During the mid-1990s, the O.J. Simpson murder trials dominated the media in the United States and were circulated throughout the world via global communications networks. The case became a spectacle of race, gender, class and violence, bringing in elements of domestic melodrama, crime drama and legal drama. According to this fascinating new book, the Simpson case was just one example of what the author calls 'media spectacle' - a form of media culture that puts contemporary dreams, nightmares, fantasies and values on display. Through the analysis of several such media spectacles - including Elvis, the X Files, Michael Jordan, and the Bill Clinton sex scandals - Doug Kellner draws out important insights into media, journalism, the public sphere and politics in an era of new technologies.

This book explores the evolving political culture in Indonesia, by discussing the country's dominant political philosophies, then showing how those philosophies affect the working lives of ordinary Indonesian citizens. It focuses in particular on the working lives of news journalists, a group that occupies a strategic social and political position. The author discusses the philosophies of 'Pancasila', the official national ideology, as well as paternalism, integrationism and corporatism. Romano also explores the 32-year period of New Order government and the rapid changes that followed President Suharto's resignation in 1998, concentrating on how the day-to-day workings of the news media are affected by paternalism, corporatism, corruption, and evolution of the prevailing political culture.

Henry Woodd Nevinson (1856-1941) was a scholar and socialist who found his metier on the cusp of the twentieth century, as a war correspondent who would go on to chronicle the major wars and civil conflicts of his time, from South Africa and Russia to India and the Balkans. Reporting from the Western Front in 1918 he was wounded at the Dardanelles. Nevinson's work was marked by a strong sense of conscience and underscored by activism: directing relief work in Macedonia and Albania, campaigning against the dreadful mistreatment of bonded labourers in Portuguese Angola, and supporting female suffrage in Britain. (He would marry the suffragette Evelyn Sharp.)

Nevinson wrote three volumes of autobiography: "Changes and Chances "(1923), "More Changes, More Chances "(1925), and "Last Changes, Last Chances" (1928). "Fire of Life," first published in 1935, is an expert abridgement of this trilogy.

This edited book takes an interdisciplinary approach to shed light on the complex dynamics involved in the incidence of online hate speech against migrants in user-generated contexts. The authors draw on case studies from Finland, France, Germany, Italy, Poland and the UK, bringing together qualitative and quantitative analyses on user-generated online comments. The authors argue that online hate speech against migrants must be understood as a symptom of a representation crisis on migration, which can only be fully perceived through the study of the complex linguistic, interactional and connective processes within which it emerges. They focus on representations and shared meanings, community building and otherness, and delve into the role of network ecosystems in the process of the construction of public problems. This book will be of interest to undergraduate and post-graduate students as well as academics working on hate speech and migration studies in a variety of fields, and can also contribute to improving research protocols for automated analyses and detections of online hate speech.

Political Journalism explores practices of political journalism, ranging from American 'civic journalism' to the press corps covering the European Union in Brussels, from Bangkok newsrooms to French and Italian scandal hunters. This edited collection makes a major contribution to the current upsurge of interest in journalism studies. Challenging both the 'mediamalaise' thesis and the notion of the journalist as the faithful servant of democracy, it explores political journalism in the making and maps the opportunities and threats encountered by political journalism in the contemporary sphere. It contains case studies drawn from the US, the UK, Australia, France, the Netherlands and Thailand among others.

eBook available with sample pages: 0203167562

This book examines the construction of national, regional, and group identities in the football journalism of five European countries: England, France, Germany, Italy and Spain. Notions of the respective national stereotypes are explored in each of the countries studied: for instance, is the stereotype of the French as a nation producing stylish, elegant football teams reflected in all European countries? Are there differences in the reconstruction of the traditional image of the Germans being efficient and technically competent? Similarly the perpetuation of diverse regional identities within the nations in question is also explored: how is the existence of regional movements in Spain, for example, portrayed by football writing in that country? Finally, group identities such as those of black players (in England), foreigners (in Italy), or women (in France) are analysed with a view to understanding how football writing reconstructs traditional images of such groups.

