This collection of original essays brings a dramatically different perspective to bear on the contemporary 'crisis of journalism'. Rather than seeing technological and economic change as the primary causes of current anxieties, The Crisis of Journalism Reconsidered draws attention to the role played by the cultural commitments of journalism itself. Linking these professional ethics to the democratic aspirations of the broader societies in which journalists ply their craft, it examines how the new technologies are being shaped to sustain value commitments rather than undermining them. Recent technological change and the economic upheaval it has produced are coded by social meanings. It is this cultural framework that actually transforms these 'objective' changes into a crisis. The book argues that cultural codes not only trigger sharp anxiety about technological and economic changes, but provide pathways to control them, so that the democratic practices of independent journalism can be sustained in new forms.

In many U.S. news organizations, international coverage is accorded minimal importance. The conventional wisdom seems to be that international reporting costs too much and does too little to win and keep an audience, and thus only sensational or government-highlighted incidents are reported. But does this meet standards of professional responsibility? Philip Seib says no. This provocative book argues that not only do U.S. news media have the duty to cover international events that affect the interests of the public and the government, but they also should 'shake awake the world's conscience' by bringing more attention to international conflict and suffering in hopes of spurring humanitarian action or intervention to help those in need."

"Time, Change, and the American Newspaper" focuses on newspapers as organizations, examining the role of change in the newspaper industry and providing a model from which to view and respond to change. Authors George Sylvie and Patricia D. Witherspoon discuss environmental and organizational influences on contemporary newspapers, and they analyze newspapers within the larger context of all organizations. This more general perspective provides insights into the nature of change, the change process, the rationale for organizational changes, resistance to such changes, and initiation and implementation strategies.
In its examination of change, this volume explores the causes of newspaper change, how newspaper change takes shape, and when change does not work. This consideration sets the stage for detailed case studies examining the roles of new technology, product, and people as change agents in newspapers. The discussion concludes with the impact of change--or lack of it--on the contemporary newspaper industry and the subsequent impact of newspaper change on society. Sylvie and Witherspoon propose future directions of change and of newspaper decision-making processes pertaining to change, and they offer suggestions for changes in newspaper structures and thought processes.
Providing a sound, theoretically-based approach to the topic of change and American newspapers, this volume is essential reading for educators and students in journalism, media/newsroom management, media economics, organizational behavior/communication, and related areas. It also provides a wealth of insights and practical knowledge for newspaper publishers, editors, and practicing journalists.

Some of the bravest actions of journalists are unknown, obscured by the passage of time, hidden by veils of anonymity or buried by systematic repression. "Profiles in Journalistic Courage" corrects this imbalance. With few exceptions, the stories told in this collection are unfamiliar. In the words of Richard Whelan on Robert Capa's vision of the Spanish Civil War, these tales are drawn from the edge of things. Most of the people highlighted here are journalists who worked on the margins of popularity, who blazed new and solitary paths, and who left fleeting legacies.

Courageous journalists were not always thanked for their pioneering efforts. Jealousy, political disagreements, and differing conceptions of journalism sometimes fueled criticism of some of those dealt with in this volume. To complicate the subject further, brave journalists do not always act for reasons that win popularity or acclaim. Actions with laudable consequences are sometimes the result of egoism, stubbornness and ignorance, no less than selflessness, prudence, and principle. These psychological dimensions are not avoided in these profiles.

In "Yesterday" David Copeland examines the tangled legacy of the trial of John Peter Zenger. Graham Hodges unearths the story of David Ruggles, an African-American journalist and abolitionist. Pamela Newkirk recalls the life and work of Ida B. Wells-Barnett. Pierre Albert explores the journalism of the French Resistance. Bernard L. Stein and Hank Klibanoff describe the work and motives of the civil rights movement. The volume covers the journalism of commitment from Northern Ireland to Native American tribes. It closes with an extended essay by James Boylan on varied perspectives on different aspects of courage in journalism, from the capacity to resist threats to the courage to tell people what they may not want to hear or read.

During the past two centuries a vibrant prison press has chronicled life behind bars in American prisons, championed inmate causes, and challenged those in authority who sought to silence it. At its apex, several hundred periodicals were published by and for inmates. Unlike their peers who passed their sentences stamping out license plates, these convicts spent their days like reporters in any community-looking for the story. Yet their own story, the lengthy history of their unique brand of journalism, has remained largely unknown. In "Jailhouse Journalism," James McGrath Morris presents the history of this medium, the lives of the men and women who brought it to life, and the controversies that often surround it.

