This book offers an engaging and accessible introduction to data visualization for communicators, covering everything from data collection and analysis to the creation of effective data visuals. Straying from the typical "how to visualize data" genre often written for technical audiences, Big Data in Small Slices offers those new to data gathering and visualization the opportunity to better understand data itself. Using the concept of the "data backstory," each chapter features discussions with experts, from marine scientists to pediatricians and city government officials, who produce datasets in their daily work. The reader is guided through the process of designing effective visualizations based on their data, delving into how datasets are produced and vetted, and how to assess their weaknesses and strengths, ultimately offering readers the knowledge needed to produce their own effective data visuals. This book is an invaluable resource for anyone interested in data visualization and storytelling, from journalism and communications students to public relations professionals. A detailed accompanying website features additional material for readers, including links to all the original datasets used in the text, at www.bigdatainsmallslices.com

In analyzing the nonfiction works of writers such as John Wilson, J. S. Mill, De Quincy, Ruskin, Arnold, Pater, and Wilde, Jason Camlot provides an important context for the nineteenth-century critic's changing ideas about style, rhetoric, and technologies of communication. In particular, Camlot contributes to our understanding of how new print media affected the Romantic and Victorian critic's sense of self, as he elaborates the ways nineteenth-century critics used their own essays on rhetoric and stylistics to speculate about the changing conditions for the production and reception of ideas and the formulation of authorial character. Camlot argues that the early 1830s mark the moment when a previously coherent tradition of pragmatic rhetoric was fragmented and redistributed into the diverse, localized sites of an emerging periodicals market. Publishing venues for writers multiplied at midcentury, establishing a new stylistic norm for criticism-one that affirmed style as the manifestation of English discipline and objectivity. The figure of the professional critic soon subsumed the authority of the polyglot intellectual, and the later decades of the nineteenth century brought about a debate on aesthetics and criticism that set ideals of Saxon-rooted 'virile' style against more culturally inclusive theories of expression.

This book discusses the growing media engagement between China and Africa from the point of view of both these regions. The rapid increase in Sino-African contact has led to many controversies and debates in the media, often represented in simplistic terms and stereotypes that call for more in-depth scholarly analysis. Not only have the relationship between Africa and China made headlines in the media, but the media itself has also become increasingly central in the exchanges of capital and human resources between these two regions. The media has also become the terrain where China's new foreign policy takes shape in the form of 'soft power'. This volume brings together authors from Africa, China, the US, UK and Europe to provide analysis, comment and empirical evidence to deepen our understanding of how the geopolitical shift towards the emerging regions of China and Africa are playing out on media terrain. The implications for transnational flows of media capital and content on journalistic approaches, press freedom and normative frameworks are discussed, as well as how African journalists have responded to these changes. The result is a collection of perspectives that refuses simplistic conclusions about what the growing engagement between China and Africa might mean, but presents a range of arguments informed by scholarly research. This book was originally published as a special issue of Ecquid Novi: African Journalism Studies.

The power of the American press to influence and even set the political agenda is commonly associated with the rise of such press barons as Joseph Pulitzer and William Randolph Hearst at the turn of the century. The latter even took credit for instigating the Spanish-American War. Their power, however, had deeper roots in the journalistic culture of the nineteenth century, particularly in the social and political conflicts that climaxed with the Civil War. Until now historians have paid little attention to the role of the press in defining and disseminating the conflicting views of the North and the South in the decades leading up to the Civil War. In The Civil War and the Press historians, political scientists, and scholars of journalism measure the influence of the press, explore its diversity, and profile the prominent editors and publishers of the day. The book is divided into three sections covering the role of the press in the prewar years, throughout the conflict itself, and during the Reconstruction period. Part 1, "Setting the Agenda for Secession and War," considers the rise of the consumer society and the journalistic readership, the changing nature of editorial standards and practice, the issues of abolitionism, secession, and armed resistence as reflected in Northern and Southern newspapers, the reporting on John Brown's Harper's Ferry raid, and the influence of journalism on the 1860 election results. Part 2, "In Time of War," includes discussions of journalistic images and ideas of womanhood in the context of war, the political orientation of the Jewish press, the rise of illustrated periodicals, and issues of censorship and opposition journalism. The chapters in Part 3, "Reconstructing a Nation," detail the infiltration of the former Confederacy by hundreds of federally subsidized Republican newspapers, editorial reactions to the developing issue of voting rights for freed slaves, and the journalistic mythologization of Jesse James as a resister of Reconstruction laws and conquering Unionists. In tracing the confluence of journalism and politics from its source, this groundbreaking volume opens a wide variety of perspectives on a crucial period in American history while raising questions that remain pertainent to contemporary tensions between press power and government power. The Civil War and the Press will be essential reading for historians, media studies specialists, political scientists, and readers interested in the Civil War period.