This book examines the construction of national, regional, and group identities in the football journalism of five European countries: England, France, Germany, Italy and Spain. Notions of the respective national stereotypes are explored in each of the countries studied: for instance, is the stereotype of the French as a nation producing stylish, elegant football teams reflected in all European countries? Are there differences in the reconstruction of the traditional image of the Germans being efficient and technically competent? Similarly the perpetuation of diverse regional identities within the nations in question is also explored: how is the existence of regional movements in Spain, for example, portrayed by football writing in that country? Finally, group identities such as those of black players (in England), foreigners (in Italy), or women (in France) are analysed with a view to understanding how football writing reconstructs traditional images of such groups.

The importance of nineteenth-century writing about culture has long been accepted by scholars, yet so far as music criticism is concerned, Victorian England has been an area of scholarly neglect. This state of affairs is all the more surprising given that the quantity of such criticism in the Victorian and Edwardian press was vast, much of it displaying a richness and diversity of critical perspectives. Through the study of music criticism from several key newspapers and journals (specifically The Times, Daily Telegraph, Athenaeum and The Musical Times), this book examines the reception history of new English music in the period surveyed and assesses its cultural, social and political, importance. Music critics projected and promoted English composers to create a national music of which England could be proud. J A Fuller Maitland, critic on The Times, described music journalists as 'watchmen on the walls of music', and Meirion Hughes extends this metaphor to explore their crucial role in building and safeguarding what came to be known as the English Musical Renaissance. Part One of the book looks at the critics in the context of the publications for which they worked, while Part Two focuses on the relationship between the watchmen-critics and three composers: Arthur Sullivan, Hubert Parry and Edward Elgar. Hughes argues that the English Musical Renaissance was ultimately a success thanks largely to the work of the critics. In so doing, he provides a major re-evaluation of the impact of journalism on British music history.

This text examines the use of images in journalistic contexts and the manipulation of these images to accomplish varying objectives. It provides a framework for critical discussion among professionals, educators, students, and concerned consumers of newspapers, magazines, online journals, and other nonfiction media. It also offers a method of assessing the ethics of mass-media photos, which will help visual journalists to embrace new technologies while preserving their credibility.
"Phototruth or Photofiction?" also:
*recounts the invention of photography and how it came to be accorded an extraordinary degree of trust;
*details how photos were staged, painted, composited and otherwise faked, long before digital technology;
*lists contemporary image-altering products and practices;
*details many examples of manipulated images in nonfiction media and lists rationales offered in defense of them;
*explains how current ethical principles have been derived;
*lays groundwork for an ethical protocol by explaining conventions of taking, processing, and publishing journalistic photos; and
*offers tests for assessing the appropriateness of altered images in non-fiction media.
Each chapter is followed by Explorations designed to facilitate classroom discussion and to integrate into those interactions the students' own perceptions and experiences. The book is intended for students and others interested in the manipulation of images.

This book offers fresh research and insights into the complex relationship between the press, war, and society in the 20th century, by examining the role of the newspaper press in the period c.1900- 1960, with a particular focus on the Second World War. During the warfare of the 20th century, the mass media were used to sustain domestic morale and promote combatants' views to an international audience. Topics covered in this book include British newspaper cartoonists' coverage of the Russo- Japanese War, the role of the French press in Anglo- French diplomacy in the 1930s, Irish press coverage of Dunkirk and D- Day, government censorship of the press in wartime Portugal, the reporting of American troops in North Africa, and how the Greek press became the focus of British government propaganda in the 1940s. Particular attention is given to the role of the British press in the Second World War: its coverage of evacuation, popular politics, and D- Day; the war as seen through commercial press advertising; the wartime Daily Mirror; and Fleet Street's role as a 'national' press in wartime. This book explores how- and why- newspapers have presented wars to their readers, and the importance of the press as an agent of social and political power in an age of conflict. This book was originally published as a special issue of Media History.