The dramatic history of prison journalism has included many famous, notorious, and unique personalities such as Robert Morris, the "financier of the America Revolution"; the Younger Brothers of the Jesse James gang; Julian Hawthorne, the only son of Nathaniel Hawthorne; men of the radical Industrial Workers of the World (IWW); Charles Chapin, famed city editor of New York's "Evening World" until he murdered his wife; Dr. Frederick Cook, North Pole explorer whose claim to have been the first to reach the pole is still debated today; Tom Runyon, who won a place for himself in history with an Underwood; and Wilbert Rideau, an illiterate teenaged murderer who raised prison journalism to the pinnacle of achievement.

In his new introduction Morris addresses the spread of prison journalism into other forms of media, such as radio and the Internet. He discusses the conflicts between those who publish jailhouse news and those who would wish to control, or eliminate it altogether.

Strike fast, strike hard-whether it's scoring a homerun or front-page news, Diane K. Shah, former sports columnist, knows how to grab the best story. In her memoir A Farewell to Arms, Legs, and Jockstraps, follow Diane's escapades, from interviews with a tipsy Mickey Mantle, to sneaking into off-limits Republican galas, dining with Frank Sinatra, flying a plane with Dennis Quaid, and countless other adventures where she wields her tape recorder and a tireless drive for more. From skirting KGB agents while covering the Cold War Olympics to hunting down the three mechanical sharks starring in Jaws, Diane's experiences are filled with real heart and a tongue-in-cheek attitude. An insightful look into the difficulties of navigating a male-dominated profession, A Farewell to Arms, Legs, and Jockstraps offers rich retellings and behind-the-scenes details of stories of a trail-blazing career and the prejudices facing female sportswriters during the 60s and 70s.

The events of 1989 were the raw material of great reporting. They revealed the power of journalism. Long before people in Central and Eastern Europe liberated themselves, they discovered democratic freedom, putting to print their own ideas and chronicling events of the day. Indeed, long before they had democracies in law, they had imagined them on paper.

In the Solidarity network that produced books and leaflets and news bulletins, in the essays of Vaclav Havel, in the samizdat publishing house in Budapest that used a portable printing machine, Eastern Europeans demonstrated the organic link between journalism and self-government. They showed how journalism nurtures the imagination, dialogue, and honesty that are basic to democratic life.

If history had ended in 1989, there would be cause for easy optimism. The changes that swept Central and Eastern Europe passed with relatively little bloodshed. But agonies of the former Yugoslavia, convulsions of the former Soviet Union, and enduring battles with censors and would-be censors bedevil emerging democracies. Not only does much remain for journalists to cover in Central and Eastern Europe, in some places there the fate of journalism is still an open question. For all these reasons, Reporting the Fall of European Communism explores, not only the events of 1989, but new stories that have emerged in Central and Eastern Europe over the past decade. This volume will be of interest to media professionals, academics and others with an interest in the power of journalism.

This volume offers a historical, philosophical, and practical critique of public and civic journalism--a movement that gained momentum in the final decade of the 20th century. During that period, proponents of the movement have published nearly a dozen books expanding upon and expounding the virtues of journalism, seeking to repair what is thought to be the torn social, political, and moral fabric in America. Although previous works have established a strong practical underpinning for public and civic journalism, none has examined its philosophical roots or challenged its methodology and grounding in neoliberal constructs. This volume does just that, tracing its origins in early philosophy to the current newsroom policies and practices that conflict with traditional constructs in libertarian press theory.
"Twilight of Press Freedom" postulates that institutionalized journalism is fading away and world journalism--prompted by the people--is veering toward more order and social harmony, and away from the traditional idea of the great value of press freedom. The volume provides a critical examination of the trend toward public journalism and considers how press freedom will be impacted by this trend in coming years. Scholars and students in journalism, public opinion, and media studies will find this book insightful and invaluable.

Reporting Human Rights provides a systematic examination of human rights news and reporting practices from inside the world of television news production. From an interdisciplinary perspective, the book discusses the potential of journalism in contributing to human rights protection, awareness and debate, in ignoring, silencing or misrepresenting human rights issues around the world or, in extreme situations, in inciting hatred, genocide and crimes against humanity. It provides insight into how journalists translate human rights issues, revealing different reporting patterns and levels of detail in reporting, and suggesting different levels of engagement with human rights problems. The book explains the most important factors that encourage or limit the coverage of human rights news. Grounded in a close examination of the news production processes and key moments where possible human rights stories are contemplated, decided or eventually ignored, the book opens up new insights into the complexities and constraints of human rights reporting today.