Ground-breaking in its analysis of the relationship between journalists and sources, Spinning into Control is a useful and colorful introduction to the key issues of contemporary news reporting for students of media/communication and journalism. Fundamental to this relationship is the question of the values that determine which events are selected as "newsworthy" and which are neglected. The book provides a case study-based account of how information flows in news reporting.

An authoritative and detailed illustration of the state of journalistic practice in the United States today, "The American Journalist in the 21st Century "sheds light on the demographic and educational backgrounds, working conditions, and professional and ethical values of print, broadcast, and Internet journalists at the beginning of the 21st century. Providing results from telephone surveys of nearly 1,500 U.S. journalists working in a variety of media outlets, this volume updates the findings published in the earlier report, "The American Journalist in the 1990s," and reflects the continued evolution of journalistic practice and professionalism.
The scope of material included here is extensive and inclusive, representing numerous facets of journalistic practice and professionalism, and featuring separate analyses for women, minority, and online journalists. Many findings are set in context and compared with previous major studies of U.S. journalists conducted in the 1970s, 80s, and 90s.
Serving as a detailed snapshot of current journalistic practice, "The American Journalist in the 21st Century "offers an intriguing and enlightening profile of professional journalists today, and it will be of great interest and value to working journalists, journalism educators, media managers, journalism students, and others seeking insights into the current state of the journalism profession.

In recent years, the importance of disseminating the findings of social research has been given increased emphasis. The most effective way in which this can be done is via the mass media. However, there are frequent complaints that media coverage of social and educational research is very limited and often distorted. Through a detailed analysis of a particular case about ethnic inequalities in educational achievement, this book examines some of the processes involved in the reporting of research findings, and their implications for judgements about media distortion and bias. This volume is relevant to many fields, including education, media studies, cultural studies, sociology and social policy.

The book examines the birth, development, and mode of operation of the Hebrew popular press that progressed in Ottoman Palestine between 1884 and the eruption of World War I in 1914. The inquiry yields a profile of the printers, editors, and journalists, and examines the editors' working patterns, the gathering of journalistic information, and distribution of the resulting product in the public sphere. Addressing the fact that nearly all of the Hebrew press in the eighteenth and nineteenth centuries appealed to an elitist intellectual and affluent readership, the book breaks new ground by showing that from the 1880s onward, a popular press came into being in Palestine for the first time in the history of the Hebrew press. The focus is on three popular newspapers that evolved in Jerusalem along the lines of the Western popular press. While profiling the readership of the popular Hebrew press the book also investigates reading practices. Analyzing the contribution of the press to the modernization of the Hebrew language, this pioneering volume is a key resource for students and scholars of communication, media and Hebrew studies, and media and Jewish history.

