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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries > Press & journalism
Media coverage of climate change has attracted much scholarly attention because the extent of such coverage has an agenda-setting effect and because the ways in which the coverage is framed can influence public perception of and engagement with the issue. However, certain gaps in our understanding of the processes whereby such coverage is produced remain. The competition among strategic actors to influence media framing strategies is poorly understood, and the perspectives of journalists and editors are largely absent from literature. With a view to advancing our understanding of the "frame competition" around climate change and to presenting the perspectives of journalists regarding climate change as a journalistic topic, this book presents an in-depth case history of media coverage of climate change in Ireland. First, the extent of media attention for climate change is established, and the way in which such coverage is framed is also examined. Through a series of interviews, including rare and privileged access to government ministers, their media advisors, and journalists and editors, the book uncovers the contest to establish a dominant framing. The main objective of this book is to advance our understanding of the contest to establish the dominant framing of climate change in the media discourse. Although focussed on Ireland, its conclusions are of value to those seeking to better understand the dynamics of media coverage of climate change in other contexts. This book will be of great interest to students and scholars of climate change, environmental policy, media and communication studies, and Irish politics.
International media assistance is a small but important form of international democracy-promotion aid. Media assistance boomed after the 1989 transitions in Central Europe, but now flows to virtually all regions of the world. Today the media assistance industry is focused on the problem of sustainability: How are free and independent public affairs media supposed to maintain their editorial mission while facing hostile political systems or the demands of the consumer marketplace? Many media in developing countries have been or are grant-dependent. When grants are exhausted or withdrawn, media that were funded to further democratic consolidation typically wither and die. Some become mere grant chasers. Others abandon public service to the demands of market competition, or political patronage. As a result, governmental and non-governmental grant makers now emphasize the need for sustainability in considering grants in the media sector. Many grant recipients have grown frustrated, sometimes bitter, and have sought to take a much more active role in the way assistance programs are put together. Just how is sustainability to be achieved while also ensuring a public-service editorial mission? "Exporting Press Freedom" examines the history and practice of media assistance, and argues that the dilemma of media independence and sustainability is best understood as an economic problem rather than one of poor editorial standards or lack of will. It includes profiles of news and public affairs media in developing and democratizing countries, and also of two non-governmental organizations that have pioneered the use of low-interest loans in media assistance. These profiles exemplify strategic and entrepreneurial approaches to developing and supporting public service media. Such approaches may be of use not only in the developing world, but in the consolidated Western democracies as well, where concern has grown about poor journalistic performance and its consequences for democratic governance. "Craig L. LaMay" is a journalist, an assistant professor at Northwestern University's Medill School of Journalism, an adjunct professor at Northwestern's School of Law, and a faculty associate at Northwestern's Institute for Policy Research.
There is widespread concern that the explosive growth of the Internet is exacerbating existing inequalities between the information rich and poor. Digital Divide sets out to examine the evidence for access and use of the Internet in 179 nations across the world. A global divide is evident between industrialized and developing societies. A social divide is apparent between rich and poor within each nation. And within the online community, evidence for a democratic divide is emerging between those who do and do not use Internet resources to engage, mobilize and participate in public life.
An authoritative and detailed illustration of the state of
journalistic practice in the United States today, "The American
Journalist in the 21st Century "sheds light on the demographic and
educational backgrounds, working conditions, and professional and
ethical values of print, broadcast, and Internet journalists at the
beginning of the 21st century. Providing results from telephone
surveys of nearly 1,500 U.S. journalists working in a variety of
media outlets, this volume updates the findings published in the
earlier report, "The American Journalist in the 1990s," and
reflects the continued evolution of journalistic practice and
professionalism.
In recent years, the importance of disseminating the findings of social research has been given increased emphasis. The most effective way in which this can be done is via the mass media. However, there are frequent complaints that media coverage of social and educational research is very limited and often distorted. Through a detailed analysis of a particular case about ethnic inequalities in educational achievement, this book examines some of the processes involved in the reporting of research findings, and their implications for judgements about media distortion and bias. This volume is relevant to many fields, including education, media studies, cultural studies, sociology and social policy.
Ground-breaking in its analysis of the relationship between journalists and sources, Spinning into Control is a useful and colorful introduction to the key issues of contemporary news reporting for students of media/communication and journalism. Fundamental to this relationship is the question of the values that determine which events are selected as "newsworthy" and which are neglected. The book provides a case study-based account of how information flows in news reporting.