Spare Rib remains one of the most iconic symbols of Second Wave Feminism, its influence far out-living the span of its publication (1972-1993). This collection examines various aspects of the magazine - based on the digitised publication by the British Library in 2015 - in order to explore the ways in which it has influenced society in the twentieth and twenty-first centuries, as well as the lives of individual readers. By analysing several articles from a modern, post-feminist perspective, and using cross-generational interviews of Spare Rib readers and reflective accounts of reading the publication, the significance and endurance of the publication is demonstrated. Written by both academics, experienced researchers and independent scholars alike, the inter-disciplinary nature of the text results in a multi-dimensional reading of Spare Rib suitable for both an academic and general readership interested in cultural and media studies.

"Time, Change, and the American Newspaper" focuses on newspapers as organizations, examining the role of change in the newspaper industry and providing a model from which to view and respond to change. Authors George Sylvie and Patricia D. Witherspoon discuss environmental and organizational influences on contemporary newspapers, and they analyze newspapers within the larger context of all organizations. This more general perspective provides insights into the nature of change, the change process, the rationale for organizational changes, resistance to such changes, and initiation and implementation strategies.
In its examination of change, this volume explores the causes of newspaper change, how newspaper change takes shape, and when change does not work. This consideration sets the stage for detailed case studies examining the roles of new technology, product, and people as change agents in newspapers. The discussion concludes with the impact of change--or lack of it--on the contemporary newspaper industry and the subsequent impact of newspaper change on society. Sylvie and Witherspoon propose future directions of change and of newspaper decision-making processes pertaining to change, and they offer suggestions for changes in newspaper structures and thought processes.
Providing a sound, theoretically-based approach to the topic of change and American newspapers, this volume is essential reading for educators and students in journalism, media/newsroom management, media economics, organizational behavior/communication, and related areas. It also provides a wealth of insights and practical knowledge for newspaper publishers, editors, and practicing journalists.

During the past two centuries a vibrant prison press has chronicled life behind bars in American prisons, championed inmate causes, and challenged those in authority who sought to silence it. At its apex, several hundred periodicals were published by and for inmates. Unlike their peers who passed their sentences stamping out license plates, these convicts spent their days like reporters in any community-looking for the story. Yet their own story, the lengthy history of their unique brand of journalism, has remained largely unknown. In "Jailhouse Journalism," James McGrath Morris presents the history of this medium, the lives of the men and women who brought it to life, and the controversies that often surround it.

The dramatic history of prison journalism has included many famous, notorious, and unique personalities such as Robert Morris, the "financier of the America Revolution"; the Younger Brothers of the Jesse James gang; Julian Hawthorne, the only son of Nathaniel Hawthorne; men of the radical Industrial Workers of the World (IWW); Charles Chapin, famed city editor of New York's "Evening World" until he murdered his wife; Dr. Frederick Cook, North Pole explorer whose claim to have been the first to reach the pole is still debated today; Tom Runyon, who won a place for himself in history with an Underwood; and Wilbert Rideau, an illiterate teenaged murderer who raised prison journalism to the pinnacle of achievement.

In his new introduction Morris addresses the spread of prison journalism into other forms of media, such as radio and the Internet. He discusses the conflicts between those who publish jailhouse news and those who would wish to control, or eliminate it altogether.

Under the rule of Saddam Hussein, the prison of Abu Ghraib (the Father of the Raven) was a place of ill omen, notorious for horrific suffering and torture and mass executions. After the invasion of Iraq, the U.S. military made Abu Ghraib one of the major detention centers for Iraqis suspected of sympathizing with the resistance. The revelations since April 2004 of systematic torture and sexual humiliation of Iraqi detainees at Abu Ghraib have not easily been assimilated into the mythology of the U.S. "war on terror."

