption. I will review principle or predicate of verse or story; so of an higher sort of series to tell angel truth. Mystery is then called innocence and the love of the divine. The photo essay retains an all inclusive miracle; so all humanity or all creation is the mystery. Chapters review piety or faith versus innocence of illness or violence. The Archangel Raphael is named in oversight of illness; yet whose name translate to 'God will heal' the course. Michael is called 'protector of valor' and Gabriel is named the 'strength' of symbol to God. They are portrayed of art series. The logos or time colored windows of Heaven are recommended divine in origin; whose name and truth in being 'word of God' is traced. The reference is to see, believe and to so live. Another Chapter has art of guardian angel; who oversight of course is looked over. I review concept of sacrament to be a differing sort of spirit rules versus factual cause/effect. The photo essay considers creation to actually inquire of immediacy, panic or aniety. It is considers opposite of a value of Gabriel. A focus of the essay is mystery of lessening resource versus to see intent of the divine. The Mystery considers topic to silence bold statement; so the collective lives of a better decision. You tend to read and believe of the essay the simplier or more ancient faith. Is it a mystery?
A photo essay featuring the native Australian Aborigines along with the contributions their way of life could be to the modern day world.
Literacy Pledge: For every copy of this book sold in United States, Canada or Europe, we will donate a textbook to a child in need. Find out more about our pledge at www. world-literacy.info. Please also read Author's statement in the "Author's Biography" section. Behind Amazon's quirky smile logo lurks a cold and calculating giant machine. Author Kalpanik S. reveals his own smile as he tells the somewhat quirky story of his complex, and often hilarious, relationship with Amazon. From the sophisticated wit in his portrayal of the courtship period in "How To Get Hired By Amazon In Ten Days," to the dark humor of the disillusionment period in "The Cold, Calculating Machine," Kalpanik's story is more than just an insider's view of the giant machine known as Amazon.com. It's a modern, universal story of the uneasy relationship between an individual and today's gargantuan corporations. In the end, it is also a story of redemption for creative and freethinking individuals that define America. Acclaim for the book ... not only does the author makes us feel the vitality of the Hi-Tech worlds of California & Seattle but his very emotional experiences as an immigrant, a father and a dislocated worker. I love his leaps of imagination, and the words which hook us in, make us think this is our story. For example, here is what it means to yearn for acceptance: "I looked at Seattle's glistening skyline on one side and its beautiful waterfront on the other and asked it the same questions I had asked San Francisco sixteen years ago: will it accept me? Or will its people treat me as someone different, not one of them?" Overall, a hip, funny and yet very poignant story .....John Lehman, author of "Everything is Changing" This edition of the book was revised in December 2011 to include author's perspective on the 2011 Amazon Warehouse scandal, where a detailed investigative report on worker treatment at a regional warehouse by a local newspaper caught national media attention. Confessions of a foreign born author I must confess that English is my third language, and even though this book has been edited by several professional native English editors, it is obvious-even to me- that this book is written by a Foreign-born author. Foreign-born or not, I believe I have a talent for storytelling, and I have converted a dull topic-the transformation of Amazon from a retail website to a marketplace-into an interesting and lively story. This is more of a little book than a big one. Being a technologist, I tend to be concise in my writing. The printed version of this edition is about 220 pages. This may be too little for a few readers, too much for others, and hopefully, just right for the some. So, If you are looking for a 1,000-page treatise on Amazon that can be used as an example of perfect grammar in the High school English grammar class, then this book may not be the right book for you. There are several other books on Amazon which are written in perfect English but are perfectly boring. A book about Amazon can be pretty dry, so I have tried to add
some humor. In my attempt to make this book funny, a few facts may
have been stretched. I quote this passage from 21 Dog Years: Doing
Time @ Amazon.com, written by Mike Daisey, a fellow Amazon
alumnus-turned author: To respect the privacy of the people involved in this story, their names have been changed - with one exception. Trust me, there really is a guy named Jeff Bezos who works at Amazon. All in all, I am proud of my work, Enjoy Signed] Kalpanik S.
Scott Shaw takes the viewer on a photographic adventure into the unseen realms of Hong Kong.