This second edition of Colin Seymour-Ure's history of the press and broadcasting in post-war Britain offers a concise and fully up-to-date overview of the development of the media and its central role in British society. The book covers the period from a time when the phrase 'mass media' was barely used, to the era of international media conglomerates and global communications. Supported by detailed tables, the analysis traces changes in what was available and what people used - the size and ownership of the national and provincial press; the growth of television and the impact of ITV; the decline and revival of radio; the continuities and differences in what people read; looked at, listened to and liked. This edition also examines recent developments such as the proliferation of satellite use, upheaval at the BBC, and the reform of ITV in the 1990 Broadcasting Act. Such developments place more weight than ever on the relations between media and politics. Seymour-Ure's analysis focuses on the key question of accountability - the accountability of politicians through media to the public, and the accountability of media themselves.

'This book should be regarded as rescue work. It salvages from pre-Victorian periodicals from the limbo of forgotten publications, and exhumes from long undisturbed sources a curious collection of women who, at a time when it was considered humiliating for a gentlewoman to earn money, contrived to support themselves by writing, editing, or publishing... sometimes even supporting husbands and children as well...The women who emerge make a motley gallery; but over the years that I have been getting to know them, they have won my respectful affection. More, indeed. To me they are all heroines...' Alison Adburgham, from her Foreword Magazines addressed to women have a long history in English, and have been subject to condescension for just as long. Alison Adburgham's groundbreaking volume, first published in 1972, rescues the so-called 'scribbling female' from such scorn, not least by documenting just how hard was the struggle for women writers to live by the pen.

As the visual component of contemporary media has overtaken the verbal, visual reportage has established a unique and extremely significant role in 21st-century culture. Julianne Newton has prepared this comprehensive analysis of the development of the role of visual reportage as a critical player in the evolution of our understanding of ourselves, others, and the world. "The Burden of Visual Truth" offers a first assessment of the role of visual journalism within the context of the complex, cross-disciplinary pool of literature and ideas required for synthesis.
Newton approaches the subject matter from several perspectives, examining the theoretical and ideological bases for visual truth, particularly as conveyed by the news media, and applying relevant research on photojournalism and reality imagery to contemporary newspaper, broadcast, and internet professional practice. She extends visual communication theory by proposing an ecology of the visual for 21st century life and developing a typology of human visual behavior. Scholars in visual studies, media studies, journalism, nonverbal communication, cultural history, and psychology will find this analysis invaluable as a comprehensive base for studying reality imaging and human visual behavior. The volume also is appropriate for journalism and media studies coursework at the undergraduate and graduate levels. With its conclusions about the future of visual reportage, "The Burden of Visual Truth" also will be compelling reading for journalism and mass communication professionals concerned with improving media credibility and maintaining a significant course for journalism in the 21st century. For all who seek to understand the role of visual media in the formation of their views of the world and of their own identities, this volume is a must-read.

A major addition to the psychoanalytic casebook literature, Errant Selves: A Casebook of Misbehavior is a collection of case studies dedicated to the psychoanalytic understanding and treatment of behavior disorders. The contributors to this volume explore cases of perversion, delinquency, and addiction in which the misbehavior at issue served primarily to ward off painful affects or states of dysphoria in order to achieve a basic integrity of the self. For these patients, the pathway to self-cohesion entailed the florid acting out typical of narcissistic behavior disorders.
Clinical readers of all persuasions will be intrigued by treatment narratives that chronicle the special challenges of working with patients who, in Goldberg's words, "were neither unitary selves nor persons with an easy ability to bolster or reconstitute themselves in socially acceptable ways." Of special interest is the contributors' sensitivity to what they missed with these troubled and troubling patients; they recount examples of skewed focus, of strained rationalization, even of glaring clinical omission, all of which suggest that the patients' psychic splits activated parallel splits on the part of their therapists.
What emerges from the contributors' efforts, then, is very much a casebook of our time. It extends the purview of psychoanalysis to the developmental history and psychodynamics of disavowal; explores the analytic management of delinquent, perverse, and addicted patients; and examines the analyst's subjective presence in these treatments, including his or her potential for self-deception and collusion. And it does so in the context of probing a theoretical issue of continuing practical import: whether or not psychoanalytic therapy is best served by viewing the patient as a unitary individual with a coherent sense of agency and an integrated set of values and goals.