The Language of Empire focuses on the response to these revelations in the U.S. media, in congress, and in the larger context of U.S. global politics and ideology. Its focus on the media is a prelude to showing how the language of multiculturalism, humanitarianism, and even feminism have been hijacked in the cause of an illegal and brutal imperialist war.

The media have colluded with the Bush administration in manipulating images of the U.S. occupation of Iraq in such a way as to present it as a clash between civilization and barbarism, and in selectively using legal and procedural issues to distract from the basic criminality of the invasion itself. The circuitous logic through which U.S. imperialism presents itself as a defender of legality and democracy is exposed for all to see in this important and timely work.

Some of the bravest actions of journalists are unknown, obscured by the passage of time, hidden by veils of anonymity or buried by systematic repression. "Profiles in Journalistic Courage" corrects this imbalance. With few exceptions, the stories told in this collection are unfamiliar. In the words of Richard Whelan on Robert Capa's vision of the Spanish Civil War, these tales are drawn from the edge of things. Most of the people highlighted here are journalists who worked on the margins of popularity, who blazed new and solitary paths, and who left fleeting legacies.

Courageous journalists were not always thanked for their pioneering efforts. Jealousy, political disagreements, and differing conceptions of journalism sometimes fueled criticism of some of those dealt with in this volume. To complicate the subject further, brave journalists do not always act for reasons that win popularity or acclaim. Actions with laudable consequences are sometimes the result of egoism, stubbornness and ignorance, no less than selflessness, prudence, and principle. These psychological dimensions are not avoided in these profiles.

In "Yesterday" David Copeland examines the tangled legacy of the trial of John Peter Zenger. Graham Hodges unearths the story of David Ruggles, an African-American journalist and abolitionist. Pamela Newkirk recalls the life and work of Ida B. Wells-Barnett. Pierre Albert explores the journalism of the French Resistance. Bernard L. Stein and Hank Klibanoff describe the work and motives of the civil rights movement. The volume covers the journalism of commitment from Northern Ireland to Native American tribes. It closes with an extended essay by James Boylan on varied perspectives on different aspects of courage in journalism, from the capacity to resist threats to the courage to tell people what they may not want to hear or read.

Never Dull chronicles the author Robert Estabrook's expansive journalistic career. During 25 years on The Washington Post spanning the Truman, Eisenhower and Kennedy eras, McCarthyism and the Vietnam War, Estabrook wrote editorials and visited 70 countries as a foreign correspondent. He covered world leaders from Khrushchev, De Gaulle, Adenauer, and Macmillan to Chiang Kai-shek, Nehru, and U Thant. In this telling work, Estabrook also divulges the perils and pleasures he experienced during his 34-year love affair with a country weekly in northwest Connecticut, The Lakeville Journal. The book ends with a critical look at journalism and the values that are endangered by the greed that threatens a once-noble profession.

This topical volume illuminates ethical issues brought to the fore by the COVID-19 pandemic Drawing on a broad range of case studies from different regions, it provides insights into the multiple and complex ways in which the pandemic has shaped media ethics Chapters employ a wide range of innovative theoretical and methodological approaches to dissect enduring and emerging ethical questions during the pandemic While the case studies in this book are unique, the authors have extrapolated common strands from their analysis of ethical issues applicable to any other country or region during the pandemic, contributing unique perspectives on how media ethics are circumscribed by global health pandemics The book will appeal to researchers, academics, and practitioners at all levels in the fields of media studies, journalism, communication, media sociology, and public health, as well as general readers and policy makers who are keen to learn more about how global health crises illuminate critical ethical issues confronting the media

