When we hear the word ‘reef’ we most often think of tropical coral reefs and, indeed, those are the most diverse habitats with thousands of different species living on them. But reefs can also be found off the coast of Canada, Brazil and even further north. Off Canada’s coast there are both the Atlantic deep-water coral habitat and the Pacific rocky reef habitat. Reefs is a pictorial celebration of the hugely varied marine life on coral, rock and sand reefs all around the world. From the Great Barrier Reef off Queensland, Australia, to Mabul Island off Borneo, from east African coral reefs stretching from the Red Sea down to Madagascar to the Amazon Reef off Brazil, from the Mesoamerican Reef off Belize to Vancouver Island, the book explores how life on each reef is interdependent. The book also includes examples of how coral bleaching has killed off reefs. Arranged geographically by reef and illustrated with more than 200 colour photographs, each entry is completed with a caption explaining the magnificent natural world on display. From the gender-swapping clownfish to single-cell zooxanthellae, from coral polyps to purple starfish to harlequin shrimp and octopuses, the book is a feast of marine life.

Most unusually among major painters, Vincent van Gogh (1853-90) was also an accomplished writer. His letters provide both a unique self-portrait and a vivid picture of the contemporary cultural scene. Van Gogh emerges as a complex but captivating personality, struggling with utter integrity to fulfil his artistic destiny. This major new edition, which is based on an entirely new translation, reinstating a large number of passages omitted from earlier editions, is expressly designed to reveal his inner journey as much as the outward facts of his life. It includes complete letters wherever possible, linked with brief passages of connecting narrative and showing all the pen-and-ink sketches that originally went with them. Despite the familiar image of Van Gogh as an antisocial madman who died a martyr to his art, his troubled life was rich in friendships and generous passions. In his letters we discover the humanitarian and religious causes he embraced, his fascination with the French Revolution, his striving for God and for ethical ideals, his desperate courtship of his cousin, Kee Vos, and his largely unsuccessful search for love. All of this, suggests De Leeuw, demolishes some of the myths surrounding Van Gogh and his career but brings hint before us as a flesh-and-blood human being, an individual of immense pathos and spiritual depth. Perhaps even more moving, these letters illuminate his constant conflicts as a painter, torn between realism, symbolism and abstraction; between landscape and portraiture; between his desire to depict peasant life and the exciting diversions of the city; between his uncanny versatility as a sketcher and his ideal of the full-scale finished tableau. SinceVan Gogh received little feedback from the public, he wrote at length to friends, fellow artists and his family, above all to his brother Theo, the Parisian art dealer, who was his confidant and mainstay. Along with his intense powers of visual imagination, Vincent brought to the