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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries > Press & journalism
The Western world's responses to genocide have been slow, unwieldly and sometimes unfit for purpose. So argues David Patrick in this essential new contribution to the aid and intervention debate. While the UK and US have historically been committed to the ideals of human rights, freedom and equality, their actual material reactions are more usually dictated by geopolitical 'noise', pre-conceived ideas of worth and the media attention-spans of individual elected leaders. Utilizing a wide-ranging quantitative analysis of media reporting across the globe, Patrick argues that an over-reliance on the Holocaust as the framing device we use to try and come to terms with such horrors can lead to slow responses, misinterpretation and category errors - in both Rwanda and Bosnia, much energy was expended trying to ascertain whether these regions qualified for 'genocide' status. The Reporting of Genocide demonstrates how such tragedies are reduced to stereotypes in the media - framed in terms of innocent victims and brutal oppressors - which can over-simplify the situation on the ground. This in turn can lead to mixed and inadequate responses from governments. Reporting on Genocide also seeks to address how responses to genocides across the globe can be improved, and will be essential reading for policy-makers and for scholars of genocide and the media.
Walter Lippmann began his career as a brilliant young man at Harvard--studying under George Santayana, taking tea with William James, a radical outsider arguing socialism with anyone who would listen--and he ended it in his eighties, writing passionately about the agony of rioting in the streets, war in Asia, and the collapse of a presidency. In between he lived through two world wars, and a depression that shook the foundations of American capitalism. Walter Lippmann (1889-1974) has been hailed as the greatest journalist of his age. For more than sixty years he exerted unprecedented influence on American public opinion through his writing, especially his famous newspaper column "Today and Tomorrow." Beginning with The New Republic in the halcyon days prior to Woodrow Wilson and the First World War, millions of Americans gradually came to rely on Lippmann to comprehend the vital issues of the day. In this absorbing biography, Ronald Steel meticulously documents the philosophers and politics, the friendships and quarrels, the trials and triumphs of this man who for six decades stood at the center of American political life. Lippmann's experience spanned a period when the American empire was born, matured, and began to wane, a time some have called "the American Century." No one better captured its possibilities and wrote about them so wisely and so well, no one was more the mind, the voice, and the conscience of that era than Walter Lippmann: journalist, moralist, public philosopher.
The airwaves in America are being used by armed militias, conspiracy theorists, survivalists, the religious right, white supremacists, neo-Nazis, and other radical groups to reach millions with their messages of hate and fear. Waves of Rancor examines the origin, nature, and impact of right-wing electronic media, including radio, television, cable, the internet, and even music CDs.
Exploring the interactions that swirl around scientific uncertainty
and its coverage by the mass media, this volume breaks new ground
by looking at these issues from three different perspectives: that
of communication scholars who have studied uncertainty in a number
of ways; that of science journalists who have covered these issues;
and that of scientists who have been actively involved in
researching uncertain science and talking to reporters about it. In
particular, "Communicating Uncertainty" examines how well the mass
media convey to the public the complexities, ambiguities, and
controversies that are part of scientific uncertainty.
SHORTLISTED FOR THE 2016 PEN ACKERLEY PRIZE 'An intense, succulent read that's intermittently dazzling' THE TIMES 'Chilling, exquisitely moving' DAILY TELEGRAPH 'A superb memoir - and one of the best books on addiction I have ever read' EVENING STANDARD A. A. Gill's memoir begins in the dark of a dormitory with six strangers. He is an alcoholic, dying in the last-chance saloon. He tells the truth - as far as he can remember it - about drinking and about what it is like to be drunk. He recalls the lost days, lost friends, failed marriages ... But there was also an 'optimum inebriation, a time when it was all golden'. Sobriety regained, there are painterly descriptions of people and places, unforgettable musings about childhood and family, art and religion; and most movingly, the connections between his cooking, dyslexia and his missing brother. Full of raw and unvarnished truths, exquisitely written throughout, POUR ME is about lost time and self-discovery. Lacerating, unflinching, uplifting, it is a classic about drunken abandon.
"Covering the Courts" shows how writers and journalists deal with present-day major trials, such as those involving Timothy McVeigh and O.J. Simpson. The volume features such outstanding contributors as Linda Deutsch and Fred Graham, and provides an in-depth look at the performance of the court in an age of heightened participation by reporters, camera operators, social scientists, major moguls of network radio and television, and advocates of special causes. The volume does far more than discuss specific cases. Indeed, it is a major tool in the study of the new relationships between a free press and a fair trial. Interestingly, a consensus is described in which the parties involved in efforts to balance freedom of the press and the right to a fair trial are moving in tandem. In this regard, sensitive issues ranging from the universality of law to the particularity of racial, religious, and gender claims, are explored with great candor. The volume also turns the intellectual discourse to its major players: the members of the press, the lawyers, and the judiciary. Has there been a shift from reporting functions to entertainment values? Does television and live presentation shift the burden from the contents of a case to the photogenic and star quality of players? What excites and intrigues the public: serious disturbances to the peace and mass mayhem, such as the Oklahoma bombings or sexual adventures of entertainment and sports figures? The findings are sometimes disturbing, but the reading is never dull. This book will be of interest to journalists, lawyers, and the interested general public. This volume is the latest in the Transaction Media Studies Series edited by Everette E. Dennis, dean of the school of communication at Fordham University. The volume itself is edited by "Robert Giles," the editor, and "Robert W. Snyder," the managing editor, of "Media Studies Journal." The original contributions were initially presented at The Freedom Forum and its Media Studies Center.
