Humphrey Jennings was one of Britain's greatest documentary film-makers, described by Lindsay Anderson in 1954 as 'the only real poet the British cinema has yet produced'. A member of the GPO Film Unit and director of wartime canonical classics such as Listen to Britain (1942) and A Diary for Timothy (1945), he was also an acclaimed writer, painter, photographer and poet. This seminal collection of critical essays, first published in 1982 and here reissued with a new introduction, traces Jennings's fascinating career in all its aspects with the aid of documents from the Jennings family archive. Situating Jennings's work in the world of his contemporaries, and illuminating the qualities by which his films are now recognised, Humphrey Jennings: Film-Maker, Painter, Poet explores the many insights and cultural contributions of this truly remarkable artist.

Situated in picturesque countryside on the North Staffordshire / South Cheshire border, the villages of Betley, Balterley and Wrinehill are steeped in centuries of history. Betley was mentioned in the Domesday Book of 1086 and was granted a Royal Charter in the 13th century to hold a weekly market. Famous Victorian visitors to Betley included author Elizabeth Gaskell and the young Florence Nightingale, who went boating on Betley Hall Pool. The three villages also had a brush with royalty when a Grand Duke of Russia opened the local flower show and The Queen's grandparents George V and Queen Mary passed through on their tour of North Staffordshire. Published in the milestone year of The Queen's Platinum Jubilee, this collection of pictures from the 19th century onwards captures and collates some well-known landmarks of Betley, Balterley and Wrinehill, both past and present. From garages to pubs, churches to country mansions, 'Snapshots of Village Life' outlines their stories within the villages they helped to shape. Celebrations of local and national events (such as the 50th anniversary of VE Day) also demonstrate a strong sense of community running through that village life. A community depicted, a heritage captured. 'Snapshots of Village Life' creates an engaging pictorial record of Betley, Balterley and Wrinehill and provides a fascinating glimpse of their journey through time.

America's most populous state is often seen as a west coast paradise by those who live there - and those who desire to live there. Anchored around the urban centres of Los Angeles in the south and San Francisco in the north, California is a place of idyllic beaches, cutting-edge architecture, spectacular national parks and Hollywood dazzle. In the pages of California, find out about the Big Sur, the precipitous, beautiful windy drive along Route 1 in the central coast; Yosemite National Park, home to the imposing Half Dome and El Capitan mountains, and offering stunning views from Glacier Point; San Jose and Silicon Valley, centre of the world's tech industry; Santa Monica Beach, a mecca for sun seekers; Rodeo Drive, the home of luxury goods stores in Beverley Hills; and Death Valley in the Mojave Desert, one of the hottest, driest places on Earth. Presented in a handy, pocket-sized landscape format and with captions explaining the story behind each photo, California is a stunning collection of images that brings to life the vitality of this iconic west coast American state.

The marriage between flowers and fashion has never been more pronounced than when seen in the work of Yves Saint Laurent. This retrospective examines Yves Saint Laurent’s use of flowers from their symbolism to their fruition on the runway.

Flowers in every form inspired fashion designer Yves Saint Laurent, serving as a leitmotif in his work. His passion for plants manifested itself in countless patterns and techniques, and he adorned women in floral appliqués, prints, and embroideries. From a thousand and one rose buds to sprigs of lily of the valley, from an avalanche of bougainvillea to delicate poppy touches, and from sheaves of wheat to majestic lilies, nature was an essential part of his visual palette.

Through the discerning eyes of Olivier Saillard, this veritable garden of Yves Saint Laurent’s designs―culled from a broad range of styles―metamorphoses into a bouquet of flowering silhouettes. Under the direction of Elsa Janssen and Alexis Sornin, essays from Emanuele Coccia, Marc Jeanson, and Serena Bucalo Mussely explore, respectively, the symbolism of flowers, characteristics of his recurring prints, and the designer’s signature use of flora in accessories.