The Year that Defined American Journalism explores the succession of remarkable and decisive moments in American journalism during 1897 - a year of significant transition that helped redefine the profession and shape its modern contours. This defining year featured a momentous clash of paradigms pitting the activism of William Randolph Hearst's participatory 'journalism of action' against the detached, fact-based antithesis of activist journalism, as represented by Adolph Ochs of the New York Times, and an eccentric experiment in literary journalism pursued by Lincoln Steffens at the New York Commercial-Advertiser. Resolution of the three-sided clash of paradigms would take years and result ultimately in the ascendancy of the Times' counter-activist model, which remains the defining standard for mainstream American journalism. The Year That Defined American Journalism introduces the year-study methodology to mass communications research and enriches our understanding of a pivotal moment in media history.
The Year that Defined American Journalism explores the succession of remarkable and decisive moments in American journalism during 1897 - a year of significant transition that helped redefine the profession and shape its modern contours. This defining year featured a momentous clash of paradigms pitting the activism of William Randolph Hearst's participatory 'journalism of action' against the detached, fact-based antithesis of activist journalism, as represented by Adolph Ochs of the New York Times, and an eccentric experiment in literary journalism pursued by Lincoln Steffens at the New York Commercial-Advertiser. Resolution of the three-sided clash of paradigms would take years and result ultimately in the ascendancy of the Times' counter-activist model, which remains the defining standard for mainstream American journalism. The Year That Defined American Journalism introduces the year-study methodology to mass communications research and enriches our understanding of a pivotal moment in media history.
The end of communist rule in the Soviet Union brought with it a brave new world of media and commerce. Formerly state-owned enterprises were transformed, often through private ownership, and new corporations sprung up overnight to take advantage of the new atmosphere of freedom. Until now, most research on media and news production in Russia has focused on the scope of government control and comparisons with the communist era. However, extra-governmental controls and the challenges of operating in a newly capitalist environment have been just as important - if not more so - in the formation of the new media climate. Filling the gap in the literature, this book examines the various agents who 'make' the news, and discusses the fierce struggle among the various agents of power involved. Drawing on existing theories and scholarship, the book provides a wealth of detail on the actual daily practices of news production in Russia. Original research is combined with compelling first-hand accounts of news production and dissemination to provide an incisive look at the issues and power structures Russian journalists face on a daily basis.
"Real Feature Writing" emphasizes story shape and structure by
illustrating several distinct types of feature and non-fiction
stories, all drawn from the real world. Author Abraham Aamidor
presents a collection of distinct non-deadline story types
(profile, trend, focus, advocacy, and more), providing an
introduction to each story type, a full-text example, a critical
analysis of the example, and clear directions for producing similar
stories. In this second edition, Aamidor and his guest contributors
(all with real-world journalistic experience) demonstrate in clear,
honest language how to write features.
It is clinical work with the most difficult patients - those with severe narcissistic, sadomasochistic, and borderline disorders - that poses the greatest challenge to the therapist's guiding assumptions about clinical process; indeed, such work often leads therapists to question beliefs and expectations that formerly seemed self-evident. In Getting From Here to There: Analytic Love, Analytic Process, Sheldon Bach elaborates the holistic vision that guides him in work with just such patients. He dwells especially on the "attentive presence" through which the analyst effects a "meeting" with patients that invites the latter's trust in the analyst and in the therapeutic process. And he writes of love - of patient for analyst and of analyst for patient - that grows out of this mutual trust and sustains therapeutic process. For Bach, analytic therapy aims at understanding the person as a mind-body unity that manifests particular states of consciousness. This holistic vision of treatment sustains a flexible clinical orientation that enables the analyst to "meet" states of consciousness in order to bring them into a system of which the analyst forms a part. Bach thoughtfully explores the clinical issues that enter into this taxing process, among them the establishment and maintenence of basic trust; the patient's or the therapist's presence in the other's mind; and the shifts in agency between patient and therapist. And he describes at length the frequently exhausting, even demoralizing, transference-countertransference struggles that enter into this type of analytic work. Throughout, Bach is guided by the conviction that work with extremely challenging patients promotes the psychological growth and increased self-knowledge of patient and analyst alike. And he is admirably clear that the "mutual living through" of such treatments nurtures a kind of love between patient and analyst. Getting From Here to There not only records the clinical lessons learned by an unusually gifted analyst; it also chronicles the movement of psychoanalysis itself from the dissection of love into component parts to a synthetic grasp of its vital role in psychoanalytically informed treatment.
What's news? A front-page news story in the United States might not
appear in a newspaper in China. Or a minor story on German
television may be all over the airwaves in India. But "News Around
the World" shows that the underlying nature of news is much the
same the world over and that people--no matter what their jobs or
their status in society--tend to hold similar notions of
newsworthiness.