MediaWriting is an invaluable resource for students planning to enter the dynamic and changing world of media writing in the twenty-first century. With easy-to-read chapters, a wealth of updated, real-world examples, and helpful "How To" boxes throughout, this textbook explains the various styles of writing for print, broadcast, online, social media, public relations, and multimedia outlets. Some of the features included in the book are: A re-written Chapter 13, Writing and Reporting in the New New Media, with updates to how social media is used today Expanded chapters on print reporting methods and the Associated Press Stylebook Updates to Chapters 5 and 6, Legal Considerations in Media Writing, and Ethical Decisions in Writing and Reporting, discuss recent court cases and current ethical issues Explanatory "How To" boxes that help readers understand and retain main themes Illustrative "It Happened to Me" vignettes from the authors' professional experiences Discussion questions and exercises at the end of every chapter Designed to meet the needs of students of print and broadcast media, public relations, or a wannabe jack-of-all trades in the online media environment, this reader-friendly primer will equip beginners with the skills necessary to succeed in their chosen writing field.

This volume offers a historical, philosophical, and practical critique of public and civic journalism--a movement that gained momentum in the final decade of the 20th century. During that period, proponents of the movement have published nearly a dozen books expanding upon and expounding the virtues of journalism, seeking to repair what is thought to be the torn social, political, and moral fabric in America. Although previous works have established a strong practical underpinning for public and civic journalism, none has examined its philosophical roots or challenged its methodology and grounding in neoliberal constructs. This volume does just that, tracing its origins in early philosophy to the current newsroom policies and practices that conflict with traditional constructs in libertarian press theory.
"Twilight of Press Freedom" postulates that institutionalized journalism is fading away and world journalism--prompted by the people--is veering toward more order and social harmony, and away from the traditional idea of the great value of press freedom. The volume provides a critical examination of the trend toward public journalism and considers how press freedom will be impacted by this trend in coming years. Scholars and students in journalism, public opinion, and media studies will find this book insightful and invaluable.

This collection of original essays brings a dramatically different perspective to bear on the contemporary 'crisis of journalism'. Rather than seeing technological and economic change as the primary causes of current anxieties, The Crisis of Journalism Reconsidered draws attention to the role played by the cultural commitments of journalism itself. Linking these professional ethics to the democratic aspirations of the broader societies in which journalists ply their craft, it examines how the new technologies are being shaped to sustain value commitments rather than undermining them. Recent technological change and the economic upheaval it has produced are coded by social meanings. It is this cultural framework that actually transforms these 'objective' changes into a crisis. The book argues that cultural codes not only trigger sharp anxiety about technological and economic changes, but provide pathways to control them, so that the democratic practices of independent journalism can be sustained in new forms.

The events of 1989 were the raw material of great reporting. They revealed the power of journalism. Long before people in Central and Eastern Europe liberated themselves, they discovered democratic freedom, putting to print their own ideas and chronicling events of the day. Indeed, long before they had democracies in law, they had imagined them on paper.

In the Solidarity network that produced books and leaflets and news bulletins, in the essays of Vaclav Havel, in the samizdat publishing house in Budapest that used a portable printing machine, Eastern Europeans demonstrated the organic link between journalism and self-government. They showed how journalism nurtures the imagination, dialogue, and honesty that are basic to democratic life.

If history had ended in 1989, there would be cause for easy optimism. The changes that swept Central and Eastern Europe passed with relatively little bloodshed. But agonies of the former Yugoslavia, convulsions of the former Soviet Union, and enduring battles with censors and would-be censors bedevil emerging democracies. Not only does much remain for journalists to cover in Central and Eastern Europe, in some places there the fate of journalism is still an open question. For all these reasons, Reporting the Fall of European Communism explores, not only the events of 1989, but new stories that have emerged in Central and Eastern Europe over the past decade. This volume will be of interest to media professionals, academics and others with an interest in the power of journalism.

