Though ferociously private, Lucian Freud spoke every week for decades to his close confidante and collaborator William Feaver – about painting and the art world, but also about his life and loves. The result is this a unique, electrifying biography, shot through with Freud's own words.

In Youth, the first of two volumes, Feaver conjures Freud's early childhood: Sigmund Freud's grandson, born into a middle-class Jewish family in Weimar Berlin, escaping Nazi Germany in 1934 before being dropped into successive English public schools. Following Freud through art school, his time in the Navy during the war, his post-war adventures in Paris and Greece, and his return to Soho – consorting with duchesses and violent criminals, out on the town with Greta Garbo and Princess Margaret – Feaver traces a brilliant, difficult young man's coming of age.

An account of a century told through one of its most important artists, The Lives of Lucian Freud is a landmark in the story its subject and in the art of biography itself.

Drawing the Head for Artists is the definitive modern guide to drawing the human head and portrait, featuring the classic mediums and methods of the Old Masters. Written by celebrated portrait artist and veteran studio instructor Oliver Sin, this richly informative and beautifully illustrated volume leads readers step-by-step through his method, from establishing a point of view to applying the timeless principles for creating an accurate and expressive likeness. Among the topics covered: Essential Materials & Techniques:Learn about necessary supplies and basic drawing techniques, including hatching, various stroke styles, and blending. Applying the Essentials: Explore how the concepts of sight-sizing, value, negative space/shapes, and plane changes factor into a portrait's underlying structure. Techniques for Creating Depth & Dimension:Investigate how contrasting shapes, overlapping forms, and linear and atmospheric perspective are used to enhance depth. Creating the Illusion of Three Dimensions: Examine how edges-contours as well as changes in value-are used to convey three-dimensional form. Brimming with striking images that document all the phases and details of the author's process, Drawing the Head for Artists inspires and informs all artists, from aspiring to accomplished, on how to successfully portray the physical subtleties and emotional eloquence of the human face. The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

As we approach the bicentennial, in 2017, of the birth of Henry David Thoreau, there is considerable debate and confusion as to what he may, or may not have, contributed to American life and culture. Almost every American has heard of Thoreau, but only a few are aware that he was deeply engaged with most of the important issues of his day, from slavery to "Manifest Destiny" and the rights of the individual in a democratic society. Many of these issues are still affecting us today, as we move toward the second quarter of the twenty-first century. By studying how various American artists have chosen to portray Thoreau over the years since the publication of Walden in 1854, we can gain a clear understanding of how he has been interpreted (or misinterpreted) throughout the years since his death in 1862. But along the way, we might also find something useful, for our times, in the insights that Thoreau gained as he wrestled with the most urgent problems being experienced by American society in his day.

LONGLISTED FOR THE 2020 BAILLIE GIFFORD PRIZE CHOSEN AS A BOOK OF THE YEAR BY THE GUARDIAN, OBSERVER, THE TIMES, SUNDAY TIMES, DAILY TELEGRAPH, MAIL ON SUNDAY, FINANCIAL TIMES, NEW STATESMAN, SPECTATOR THE SUNDAY TIMES ART BOOK OF THE YEAR 2020 'Explosively enjoyable, bursting with life and art ... A central figure as wild and beguiling as any character in literature' CRAIG BROWN William Feaver, Lucian Freud's collaborator, curator and close friend, knew the unknowable artist better than most. Over many years, Freud narrated to him the story of his life, 'our novel'. Fame follows Freud at the height of his powers, painting the most iconic works of his career in a constant pursuit of perfection, just outrunning his gambling debts and tailor's bills. Whether tattooing swallows at the base of Kate Moss's back or exacting a strange revenge on Jerry Hall and Mick Jagger, Freud's adventures were always perfectly characteristic. An enfant terrible till the end, even as he was commissioned to paint the Queen, what emerges is an artist wilfully oblivious to the glitter of the world around - and focussed instead on painting first and last. 'A dazzling tour de force' THE TIMES 'A wonderfully vivid chronicle' OBSERVER 'Does justice to Freud's pitiless genius' DAILY MAIL