Fiber artists around the world have embraced crochet as an inventive medium like never before. Expanding on the creative possibilities, using sculpture, immense site-specific installations, performance and mixed media objects, they have used crochet techniques to explore feminine craft and heritage, to explore gender codes and to show the primal creative expression represented by crochet. In The Fine Art of Crochet, Gwen Blakley Kinsler looks at the art crochet movement from 1915 onward to the Crochet Revolution of the 1960s by profiling twenty of the most innovative practitioners working today, including such internationally known artists as Arline Fisch, Leslie Pontz, Carol Hummel, Tracy Krumm, Bonnie Meltzer and Soonran Youn. Blakley Kinsler, the Founder of the Crochet Guild of America and a fiber art practitioner in her own right, examines the concepts and the awe-inspiring works of these artists whose medium of choice is crochet. Documenting these artists, in whose hands the magic of crochet creates cutting-edge art for the twenty-first century, she offers insight to those who may not have otherwise thought to go beyond the purely practical aspect of crochet. The works featured in this book represent the diverse styles, unusual shapes, and exquisite textures that characterize crocheted art today. Perhaps most importantly, each artist approaches crochet with wonder and the desire to explore its full potential.
T. L. Hunter chronicles a year in the life of Annie, a Great Pyrenees, in both photography and text. The writing introduces each chapter in the life of Annie and her experiences on each adventure. The photographs show the majesty and beauty of the breed. Through her photography Hunter shows the personality and gentle manner of the composed and confident Great Pyrenees. From puppy to adulthood we see beautiful photos in different settings and different climates that depict the strength and durability of an old yet regal breed of dog. This book shows the companionship, loyalty and trust the breed has to offer to both its human and animal friends.
Parades, Parties, and Protests is a bold tribute to the creative resistance culture of the 21st century. In the wake of the catastrophic 9/11 attacks, the Bush administration, and the Iraq War, resilient visionary subcultures rose from the ashes to spark the largest, most creative protest movement in history. This photo-journalistic account reveals a decade-long exploration of public processions in New York City, war protests, multimedia events that combined art and activism, all-night dance parties in warehouses, and pilgrimages to festivals in remote parts of the country. At a time when many alternative voices were shut out of the mass media and with civil liberties increasingly under fire, these grassroots events became a driving force in disseminating information and cultivating an uplifting and transformative culture. In the face of adversity, millions of people from around the world came together, daring to create the world they dreamed to live in. This is their story.
Six documentary photography projects from around the world. Nine images in each project. 6x9 includes images from Blackpool, Bethlehem and India and covers issues including smoking, religion and Christmas. All images taken by photographer Garry Cook.
In "Pastoral and Monumental, "Donald C. Jackson chronicles America's longtime fascination with dams as represented on picture postcards from the late nineteenth to the mid-twentieth century. Through over four hundred images, Jackson documents the remarkable transformation of dams and their significance to the environment and culture of America. Initially, dams were portrayed in pastoral settings on postcards that might jokingly proclaim them as "a dam pretty place." But scenes of flood damage, dam collapses, and other disasters also captured people's attention. Later, images of New Deal projects, such as the Hoover Dam, Grand Coulee Dam, and Norris Dam, symbolized America's rise from the Great Depression through monumental public works and technological innovation. Jackson relates the practical applications of dams, describing their use in irrigation, navigation, flood control, hydroelectric power, milling, mining, and manufacturing. He chronicles changing construction techniques, from small timber mill dams to those more massive and more critical to a society dependent on instant access to electricity and potable water. Concurrent to the evolution of dam technology, Jackson recounts the rise of a postcard culture that was fueled by advances in printing, photography, lowered postal rates, and America's fascination with visual imagery. In 1910, almost one billion postcards were mailed through the U.S. Postal Service, and for a period of over fifty years, postcards featuring dams were "all the rage." Whether displaying the charms of an old mill, the aftermath of a devastating flood, or the construction of a colossal gravity dam, these postcards were a testament to how people perceived dams as structures of both beauty and technological power.
Filling Stations/ Churches and Schools, Trinity Bomb Site
Photo Essay of Angels, Archangels, Gods and Goddesses contains more than 150 works of art and series of my own digital collection. It is composed of essay to explain phenomenon of divinity; including logos to lead onto a future. The evolution of the Gods is portrayed of various advanced and gothic art. The names of the Gods is found, and considers the Titan versus Olympian Deities. The names and evolution is otherwise assessed of an infiinite and formless 'divinity'; whom presents of the collecting to resource over the millennium. Find a theory of divinity to occur from this manner of reflection, and to be overseen by intrinsic rules and principles. The word defying reflection of an ancient form of 'these' is a personal copyright of my own. The Archangels are named and portrayed of art in symbol to each of five principles. Advanced works of Chapters assesses the idiosyncractic presentation of angels to a land; while to note angels the predominate guardian of time, and to be a course of the Lord. Various art portray angels to be guardians and protectors. Levels of an intelligence to encounter a rapport to speaking entities is considered, and literature references are found. The Ophannin and Seraphim angels to never sleep and to otherwise guard the word defying throne of God are pictured. Heaven is compared an abode of eternal God versus to portray Archangel Raphael; whom is named 'God will heal'. He is quoted to oversee of the unattained to distribute illness and discipline of the divine. Goddesses and personal tale of the wives of Gods are found. The text is mixed of artwork to frame and consider miracles and themes of the angels.