This book offers fresh research and insights into the complex relationship between the press, war, and society in the 20th century, by examining the role of the newspaper press in the period c.1900- 1960, with a particular focus on the Second World War. During the warfare of the 20th century, the mass media were used to sustain domestic morale and promote combatants' views to an international audience. Topics covered in this book include British newspaper cartoonists' coverage of the Russo- Japanese War, the role of the French press in Anglo- French diplomacy in the 1930s, Irish press coverage of Dunkirk and D- Day, government censorship of the press in wartime Portugal, the reporting of American troops in North Africa, and how the Greek press became the focus of British government propaganda in the 1940s. Particular attention is given to the role of the British press in the Second World War: its coverage of evacuation, popular politics, and D- Day; the war as seen through commercial press advertising; the wartime Daily Mirror; and Fleet Street's role as a 'national' press in wartime. This book explores how- and why- newspapers have presented wars to their readers, and the importance of the press as an agent of social and political power in an age of conflict. This book was originally published as a special issue of Media History.

This book develops a corpus-assisted approach to the study of self-reflexivity in journalism and examines the ways in which news workers and subsequently, news organizations, choose to promote an identity for themselves and the ideologies that accompany them. Using The Guardian as a case study, the volume draws on its Corpus Assisted Discourse Studies (CADS) to explore ways in which a newspaper can reflect upon itself, including how newspapers conceptualize the role of the media, how they define good vs. bad journalism, what they see as professional values, how they attempt to cement community membership amongst their readers, how they construct and project their overall identity and role as newspapers and also how they see their position within the larger community. A chapter on the book's methodological framework reflects on critical aspects of CADS, including triangulation, objectivity and subjectivity, total accountability, and replicability. CADS methods are applied in the analysis chapters, with accompanying reflections on what we learn about the strengths and also maybe about some of the limitations of corpus methodology. A summarizing chapter ties these strands together to make the case for a CADS approach to journalism and media studies and look to the future at how the digital age has shaped the journalism landscape. With its focus in extending a CADS approach to other aspects of journalism scholarship, this volume is key reading for graduate students and researchers in corpus linguistics, discourse analysis, media studies, and journalism studies.

The Year that Defined American Journalism explores the succession of remarkable and decisive moments in American journalism during 1897 - a year of significant transition that helped redefine the profession and shape its modern contours. This defining year featured a momentous clash of paradigms pitting the activism of William Randolph Hearst's participatory 'journalism of action' against the detached, fact-based antithesis of activist journalism, as represented by Adolph Ochs of the New York Times, and an eccentric experiment in literary journalism pursued by Lincoln Steffens at the New York Commercial-Advertiser. Resolution of the three-sided clash of paradigms would take years and result ultimately in the ascendancy of the Times' counter-activist model, which remains the defining standard for mainstream American journalism. The Year That Defined American Journalism introduces the year-study methodology to mass communications research and enriches our understanding of a pivotal moment in media history.

A vital toolkit for managing the news cycle and finding a happier and calmer life at a time when the news is more upsetting than ever

STOP READING THE NEWS is a vital toolkit for managing the upsetting coronavirus news cycle and finding equilibrium and calm at a time of chaos and uncertainty

In 2013 Rolf Dobelli stood in front of a roomful of journalists and proclaimed that he did not read the news. It caused a riot. Now the author of the bestselling The Art of Thinking Clearly finally sets down his philosophy in detail. And he practises what he preaches: he hasn't read the news for a decade.

Stop Reading the News is Dobelli's manifesto about the dangers of the most toxic form of information - news. He shows the damage it does to our concentration and well-being, and how a misplaced sense of duty can misdirect our behaviour. Most importantly, he offers the reader the guidance on how to live without news, and the many potential gains to be had: less disruption, more time, less anxiety, more insights.

In a world of increasing disruption and division, Stop Reading the News is a welcome voice of calm and wisdom.