"Acrylic Made Easy: Portraits" is a fitting addition to Walter Foster's new dynamic technique and project-driven series devoted to introducing aspiring artists to the fun and engaging world of acrylic painting. Painting portraits is a fundamental subject for any beginning-to-intermediate artist. With a fresh and simple approach, "Acrylic Made Easy: Portraits" teaches fine artists everything they need to know about setting up and rendering beautiful, dynamic portraits in acrylic. Beginning with an introduction to a variety of tools and materials, artists will learn how to select the right brushes, palettes, paints, paper, and surfaces for their work. "Acrylic Made Easy: Portraits" also provides valuable information about color theory and mixing for skin tones, planning a composition, and achieving proper perspective. Additionally, artists will learn a range of basic painting techniques, including glazing, scumbling, and stippling, as well as how to paint from photographs, create ambient lighting, arrange a composition, work with multiple subjects, and more. Through simple step-by-step projects, artists will discover how to approach a portrait, beginning with a sketch and progressing to a beautiful finished piece of acrylic artwork. With a diverse range of subjects, artists will find guidance, tips, and stunning artwork to inspire on virtually every page.

Brings together, for the first time, Lucian Freud's oil on copper paintings, including his lost portrait of Francis Bacon and two works that have never been reproduced before In the early 1950s, Lucian Freud produced several works in oil paint on copper, a technique favored by 17th-century artists such as Rembrandt and Frans Hals, but unusual for a 20th-century painter. Originally thought to be only a handful, Freud in fact painted more than a dozen copper works-all small-scale, enamel-smooth and astonishingly intense. Based on a decade of research, this book, for the first time, brings together all of Freud's "coppers," including two works that have never been reproduced before. Among these paintings is Freud's famous portrait of Francis Bacon, labeled by Nicholas Serota as "the most important portrait of the 20th century." The work was stolen in 1988-its whereabouts still unknown-but during research for the book a rare photograph was discovered that shows the work just minutes before the theft, and it is published here for the first time. Distributed for Less Publishing

This is the first book to concentrate on Dutch Golden Age painter Frans Hals's highly innovative approach to male portraiture. Frans Hals is one of the greatest portrait painters of all time and, together with Rembrandt, is one of the most eminent seventeenth-century Dutch artists. Published to coincide with the Wallace Collection's exhibition of the same name, Frans Hals: The Male Portrait explores the artist's highly innovative approach to male portraiture, from the beginning of his career in the 1610s until the end of his life in 1666. Through pose, expression and virtuosic painterly technique, Hals revolutionised the male portrait into something entirely new and fresh, capturing and revealing his sitters' characters like no one else before him. This book includes the first in-depth study of Hals's great masterpiece, The Laughing Cavalier, from 1624. The extravagantly dressed young man, confidently posed with his left arm akimbo in the extreme foreground of the picture and seemingly penetrating into the viewer's space, has been charming audiences for over a century. Richly illustrated, Frans Hals: The Male Portrait situates The Laughing Cavalier within the artist's larger oeuvre and demonstrates how, at a relatively early point in his career, Hals was able to achieve this great masterpiece.

Life Drawing for Artists teaches a contemporary approach to figure drawing that includes both the familiar poses-standing, sitting, lying down-but also how to capture figures in movement and in more dynamic and engaging positions. Author Chris Legaspi is a dedicated, life-long artist and admired instructor who is known for his dynamic figurative drawings and paintings, and as a successful illustrator in the entertainment industry. Whether you are an aspiring illustrator, art student, or a professional artist looking to develop your abilities, Life Drawing for Artists shows how to build your skills by combining fundamental building blocks, such as gesture lines, shape and design, structure, value control, and edge or line control. You'll focus on different skills while working on both quick timed drawings and longer detailed drawings. The book covers important topics, such as drawing different views, understanding perspective, foreshortening strategies, and how to deal with various lighting conditions. The examples and tutorials explore virtually every pose scenario, as well as many active and dynamic movements. Breathe drama into your figures as you master the fundamentals with this fresh approach to life drawing. The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