The invention and spread of newspapers in the seventeenth century had a profound effect on early modern European culture and politics. The European pattern for the delivery and consumption of political information provided the model for the rest of the world. However, the transition to printed news was neither rapid nor easy and a greater circulation of news had widely varying effects.
Recent research has revealed much about the origins and development of news publishing in each of its European settings. This book is the first to bring this research together in comprehensive survey. The international contributors to this volume study all of the most important information markets in Europe. Topics covered include: * the relation between printed and manuscript news
* role of censorship mechanisms
* effects of politics on reading and publishing
* effects of reading on contemporary politics
What emerges from this research is a new view of political information as an enterprise, and of the products of information as commodities circulating far and wide.

From this book, you will gain an understanding of the global media marketplace - the technology, the players and the issues. The role of news agencies, sources and networks are explored covering the issues of ethics, global media ownership and control. Find out how journalists are using the web and learn even newer ways to collect and communicate information.
Essential reading for today's practising and trainee journalists. John Herbert examines the global environment in which journalists operate and describes the latest technology and its impact on print, broadcast and online journalism practice.
Practising Global Journalism is a unique overview of the profession, providing a comparative study of journalism practice worldwide. Case studies are drawn from Europe, Australia, the Asia Pacific, South Asia, China, Africa and the Americas.
International case studies compare journalism practice worldwide
Understand how the digital revolution is affecting journalism globally
Gain first hand knowledge from a renowned expert in this field

A major addition to the psychoanalytic casebook literature, Errant Selves: A Casebook of Misbehavior is a collection of case studies dedicated to the psychoanalytic understanding and treatment of behavior disorders. The contributors to this volume explore cases of perversion, delinquency, and addiction in which the misbehavior at issue served primarily to ward off painful affects or states of dysphoria in order to achieve a basic integrity of the self. For these patients, the pathway to self-cohesion entailed the florid acting out typical of narcissistic behavior disorders.
Clinical readers of all persuasions will be intrigued by treatment narratives that chronicle the special challenges of working with patients who, in Goldberg's words, "were neither unitary selves nor persons with an easy ability to bolster or reconstitute themselves in socially acceptable ways." Of special interest is the contributors' sensitivity to what they missed with these troubled and troubling patients; they recount examples of skewed focus, of strained rationalization, even of glaring clinical omission, all of which suggest that the patients' psychic splits activated parallel splits on the part of their therapists.
What emerges from the contributors' efforts, then, is very much a casebook of our time. It extends the purview of psychoanalysis to the developmental history and psychodynamics of disavowal; explores the analytic management of delinquent, perverse, and addicted patients; and examines the analyst's subjective presence in these treatments, including his or her potential for self-deception and collusion. And it does so in the context of probing a theoretical issue of continuing practical import: whether or not psychoanalytic therapy is best served by viewing the patient as a unitary individual with a coherent sense of agency and an integrated set of values and goals.

As the visual component of contemporary media has overtaken the verbal, visual reportage has established a unique and extremely significant role in 21st-century culture. Julianne Newton has prepared this comprehensive analysis of the development of the role of visual reportage as a critical player in the evolution of our understanding of ourselves, others, and the world. "The Burden of Visual Truth" offers a first assessment of the role of visual journalism within the context of the complex, cross-disciplinary pool of literature and ideas required for synthesis.
Newton approaches the subject matter from several perspectives, examining the theoretical and ideological bases for visual truth, particularly as conveyed by the news media, and applying relevant research on photojournalism and reality imagery to contemporary newspaper, broadcast, and internet professional practice. She extends visual communication theory by proposing an ecology of the visual for 21st century life and developing a typology of human visual behavior. Scholars in visual studies, media studies, journalism, nonverbal communication, cultural history, and psychology will find this analysis invaluable as a comprehensive base for studying reality imaging and human visual behavior. The volume also is appropriate for journalism and media studies coursework at the undergraduate and graduate levels. With its conclusions about the future of visual reportage, "The Burden of Visual Truth" also will be compelling reading for journalism and mass communication professionals concerned with improving media credibility and maintaining a significant course for journalism in the 21st century. For all who seek to understand the role of visual media in the formation of their views of the world and of their own identities, this volume is a must-read.