The end of communist rule in the Soviet Union brought with it a brave new world of media and commerce. Formerly state-owned enterprises were transformed, often through private ownership, and new corporations sprung up overnight to take advantage of the new atmosphere of freedom. Until now, most research on media and news production in Russia has focused on the scope of government control and comparisons with the communist era. However, extra-governmental controls and the challenges of operating in a newly capitalist environment have been just as important - if not more so - in the formation of the new media climate. Filling the gap in the literature, this book examines the various agents who 'make' the news, and discusses the fierce struggle among the various agents of power involved. Drawing on existing theories and scholarship, the book provides a wealth of detail on the actual daily practices of news production in Russia. Original research is combined with compelling first-hand accounts of news production and dissemination to provide an incisive look at the issues and power structures Russian journalists face on a daily basis.

This book showcases various ways in which digital archives allow for new approaches to journalism history. The chapters in this book were selected based on three overall objectives: 1) research that highlights specific concerns within journalism history through digital archives; 2) discussions of digital methodologies, as well as specific applications, that are accessible for journalism scholars with no prior experiences with such approaches; and 3) that journalism history and digital archives are connected in other ways than through specific methods, i.e., that the connection raises larger questions of historiography and power. The contributions address cases and developments in Asia, South and North America and Europe; and range from long-range, big-data, machine-leaning and topic modelling studies of journalistic characteristics and meta-journalistic discourses to critiques of archival practices and access in relation to gender, social movements and poverty. The chapters in this book were originally published as a special issue of Digital Journalism.

"Real Feature Writing" emphasizes story shape and structure by illustrating several distinct types of feature and non-fiction stories, all drawn from the real world. Author Abraham Aamidor presents a collection of distinct non-deadline story types (profile, trend, focus, advocacy, and more),   providing an introduction to each story type, a full-text example, a critical analysis of the example, and clear directions for producing similar stories. In this second edition, Aamidor and his guest contributors (all with real-world journalistic experience) demonstrate in clear, honest language how to write features.
 
New for this edition are:
*updated examples of feature writing, integrated throughout the text; *a chapter on ethical journalism, which takes a critical look at propaganda; *a chapter on international perspectives, including coverage of issues in the Middle East; *chapters on research, freelancing, content editing, copyediting, and literary journalism.
This text is appropriate forupper-level journalism students, and will be a valuable resource for freelance writers and young working journalists needing guidance on writing features.

The Year that Defined American Journalism explores the succession of remarkable and decisive moments in American journalism during 1897 - a year of significant transition that helped redefine the profession and shape its modern contours. This defining year featured a momentous clash of paradigms pitting the activism of William Randolph Hearst's participatory 'journalism of action' against the detached, fact-based antithesis of activist journalism, as represented by Adolph Ochs of the New York Times, and an eccentric experiment in literary journalism pursued by Lincoln Steffens at the New York Commercial-Advertiser. Resolution of the three-sided clash of paradigms would take years and result ultimately in the ascendancy of the Times' counter-activist model, which remains the defining standard for mainstream American journalism. The Year That Defined American Journalism introduces the year-study methodology to mass communications research and enriches our understanding of a pivotal moment in media history.

How we understand, protect, and discharge our rights and responsibilities as citizens in a democratic society committed to the principle of political equality is intimately connected to the standards and behaviour of our media in general, and our news media in particular. However, the media does not just stand between the citizenry and their leaders, or indeed between citizens and each other. The media is often the site where individuals attempt to realise some of the most fundamental democratic liberties, including the right to free speech. Media Ethics, Free Speech, and the Requirements of Democracy explores the conflict between the rights that people exercise in, and through, the modern media and the responsibilities that accrue on account of its awesome and increasing power. The individual chapters-written by leading scholars from the US, UK, and Australia-address several recent events and controversial developments in the media, including Brexit, the rise of Trump, Lynton Crosby, Charlie Hebdo, dog-whistle politics, fake news, and political correctness. This much-needed philosophical treatment is a welcome addition to the recent literature in media ethics. It will be of interest to scholars across political and social philosophy, applied ethics, media and communication studies, and political science who are interested in the important issues surrounding the media and free speech and democracy.