Lunch with the Financial Times has been a permanent fixture in the Financial Times for almost 25 years, featuring presidents, film stars, musical icons and business leaders from around the world. The column is now as well-established institution which has reinvigorated the art of conversation in the convivial, intimate environment of a long boozy lunch. On its 25th anniversary, Lunch with the Financial Times 2 will showcase the most entertaining, incisive and fascinating interviews from the past five years including those with Edward Snowden, Bernie Ecclestone, Hilary Mantel, Sheryl Sandberg, Richard Branson, Rebecca Solnit, Emmerson Mnangagwa, Jordan Peterson, Nigel Farage, Woody Harrelson, Sepp Blatter, (pre-election) Donald Trump and Zoella, illustrated in full colour with James Ferguson's famous portraits.

A poignant look into the psychological depths of the human mind-its possibilities and fragility. This is the impressive and sensitive legacy of the painter David Byrd. The artist joined the army during World War II and later worked as an orderly in the psychiatric ward of a Veterans hospital in Upstate New York. From 1958 to 1988, Byrd's keen observation of this world, filled with the crowded histories of its troubled patients, was recorded in the artist's sketchbook. This publication is a replica of the deeply personal, creative, and revelationary journal examining the human experience and its potential for pain and alienation on the fringe. Byrd's work was not publicly exhibited until 2013, only a few months before his death-an omission that seems absurd in the face of such a powerful output of artwork expressing the artist's perspective as a veteran himself and his empathy toward those living with psychological trauma.

David Hockney's continuing belief in the importance of the portrait and his virtuoso skill in creating a sense of close communication between artist, sitter and viewer has resulted in some of the best-loved works of the postwar era. From the 1950s on, Hockney's most persistent subject matter, in paintings, drawings, collages and photoworks, has been of people usually very close to him, as well as of himself. These works are narratives of autobiographical relationships: they reflect the intimate and often intense stories of this artist's life. They also explore different formal ways of representing the passage of time and at the same time the unavoidable but marvellous stillness of portraits. The works include fascinating sequences as he paints his mother or Henry Geldzahler or Celia Birtwell on and off for decades; the special qualities attached to depictions of lovers; and the range of celebrities, writers and artists - Billy Wilder, Armistead Maupin, W.H. Auden, Henry Moore, Christopher Isherwood - who have been part of a very full life. The text by a distinguished European critic and curator reinforces the point that this hugely popular English-born artist, who made America his second home, has become a figure of worldwide appeal.

Portrait Miniatures from the Merchistion Collection is the fifth in a series of titles which examines the portrait miniature. This collection, which has never been on public display, was assembled on the London art market during the 1970s and 1980s. Scottish miniaturists from the late eighteenth and early nineteenth centuries are particularly well represented with fine works by Scouler, Bogle, and Skirving and Sir William Charles Ross. Of outstanding interest is Nicholas Hilliard's matching pair of tiny lockets of Queen Elizabeth and her admirer Robert Dudley, Earl of Leicester. Stephen Lloyd's essay discusses the formation of the collection and the impact of the invention of photography on the art of miniature painting. It also explores the social history of the miniature. Twenty of the key works are illustrated in colour, with extended captions, and a complete list of the collection is also included.

Scotland has produced an astonishingly high number of men and women whose lives have inspired and changed the world. This book, illustrating just over forty portraits, represents only a few of them, but with Robert Burns and Walter Scott, Eric Liddell and Alex Ferguson, Bonnie Prince Charlie and Queen Victoria, it represents the flavour of the collection at the Scottish National Portrait Gallery.