From this book, you will gain an understanding of the global media marketplace - the technology, the players and the issues. The role of news agencies, sources and networks are explored covering the issues of ethics, global media ownership and control. Find out how journalists are using the web and learn even newer ways to collect and communicate information.
Essential reading for today's practising and trainee journalists. John Herbert examines the global environment in which journalists operate and describes the latest technology and its impact on print, broadcast and online journalism practice.
Practising Global Journalism is a unique overview of the profession, providing a comparative study of journalism practice worldwide. Case studies are drawn from Europe, Australia, the Asia Pacific, South Asia, China, Africa and the Americas.
International case studies compare journalism practice worldwide
Understand how the digital revolution is affecting journalism globally
Gain first hand knowledge from a renowned expert in this field

'Nick Bryant is brilliant. He has a way of showing you what you've been missing from the whole story whilst never leaving you feeling stupid.' - Emily Maitlis 'Bryant is a genuine rarity, a Brit who understands America' - Washington Post In When America Stopped Being Great, veteran reporter and BBC New York correspondent Nick Bryant reveals how America's decline paved the way for Donald Trump's rise, sowing division and leaving the country vulnerable to its greatest challenge of the modern era. Deftly sifting through almost four decades of American history, from post-Cold War optimism, through the scandal-wracked nineties and into the new millennium, Bryant unpacks the mistakes of past administrations, from Ronald Reagan's 'celebrity presidency' to Barack Obama's failure to adequately address income and racial inequality. He explains how the historical clues, unseen by many (including the media) paved the way for an outsider to take power and a country to slide towards disaster. As Bryant writes, 'rather than being an aberration, Trump's presidency marked the culmination of so much of what had been going wrong in the United States for decades - economically, racially, politically, culturally, technologically and constitutionally.' A personal elegy for an America lost, unafraid to criticise actors on both sides of the political divide, When America Stopped Being Great takes the long view, combining engaging storytelling with recent history to show how the country moved from the optimism of Reagan's 'Morning in America' to the darkness of Trump's 'American Carnage'. It concludes with some of the most dramatic events in recent memory, in an America torn apart by a bitterly polarised election, racial division, the national catastrophe of the coronavirus and the threat to US democracy evidenced by the storming of Capitol Hill.

News Framing Through English-Chinese Translation provides a useful tool to depict how Chinese news translation can be examined in the era of globalization. The author has integrated framing theory in journalism studies with translation studies and developed a new theoretical model/framework named Transframing. This interdisciplinary model is pioneering and will make theoretical and conceptual contributions to translation studies. This book aims to reveal ideological, sociocultural and linguistic factors creating media discourse by examining Chinese media discourse, in comparison to its counterpart in English. Through the analysis of both quantitative and qualitative methods, it is concluded that the transframing model can be applied to interpreting, describing, explaining as well as predicting the practice of news translation.

In the context of profound transformations in the professional, business, technological and social context of journalism, it is crucial for journalism studies and education to move beyond limited approaches to the discipline. Among the most significant changes affecting journalism worldwide is the emergence of startup culture, as more and more journalists strike out on their own. In Beyond Journalism, Deuze and Witschge combine extensive global and comparative fieldwork. Through rich case studies of journalism startups around the world, they provide deep insight into the promises and pitfalls of media entrepreneurship. Ultimately, they aim to recognize new and emerging voices as legitimate participants in the discourse about what journalism is, can be and should be. A bold manifesto as well as an in-depth empirical study, this book is essential reading for students and scholars of journalism, media, communication, and related disciplines.

This book tells the story of how the news media can help the inattentive members of the public become better educated and knowledgeable 'economic citizens'. The authors argue that changes in the economy, journalism and consumer culture have made economic news more visible, more mainstream and more accessible. They show how economic news not only affects economic perceptions, but also interest in the economy, knowledge about the economy, and economic voting. Relying on statistical analyses, the book provides a comprehensive and systematic study of the effects of economic news.

The future of journalism isn't what it used to be. As recently as the mid-1960s, few would have predicted the shocks and transformations that have swept through the news business in the last three decades: the deaths of many afternoon newspapers, the emergence of television as people's primary news source and the quicksilver combinations of cable television, VCRs and the Internet that have changed our ways of reading, seeing, and listening.

The essays in this volume seek to illuminate the future prospects of journalism. Mindful that grandiose predictions of the world of tomorrow tend to be the fantasies and phobias of the present written large-in the 1930s and 1940s magazines such as Scribner's, Barron's, and Collier's forecast that one day we would have an airplane in every garage-the authors of What's Next? have taken a more careful view.

The writers start with what they know-the trends that they see in journalism today-and ask where will they take us in the foreseeable future. For some media, such as newspapers, the visible horizon is decades away. For others, particularly anything involving the Internet, responsible forecasts can look ahead only for a matter of years. Where the likely destinations of present trends are not entirely clear, the authors have tried to pose the kinds of questions that they believe people will have to address in years to come.