It is clinical work with the most difficult patients - those with severe narcissistic, sadomasochistic, and borderline disorders - that poses the greatest challenge to the therapist's guiding assumptions about clinical process; indeed, such work often leads therapists to question beliefs and expectations that formerly seemed self-evident. In Getting From Here to There: Analytic Love, Analytic Process, Sheldon Bach elaborates the holistic vision that guides him in work with just such patients. He dwells especially on the "attentive presence" through which the analyst effects a "meeting" with patients that invites the latter's trust in the analyst and in the therapeutic process. And he writes of love - of patient for analyst and of analyst for patient - that grows out of this mutual trust and sustains therapeutic process. For Bach, analytic therapy aims at understanding the person as a mind-body unity that manifests particular states of consciousness. This holistic vision of treatment sustains a flexible clinical orientation that enables the analyst to "meet" states of consciousness in order to bring them into a system of which the analyst forms a part. Bach thoughtfully explores the clinical issues that enter into this taxing process, among them the establishment and maintenence of basic trust; the patient's or the therapist's presence in the other's mind; and the shifts in agency between patient and therapist. And he describes at length the frequently exhausting, even demoralizing, transference-countertransference struggles that enter into this type of analytic work. Throughout, Bach is guided by the conviction that work with extremely challenging patients promotes the psychological growth and increased self-knowledge of patient and analyst alike. And he is admirably clear that the "mutual living through" of such treatments nurtures a kind of love between patient and analyst. Getting From Here to There not only records the clinical lessons learned by an unusually gifted analyst; it also chronicles the movement of psychoanalysis itself from the dissection of love into component parts to a synthetic grasp of its vital role in psychoanalytically informed treatment.

The rise of the smartphone has shifted news from fixed publication to a flow of updateable information. The chapters in this book investigate the implications for audiences, industry and society as news becomes mobile. Wherever we go, news from anywhere can reach us on our smartphones. And wherever we are, we can search up information specific to that place. News is produced by mobile journalists (MoJos) as well as by citizens armed with smartphones, reporting breaking news from crisis zones where information is uncertain, or hyperlocal news from neighbourhoods where little happens. Mobile technology allows citizens to engage deeply with a cause or to skim headlines so they know a little about a lot of things. News is distributed on mobile networks and consumed by mobile audiences as they make their daily way through time and space coloured by their mobile devices. It is consumed in the niches of life. It intersects with place in new ways as geolocated news. It pursues us wherever we are through push notifications. And news has moved from fixed to fluid, a flow of updateable information rather than a regularly issued product. In this book, the contributors take varied viewpoints on mobility and news, its impact on what news is, how journalists produce it and how it fits into everybody's everyday life. The chapters in this book were originally published as a special issue of Digital Journalism.

What's news? A front-page news story in the United States might not appear in a newspaper in China. Or a minor story on German television may be all over the airwaves in India. But "News Around the World" shows that the underlying nature of news is much the same the world over and that people--no matter what their jobs or their status in society--tend to hold similar notions of newsworthiness.
In this richly detailed study of international news, news makers and the audience, the authors have undertaken exhaustive original research within two cities--one major and one peripheral--in each of ten countries: Australia, Chile, China, Germany, India, Israel, Jordan, Russia, South Africa, and the United States. The nations were selected for study based on a central principle of maximizing variation in geographic locations, economic and political systems, languages, sizes, and cultures. The remarkable scope of the research makes this the most comprehensive analysis of newsworthiness around the globe:
- 10 countries studied, each with a university country director
- 2 cities in each country examined, one major and one peripheral
- 60 news media studied (newspapers, television, and radio news programs), resulting in 32,000+ news items analyzed
- 80 focus groups with journalists, public relations practitioners, and audience members
- 2,400 newspaper stories ranked according to newsworthiness and compared with how prominently they were published.
"News Around the World "provides remarkable insight into how and why news stories are reported, testing and improving a theory of cross-cultural newsworthiness, It is essential reading for anyone seeking to understand internationalmedia and journalism.