Rob Wareing has built a formidable international reputation as a portrait artist. This is his first book, and here he draws on over 40 years' experience to provide a complete guide to painting portraits in oils. In Rob's view, the most effective way to capture character is by working from life rather than photographs, and to follow the alla prima method to create a painting in one sitting. Starting with a fascinating overview of the subject, Rob then guides the reader through the materials he uses, explains how to pose and light the sitter, and how to prepare the work area before starting to paint. This is followed by detailed coverage of design and composition, the importance of proportions, and the painting process itself - from colour mixing through to finishing a painting without over-working. With clear, step-by-step demonstrations and numerous examples of the author's work throughout, this book provides both an expert guide to portrait painting and a unique insight into the working methods of one of the world's leading portrait painters.

This comprehensive book brings to light the portraits, private collections and public patronage of the princesse de Lamballe, a pivotal member of Marie-Antoinette's inner circle. Drawing extensively on unpublished archival sources, Sarah Grant examines the princess's many portrait commissions and the rich character of her private collections, which included works by some of the period's leading artists and artisans. The book sheds new light on the agency, sorority and taste of Marie-Antoinette and her friends, a group of female patrons and model of courtly collecting that would be extinguished by the coming revolution.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

This book analyzes the philosophical origins of dualism in portraiture in Western culture during the Classical period, through to contemporary modes of portraiture. Dualism - the separation of mind from body - plays a central part in portraiture, given that it supplies the fundamental framework for portraiture's determining problem and justification: the visual construction of the subjectivity of the sitter, which is invariably accounted for as ineffable entity or spirit, that the artist magically captures. Every artist that has engaged with portraiture has had to deal with these issues and, therefore, with the question of being and identity.

This book offers a renewed look at Emma Hamilton, the eighteenth-century celebrity who was depicted by many major artists, including Angelica Kauffman, George Romney, and Elisabeth Vigee-Le Brun. Adopting an art historical and feminist lens, Ersy Contogouris analyzes works of art in which Hamilton appears, her performances, and writings by her contemporaries to establish her impact on this pivotal moment in European history and art. This pioneering volume shows that Hamilton did not attempt to present a coherent or polished identity, and argues instead that she was a kaleidoscope of different selves through which she both expressed herself and presented to others what they wanted to see. She was resilient, effectively asserted her agency, and was a powerful inspiration for generations of artists and women in their own search for expression and self-actualization.

A beautiful, lively tour through the portraits of one of the most celebrated painters of 17th century Europe In this sumptuously illustrated volume, eminent art historian Sir Christopher White places the portraiture of renowned Flemish painter Anthony Van Dyck (1599-1641) in context among the work of his contemporaries working in and around the courts of seventeenth-century Europe. Van Dyck's artistic development is charted through his travels, beginning in his native Antwerp, then to England, Italy, Brussels, the Hague, and back again. Combining historical insights with a discerning appreciation of the work, White brings Van Dyck's paintings to life, showing how the virtuoso not only admired his artistic predecessors and rivals but refashioned what he learned from them into new kind of portraiture. Beautifully produced and a pleasure to read, this book is an important contribution to the literature on a celebrated painter. Distributed for Modern Art Press

This book reveals the wealth of British and European miniatures preserved in Scottish private collections, most of which are not normally on show to the public. Some of these intimate and private works are new discoveries, published here for the first time. These works are drawn from some of the notable private collections in Scotland, led by the most famous of all, that of the Duke of Buccleuch & Queensberry. The protagonists of the Stuart cause are well represented in portraits of Prince James and his sons Prince Charles Edward and Prince Henry Benedict, taken from the collection of one of the most significant Jacobite families, that of the Dukes of Perth. The book illustrates some of the most personal portraits of the leading figures among the great families of Scotland from the early seventeenth to the mid-nineteenth century. Twenty of the key works are illustrated in colour, with extended captions, and a complete catalogue of the collection is also included.