100 Strangers was a challenge: A Challenge to take a photo of 100 Strangers and to "Learn by Doing." Unlike a candid series of photos this adventure has some rules... Take a portrait photo with the prior permission of the subject. Post the person s photo and their story on an online photographic community website, namely Flickr(r).com Participants must be complete strangers - No friends or family are to be represented. Tim Commons, now a photojournalist, completed the Challenge over a six month period and discovered that the Adventure was well worth sharing, thus he became the Author of his first book "100 Strangers." 100 Strangers contains not only some amazing portraits, but displays an impressive cross-section of society. More impressive is the fact that this is a true representation of the photographer s growth during the adventure. No Stranger portraits were discarded in a bid to make his journey appear to be without trial or failure. In fact, it displays these failures and shows that they are a chance to grow and to be better next time. The book shows that like any worthwhile pursuit it did encounter hurdles and was the catalyst for much debate. Tim was himself held under citizen s arrest half way through his journey for taking Photos without Consent, before being released by the Police, without charge. The Adventure continued and some of his most compelling and impressive photos and encounters were to come. The author started the project with a compact camera and little knowledge of photography. He finished his journey using some of the world's most sophisticated photographic equipment and the ability to engage complete Strangers and tell their stories to the world. "When I started the project most people I approached and asked to partake said, 'No' and walked away still a Stranger, leaving me disappointed and dejected. By the end of my journey practically everyone I asked said, Yes . -Tim Commons The 100 Strangers book is not only a book containing some great portrait photos; it represents the stories of everyday people who are not so every day. It will leave you with a feeling that you should not judge a book by its cover and that life is, and should be: A Challenge, An Adventure and A Journey.
Central American nations have recently had the highest per capita homicide rates in the world - surpassing the per capita death toll even in war-torn countries like Iraq and Afghanistan - and gang violence has been the dominant explanation for this tragic state of affairs. But why has gang activity become endemic in the region? Photojournalist Donna De Cesare began covering Central America during the civil wars of the 1980s, focusing especially on the disrupted lives of children and youths, and continued her photography project in Central American refugee communities in the United States in the 1990s and postwar Central America in the 2000s. She documents a history of repression, violence, and trauma, in which gangs are as much a symptom as a cause of trauma, trapped as they are by social neglect. With profound empathy for a reality that is too easily defined and dismissed as repugnant, Unsettled/Desasosiego takes us on a visual journey into the lives of children deeply affected by civil war and gang violence. De Cesare's photographs and bilingual personal narrative trace the evolution and expansion of the notorious 18th Street and Mara Salvatrucha gangs from the barrios of Los Angeles to the shanties of Central America. They show how decades of war and violence - as well as the illegal drug trade - have created a culture that allows gangs to flourish. At the same time, her photographs portray the humanity of gang members and their families, encouraging us to understand the lives of youths at the margins and to take responsibility for the consequences of political and social actions that have ruptured Central American society for generations.
Photo story about people of Croatian capital Zagreb city. When traveling first we meet new countries at border crossings. This is the first layer of the picture of a country. The faces of customs officers are more or less the same throughout our world. We hardly remember them after leaving the border. Streets, buildings and historical sites are the second layer of every city. The New York skyline, the Eiffel Tower, the Roman Coliseum or The Golden Gate Bridge in San Francisco are parts of our common visual culture regardless of whether we live in the USA, Germany, Croatia or Sweden. Underneath this layer of landmarks lies the third layer. One that is every day new. This layer is web of the people on the streets. These are faces we hardly remember after leaving the places we visited if dont hang out with them. This layer cannot be understood in a few days, but this is what colors the picture of every city in every country. It is life in visual form that we can take a look at. The scene that is different every second. This book shows the third layer of the picture of a city, the people of Zagreb, capital of Croatia. Although few pictures in this book are of Zagreb's landmarks, for those who never visited Zagreb, it is a story of the people who live in Zagreb be they old, young, poor and rich, fashionable or less fashionable. It is a glimpse of some of the 800.000 people who live in Zagreb. Photographs were taken from the autumn 2011 through the summer of 2012. |
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