While being mindful of the tremendous influence of technology, one must remember that computers, punditry, or market share will not ordain the future of journalism. Rather, it will be determined by the sum of countless actions taken by journalists and other media professionals. These essays, with their hopes and fears, cautions and enthusiasms, questions and answers, are an effort to create the best possible future for journalism. This volume will be of interest to media professionals, academics and others with an interest in the future of journalism.

From the tsunami to Hurricane Sandy, the Nepal earthquake to Syrian refugees-defining images and accounts of humanitarian crises are now often created, not by journalists but by ordinary citizens using Twitter, Facebook, YouTube, Instagram and Snapchat. But how has the use of this content-and the way it is spread by social media-altered the rituals around disaster reporting, the close, if not symbiotic, relationship between journalists and aid agencies, and the kind of crises that are covered? Drawing on more than 100 in-depth interviews with journalists and aid agency press officers, participant observations at the Guardian, BBC and Save the Children UK, as well as the ordinary people who created the words and pictures that framed these disasters, this book reveals how humanitarian disasters are covered in the 21st century - and the potential consequences for those who posted a tweet, a video or photo, without ever realising how far it would go.

Coverage of the Clinton-Lewinsky saga followed in a long trail of media exposures of the more personal details of the lives of public figures. Many commentators have seen stories like this, and TV shows like Jerry Springer's, as evidence of a decline in the standards of the mass media. This increasing interest in private lives and the falling off of coverage of serious news is often described as Otabloidization.O The essays in this book are the first serious scholarly studies of what is going on and what its implications are. Reality, it turns out, is much more complex than some of the laments suggest. As the contributors show, this is not just a U.S. problem but is repeated in country after country, and it is not certain that the media anywhere are getting more tabloid. What is more, there is no consensus about whether tabloidization is just Odumbing downO or whether it is a necessary tactic for the mass media to engage with new audiences who do not have the news habit. Tabloid Tales will be of interest to students and scholars in journalism, mass communication, political science, and cultural and media studies.

This book examines why press freedom has not become part of the established international human rights debate, despite its centrality to democratic theory. It argues that an unrestricted press is not just an important economic actor, but also an influential power in the political process, a status that interferes with government interests of sustaining their own power and influence. Despite the popularity of ideational explanations in the field of human rights studies, in the case of promoting press freedom, considerations of power and strategic interests rather than ideas dominate state behavior. The author makes the case that the current place of press freedom in the human rights debate needs to be rethought not only in developing countries, but in liberal democracies as well.

The public sphere is said to be in crisis. Dumbing down, tabloidization, infotainment and spin are alleged to contaminate it, adversely affecting the quality of political journalism and of democracy itself. There is a pervasive pessimism about the relationship between the media and democracy, and widespread concern for the future of the political process. This book challenges that orthodoxy, arguing instead for an alternative, more optimistic evaluation of the contemporary public sphere and its contribution to the political process. Brian McNair argues not only that the quantity of political information in mass circulation has expanded hugely in the late-20th century, but that political journalism has become steadily more rigorous and effective in its criticism of elites, more accessible to the public, and more thorough in its coverage of the political process. The book combines textual analysis and interviews with political journalists, editors, presenters and documentary makers. In separate chapters devoted to the political news agenda, the political interview, punditry, public access media and spin doctoring, McNair considers whether dumbing down is a genuinely new trend in poli

In her colorful insider's account, Sue Bridge analyzes the bitter struggle that ensued when a sophisticated entrepreneurial leadership tried to diversify and reposition The Christian Science Monitor beyond the failing newspaper -- into radio, the Internet, multimedia publishing, and the highest ticket item of all -- The Monitor Channel, a CNN-style, 24-hour news and public affairs channel. The entire enterprise came crashing down in a cloud of confusion about media realities and costs in the electronic age, rumors of illegal use of funds (which turned out not to be true), and accusations of a misbegotten sense of mission. Using the Monitor's story as a focus, Sue Bridge raises fundamental questions about how and whether the public's interest can be served in an age of spiraling costs, competition between print and electronic media, changing public tastes, and undeclared media wars.

This unique collection of extracts is taken from women's journals and magazines - both British and American - on the eve of the twentieth century. Arranged by subject, the collection focuses on what this pivotal moment represented for women and includes an introduction to women's journalism of the period.
The rapidly changing conditions then surrounding a woman's world are illustrated here by sections on:
* monarchy
* women and war
* colonial women
* the politics of emancipation
* and girlhood.