Martin Conboy is a well respected and experienced commentator on journalism and the media. In his new book, Tabloid Britain, he takes a critical look at the language of the tabloids to explore how they - by covering information in a sensational way and only when it suits their wider pattern of coverage - both create a well-defined version of Britain today and construct a type of community. From Posh and Becks to Tony Blair and Osama Bin Laden, the British tabloids become involved in the private and public lives of celebrities, terrorists and political figures alike and help to shape the nation's perception of people and events. Drawing on case studies from all the main tabloids, this book considers the narratives, semantics and ideologies that come together in these papers to create a 'textual community' of nation. It not only analyzes the ways in which language devices are used to create a perceived threat or danger from the outside world (asylum seekers, the European Union, Islamophobia); the language used to describe celebrities; and the use of puns in tabloids, but discusses the language of the tabloids in a wider media and global context. gender and sexuality, this book affords an invaluable insight into how the tabloids have become so influential in everyday British life.
From an author highly knowledgeable in the field, News is a handy and accessible guide that examines the history of news, both as newspapers and radio, and as entertainment and information, and introduces students to the key concepts and issues that surround the news. Using up-to-date case examples such as the Hutton Report and embedded journalists, from across a range of media including print, radio, television and the internet, Jackie Harrison explains the different theoretical approaches that have been used to study the news, as well as providing an accessible introduction to how news is produced and regulated, what counts as news, and how it is selected and presented. Topics covered include: introduction to the concept of news the growth and development of news technology, concentration and competition balancing freedom and responisibility regulatory control of the news making the news. Written in a clear and lively style, News is the ideal introductory book for students of media, communication and journalism.
Journalism and Democracy in Asia addresses key issues of
freedom, democracy, citizenship, openness and journalism in
contemporary Asia, looking especially at China, Japan, Korea,
Indonesia, the Philippines and India. The authors take varying
approaches to questions of democracy, whilst also considering
journalism in print, radio and new media, in relation to such
questions as the role of social, political and economic
liberalization in bringing about a blooming of the media, the
relationship between the media and the development of democracy and
civil society, and how journalism copes under authoritarian
rule. With contributions from highly regarded experts in the region examining a broad range of issues from across Asia, this book will be of high interest to students and scholars in political communications, journalism and mass communication and Asian studies.
As nations have aggressively implemented a wide range of mechanisms to proactively curb potential threats terrorism, Counter-Terrorism Laws and Freedom of Expression: Global Perspectives offers critical insight into how counter-terrorism laws have adversely affected journalism practice, digital citizenship, privacy, online activism, and other forms of expression. While governments assert the need for such laws to protect national security, critics argue counter-terrorism laws are prone to be misappropriated by state actors who use such laws to quash political dissent, target journalists, and restrict other forms of citizen expression. The book is divided into three parts. Part I deals with the politics and discourse of counter-terrorism laws. Part II focuses on the ways counter-terrorism laws have impacted journalistic practice in different countries, with effects ranging from imprisonment of reporters to self-censorship. Part III addresses how counter-terrorism laws have been used to target everyday citizens, social media activists, whistleblowers, and human rights advocates around the world. Together, the chapters address how counter-terrorism laws have undermined democratic values in both authoritarian and liberal political contexts. Scholars of political science, communication, and legal studies will find this book particularly interesting.
Tabloid Britainexamines four popular tabloid newspapers and
uncovers the variety of linguistics strategies they use to depict
contemporary Britain. These strategies are shown to construct, in a
circular fashion, an impersonation of the language of the community
of readers which the newspapers seek to attract.
Including examples taken from a month-long study, Martin Conboy
considers how this imaginary community of the British nation is
drawn through themes such as 'outsiders' and 'insiders', women,
celebrity, history and politics. Conboy also demonstrates how the
tabloids constitute a successful modern variation of journalism
hich has extended its influence beyond the boundaries of print and
triggered debate about the related phenomenon of
'tabloidization'. This critical study of the newspapers' version of popular rhetoric will be of interest to students and researchers in the fields of English, Media and Communication, and Journalism.>
According to Benedict Anderson, the rapid expansion of print media during the late-1700s popularised national history and standardised national languages, thus helping create nation-states and national identities at the expense of the old empires. Publishing in Tsarist Russia challenges this theory and, by examining the history of Russian publishing through a transnational lens, reveals how the popular press played an important and complex Imperial role, while providing a "soft infrastructure" which the subjects could access to change Imperial order. As this volume convincingly argues, this is because the Russian language at this time was a lingua franca; it crossed borders and boundaries, reaching speakers of varying nationalities. Russian publications, then, were able to effectively operate within the structure of Imperialism but as a public space, they went beyond the control of the Tsar and ethnic Russians. This exciting international team of scholars provide a much-needed, fresh take on the history of Russian publishing and contribute significantly to our understanding of print media, language and empire from the 18th to 20th centuries. Publishing in Tsarist Russia is therefore a vital resource for scholars of Russian history, comparative nationalism, and publishing studies.
