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Arts & Crafts > Crafts and Hobbies > Printmaking
Jackson's Polished Copper Etching Plate, made with 0.9mm polished copper plate for etching. The polished surface is protected with a plastic film so simply requires degreasing before applying ground.The back of the plate will require the application of an acid resistant stop out. Copper is a harder metal than zinc and plates will withstand more printing. It is also idealy suited to non-etching intaglio techniques such as drypoint and engraving and mezzotint.
For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.
High quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests. Full bolster and square tang for optimal stability. Internal steel ferrule under bolster prevents handle from splitting. Tools are hardened to edge of bevel. Blades electronically hardened to exacting tolerances.
Pfeil Sharpenin Stones are the ideal tools to sharpen your lino cutting equipment and, in turn, to achieve excellent quality cut marks.
Twisted steel double-ended dry point scribe, used for adding detail or tone to metal plates for intaglio printmaking processes. The line is created as the dry point or needle is dragged or drawn over the plate.If this tool is used to add detail or tone directly to the metal plate (a technique known as 'drypoint'), it will inscribe a line with a slight burr, which will print a blurred, indistinct line.This effect can be controlled by manipulating the angle at which the point meets the plate.
For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.
High quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests. Full bolster and square tang for optimal stability. Internal steel ferrule under bolster prevents handle from splitting. Tools are hardened to edge of bevel. Blades electronically hardened to exacting tolerances.
Lascaux Stop-out resist has been specially designed as part of the acrylic-resist etching system. This coloured resist is fluid and can be easily painted onto plates to create images, make corrections to plates or used for stopping-out. It can be drawn into with etching tools when dry. Lascaux Stop-out resist is water-soluble, ready to use, non-toxic and suitable for use on copper, brass, zinc, steel and aluminium. The resist is highly acid-resistant and durable on unbitten or previously etched plates (e.g. aquatint, deep open bite). It is compatible with the other Lascaux resists and photopolymer resists such as Photec. Lascaux Stop-out resist may also be used to create a variety of effects on collagraph plates.
pdf=SDS_Cranfield_Printmaker_Wax_Drier.pdf Cranfield Printmaker Wax Drier Safety Data Sheet.
The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
Lawrence pure beeswax in lump form. Beeswax is an ingredient in stop-outs and etching grounds. Due to its resistance to acid it is the preferred wax for printmakers and is an important raw material in the studio.
As in lino-cutting, the desired design is cut in reverse into the surface of the block with gouges or knives. Water-soluble or oil-based ink is then transferred to the raised, uncut areas of the block using a roller/brayer. The design can be printed onto paper or fabric, in a press or by hand. The blocks are Latex-free. Dimensions: 15x30.5 cm Thickness: 0.6 cm
Grafix monoprint plates have a light blue protective coating on each side to keep the film from scratching. Just remove the blue liners before use. A pack of 3 Monoprint Plates each measuring 6x9in
High quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests. Full bolster and square tang for optimal stability. Internal steel ferrule under bolster prevents handle from splitting. Tools are hardened to edge of bevel. Blades electronically hardened to exacting tolerances.Set includes tools: L 1/8, L 1s/8, L 1a/8, L 5/8, L 11/3, L 12a/4 L1/8 Straight gouge n.1 - 8mm L1S/8 Straight gouge n.1S - 8mm L1a/8 Spoon bent tool n.1a - 8mm L5/8 Straight gouge n.5 - 8mm L11/3 Straight gouge n.11 - 3mm L12a/4 Spoon bent V-parting tool n.12a - 4mm
Made with heavy-duty, durable and rust resistant aluminium, Speedball Hinge Clamps enable you to convert any table into a screen-printing press. The clamps feature two large holes which screw directly into the workbench and large thumb screws to secure frame into place for accurate registration when printing.
This Essdee Lino Carving Tool Set includes five blades and a handle. Includes two sizes of V-gouge, two shallow U-Gouges, and a blade for precise incisions.
Burnishers are used to flatten a section of a metal plate in order to remove engraved or etched patterns and lines. This 'erases' the marks on this area. This ball-burnisher is designed to be used for detailed work. If you wish to flatten an extensive area, you would be better off using a straight burnisher.This tool is made of high carbon tool steel and is manufactured by EC Lyons.
For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.
Charbonnel Transparent Ground is a slow drying retouching ground for printmaking and etching.The transparency of the ground allows for a second application and reworking. It can also allow previous etchings to show through. Applied straight onto a plate using a supple brush, or by pouring it on directly. Made with beeswax, pitch resin and turpentine.
TechnoArt Lino Cutters are manufactured from high quality steel in variety of different shapes.
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