A.A. Gill was an exceptional writer. Savage and compassionate in equal measure, he was always opinionated, always original, often surprising, and his writing illuminated every page. This second collection of his journalism brings together pieces from near and far. He was ferociously well-travelled and wrote 'abroad is as foreign and funny and strange and shocking as it ever was, and our need to know our neighbours every bit as great'. Far and Away is a book about meeting those neighbours. Wherever he was - with the glitterati in St Tropez or in the ruins of earthquake-stricken Haiti - he had the ability to pin down the heart of a story and render it unforgettable. He was a peerless writer about food, and we also join him at tables all around the globe. A.A. Gill had the gift of making his readers see the world in a different way. And, always, of making them laugh. This collection is an opportunity to marvel at a master at work.
This edited book takes an interdisciplinary approach to shed light on the complex dynamics involved in the incidence of online hate speech against migrants in user-generated contexts. The authors draw on case studies from Finland, France, Germany, Italy, Poland and the UK, bringing together qualitative and quantitative analyses on user-generated online comments. The authors argue that online hate speech against migrants must be understood as a symptom of a representation crisis on migration, which can only be fully perceived through the study of the complex linguistic, interactional and connective processes within which it emerges. They focus on representations and shared meanings, community building and otherness, and delve into the role of network ecosystems in the process of the construction of public problems. This book will be of interest to undergraduate and post-graduate students as well as academics working on hate speech and migration studies in a variety of fields, and can also contribute to improving research protocols for automated analyses and detections of online hate speech.
This book introduces a new methodology to assess the way in which journalists today operate within a new sphere of communicative 'public' interdependence across global digital communities by focusing on climate change debates. The authors propose a framework of 'cosmopolitan loops,' which addresses three major transformations in journalistic practice: the availability of 'fluid' webs of data which situate journalistic practice in a transnational arena; the increased involvement of journalists from developing countries in a transnationally interdependent sphere; and the increased awareness of a larger interconnected globalized 'risk' dimension of even local issues which shapes a new sphere of news 'horizons.' The authors draw on interviews with journalists to demonstrate that the construction of climate change 'issues' is increasingly situated in an emerging dimension of journalistic interconnectivity with climate actors across local, global and digital arenas and through physical and digital spaces of flows.
This book offers fresh research and insights into the complex relationship between the press, war, and society in the 20th century, by examining the role of the newspaper press in the period c.1900- 1960, with a particular focus on the Second World War. During the warfare of the 20th century, the mass media were used to sustain domestic morale and promote combatants' views to an international audience. Topics covered in this book include British newspaper cartoonists' coverage of the Russo- Japanese War, the role of the French press in Anglo- French diplomacy in the 1930s, Irish press coverage of Dunkirk and D- Day, government censorship of the press in wartime Portugal, the reporting of American troops in North Africa, and how the Greek press became the focus of British government propaganda in the 1940s. Particular attention is given to the role of the British press in the Second World War: its coverage of evacuation, popular politics, and D- Day; the war as seen through commercial press advertising; the wartime Daily Mirror; and Fleet Street's role as a 'national' press in wartime. This book explores how- and why- newspapers have presented wars to their readers, and the importance of the press as an agent of social and political power in an age of conflict. This book was originally published as a special issue of Media History.
Most great transformations are not apparent as we live through them. Only in hindsight do individual moments acquire layers of meaning that give them great significance. Looking back is not something that comes naturally to journalists, immersed as they are in breaking events and relentless deadlines. But there is still good reason for journalists, scholars, and people who care about journalism to think about the critical episodes in its recent evolution. In "Defining Moments in Journalism, "such authors vividly describe episodes of this kind. Some of the chapters and contributors include: "The Lessons of Little Rock" by Harry S. Ashmore; "Vietnam and War Reporting" by Peter Arnett; "Photo-journalists--Visionaries Who Have Changed Our Vision" by Jane M. Rosett; "The Weight of Watergate" by Ellen Hume; "Women Sportswriters--Business as Usual" by Mary Schmitt; "The Connie Chung Phenomenon" by Somini Sengupta; and "Covering Politics--Is There a Female Difference?" by Judy Woodruff. The years since the Great Depression and World War II have seen vast changes in America and also in its journalism. Journalists' relationship to power and authority is more complex; the press corps has become more diverse; the technology of news reporting is almost unrecognizably different from that of fifty years ago; and economic reorganization of the media has bundled news and entertainment organizations into conglomerates of extraordinary size. "Defining Moments in Journalism "is a fascinating read for communications scholars and professionals, historians, and political scientists.