This survey exhibition captures the arc and continued ascent of contemporary artist Beverly McIver. This exhibition catalog accompanies a survey exhibition of contemporary artist and painter Beverly McIver. Curated by Kim Boganey, this exhibition represents the diversity of McIver's thematic approach to painting over her career. From early self-portraits in clown makeup to more recent works featuring her father, dolls, Beverly's experiences during COVID-19 and portraits of others, Full Circle illuminates the arc of Beverly McIver's artistic career while also touching on her personal journey. McIver's self-portraits explore expressions of individuality, stereotypes, and ways of masking identity; portraits of family provide glimpses into intimate moments, in good times as well as in illness and death. The show includes McIver's portraits of other artists and notable figures, recent work resulting from a year in Rome with American Academy's Rome Prize, and new work in which McIver explores the juxtaposition of color, patterns, and the human figure. Full Circle also features works that reflect on McIver's collaborations with other artists, as well as her impact on the next generation of artists. The complementary exhibition, In Good Company, includes artists who have mentored McIver, such as Faith Ringgold and Richard Mayhew, as well as those who have studied under her. This catalog includes a conversation with Beverly McIver by exhibition curator Kim Boganey, as well as two essays: one by leading Black feminist writer Michele Wallace, daughter of Beverly's graduate school mentor Faith Ringgold, and another by distinguished scholar of African American art history Richard Powell. Published in association with the Scottsdale Museum of Contemporary Art Exhibition dates: Scottsdale Museum of Contemporary Art February 12-September 4, 2022 Southeastern Center for Contemporary Art December 8, 2022-March 26, 2023 The Gibbes Museum April 28-August 4, 2023

Cabinet cards were America's main format for photographic portraiture throughout the last quarter of the nineteenth century. Standardized at 61/2 x 41/4 inches, they were just large enough to reveal extensive detail, leading to the incorporation of elaborate poses, backdrops, and props. Inexpensive and sold by the dozen, they transformed getting one's portrait made from a formal event taken up once or twice in a lifetime into a commonplace practice shared with friends. The cards reinforced middle-class Americans' sense of family. They allowed people to show off their material achievements and comforts, and the best cards projected an informal immediacy that encouraged viewers to feel emotionally connected with those portrayed. The experience even led sitters to act out before the camera. By making photographs an easygoing fact of life, the cards forecast the snapshot and today's ubiquitous photo sharing. Organized by senior curator John Rohrbach, Acting Out is the first ever in-depth examination of the cabinet card phenomena. Full-color plates include over 100 cards at full size, providing a highly entertaining collection of these early versions of the selfie and ultimately demonstrating how cabinet cards made photography modern. Published in association with the Amon Carter Museum of American Art. Exhibition dates: Amon Carter Museum of American Art: August 15-November 1, 2020 Los Angeles County Museum of Art (LACMA): August 8-November 7, 2021

In Drawing and Painting Expressive Little Faces, artist and popular Skillshare instructor Amarilys Henderson shares her practical and creative techniques for drawing and painting faces with style and personality. Gathering supplies. Consider the creative possibilities of watercolor, ink, and markers, and create a mobile sketch pack so you can capture faces and expressions on the go. Simplifying the face and identifying proportions. Use photos to simplify the face's key elements, learn about facial proportions and factors and variables for placing facial features, and apply these concepts through a simple warm up using a single color to paint a face in multiple values. Facial shapes and features. Learn about the five basic facial shapes and how to modify the chin line, ears, and hairline, and how to draw and paint mouths, eyes, and noses and make alterations to show pose and personality. Mixing color. The pigments and brushes you'll need to achieve a wide range of realistic skin tones, shadows, and expressions. Bringing faces to life. Navigate the process from start to finish, learn to adjust line quality to suggest different genders and ethnicities, and change up artistic styling to put a unique spin on your creations. Project ideas. Get inspired by some cool ways to apply your new skills: party invitations, repeat patterns, comic books, and more! Don't be intimidated by the challenge of drawing and painting faces. Improve your face game with Drawing and Painting Expressive Little Faces!