Tabloid Britainexamines four popular tabloid newspapers and uncovers the variety of linguistics strategies they use to depict contemporary Britain. These strategies are shown to construct, in a circular fashion, an impersonation of the language of the community of readers which the newspapers seek to attract.

Including examples taken from a month-long study, Martin Conboy considers how this imaginary community of the British nation is drawn through themes such as 'outsiders' and 'insiders', women, celebrity, history and politics. Conboy also demonstrates how the tabloids constitute a successful modern variation of journalism hich has extended its influence beyond the boundaries of print and triggered debate about the related phenomenon of 'tabloidization'.

This critical study of the newspapers' version of popular rhetoric will be of interest to students and researchers in the fields of English, Media and Communication, and Journalism.>

Martin Conboy is a well respected and experienced commentator on journalism and the media. In his new book, Tabloid Britain, he takes a critical look at the language of the tabloids to explore how they - by covering information in a sensational way and only when it suits their wider pattern of coverage - both create a well-defined version of Britain today and construct a type of community. From Posh and Becks to Tony Blair and Osama Bin Laden, the British tabloids become involved in the private and public lives of celebrities, terrorists and political figures alike and help to shape the nation's perception of people and events. Drawing on case studies from all the main tabloids, this book considers the narratives, semantics and ideologies that come together in these papers to create a 'textual community' of nation. It not only analyzes the ways in which language devices are used to create a perceived threat or danger from the outside world (asylum seekers, the European Union, Islamophobia); the language used to describe celebrities; and the use of puns in tabloids, but discusses the language of the tabloids in a wider media and global context. gender and sexuality, this book affords an invaluable insight into how the tabloids have become so influential in everyday British life.

From an author highly knowledgeable in the field, News is a handy and accessible guide that examines the history of news, both as newspapers and radio, and as entertainment and information, and introduces students to the key concepts and issues that surround the news. Using up-to-date case examples such as the Hutton Report and embedded journalists, from across a range of media including print, radio, television and the internet, Jackie Harrison explains the different theoretical approaches that have been used to study the news, as well as providing an accessible introduction to how news is produced and regulated, what counts as news, and how it is selected and presented. Topics covered include: introduction to the concept of news the growth and development of news technology, concentration and competition balancing freedom and responisibility regulatory control of the news making the news. Written in a clear and lively style, News is the ideal introductory book for students of media, communication and journalism.

Journalism and Democracy in Asia addresses key issues of freedom, democracy, citizenship, openness and journalism in contemporary Asia, looking especially at China, Japan, Korea, Indonesia, the Philippines and India. The authors take varying approaches to questions of democracy, whilst also considering journalism in print, radio and new media, in relation to such questions as the role of social, political and economic liberalization in bringing about a blooming of the media, the relationship between the media and the development of democracy and civil society, and how journalism copes under authoritarian rule.

With contributions from highly regarded experts in the region examining a broad range of issues from across Asia, this book will be of high interest to students and scholars in political communications, journalism and mass communication and Asian studies.

This book examines the impact of the "Big Five" technology companies - Apple, Alphabet/Google, Amazon, Facebook and Microsoft - on journalism and the media industries. It looks at the current role of algorithms and artificial intelligence in curating how we consume media and their increasing influence on the production of the news. Exploring the changes that the technology industry and automation have made in the past decade to the production, distribution and consumption of news globally, the book considers what happens to journalism once it is produced and enters the media ecosystems of the internet tech giants - and the impact of social media and AI on such things as fake news in the post-truth age. The audience for this book are students and researchers working in the field of digital media, and journalism studies or media studies more generally. It will also be useful to those who are looking for extended case studies of the role taken by tech giants such as Facebook and Google in the fake news scandal, or the role of Jeff Bezos in transforming The Washington Post. The Open Access version of this book, available at https://doi.org/10.4324/9781351013758, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.