This volume, marking the eightieth anniversary of the journal The Political Quarterly, contains a selection of articles from eight decades of progressive writing and provides both a fascinating window on the past and a stimulus to thought and action in the present. * A free-thinking platform for the leading voices of the progressive tradition in British politics * Spans eight decades of progressive writing from voices which still have something to say to us now * Aims to bridge the divide between thought and action and to provide an intellectual foundation for practical reform and for progressive politics
Between 1988 and 1992 a technologically sophisticated entrepreneurial leadership at the Christian Science Monitor led a costly campaign to diversify beyond the failing newspaper into radio, the Internet, multimedia publishing, and the highest ticket item of all -- a CNN-style, 24-hour news and public affairs cable TV channel. In 1992, the entire enterprise came crashing down. Sue Bridge tells the whole story here, setting it in the historical context of Monitor journalism, beginning with the paper's founding in 1908, through the rise of television in the fifties and sixties, and ending with the effective loss of the Monitor as a significant voice in American journalism, at a time when thoughtful and balanced sources of information are increasingly lost in the mass communications marketplace
In this political communication text, Richard M. Perloff examines
the various ways in which messages are constructed and communicated
from public officials and politicians through the mass media to the
ultimate receivers-the people. With a focus on the history of
political communication, he provides an overview of the most
significant issues in the study of politics and the media.
In this political communication text, Richard M. Perloff examines
the various ways in which messages are constructed and communicated
from public officials and politicians through the mass media to the
ultimate receivers-the people. With a focus on the history of
political communication, he provides an overview of the most
significant issues in the study of politics and the media.
Basic TV Reporting is a practical, easy to read guide to the skills needed to become a successful television reporter - arguably the most demanding and glamorous job in journalism. The book describes the role in detail, how reporters fit into the editorial team and where their duties begin and end. Basic TV Reporting is a practical, easy to read guide to the
skills needed to become a successful television reporter - arguably
the most demanding and glamorous job in journalism. The book
describes the role in detail, how reporters fit into the editorial
team and where their duties begin and end.
The widespread use of the Internet as a tool for gathering and
disseminating information raises serious questions for
journalists--and their readers--about the process of reporting
information. Using virtual sources and publishing online is
changing the way in which journalism takes place and its effect on
the society it serves.
This guide to all aspects of the reporter's job, has been
extensively revised and updated for a third edition. It considers:
The book also includes an important new chapter on the place of
local government in newspaper coverage and it examines a
newspaper's internal structure and the reporter's daily work in the
light of the latest technology.
The deeply moving memoir of an award-winning war correspondent turned activist - and her rousing defence of human rights in times of resurgent authoritarianism. As a broadcast journalist for Sky News and Al Jazeera, Sherine Tadros was trained to tell only the facts, as dispassionately as possible. But how can you remain neutral when reporting from war zones, or witnessing brutal state repression? For twenty-six years, Tadros grew up in the quiet surroundings of her family's London home, and yet injustice was something her Egyptian immigrant parents could never shelter her from. From her first journalistic assignment trapped inside a war zone in the Gaza Strip, to covering the Arab uprisings that changed the course of history, Tadros searched for ways to make a difference in people's lives. But it wasn't until her fiance left her on their wedding day, and her life fell apart, that she found the courage to pursue her true purpose. It was the beginning of a journey leading to her current work for Amnesty International at the United Nations, where she lobbies governments to ensure that human rights are protected around the world. With the compassion and verve of a clear-sighted campaigner and a natural storyteller, Tadros shares her remarkable journey from witnessing injustice to fighting it head-on in the corridors of power.
How Elections are reported has important implications for the health of democracy and informed citizenship. But, how informative are the news media during campaigns? What kind of logic do they follow? How well do they serve citizens? Based on original research as well as the most comprehensive assessment of election studies to date, Cushion and Thomas examine how campaigns are reported in many advanced Western democracies. In doing so, they engage with debates about the mediatization of politics, media systems, information environments, media ownership, regulation, political news, horserace journalism, objectivity, impartiality, agenda-setting, and the relationship between media and democracy more generally. Focusing on the most recent US and UK election campaigns, they consider how the logic of Election coverage could be rethought in ways that better serve the democratic needs of citizens. Above all, they argue that Election reporting should be driven by a public logic, where the agenda of voters takes centre stage in the campaign and the policies of respective political parties receive more airtime and independent scrutiny. The book is essential reading for scholars and students in political communication and journalism studies, political science, media and communication studies. |
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