At a time when the media's relation to power is at the forefront of political discussion, this book considers how journalists can affect public discourse on politics, economy and society at large. From well-known and respected authors providing all new material, Making Journalists considers journalism education, training, practice and professionalism across a wide range of countries, including Saudi Arabia, Africa, India, USA and the UK. The book offers insights into: what journalism is how education makes the journalist and, therefore, the news models of journalism taught and practised across the globe the ethical implications of the process. When news reporting can lead to decisions on whether or not to got to war, everything can be affected by journalists and their mediation of the world. This text brings these present issues together in one invaluable resource for all students of journalism, politics and media studies.
Comments on digital news stories and on social media play an increasingly important role in public discourse as more citizens communicate through online networks. The reasons for eliminating comments on news stories are plentiful. Off-topic posts and toxic commentary have been shown to undermine legitimate news reporting. Yet the proliferation of digital communication technology has revolutionized the setting for democratic participation. The digital exchange of ideas and opinions is now a vital component of the democratic landscape. Marie K. Shanahan's book argues that public digital discourse is crucial component of modern democracy-one that journalists must stop treating with indifference or detachment-and for news organizations to use journalistic rigor and better design to add value to citizens' comments above the social layer. Through original interviews, anecdotes, field observations and summaries of research literature, Shanahan explains the obstacles of digital discourse as well as its promises for journalists in the digital age.
The links between distinctive political regimes and media systems are undeniable. As Siebert, Peterson and Schramm wrote (1956: 1) 60 years ago: 'the press always takes on the form and coloration of the social and political structures within which it operates'. Nevertheless, today's world and politics are completely different from the bipolar era that inspired the ground breaking Four Theories of the Press. What are the main changes and continuities that have driven the study of politics and the media in the last decades? How to approach this interaction in the light of the challenges that democracy is facing or the continuing technological revolution that at times hampers the media? This provocative book explores the main premises that have guided the study of politics and the media in the last decades. In so doing, it gives the reader key analytical tools to question the sustainability of past categorizations that no longer match up with current developments of both, political regimes and the media. In searching for clarification about current discrepancies between democracies and media's distinctive structures or purposes, Four Theories of the Press: 60 Years and Counting puts forward an alternative premise: the political-media complex.
This book examines the disruptive nature of Trump news - both the news his administration makes and the coverage of it - related to dominant paradigms and ideologies of U.S. journalism. By relying on conceptualizations of media memory and "othering" through news coverage that enhances socio-conservative positions on issues such as immigration, the book positions this moment in a time of contestation. Contributors ranging from scholars, professionals, and media critics operate in unison to analyze today's interconnected challenges to traditional practices within media spheres posed by Trump news. The outcomes should resonate with citizens who rely on journalism for civic engagement and who are active in social change
'IT'S THE SUN WOT WON IT', was the famous headline claim of
Britain's most popular newspaper following the Conservative party's
victory over Labour in the 1992 general election. The headline
referred to a virulent press campaign against Neil Kinnock's Labour
party, and dramatically highlighted one of the chief features of
British politics during the twentieth century - the conflict
between a socialist Labour party and a capitalist popular press.
Labour's frequent complaints of the political and electoral
unfairness of newspaper bias meant that some commentators
considered that this dispute had a heritage as old as the party
itself. Others, including the Labour leadership at the time, argued
that despite past tensions, the 1992 election marked the
culmination of an unprecedented campaign of vilification against
the party. James Thomas is a lecturer at the Cardiff School of Journalism, Media and Cultural Studies at Cardiff University, and has published articles and essays exploring the relationship between thepopular press and British politics.
The study of news and news practice is rich in examinations of what journalists owe to society. However, this book looks at what journalists can expect from society: what roles ownership structures, colleagues, governments and audiences should play so journalists can do their jobs well - and safely. What Journalists Are Owed draws on a variety of research perspectives - legal and ethical analysis, surveys, interviews and content analysis - in different national settings to look at how those relationships among stakeholders are developing in a time of rapid and often unsettling chance to the political and economic environments that surround journalism. Journalism can be a risky business. This book opens some discussions on those risks can be described and mitigated. There's no shortage of writing about what journalists owe society - but if society wants journalism done well, what does it owe journalists in return? This volume opens a discussion on the cultural, legal-system and professional agreements that societies should provide so journalists can do their jobs in increasingly hostile political environments. This book was originally published as a special issue of Journalism Studies. |
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