Limited edition of 100 numbered copies, signed by the author, clothbound and slipcased with a 1904 penny inset on the cover. In 1904, the sending, receiving and collecting of postcards had become an essential part of life in Edwardian Dublin. In an age of few private telephones, the postcard was a popular and reliable form of communication - in Dublin there were six mail deliveries a day, and one on Sunday. To celebrate James Joyce and the centenary of Bloomsday, Niall Murphy has assembled a dazzling selection of 240 postcards, all of them posted in the Dublin area during 1904, four of them sent on 16 June that year. Here are the messages of ordinary people who walked the streets of Dublin side-by-side with the characters of Ulysses, with their words eerily mirroring the novel's events. There is a rescue from drowning in Kingston; crime and punishment in Grafton Street; the Great Storm of 1903; King Edward's visit; and memories of a 'departed day' spent in Howth. Among the many tales of love, three are enacted in varying degrees of intimacy: Millicent and Francisque de Boissieu, Jack Miller and Maud Tighe, and Ina and John McGregor - echoing Joyce's use of postcards to establish the blossoming romance between Milly Bloom and Alec Bannon. Published in association with the National Library of Ireland, 'A Bloomsday Postcard' features the work of the legendary postcard artists - Louis Wain's strange human cats; Lance Thackery's satires of upper-class life; and C. Dana Gibson's exquisite drawings of beautiful women. Here also are cards depicting the Russo-Japanese War, Yukon gold miners, the Dublin Horse Show, and life in Connemara - creating a mesmerizing full-colour mosaic that brings to life the world of Bloomsday, 1904 like never before.

For ten years, Prix Pictet has been inviting artists to tackle multi-faceted themes on the topic of sustainability. During its first decade, some 4,200 photographers have presented over 28,000 images to the jury, and the public has enjoyed 92 exhibitions in 40 cities across the world. Each of the seven cycles has unearthed powerful images that speak to today's vast environmental, societal, and cultural challenges. Featuring work from all of the winning photographers to date — Benoit Aquin, Nadav Kander, Mitch Epstein, Luc Delahaye, Michael Schmidt, Valerie Belin, and Richard Mosse — and many of the shortlisted artists, ten is a celebration of the outstanding photography that has been showcased by the Prix Pictet over the past decade. Readers embark on a poignant visual journey through a carefully curated selection of compelling images, venturing into a world defined by our complex relationship with our environment. The photographs, some of which have not previously been published or exhibited by the Prix Pictet, have been grouped into twelve themes. Photojournalistic or conceptual in nature, the images are fantastically diverse and tell a powerful story of some of the most critical problems facing modern society.